Sentences with phrase «in mirror shots»

Filmed almost entirely in first person, Maniac follows a deranged young man, Frank (Elijah Wood, Sin City, seen in mirror shots and in photographs), who hunts down beautiful women and takes their scalp back to his mannequin studio in a horrifically violent ritual.

Taking photos of yourself in the mirror with your cellphone: The self administered cell - phone in the mirror shot has turned into an epidemic.

Thanks especially for pointing out the vintage bar stools in that mirror shot.

Not exact matches

So what do I do when I turn on the TV to see news of another shooting, when I realize that neither political party comes close to representing the radical teachings of Jesus, when I get tired of receiving emails from «Save Darfur,» when I look in the mirror and see the worst sinner who has ever walked the earth, when I honestly have no idea how to resolve the question of how pacifism could ever be justified in light of Auschwitz and Buchenwald?

Deluded fans who change posts within a minute are already heaping praises on Welbeck.Come on we all know we need to support our players but who does here on this forum?The only supported player is Ozil who to me is a weak link at Arsenal.Slowing up the game, too lazy can't shoot, can't dribble and he is our main man.U hyped Ramsey, sang him praises and now he spends more time in the mirror and tatoos than focusing on his game!

And not when Woods was an almost - safe six shots back and barely visible in Goosen's rearview mirror at the start of the last round.

They don't have time to get all dolled up, taking hundreds of pictures of themselves in the mirror until they find that one «perfect» shot.

I think what you describe is the lowest common denominator of good nutrition: whole foods, cooked in ways that mirror home cooking (not shipped in already frozen and shot full of stuff that makes them tweak your dopamine receptors in ways that homecooked food never could), and menus that look like home - cooked food, too (totally agree with the «carnival food» thing).

«I would suggest the mayor look in the mirror and ask himself whether it's his own policies that he's in favor of — whether it's those policies that make somebody actually think he can shoot a cop.»

«I love the mirrored symmetry of the males as they engage in their violently ritualized, almost choreographed, fighting; the male on the right of the shot fixing his rival with a gimlet eye as he looks to land a decisive blow.

Each ET interferometer will monitor such distances shooting laser beams in two directions and studying the interference pattern after beam reflection on mirror test masses put at kilometric distances.

TRANSFORMATION TUESDAY - SCALES VERSUS PICTURES — My nana always says a picture tells a thousand words - well here's one for you - same weight, three years apart - Feeling healthy is THE number one measure of a healthy body, and I know that whats the mirror, and in my progress pics like this one, are 100 % more accurate measure, and I'm so glad I've documented my whole weight loss journey - My weight has shot up to 68kgs again in the last while, and my minds been playing tricks on me ♀️ The last time I was 68kgs was 2015, I was just 12 weeks into my first ever training program and I had lost a massive 7kgs already!!

I didn't think to try this gold mirror in here until I had taken all my photos but I did quickly take a couple of shots before it got dark and I really like how it looked!

Then, for a twinning photo shoot, we both paired our new boots with a messy bun, our circular, mirrored frames from the Ladies Market in Mon Kok, our matching stripes (hers belongs to her mom which I gave to Julie;), and some black on the bottom.

H&M TREND printed jumpsuit (in stores soon) H&M white sneakers ZEROUV mirror sunglasses Today's shoot was completely D's idea, I just had to put this printed jumpsuit on and show up.

Here's a full shot of my flocked Christmas tree, in it's Mirrored Tree Stand.

After the photo shoot, I hung my floral crown over the corner of my mirror in my bedroom and it looks adorable.

Shot by photographer Chloe Mallett at the Palácio de Monserrate in Sintra, Portugal, the eye - catching artwork and embellishments of the fall collection not only highlight but also mirror the architectural details of their surroundings.

I was looking in the mirror before shooting a story for Instagram and the front had sort of folded closed and a little light went on.

Sure, I think a happy group shot might be better in a secondary photo than a selfie taken in the mirror or with the family pet, but for a primary online dating profile photo, I have to disagree.

We all know about the profile pic clichés such as the one of you standing in front of your bathroom mirror shooting a selfie with your shirt off.

They are often a bathroom shot in the mirror, or in the case of Rhianna, a bikini shot or two.

Avoid that unflattering mirror shot by asking a friend to take your photo, or invest in a camera with timer.

Shots of you topless in front of the mirror send all the wrong messages and are a surefire way to make people swipe left.

I know when you see your flaws every day in the mirror; you worry about how a man will react to your full body shot.

Usually it's goofy, a bathroom shot in the mirror, or in the case of Rhianna, a bikini shot or two.

I'm always surprised to see people posting grainy photos, or shots with so much glare you can't make out the person's face, or pictures taken while staring at a reflection in the bathroom mirror.

And men — most of us agree that the muscle shot in front of the bathroom mirror is an automatic «skip.»

Every other photo was a shirtless shot taken in front of the mirror or a photo of a half - naked female ass.

VIOLENCE / GORE 6 - A man breaks through a hotel room door and holds a gun on a woman as they yell at each other, he holds the gun to his own head and under his chin, he slams her into a mirror, she kicks him in the crotch and runs away, he shoots at her and the bullet ricochets off a car and grazes her cheek (we see blood on her face).

In THE POST, director Steven Spielberg fluidly mirrors this shot with a SteadiCam following Bradlee (Tom Hanks) through the newsroom as the drama begins to unfold around Daniel Ellsberg's (Matthew Rhys) 1971 leak of the Pentagon Papers — a decades - spanning intelligence assessment which betrayed administration doubts about success in Vietnam, highlighting the influence of what Eisenhower warned was a growing Military Industrial CompleIn THE POST, director Steven Spielberg fluidly mirrors this shot with a SteadiCam following Bradlee (Tom Hanks) through the newsroom as the drama begins to unfold around Daniel Ellsberg's (Matthew Rhys) 1971 leak of the Pentagon Papers — a decades - spanning intelligence assessment which betrayed administration doubts about success in Vietnam, highlighting the influence of what Eisenhower warned was a growing Military Industrial Complein Vietnam, highlighting the influence of what Eisenhower warned was a growing Military Industrial Complex.

Although his heavily accented English is at times an impediment to understanding, he comes across as a humble and interesting guy, and also shares good anecdotes and practical filmmaking tips (shooting down directly into a flame will result in smoke damage to a camera, so use a mirror, kids!).

It's actually astonishing that we not only have great actors nailing tricky scenes, and really some stunning, winding camerawork to go with it, but such things as the weaving in of special effects and the utter lack of capturing any of the off - screen crew members who surely must have been around helping with the shoot (that we never see anything we shouldn't in any of the many on - screen mirrors is quite astonishing) only makes this one of the more brilliant efforts at shooting a seamless film since the first in Alfred Hitchcock's Rope.

Unlike so many trick shots in the Zemeckis canon (the floor P.O.V. of Michelle Pfeiffer in What Lies Beneath, the through - the - mirror pull - back on Jena Malone in Contact), however, it's a perfect marriage of form and function — discombobulating in a productive way.

The staging is so endlessly, even incestuously, self - referential as to earn the epithet mise - en - abyme, a term derived from what happens when you place two mirrors opposite each other, producing an infinite reflection, as in the famous hallway shot from Welles's Citizen Kane.

Shot and cut into shards like reflections in a shattered mirror, it's a transgressive assault on the audience at its most vulnerable (in the bathroom, naked and exposed) and a masterpiece of editing (Hitch entrusted the planning and execution to Saul Bass, who also created the slashing opening credits).

You could see similar elements in Lodge Kerrigan's chilly «Claire Dolan» (with a dash of Polanski in there — an unsettling manicure scene followed by a startling shot involving a mirror on an armoire)-- and, sure enough, it turns out that the young, unknown Bahrani so admired Kerrigan's work that he sent him an early cut of the film and asked for Kerrigan's advice.

So I started putting pictures of Lee Marvin in The Man Who Shot Liberty Valance on my mirror — I wanted to make my guy seem like the exact opposite, a perfect counterpart for her.»

«I wanted to bring balance to these two families and I saw it more as a dark mirror of each other,» she says, crediting her actors for embodying these hardened and layered characters so deftly during a 26 - day shoot on location in Louisiana.

After the usual rigamarole about shooting challenges and directorial perfectionism, someone asked Zhang Yimou what he thought the film was about, which he either answered honestly or deftly dodged by asserting that what he wanted people to take from the film, long after they've forgotten the plot, are the memories of certain images: two women in red fighting among swirling yellow leaves, two sorrowful men flying and dueling on a lake as still as a mirror, a sky of black arrows, a desert moonscape haunted by lonely figures in white.

There are many ways to read an opening scene in which an elderly man glumly stares at himself in the bathroom mirror but perhaps only one way to interpret a shot that zeroes in on the surgery scar on his chest.

But it benefits from a handful of glorious visual moments unlike anything else in sci - fi — the stunning track - back through the universe at the film's opening, the special effects bonanza that brings matters to a climax and a truly weird and unforgettable through - the - mirror long shot.

There are shots in «Crimson Peak» that mirror «Notorious,» a close - up of the ubiquitous key - chain with the key desired lying on the top of the heap, or the camera following a tea cup as it is carried across the room.

For starters, it was shot on location by Roger Deakins, the best cinematographer going, and it has a brusque, russet feel that mirrors Boston in winter.

The result is a trim, scrubbed work, as strange and distilled as a mid-1930s Tod Browning chiller, where the smallest hint of sentimentality or whimsy (say, the girls dancing to a pop song) is literally short - circuited and the mirror the heroine stares into in the final, closure - denying shot might have been pieced together from the same glass shards seen in the unnerving opening credits.

For example, he uses a lot of angled mirror shots to illustrate the altered perspective of that person, precise focusing and blurring to mimic foggy state of mind, and removing the camera from the steadicam in some scenes to create energy.

Closer to The Piano Teacher than The Red Shoes, it's a half - exhilarating, half - forehead - smacking fairy tale about cruel aesthetes and the disintegrating / exultant pull of darkness, opening in the realm of dream and proceeding through a gleeful maelstrom of mirror shots, pirouetting camerawork, and corporeal punishment (toes, tendons, and cuticles get plenty of extreme close - up attention).

The dazzling action set - pieces are some of the best in recent memory, from the demolition - derby opening to a museum shoot - out painted with Jackson Pollock splatters of blood to a magnificent (and metaphorically rich) fun - house climax in a mirrored art installation.

In one beautifully shot scene both Abel and Donovan take their sides in the mirroIn one beautifully shot scene both Abel and Donovan take their sides in the mirroin the mirror.

The narrative attempts to tell a bizarre funhouse mirror version of a rags to riches story of a crazy director with no talent who becomes a celebrity in spite of himself by making a terrible movie badly, but Franco and his cadre of famous friends (his brother Dave, Alison Brie, Zac Efrton, Seth Rogen, and so on and so on) seem far too tickled making shot for shot remakes of scenes from The Room to latch onto anything beyond an extended SNL skit.