Sentences with phrase «in modern enterprise»

It would be a big job to go back to the paper records and hand enter the data once again in a modern Enterprise database system but the cost would be minuscule compared to the waste, fraud and abuse we've suffered to date.

Zoom is the leader in modern enterprise video communications, with an easy, reliable cloud platform for video and audio conferencing, chat, and webinars

Not exact matches

In an enterprise as faddish as music, endurance like that could teach modern business a few lessons.

Dig Deeper: An Eye Bank Bets on Best Practices How to Become a Social Entrepreneur: Think of It As a Business «The modern non-profit must adopt many of the same strategies, policies and best practices employed by successful enterprises in the for - profit world, but not at the cost of its soul,» writes Scofield.

Although the «flinch test» (keep raising the price and constraining the terms until the customer flinches) may have been an effective pricing art in the era of enterprise software, much more thoughtful strategies are needed for the modern models.

Set in a city that is both rooted in U.S. history and a hub of modern business development, the event will be hosted by the Philadelphia - based Women's Business Enterprise Council of Pennsylvania, Delaware and Southern New Jersey (WBEC PA - DE-sNJ).

Apigee's mission has been to build a company that powers the APIs and delivers the know - how to help enterprises navigate a new kind of business reality and operate as modern digital businesses in a multi-cloud world.

Since joining Vision Critical in 2012, Scott has led the company's transformation from a combined software and services organization focused on market research to a modern software - as - a service company with an expanded market focus to support customer - centric enterprises across multiple functions, including marketing, customer experience, and product innovation.

Leading enterprises clearly recognize the value that a modern employee communications strategy offers, but there are still some organizations that hesitate in implementing a formal program.

Modern IT operations management tools bridge the gap between traditional IT, the new digital enterprise, and fast paced mission - critical initiatives in a straightforward way.

Commercial rules, as well as expertise in payments law to craft them, are key for new technology to push on to become a mature enterprise infrastructure for a truly modern...

This acceptance of what he takes to be «the essence of Christianity» explains why it is possible for Whitehead, in other books such as Religion in the Making and in the chapter on science and religion in Science and the Modern World, to reveal himself as generally sympathetic to the Christian enterprise.

Yet liberalism as a political theory, understood as a cooperative enterprise for mutual advantage among free and equal persons, is considered by friend and foe alike the essential expression of what it means to he a political animal in the modern West.

George Soros in America and Jane Kelsey in New Zealand have both referred to «market fundamentalists», by which they mean those who reject all modern forms of socialism and government interference in economic issues, and who seek a return to the free market and private enterprise of pre-modern society.

(Unlike his article on the classics in education, which was in part a strong dissent from the report of the Commission he had belonged to in 1921, the added philosophical material in Science and the Modern World seems to presuppose and supplement the Syllabus; the drastic changes that mark a departure by Whitehead from the basic outline of the enterprise don't appear until 1929).

As Eliade has observed, the modern non-religious man wants complete autonomy and independence in creating and constituting himself, and that therefore God is a threat to this enterprise.

And the fact is that two Catholic priests, Gregor Mendel, O.S.A., and Georges Lemaitre, were pivotal figures in creating two of the most important scientific enterprises of the twenty - first century: modern genetics, which is giving humanity previously unimaginable powers over the human future; and modern cosmology, which is giving us glimpses of the universe in the first moments of its existence.

But concurrently in nuce and eventually massively, centrist, elitist, great - power competitors competitiors to people - power arose and flourished in various forms: robber - baron enterprises grew into modern corporations, a federal government that had discovered how to fight a civil war soon found new fields for the exercise of authority and control Concentrations of power in the political and economic spheres began to deprive the people of genuine political participation while keeping them in the illusion that they still possessed it.

So much has changed in the world, so many older beliefs and ideas have been abandoned or if not abandoned then gravely doubted, so much of our modern way of living appears to make prayer unintelligible, that they are puzzled about the whole enterprise.

This enterprise is especially strong in Scotland, with Francis Watson in Aberdeen, Richard Bauckham (who spans New Testament, Reformation and modern theology) and Christopher Seitz in St. Andrews, John Riches in Glasgow and Larry Hurtado in Edinburgh.

Loren Eiseley thought that much of the modern scientific enterprise had removed humanity ever farther from its sense of responsibility to the natural world it had left in order to create an artificial world to satisfy its own insatiable appetites.

It draws them on to true personal fulfilment, and involves them in the great enterprise of rehumanising our modern world.

Fair Work's investigation into systemic underpayment of wages, the role of head office, and a decision last week by the Fair Work Commission to terminate 26 enterprise bargaining agreements (EBAs) between Domino's and the Shop, Distributive & Allied Employees Association sets the scene for a colourful annual general meeting on November 8, at the Gallery of Modern Art in Brisbane's cultural precinct.

Additionally, the Committee is responsible for modern - day education and workforce - related challenges, and seeks to assist in supporting the existence of an education system that prepares children for the future, simultaneously fostering an economy that encompasses American enterprise and entrepreneurship.

Buy «Oak Hall Tree» products like Modern Craftsman Hall Tree in Distressed Oak, Home Styles Hall Tree and Storage Bench in Cottage Oak Finish, Southern Enterprises Oxford Wood Hall Tree Entry Bench in Mission Oak, Walker Edison 72 - Inch Metal and Wood Industrial Hall Tree in White Oak

In fact, just a few add - ons may cost the same as an entire suite of modern tools pre-built into an Enterprise - Class platform.

Here are some ways to make sure that an extended enterprise learning program is successful, keeping in mind the needs of the modern corporate learners.

Included in the PowerPoint: a) Scarcity, Choice and Opportunity Cost - The Fundamental Economic Problem - The Meaning of Scarcity and the inevitability of choices at all levels (individual, firms, govt)- The basic questions of what will be produced ow and for whom - The Meaning of the term «Ceteris Paribus» - The Margin and Decision Making at the Margin - Sort run, long run, very long run b) Positive and Normative Statements - the distinction between fact and value judgements c) Factors of Production - the rewards to the factors of production: land, labour, capital and enterprise - Specialization and division of labour d) Resource Allocation in Different Economic Systems and Issues of Transition - decision making in market, planned and mixed economies - the role of the factor enterprise in a modern economy e) Production Possibility Curves - shape and shifts of the curve - constant and increasing opportunity costs f) Money - functions and characteristics in a modern economy - barter, cash and bank deposits, cheques, near money, liquidity g) Classification of Goods and Services - free goods, private goods (economic goods) and public goods - merit goods and demerit goods as the outcome of imperfect information by consumers PowerPoint Also Includes: - Key Terms for each Chapter - Activities - Multiple Choice and Essay questions from past exam papers.

Education researchers, policy makers and private enterprise agree that, in addition to content knowledge, students in the 21st Century need to acquire particular skills to equip them for a modern world of work, one of which is the ability to think - and think well.

In today's modern world, most of the enterprises are choosing game - based learning as a way of engaging employees who enjoy...

In today's modern world, most of the enterprises are choosing game - based learning as a way of engaging employees who enjoy fast - paced and mobile collaboration.

The modern, multi-audience LMS platform continues to receive accolades for both its workforce and extended enterprise learning design Santa Clara, CA — Feb. 21, 2017 — Expertus announced today that it won a prestigious Brandon Hall Excellence in Technology award in the «Best Advance in Learning Management Technology for External Training» category.

CALICO Journal Cambridge Journal of Education Canadian Journal for the Scholarship of Teaching and Learning Canadian Journal of Action Research Canadian Journal of Applied Linguistics - Revue canadienne de linguistique appliquee Canadian Journal of Education Canadian Journal of Educational Administration and Policy Canadian Journal of Environmental Education Canadian Journal of Higher Education Canadian Journal of Learning and Technology Canadian Journal of School Psychology Canadian Journal of Science, Mathematics and Technology Education Canadian Modern Language Review Canadian Social Studies Career and Technical Education Research Career Development and Transition for Exceptional Individuals CATESOL Journal CBE - Life Sciences Education CEA Forum Center for Educational Policy Studies Journal Change: The Magazine of Higher Learning Changing English: Studies in Culture and Education Chemical Engineering Education Chemistry Education Research and Practice Child & Youth Care Forum Child Care in Practice Child Development Child Language Teaching and Therapy Childhood Education Children & Schools Children's Literature in Education Chinese Education and Society Christian Higher Education Citizenship, Social and Economics Education Classroom Discourse Clearing House: A Journal of Educational Strategies, Issues and Ideas Cogent Education Cognition and Instruction Cognitive Science Collected Essays on Learning and Teaching College & Research Libraries College and University College Composition and Communication College Quarterly College Student Affairs Journal College Student Journal College Teaching Communicar: Media Education Research Journal Communication Disorders Quarterly Communication Education Communication Teacher Communications in Information Literacy Communique Community & Junior College Libraries Community College Enterprise Community College Journal Community College Journal of Research and Practice Community College Review Community Literacy Journal Comparative Education Comparative Education Review Comparative Professional Pedagogy Compare: A Journal of Comparative and International Education Complicity: An International Journal of Complexity and Education Composition Forum Composition Studies Computer Assisted Language Learning Computer Science Education Computers in the Schools Contemporary Education Dialogue Contemporary Educational Technology Contemporary Issues in Early Childhood Contemporary Issues in Education Research Contemporary Issues in Technology and Teacher Education (CITE Journal) Contemporary School Psychology Contributions to Music Education Counselor Education and Supervision Creativity Research Journal Creighton Journal of Interdisciplinary Leadership Critical Inquiry in Language Studies Critical Questions in Education Critical Studies in Education Cultural Studies of Science Education Current Issues in Comparative Education Current Issues in Education Current Issues in Language Planning Current Issues in Middle Level Education Curriculum and Teaching Curriculum Inquiry Curriculum Journal Curriculum Studies in Health and Physical Education Cypriot Journal of Educational Sciences

Now, TalentLMS has partnered with Vado, a leading training content provider specializing in bite - sized, chunked learning courses for the modern enterprise, to make it easier than ever to find the right learning material for your corporate training needs.

Southern California - based Brock Racing Enterprises made motorsport history in 1970 when it won the first of its Sports Car Club of America National Championships behind the wheel of a Datsun 510, the predecessor to the modern - day 370Z sports car.

His first solo exhibition was in 1999 in Berlin, other venues for solo exhibitions include The Modern Institute in Glasgow, Galerie Almine Rech in Paris, Gavin Brown's enterprise in New York, and The Tate Modern in London.

2016 Olympia, Organized by Karma, New York, Patrick Seguin, Paris, France Extensions Made To Trouble Transformation, with Eric N. Mack, Almine Rech Gallery, Paris, France Goulding the Lolly, Curated by Brian Belott, Gavin Brown's Enterprise, New York, NY Theories of Modern Art, Stuart Shave / Modern Art, London, UK Before Sunrise, Karma, Amagansett, NY Paper in Practice, Moran Bondaroff, Los Angeles, CA A Shape That Stands Up, Curated by Jamillah James, Art + Practice, Los Angeles, CA SURRREAL, Koenig Galerie, Berlin, Germany With Institutions Like These, Curated by Victor Wand and Alex Meurice, The Averard Hotel, London, UK

«Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals - Cisneros Collection,» Cisneros Fontanals Art Foundation, Miami, FL, December 3, 2014 — March 29, 2015; catalogue «The Other Side - Mirrors and Reflections in Contemporary Art,» Belvedere, Vienna, Austria, June 18 — October 12, 2014; travels to Museum of Modern Art Carinthia, Klagenfurt, Austria, November 27, 2014 — March 1, 2015 «CalArts Art Benefit & Auction,» Paula Cooper Gallery and Metro Pictures, New York, NY, April 5 — 19, 2014 2013 «Damage Control: Art and Destruction Since 1950,» curated by Kerry Brougher and Russell Ferguson, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 24, 2013 — May 26, 2014; traveled to Mudam, Luxemburg City, Luxembourg, July 12 — October 12, 2014; Kunsthaus Graz, Graz, Austria, November 14, 2014 — February 22, 2015 «Room to Live: Recent Acquisitions and Works from the Collection,» Museum of Contemporary Art, Los Angeles, CA, October 5, 2013 — January 12, 2014 «Nasher XChange,» various sites throughout Dallas, TX, presented by the Nasher Sculpture Center, Dallas, TX, October 19, 2013 — February 16, 2014 «For the Time Being: Hidden Behind Plaster,» Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany, July 20 — October 27, 2013; catalogue «Endless Bummer II: Still Bummin»,» curated by Jan Tumlir, Malborough Gallery Chelsea, New York, NY, May 11 — June 29, 2013 «Speak, Memory,» Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY, May 1 — June 8, 2013 «Made in Space,» curated by Peter Harkawik and Laura Owens, Night Gallery, Los Angeles, CA, March 16 — April 15; traveled to Gavin Brown's Enterprise, New York, NY, July 11 — August 10, 2013 «Selections from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, March 3, 2013 — January 27, 2014.

Ms. Owen's work was featured prominently at the Museum of Modern Art in the 2014 exhibition «The Forever Now: Contemporary Painting in an Atemporal World,» and she has long shown with the New York gallery Gavin Brown's Enterprise.

Depuis le temps, Galerie Mezzanin, Geneva, Switzerland Infected Foot, Greene Naftali Gallery, New York, New York Chapters: Book Arts in Southern California, Craft & Folk Art Museum, Los Angeles, California Vanishing Points, James Cohan Gallery, New York, New York Zeitgeist, Musée d'art Modern et Contemporain, Geneva, Switzerland Tomorrow Will Still Be Ours, Gavin Brown's enterprise, New York, New York The Florine Stettheimer Collapsed Time Salon, The Armory Fair, New York, New York.

The firm that produced the textiles was David Whitehead Ltd, an enterprise which through its championing of modern design had gained particular recognition at the time of the Festival of Britain in 1951.

Among the pieces that caught our (camera) eye are artworks by Tomás Saraceno (Ring Bell Light, at Esther Schipper); Rob Pruitt (Safety Cones, at Gavin Brown's Enterprise); Jennifer Rubell (Portrait of the Artist, at Steven Friedman — interview with Jennifer Rubelll coming soon); Matias Faldbakken (at Standard, Oslo); Jeppe Hein (Right Diagonal Cut, at 303 Gallery); Dan Graham (2 - Way Mirror Cylinder Bisected By Perforated, at Lisson Gallery); Jeff Koons (at Gagosian Gallery); Raphael Hefti (at Ancient & Modern); Marlie Mul (Frame, at Fluxia); James Lee Byars (Four in a Dress, at Michael Werner); Adrián Villar Rojas (at Marian Goodman), and Amelia Pica (Memorial for Intersections # 3, at Herald St).

Frieze New York will continue to showcase leading modern and contemporary galleries from around the world in the main section, including returning exhibitors Acquavella Galleries (New York), Gavin Brown's Enterprise (New York), Tanya Bonakdar Gallery (New York), Matthew Marks Gallery (New York), Marian Goodman Gallery (New York), David Zwirner (New York), Mendes Wood DM (São Paulo), The Modern Institute (Glasgow), Foksal Gallery Foundation (Warsaw), Galerie Chantal Crousel (Paris) and Sprüth Magers (Berlin); alongside newcomers Eykyn Maclean (New York), Galeria Luisa Strina (São Paulo) and Castelli Gallery (New modern and contemporary galleries from around the world in the main section, including returning exhibitors Acquavella Galleries (New York), Gavin Brown's Enterprise (New York), Tanya Bonakdar Gallery (New York), Matthew Marks Gallery (New York), Marian Goodman Gallery (New York), David Zwirner (New York), Mendes Wood DM (São Paulo), The Modern Institute (Glasgow), Foksal Gallery Foundation (Warsaw), Galerie Chantal Crousel (Paris) and Sprüth Magers (Berlin); alongside newcomers Eykyn Maclean (New York), Galeria Luisa Strina (São Paulo) and Castelli Gallery (New Modern Institute (Glasgow), Foksal Gallery Foundation (Warsaw), Galerie Chantal Crousel (Paris) and Sprüth Magers (Berlin); alongside newcomers Eykyn Maclean (New York), Galeria Luisa Strina (São Paulo) and Castelli Gallery (New York).

He is the director of Modern Culture, a visual arts enterprise, specializing in the exhibition and sale of works by a selection of contemporary artists on the primary market and the sale of works, produced from 1956 to the present, on the secondary market.

Selected group exhibitions and performance programmes in galleries and institutions, including: ICA, London, UK; TATE Modern and TATE Britain, London, UK; g 39, Cardiff, Wales, UK; Zabludowicz Collection, London, UK; Jerwood Visual Arts, London, UK; Plymouth Art Weekender, Plymouth, UK; Cardiff Contemporary Visual Arts Festival, Wales, UK; Victoria and Albert Museum, London, UK; South London Gallery, London, UK; Focal Point Gallery, Southend, UK; Modern Art Oxford, Oxford, UK; New Art Gallery, Walsall, UK; MK Gallery, Milton Keynes, UK; Arnolfini, Bristol, UK; Grimm Gallery, Amsterdam, The Netherlands; Skanes Kunstforening, Malmo, Sweden; and Gavin Brown Enterprise, New York, USA.

In its journey as a vast entrepreneurial enterprise, Espace has also had the pleasure of collaborating with leading institutions in India such as the British Council, Lalit Kala Akademi, National Gallery of Modern Art & Khoj International Artist's Association, amongst otherIn its journey as a vast entrepreneurial enterprise, Espace has also had the pleasure of collaborating with leading institutions in India such as the British Council, Lalit Kala Akademi, National Gallery of Modern Art & Khoj International Artist's Association, amongst otherin India such as the British Council, Lalit Kala Akademi, National Gallery of Modern Art & Khoj International Artist's Association, amongst others.

1969 Born Hong Kong Lives and works in Miami, FL Education 1988 - 92 The Slade School of Fine Art, University College, London, UK 1990 - 91 Staatliche Hochschule fur Bildende Kunste, Stadelschule, Frankfurt am Main, Germany Solo Exhibitions 2011 Museum of Contemporary Art, North Miami curated by Bonnie Clearwater (forthcoming) Hessel Museum of Art and CCS galleries, Annandale - on - Hudson, New York Museum of Contemporary Art, Chicago 2010 Gavin Brown's enterprise, New York The Modern Institute, Glasgow, Scotland 2009 Kunstnernes Hus, Oslo (with Urs Fischer and Georg Herold) 2008 Galerie Almine Rech, Paris Galerie Eva Presenhuber, Zurich, Switzerland Gavin Brown's enterprise, New York 2007 Platz, Galerie Eva Presenhuber / Tessinerplatz, Zurich Concentrations 51: Mark Handforth, Dallas Museum of Art, Dallas, TX 2006 Galerie Eva Presenhuber, Zurich, Switzerland The Modern Institute, offsite, Glasgow, Scotland 2005 Stroom, The Haghe, Netherlands Galerie Almine Rech, Paris Fondation Vasarely, Aix - en - Provence, France (cat.)

303 Gallery, New York Miguel Abreu Gallery, New York Air de Paris, Paris The Approach, London Art: Concept, Paris Alfonso Artiaco, Naples Laura Bartlett Gallery, London Galerie Catherine Bastide, Brussels Galeria Elba Benitez, Madrid Peter Blum Gallery, New York Boers - Li Gallery, Beijing Marianne Boesky Gallery, New York Tanya Bonakdar Gallery, New York Bortolami, New York The Breeder, Athens Broadway 1602, New York Gavin Brown's enterprise, New York Galerie Buchholz, Cologne Galerie Gisela Capitain, Cologne carlier gebauer, Berlin Cheim & Read, New York Mehdi Chouakri, Berlin James Cohan Gallery, New York Sadie Coles HQ, London Galleria Continua, San Gimignano Pilar Corrias Gallery, London Galleria Raffaella Cortese, Milan CRG Gallery, New York Galerie Chantal Crousel, Paris Massimo De Carlo, Milan Elizabeth Dee, New York Dvir Gallery, Tel Aviv Galerie Eigen + Art, Berlin galerie frank elbaz, Paris Foksal Gallery Foundation, Warsaw Galeria Fortes Vilaça, São Paulo Marc Foxx, Los Angeles Fredericks & Freiser, New York Carl Freedman Gallery, London Stephen Friedman Gallery, London Frith Street Gallery, London Gagosian Gallery, New York gb agency, Paris Annet Gelink Gallery, Amsterdam A Gentil Carioca, Rio de Janeiro Greene Naftali, New York Goodman Gallery, Johannesburg Marian Goodman Gallery, New York greengrassi, London Galerie Karin Guenther, Hamburg Jack Hanley Gallery, New York Harris Lieberman, New York Hauser & Wirth, New York Herald St, London Xavier Huf kens, Brussels Gallery Hyundai, Seoul In Situ — Fabienne Leclerc, Paris International Art Objects Galleries, Los Angeles Alison Jacques Gallery, London Galerie Martin Janda, Vienna Galerie Rodolphe Janssen, Brussels Catriona Jeffries, Vancouver Casey Kaplan, New York Paul Kasmin Gallery, New York kaufmann repetto, Milan Sean Kelly Gallery, New York Kerlin Gallery, Dublin Anton Kern Gallery, New York Galerie Peter Kilchmann, Zurich Tina Kim Gallery, New York Johann König, Berlin David Kordansky Gallery, Los Angeles Andrew Kreps Gallery, New York Galerie Krinzinger, Vienna Kukje Gallery, Seoul L&M Arts, Los Angeles Yvon Lambert, Paris Lehmann Maupin Gallery, New York Tanya Leighton, Berlin Galerie Lelong, New York Lisson Gallery, London Long March Space, Beijing Luhring Augustine, New York galerie kamel mennour, Paris McCaffrey Fine Art, New York Galerie Meyer Kainer, Vienna Massimo Minini, Brescia Victoria Miro, London Mitchell - Innes & Nash, New York Stuart Shave / Modern Art, London The Modern Institute, Glasgow MOT International, London Murray Guy, New York Taro Nasu, Tokyo Galleria Franco Noero, Turin Galleria Lorcan O'Neill, Rome Overduin & Kite, Los Angeles Roslyn Oxley9 Gallery, Sydney Maureen Paley, London Participant Inc, New York Galerie Perrotin, Paris Galerie Francesca Pia, Zurich Galerija Gregor Podnar, Berlin Galerie Praz - Delavallade, Paris Project 88, Mumbai Rampa, Istanbul Almine Rech Gallery, Brussels Reena Spaulings Fine Art, New York Regen Projects, Los Angeles Regina Gallery, Moscow Galerie Thaddaeus Ropac, Paris Andrea Rosen Gallery, New York Salon 94, New York Esther Schipper, Berlin Sfeir - Semler, Beirut Jack Shainman Gallery, New York Sies + Höke, Düsseldorf Sikkema Jenkins & Co., New York Sommer Contemporary Art, Tel Aviv Sprüth Magers Berlin London, Berlin Standard (Oslo), Oslo Stevenson, Cape Town T293, Naples Team Gallery, New York Richard Telles, Los Angeles The Third Line, Dubai Vermelho, São Paulo Susanne Vielmetter Los Angeles Projects, Los Angeles Galleri Nicolai Wallner, Copenhagen Wallspace, New York Galerie Barbara Weiss, Berlin White Columns, New York White Cube, London Wien Lukatsch, Berlin Yale Union, Portland Alex Zachary Peter Currie, New York Zeno X Gallery, Antwerp David Zwirner, New York

His work has been exhibited in exhibitions at the Museum of Contemporary Art, North Miami, Museum of Contemporary Art, Chicago, Whitney Museum of American Art (NY), Hirshhorn Museum and Sculpture Garden (Washington, DC), Dallas Museum of Art, the Hammer Museum (Los Angeles), Art Institute of Chicago, Kunsthaus, (Zurich), Le Consortium (Dijon) Â Gavin Brown's enterprise (NY), Modern Institute (Glasgow), and New York's Central Park, among others.

Elizabeth Peyton (BFA 1987 Fine Arts) Painter; represented by Gavin Brown's Enterprise, NYC; 2004 Whitney Biennial; included in the permanent collections of The Museum of Modern Art (NYC), Centre Pompidou, Museum of Fine Arts, Boston, Whitney Museum of American Art, San Francisco Museum of Modern Art