Sentences with phrase «in modern abstract art»

Jellett had precocious talent as a painter, and while starting out as a follower of Impressionism she began - as a result of her association with the Parisian abstract painter and teacher Albert Gleizes - to develop a greater interest in modern abstract art like Cubism.

Not exact matches

Thus, the materialistic Picasso, and most modern art with him, can express an essentially nonreligious love of the world in all its materialistic carnality only within the framework of a highly «spiritual» — i.e., abstract — style.

A team led by Nicu Sebe at the University of Trento in Italy used machine vision to analyse 500 abstract paintings at the Museum of Modern and Contemporary Art of Trento and Rovereto.

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for parents, pupils, students and teachers in modern visual art: Here I placed a selection of my recent abstract and rather colorful watercolor paintings on paper.

Some traders like to plaster their charts in technical analysis indicators that literally make the charts look like a piece of modern abstract art.

Painted mint green on the outside, the modern two - storey building has cool, airy and spacious rooms that all come with TV, fridge, desk, hot water in clean ensuite bathrooms and abstract art that continues with the pastel theme.

Painted mint green on the outside, the modern two - storey building has cool, airy and spacious rooms that all come with TV, fridge, desk, hot water in clean ensuite bathrooms and abstract art that... Read our full review of Baan Mae Rim Nam.

The decor in light - colored wood, beige and brown tones with abstract art in pastel colors had a Scandinavian feel to it and felt light and modern.

Waqian Sun waqiansunart.com «We are living in the 21st century, really overwhelmed by a multitude of different art forms: modern, contemporary, pop, classic, abstract.

And because it's by Caro, and because he's now dead (R.I.P.), and because it's a piece of art history merchandising already, and because it's the prestigious Pace Gallery; because of all this and more, and for no reason due to its inherent value, since it transparently has none, unless you view it through a thick haze of sentimental regret for simpler and more certain times in abstract art; this pathetic little piece of twaddle has become a luxury commodity, imbued with all the myths of modernism, reflecting back at us our own «good - housekeeping - modern - but - weren't - we - ever - so - radical - back - in - the - sixties» taste.

With a title that plays on Robert Rauschenberg's infamous 1961 portrait of Iris Clert — a telegram that simply states, «This is a portrait of Iris Clert if I say so,» — this groundbreaking exhibition examines the rise and evolution of symbolic, abstract, and conceptual portraiture in modern and contemporary American Art.

This is our first sighting of a body of work that could hold its own in the collections of the Whitney Museum of American Art or the Museum of Modern Art and in the history of American abstract painting.

In 1959, a year out of Princeton, he was included in Sixteen Americans — a landmark show at New York's Museum of Modern Art that pulled the plug once and for all on abstract expressionism and set the stage for the multifarious art of the 1960In 1959, a year out of Princeton, he was included in Sixteen Americans — a landmark show at New York's Museum of Modern Art that pulled the plug once and for all on abstract expressionism and set the stage for the multifarious art of the 1960in Sixteen Americans — a landmark show at New York's Museum of Modern Art that pulled the plug once and for all on abstract expressionism and set the stage for the multifarious art of the 196Art that pulled the plug once and for all on abstract expressionism and set the stage for the multifarious art of the 196art of the 1960s.

Vasily (Wassily) Kandinsky (1866 - 1944) was a Russian painter, teacher, and art theorist who was one of the first artists to explore nonrepresentational art and, in 1910, created the first totally abstract work in modern art, a watercolor entitled Composition I or Abstraction.

Alvarado, Donegan, Hachisuka, Hiro, Hansen, Tuttle and Wurtz each offer discrete challenges to accepted subjects and approaches in modern painting: the nonreferentiality of abstract art, the relationships of artist to model and of artwork to viewer, and the conventional roles of the gestural painter.

Working before Kandinsky and Malevich, Swedish artist Hilma af Klint was arguably the first abstract painter in the history of modern art

The Soundsuit in the contemporary art collection at the Wadsworth Atheneum — an encyclopedic museum — bridges numerous collections with its direct connection to African art, Modern abstract painting, performance art, contemporary sculpture, and costumes and textiles.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

(January» 56) Influenced by exhibition «Modern Art in the United States» at Tate Gallery, London, his first encounter with American abstract painting.

And when, finally, in 1936, the Museum of Modern Art did offer its public an exhibition of cubist and abstract art, only European artists were includArt did offer its public an exhibition of cubist and abstract art, only European artists were includart, only European artists were included.

Artists in both groups strove to place abstraction at the center of modern art, and both grew out of the needs of individuals who had been working with abstract art long before either group was established.

According to the artist's interpretation, this genre is throw back to the things which took place in ХХ - th century art: it is the» landscape of fantasy» after abstract painting, modern and postmodern philosophy, psychoanalysis.

The terms modernism and modern art are generally used to describe the succession of art movements that critics and historians have identified since the realism of Gustav Courbet and culminating in abstract art and its developments in the 1960s.

«When, finally, in 1936, the Museum of Modern Art did offer its public an exhibition of cubist and abstract art, only European artists were includArt did offer its public an exhibition of cubist and abstract art, only European artists were includart, only European artists were included.

Plensa debuted the monumental sculpture Echo in Madison Square Park in 2011, and Rapaport was quoted in the New York Times article regarding the project, «When we think of great modern and contemporary public art, usually we think of work that uses an abstract visual language.

i think he made such breakthroughs (with the help of andy warhol) in abstract / modern art.

Frederick Hammersley was a Southern California abstract painter who appeared in an important exhibition in 1959 called Four Abstract Classicists, curated by the art critic Jules Langsner at the San Francisco Museum of Modern Aart critic Jules Langsner at the San Francisco Museum of Modern ArtArt.

Forming Nature: Dansaekhwa Korean Abstract Art, a selling exhibition of contemporary Korean art at Christieâ $ ™ s West Gallery in New York City, Oct. 8 - 23, features works by several of Korea's most renowned modern abstract artisArt, a selling exhibition of contemporary Korean art at Christieâ $ ™ s West Gallery in New York City, Oct. 8 - 23, features works by several of Korea's most renowned modern abstract artisart at Christieâ $ ™ s West Gallery in New York City, Oct. 8 - 23, features works by several of Korea's most renowned modern abstract artists.

[10] In the 1930s, he became increasingly politically engaged; according to Cécile Whiting, Davis» goal was to «reconcile abstract art with Marxism and modern industrial society».

Perhaps because of the incandescence of the YBAs in the 1990s, British art in the 1980s often gets short thrift in terms of column inches in histories of modern and contemporary art, but — as Ikon's new show on the decade should demonstrate — it was a period of free - wheeling experimentation, in which figurative painting made a comeback, the variety of abstract styles increased, installation art grew in ambition and cut - and - paste appropriation prevailed.

The Korean Cultural Center Washington, D.C. proudly presents Dance of Light, a solo exhibition featuring 70 radiant, spiritual works that evoke an abstract vision of the natural world by Bang Hai Ja, celebrated as being among the first generation of professional artists from Korea to embrace abstract art in the modern era.

Freilicher started out as an abstract painter after studying with Hans Hofmann in the late 1940s, but turned somewhat abruptly to representational painting, Russeth wrote for ARTnews, after seeing the Museum of Modern Art's 1948 Bonnard retrospective.

With a title that plays on Robert Rauschenberg's infamous 1961 portrait of Iris Clert — a telegram that simply states, «This is a portrait of Iris Clert if I say so» — this major groundbreaking exhibition examines the rise and evolution of symbolic, abstract, and conceptual portraiture in modern and contemporary American Art during the past century.

But the artist and critic Brian O'Doherty did something of the sort in the 1970s, when he wrote of how far both the creation and canonisation of modern art had been informed by the dominant «white cube» model of gallery space, which had conferred a monumental aura on much large - scale abstract painting.

In the 1950s, Hare's work turned away from the general abstract trajectory of modern American art when he began painting mythological scenes.

Though most public presentations of art were conservative, capturing the subdued tone of a nation under economic siege, the Museum of Modern Art mounted the first exhibition of cubist and abstract art — but neglected American artists working in this veart were conservative, capturing the subdued tone of a nation under economic siege, the Museum of Modern Art mounted the first exhibition of cubist and abstract art — but neglected American artists working in this veArt mounted the first exhibition of cubist and abstract art — but neglected American artists working in this veart — but neglected American artists working in this vein.

Like the handful of British modern painters who are his peers — Francis Bacon, Lucian Freud and David Hockney — he rebelled against the austerity of abstract art and instead put the human self, in all its desire and suffering, at the centre of his universe.

As a small, nervy group in 1936 — led by such figures as painter George L. K. Morris, muralists and WPA leaders Ilya Bolotowsky and Balcomb Greene, and sculptor Wilfred Zogbaum — they challenged Alfred Barr and The Museum of Modern Art to include Americans as well as Europeans in MoMA's first major survey of abstract aArt to include Americans as well as Europeans in MoMA's first major survey of abstract artart.

DAM curator of modern art Gwen Chanzit says she got the idea for the exhibition after seeing an exhibition of works of abstract expressionism at the Jewish Museum in New York City in 2008.

In these early galleries, perfunctory sketches alternate with paintings like «Modern Art» — a brief anthology of enervated abstract marks against a black ground — that skewer a half - century of avant - garde rhetoric in one mid-size canvaIn these early galleries, perfunctory sketches alternate with paintings like «Modern Art» — a brief anthology of enervated abstract marks against a black ground — that skewer a half - century of avant - garde rhetoric in one mid-size canvain one mid-size canvas.

The exhibition explores the emergence and evolution of symbolic, abstract, and conceptual portraiture in modern and contemporary American art.

As he remarked on the evolution of abstract art in a lecture given at the Museum of Modern Art in 1951 «for the painter to come to the «abstract» or the «nothing» he needed many thinart in a lecture given at the Museum of Modern Art in 1951 «for the painter to come to the «abstract» or the «nothing» he needed many thinArt in 1951 «for the painter to come to the «abstract» or the «nothing» he needed many things.

The works of art that we could dub as formalist already achieved fame by other names — modern art, abstract art, the avant - garde, yet they here are presented in the context of their philosophical origin.

An exhibition looking at how photographers responded and contributed to the invention of abstract art.The birth of abstract art and the invention of photography were both defining moments in modern visual culture, but these two stories are often told separately.

Reminiscent of early forms of abstract modern art — a moment of convergence that did not actually occur in art history between cubism, constructivism and neoplasticism — her paintings emerge through a process of layering and accrual, with the finished work being «a concentrate of the many paintings underneath».

Highly engaged with international art movements such as cubism, abstract expressionism, arte povera, and conceptual art — but also having studied and lived in Europe and the United States — an older generation of the artists on view pioneered modern art in Cyprus, through a dialogue within local traditions.

A giant of modern British art, Howard Hodgkin (1932 — 2017) made a name with his luscious abstract paintings smeared with radiant colour to recreate intimate memories of loved ones and encounters in time.

The first show I did when I got into the Museum of Modern Art was the «New Images of Man» and I would say that the people that showed there not only had WORD coming from Chicago but European showed there, SOMONE, SOMEONE, Francis Bacon and many others were every bit as important as the abstract expressionists both in America and Europe.

In 1955 he organized the first exhibition of American abstract art at the Museum of Modern Art, Tokart at the Museum of Modern Art, TokArt, Tokyo.