Sentences with phrase «in modern ears»

Similarly, Paul's statement, lamentable in modern ears, that it is better to remain unmarried but that if one can not remain unmarried without being unchaste, «it is better to marry than to burn,» (I Corinthians 7:9.)

Thankfully, in the modern ear, business owners are more mindful of this and are aware of how business operations can harm the environment.

Not exact matches

This refers to Ephesians 5:22 in which wives are instructed to obey their husbands in language that causes modern ears to balk.

The bridal imagery invoked throughout the Fathers and in the Rite itself may sound awkwardly to modern ears, yet it contains a profound truth about the absolute fidelity to which the virgin is called.

And the difficulty in our expansive modern life lies here: ever achieving new powers, enlarging our opportunities, widening our liberties and everywhere complicating our lives, we forget that, unless we correspondingly strengthen our moral and spiritual foundations, the whole overextended superstructure will come down about our ears, as did the old Philistine banquet hall when Samson broke the pillars.

The modern day leader of their cult is Dawkins who sits in his big mansion laughing all the way to the bank as these jerks give him millions of $ (in book sales) to have their ears tickled.

In Jakim's rendering, the voice of the Underground Man achieves something of the startling novelty it no doubt had in the ears of those who first heard it, when the book made its debut and a new, altogether indispensable fictional personality entered the canon of modern literaturIn Jakim's rendering, the voice of the Underground Man achieves something of the startling novelty it no doubt had in the ears of those who first heard it, when the book made its debut and a new, altogether indispensable fictional personality entered the canon of modern literaturin the ears of those who first heard it, when the book made its debut and a new, altogether indispensable fictional personality entered the canon of modern literature.

The code proper ends with t: he strange injunction, 9 which sounds to modern ears neither moral nor religious, «You shall not boil a kid in its mother's milk,» and is followed immediately by the renewal of the covenant.

Its expression in the legal terms of traditional theology is strange and often meaningless to modern ears.

To our ears such words sound very like the most blatant human imperialism toward the rest of nature, as does the divine commission to man in Genesis 1:28; and in modern times they may have fostered such an attitude and been used as a divine «exploiters» charter» to justify it.

That is the gospel, and it can renew itself in all its strangeness to the modern ear.

Its modern day roots are based in America, where, in 1915, ear, nose and throat specialist Dr William Fitzgerald introduced «zone therapy».

In a separate study, CT analysis of the inner ear of Archaeopteryx — a 145 - million - year - old creature considered to be a link between reptiles and birds — indicated that it «had hearing ability much like a modern emu,» says Paul Barrett, another paleontologist at the museum.

The study, published today in the journal Scientific Reports and led by researchers at the American Museum of Natural History, finds that the inner ear of modern cheetahs is unique and likely evolved relatively recently.

Panderichthys had small bones in its skull that appear to be early analogues of both ear canals and the gill system in some modern fish.

After taking measurements, Ryan compared Rooneyia's ear canals with those of modern animals to determine how it would have moved in life.

Regardless, it represents a key middle step in evolving the exquisitely sensitive modern mammal ear.

A small folded point of skin toward the top of each ear is occasionally found in modern humans.

The plants grew shorter and had the female ears right on the main stem, the way they are in modern corn, instead of on side branches.

When originally used, the approach, which involves making an incision behind the ear instead of in the neck, took advantage of modern robotics and endoscopic technology.

In doing so, they found a distinctive structure within the inner ear of actively burrowing animals that was not found in modern snakes that live in water or above grounIn doing so, they found a distinctive structure within the inner ear of actively burrowing animals that was not found in modern snakes that live in water or above grounin modern snakes that live in water or above grounin water or above ground.

Coral Kyocera Opal set in Rose Gold, these Kellen Ear Jackets are a perfect balance of modern structure and feminine style.

But skip the giant bloom behind your ear unless you're on vacation like the Modern Family star, who rocked the look in Mexico.

You've accessorized it in such a modern and lively way that the usually serious and somber black is smiling ear to ear.

Handmade in Peru in a soft, chunky knit, our kids» beanie casts a classic Fair Isle in modern neutrals and adds the fun flair of an oversized pom - pom — with a double - layer fixed fold for extra warmth around the ears and forehead.

Long and sleek shoulder - duster earrings featuring Delicas in a modern bar design, hand stitched with Fireline 6 lbs test thread, secured onto a Sterling Silver triangle connector with hand forged Sterling Silver ear wires; just under 1/4» in width and just over 6» in length

Handmade in Peru in a soft, chunky knit, this kids» beanie casts a classic Fair Isle in modern neutrals and adds the fun flair of an oversized pom - pom with a double - layer fixed fold for extra warmth around the ears and forehead.

With its flowing harmonies, «Disobedience» works equally well as an example of modern classical music at its most thankfully harmonious, Herbert dresses strings lines over each other with gossamer delicateness in a way that's also reminiscent of the hypnotic film works of ephemeral composer Michael Convertino («Bed or Roses») in a way that awakens with its womens» growing self empowerment, also calling to the ear such diverse, ultra-melodic composers as Claude Debussy and Richard Wagner.

My best friends say it feels like a Lamborghini should feel, while my girlfriend, who has a strange fantasy of eating a bowl of cereal in the driver's seat of a Countach, says, «The Huracan took all my childhood dreams of being in a Lamborghini and multiplied them by modern technology, the end result being faster and better looking than anything I could have imagined, leaving me with a bit of whiplash and a big ear - to - ear grin.»

In short, I have grown bored with modern politics popping up in my sci - fi and fantasy with nothing more to disguise them than a different flag or pointy ears and a taiIn short, I have grown bored with modern politics popping up in my sci - fi and fantasy with nothing more to disguise them than a different flag or pointy ears and a taiin my sci - fi and fantasy with nothing more to disguise them than a different flag or pointy ears and a tail.

Modern Siamese cat has blue eyes in the form of almond, head of triangular shape, large ears and slender body with point coloration.

While some breeds are routinely subjected to ear - cropping in the United States, this is almost entirely a cosmetic (and in the opinion of most, cruel) surgical mutilation with its roots in the ancestral jobs of certain working breeds, but which has no relevance in the life of a modern dog — and only very mildly helps to combat ear problems, if at all.

This brought a new fashion to the Toy Spaniel - dogs with the completely flat face, undershot jaw, domed skull with long, low set ears and large, round frontal eyes of the modern King Charles Spaniel (also called «Charlies» and known in the United States today as the English Toy Spaniel).

In addition to a more modern look, the labels are color - coded by product category: wound and skin - care liquid, wound and skin - care hydrogel, ear care, eye care, hot - spot care, reptile care and livestock.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

Recent presentations of work include «Modern Mondays» at MoMA, «The Companion» at the Liverpool Biennial, «Synth Nights» at The Kitchen, «The Daily Show» at Bureau NYC, «Great Tricks From Your Future» at D - CAF in Cairo Egypt, «In Tones From Light to Dark» at Performa 13, «Excursus IV» at the ICA Philadelphia, Borderline Festival in Athens Greece, Kinomuzeum at Museum of Modern Art in Warsaw Poland, LAMPO at the Renaissance Society Chicago IL, All Ears in Oslo Norway, Kunsthall Stavanger in Norway, the Pérez Art Museum in Miami FL, the Contemporary Arts Museum Houston TX, and a Jerome Foundation Commission from Roulette Intermediuin Cairo Egypt, «In Tones From Light to Dark» at Performa 13, «Excursus IV» at the ICA Philadelphia, Borderline Festival in Athens Greece, Kinomuzeum at Museum of Modern Art in Warsaw Poland, LAMPO at the Renaissance Society Chicago IL, All Ears in Oslo Norway, Kunsthall Stavanger in Norway, the Pérez Art Museum in Miami FL, the Contemporary Arts Museum Houston TX, and a Jerome Foundation Commission from Roulette IntermediuIn Tones From Light to Dark» at Performa 13, «Excursus IV» at the ICA Philadelphia, Borderline Festival in Athens Greece, Kinomuzeum at Museum of Modern Art in Warsaw Poland, LAMPO at the Renaissance Society Chicago IL, All Ears in Oslo Norway, Kunsthall Stavanger in Norway, the Pérez Art Museum in Miami FL, the Contemporary Arts Museum Houston TX, and a Jerome Foundation Commission from Roulette Intermediuin Athens Greece, Kinomuzeum at Museum of Modern Art in Warsaw Poland, LAMPO at the Renaissance Society Chicago IL, All Ears in Oslo Norway, Kunsthall Stavanger in Norway, the Pérez Art Museum in Miami FL, the Contemporary Arts Museum Houston TX, and a Jerome Foundation Commission from Roulette Intermediuin Warsaw Poland, LAMPO at the Renaissance Society Chicago IL, All Ears in Oslo Norway, Kunsthall Stavanger in Norway, the Pérez Art Museum in Miami FL, the Contemporary Arts Museum Houston TX, and a Jerome Foundation Commission from Roulette Intermediuin Oslo Norway, Kunsthall Stavanger in Norway, the Pérez Art Museum in Miami FL, the Contemporary Arts Museum Houston TX, and a Jerome Foundation Commission from Roulette Intermediuin Norway, the Pérez Art Museum in Miami FL, the Contemporary Arts Museum Houston TX, and a Jerome Foundation Commission from Roulette Intermediuin Miami FL, the Contemporary Arts Museum Houston TX, and a Jerome Foundation Commission from Roulette Intermedium.

In the UK he is probably best known for Marsyas (2002), the viscerally red «ear trumpet» that elegantly spanned the entire length of the Turbine Hall in Tate ModerIn the UK he is probably best known for Marsyas (2002), the viscerally red «ear trumpet» that elegantly spanned the entire length of the Turbine Hall in Tate Moderin Tate Modern.

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

Other works by Hesse include: «An Ear in a Pond» (1965, San Francisco Museum of Modern Art); «Ringaround Arosie» (1965, MOMA, New York); «Tomorrow's Apples» (5 in white)(1965, Tate Modern, London); «Addendum» (1967, Tate Modern, London); «Repetition Nineteen I» (1968, MOMA, New York) and «Untitled» (Wall Piece)(1970, Des Moines Art Center).

Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

Performance has become such a catchword in contemporary art circles, as artists and critics alike seek to characterize the current shifts in production toward acting out or interacting with audiences — frequently in order to intersect artistic practice with political agency and redefinitions of protest — that I ought to have entered Tate Modern's «The World as a Stage» with ears prickling and eyeballs peeled.

The hip - hugging soft - circuitry cellphone dress has a built in antenna — conveniently concealed in its hem — and accepts a SIM card; like a modern - day spy, answer and make calls by lifting your wrist to your ear; hang up by dropping your arm.

While «meat beer» may sound a bit disconcerting to the modern ear, anyone who's had a Guinness or other beer filtered with isinglass has in fact consumed «fish bladder beer.»

The MW50 features a timeless design that blends old - school charm — in elements such as the grilles on the ear pads, buttons that will remind you of old hi - fi sets — with modern touches like chamfered edges on the the ear pad frames.

Sticking with the classic EarPod design also means that the AirPods dispense with modern conveniences like replaceable silicon eartips that secure the earphones firmly in your ears.

Designed by the company that helped write the blueprint for modern in - ear monitors (alongside Capitol Studios), the RM are tuned for near - linear sonic reproduction, with a soundstage meant to emulate the immaculate sound found in the control room of a pro studio.