Sentences with phrase «in more abstract form»

Simultaneously, with this new body of work he takes a turn towards the lingering «structure» beneath any given «flag» or «symbol» and how that functions without its logo, in a more abstract form or even without a clear statement, as seen here in the piece Protected / Security.

Not exact matches

A steadily increasing number of people will want to get in on the «new Bitcoin,» a bizarre paradox given that gold is as old as time, and will soon realize that gold possesses virtues Bitcoin does not, given that it is real, not digital and abstract; that owners can personally possess and store it in physical form; that it will survive any kind of electric grid or Internet disruption that might occur; that it can not ever be hacked; that it is the epitome of private, quiet wealth; that it is actually quite beautiful to behold; and that it was not and can not be made by man, only by God, who does not appear to have any interest in making any more of it.

Over the years the human figures in his prints have filled more and more of the space, leaving less and less for the plant forms, abstract patterns and calligraphy that appeared in early works.

He provides an abundance of statistics in essays on capitalism and public policy (though some would benefit from updated numbers), and he undertakes a more abstract form of analysis in contemplating Europe's decline and the roots of American liberty.

This holds true since the abstract form of the substance - nature remains always the same, yet in its concrete instantiations the form always seeks to realise itself more adequately.

As soon as they can think in more abstract terms and make distinctions between literary forms, this percentage goes down to about 30 to 35 percent.

Thus, too, Christendom has known the most terrible guilt in history, and as a religious Christianity has progressively and ever more fully reversed the movement of the Incarnation, the Christian God has increasingly become alien and abstract, until in our own time he has only been present and real in actual experience in a totally alien form, and the whole body of Western humanity has been initiated into a radical and total state of guilt.

More importantly, I would need to produce a body of work in the form of presentations, abstract, and journal articles.

That June decision may seem worlds away from biotech, but it aimed to lay out a definitive two - step test for deciding patent eligibility, Burk says, and it forms the backbone of the new guidance: If a patent claim describes «a law of nature, a natural phenomenon, or an abstract idea» (step 1), then it must amount to «significantly more» than what's found in nature — a phrase borrowed from the Mayo decision — in order to be patentable (step 2).

They've either grown more allegory - friendly or abstract (as in Fernando Mereilles's adaptation of the Jose Saramago novel Blindness or M. Night Shyamalan's The Happening) or into some souped - up form of undead rabies (as in 28 Days Later or Omega Man remake Blindness).

I am sure I am not alone in that I spend far more time watching abstract films and short experimental videos than I do watching feature films; in part because I make experimental films, and in part because, to my mind, the most risk - taking visual artists don't necessarily work in feature films; but instead work in video art and experimental filmmaking and newly emerging filmic art forms, such as gifs.

The following are common characteristics of gifted children, although not all will necessarily apply to every gifted child: • Has an extensive and detailed memory, particularly in a specific area of interest • Has advanced vocabulary for his or her age; uses precocious language • Has communication skills advanced for his or her age and is able to express ideas and feelings • Asks intelligent and complex questions • Is able to identify the important characteristics of new concepts and problems • Learns information quickly • Uses logic in arriving at common sense answers • Has a broad base of knowledge; a large quantity of information • Understands abstract ideas and complex concepts • Uses analogical thinking, problem solving, or reasoning • Observes relationships and sees connections • Finds and solves difficult and unusual problems • Understands principles, forms generalizations, and uses them in new situations • Wants to learn and is curious • Works conscientiously and has a high degree of concentration in areas of interest • Understands and uses various symbol systems • Is reflective about learning • Is enraptured by a specific subject • Has reading comprehension skills advanced for his or her age • Has advanced writing abilities for his or her age • Has strong artistic or musical abilities • Concentrates intensely for long periods of time, particularly in a specific area of interest • Is more aware, stimulated, and affected by surroundings • Experiences extreme positive or negative feelings • Experiences a strong physical reaction to emotion • Has a strong affective memory, re-living or re-feeling things long after the triggering event

The representational forms used in classrooms have mirrored these disconnections, traditionally privileging abstracted and quantitative data forms that contrast with children's more immediate and qualitative experiences within local spaces.

Teaching needs to move to a more abstract form I say its the school boards fault because that have the Data of the test scores its been in decline since the 80s This could have been prevented from happening if Proper action was taken.

# 4 is a little more abstract, though I see you have an LLC taxed as a sole proprietorship, and so I'm guessing protecting your personal assets may have been one of the driving reasons you formed the LLC in the first place.

Your new vocabulary of forms is more abstract — bodies are now represented by parts of bodies — in many works the body is presented as an integrated image / action.

The origins of Color Field — one of the more intriguing forms of contemporary abstract painting — seem to lie in 19th - century Romanticism, particularly in a few radically reductive...

She resolved this, very cleverly by re-asserting a more personal response to her subject by returning to a more naturalistic style and applied a great deal of what she had learnt of abstract forms to decorative work, at the Omega Workshops, and her house Charleston in Sussex.

Conversely, one of the advantages of abstract sculpture is that it does not impose itself in this way: it demands and rewards a different, more considered, more open - ended form of contemplation (an exception to this is the vertical monolith, one of most venerable forms of abstract sculpture and seen in City Sculpture Project in the work of Peter Hide (b1944), Bernard Schottlander (1924 - 99), Kenneth Martin (1905 - 84) and Liliane Lijn (b1939)-RRB-.

Shōhaku transformed more conventional representations of the dragon found in the traditional Japanese mythological figures of the Cloud and Dragon paintings into fantastical images where the mythological being verged between hideous monster and an abstract anamorphic form.

I explained that, in order to appreciate art that is more or less abstract, one must have the eye that enjoys abstract forms, and this is a joy that is instinctual yet can be fostered.

We can say that it is abstract, non-objective, about colour and form and our perception of those things, but we live in an age of plastic, so much more baggage to look at paintings with.

Altogether, Grabner's exhibition renders contemporary art and, more significantly, contemporary culture as one that continues to be submerged in abstract, oversized forms that rely more heavily on their physicality than the depths of their intellectual value.

Some canvases feature abstracted, atomised forms, while others have more densely overlaid imagery in which it is possible to pick out figurative elements.

Along the back wall is a fivesome of the more abstract kind of paintings Mr. Oehlen took up in 1988: soupy brown - gray blurs reminiscent of de Kooning, and embellished with sharper, brighter forms, as if the brooding artist had suddenly cheered up in the work's final stages.

As it unfolded, artists in Altoon's orbit — Kenneth Price, Judy Gerowitz (later Chicago), Craig Kauffman and more — moved sexuality to the forefront of their imagery, often in abstract forms.

At a time when we are immersed in a cacophony of media images and sounds, and live in a climate of anxiety often provoked by invisible and abstract adversaries, the four fundamental expressive art forms — painting, sculpture, installation and performance — are amalgamated over the course of the exhibition, with contributions from Philippe Parreno, Adel Abdessemed, Roni Horn, David Hammons, Mark Grotjahn, Marlene Dumas and many more.

Positioned against luminous and darkly shadowed backgrounds, each phrase is spelled out more or less legibly in vividly colored letters of different sizes on scrolling ribbons, embedded in flurries of abstract gestures and in other forms.

His more realistic figurative imagery in the 1930s and»40s gave way to the influences of cubism and other forms of abstract art.

The selected abstract paintings in the North Gallery are drawn from his Morphic series of biomorphic and organic forms, and his Del Mar series, featuring a more linear style, suggesting striations or waterways.

Bringing together three painters with distinct oeuvres — that have been, at times, linked to the legacy of German painting, or even of Albert Oehlen himself — the panel will consider abstract painting in relation to other contemporary manifestations of abstraction in economics (market speculation), philosophy (anti-essentialist thought, questions around the structure of time, semiotics), digital culture (sampling, rendering), and aesthetics more generally (considerations of form, the notion of style).

«He is taking forms and images and laying color across them in a way that makes the paintings more abstracted,» Serota says.

While the paintings of Wendell Gladstone's «Fever Pitch» at Shulamit Nazarian in Los Angeles are figurative in form, the ambiguity of the narratives they propose leans more in the direction of the abstract.

She filters the heroic style of Michelangelo through her feminist and lesbian subject matter, yet in recent years her work has become more abstract and less overtly narrative, encompassing psychological ambiguity and looser painterly forms.

In 1953 a group of nonobjective painters in Toronto, inspired more by abstract expressionism in New York than their contemporaries in Montréal, formed Painters Eleven as a means of exhibiting their worIn 1953 a group of nonobjective painters in Toronto, inspired more by abstract expressionism in New York than their contemporaries in Montréal, formed Painters Eleven as a means of exhibiting their worin Toronto, inspired more by abstract expressionism in New York than their contemporaries in Montréal, formed Painters Eleven as a means of exhibiting their worin New York than their contemporaries in Montréal, formed Painters Eleven as a means of exhibiting their worin Montréal, formed Painters Eleven as a means of exhibiting their work.

«How lovely is the horse's sensitive nose, the dog's moving ears and deep eyes; but to me these are not stone forms and the love of them and the emotion can only be expressed in more abstract terms» (to 25 October 2015).

An earlier work, Affinity (2011), takes a more abstract approach, with vibrant geometrical diamonds of pastel colors and white in a textile - like pattern that create a surprising degree of physical depth, like two walls meeting to form the corner of a psychedelically wallpapered room.

His «Dangos» (Japanese for «rounded forms») can be as high as 13 feet and his abstract paintings are also large in scope, with the drawings being more intimate.

In the 1980s, her work grew more abstract in its depiction of energetic forms and processes, while maintaining a brightly hued palettIn the 1980s, her work grew more abstract in its depiction of energetic forms and processes, while maintaining a brightly hued palettin its depiction of energetic forms and processes, while maintaining a brightly hued palette.

In introducing Murray that evening, Varnedoe referred to her work «as dramas of form and color that accept, indeed demand, to play on the more austere terrain of high abstract art, in decisions about push and pull, bright and dark, fragmented and whole, planes and volumes, sculptural and painterly, that move us before we know what they are about.&raquIn introducing Murray that evening, Varnedoe referred to her work «as dramas of form and color that accept, indeed demand, to play on the more austere terrain of high abstract art, in decisions about push and pull, bright and dark, fragmented and whole, planes and volumes, sculptural and painterly, that move us before we know what they are about.&raquin decisions about push and pull, bright and dark, fragmented and whole, planes and volumes, sculptural and painterly, that move us before we know what they are about.»

The only abstract painting included in this exhibition, Traveler III (1960) forms part of a group of works that mark a transition towards paintings with a more sombre and ominous quality.

The productive tensions between an abstract expressionist engagement with surface, paint, and gesture and a more decisive shift into the ambiguous terrain between painting, collage, and assemblage find their fullest expression in Untitled [black painting with portal form], specifically in the way the composition is structured around (and then decisively proceeds from) a tonal, monochromatic center: a flat, inky, double - truck sheet of newspaper.

Portraits of You are paintings that render the world metaphorically, in which scale is discontinuous, space is abstract, and form more idealized.

When I ask about Steciw's inspiration, Blomfield points me in the direction of The Overloaded Man, a short story J.G. Ballard in which the protagonist, suitably named Faulkner, narrows his perception of the world which in turn becomes nothing more than an array of abstract forms and colours.

These provide instant, ready - made abstract compositions; their geometric shapes and rainbow palette again aesthetically reference the 60s in the form of Bridget Riley «s colourful Op Art canvases or, more recently, Gerhard Richter's painstakingly uniform «colour swatch» paintings.

Kline's reduction of palette was indeed instrumental in the development of his individual style among the Abstract Expressionists as it allowed him to more fully explore form through line and brushstroke, seeking to define space and movement in an abstract idiom.

In all of these paintings I am painting toward a metaphoric rendering of man, in which scale is discontinuous, space abstract and forms more idealized.&raquIn all of these paintings I am painting toward a metaphoric rendering of man, in which scale is discontinuous, space abstract and forms more idealized.&raquin which scale is discontinuous, space abstract and forms more idealized.»

As a consequence, his abstract paintings were elevated to works more Oriental in themes and form.

A departure from earlier work in the early 2000s in which Simmons depicted dense abstract environments, Jump Start reveals an investigation into the use of negative space as a more expansive field for carefully positioned abstract forms.

In recent years, however, abstract form and process have become vehicles for more personal, less strident explorations of the provisional, the contingent and the casual.