Sentences with phrase «in narrative ideas»

He's enjoyed a long time apprenticeship in narrative ideas and therapeutic practices and is presently developing a new «relational interviewing» approach to working with conflicted couple relationships.

Later, I became interested in narrative ideas, in part, because they addressed the very serious broader sociocultural contexts in which families move in a similar inventive and playful way.

EFTC is a nonprofit organization that offers workshops, consultations, and supervision in narrative ideas and practices.

Not exact matches

With millennials consuming more and more of their media through mobile devices and social platforms, executives at Indigenous Media bet that Snapchat users would warm quickly to the idea of following a narrative story posted in regular installments to social media, as opposed to the traditional theatrical experience.

Plugged - in millennials will know what's trending, the up - and - coming social - media sites, and can help brainstorm ideas to connect the company narrative with a younger audience.

Human brains are very good at processing information put in a narrative form, whereas we find it difficult to process abstract concepts and vague ideas.

The general idea is that some elements in the hierarchical field are abstract enough to be included in a formal category of relationships that applies to other events in other durations and that such applications may be formally derived and analyzed without prejudice to the critique of narrative elements described previously.

121:8.14 — While I, with the collaboration of my eleven associate fellow midwayers and under the supervision of the Melchizedek of record, have portrayed this narrative in accordance with my concept of its effective arrangement and in response to my choice of immediate expression, nevertheless, the majority of the ideas and even some of the effective expressions which I have thus utilized had their origin in the minds of the men of many races who have lived on earth during the intervening generations, right on down to those who are still alive at the time of this undertaking.

She carried a very complex narrative that addresses common humanity and big ideas about how and why we communicate, while also exploring space travel and even an apocalyptic world in some ways.

First, he believes that in the modern era, the Church Fathers» ideas about divine attributes, traditionally dear to Catholics and Protestants alike — such as divine perfection, simplicity, eternity, and immutability — have to be evaluated anew in light of a narrative reading of the Gospel.

The explanation of Isaac's name (from a word meaning «laughter») is indicated in the thrice - repeated narrative motif of laughter over the idea and fact of Isaac's birth (17:17, 18:12, 21:6) So is Ishmael's (16:11, 17:20, 21:17) The meaning «heelholder» is given to the name Jacob with the explanation that he was born holding his twin brother by the heel (25:26).

In the case of King Saul (the biblical narrative of preference for those on the «less supportive» side of the support - oppose the president spectrum), the scripture is clear that God wasn't thrilled about the idea of a monarchy in Israel at all, but did indeed choose Saul to be the man to occupy it (1 Samuel 8:1 - 22In the case of King Saul (the biblical narrative of preference for those on the «less supportive» side of the support - oppose the president spectrum), the scripture is clear that God wasn't thrilled about the idea of a monarchy in Israel at all, but did indeed choose Saul to be the man to occupy it (1 Samuel 8:1 - 22in Israel at all, but did indeed choose Saul to be the man to occupy it (1 Samuel 8:1 - 22).

That does underscore the power of the media and political rhetoric that day in and day out paints a narrative of Muslims in a certain way, that Muslims themselves are not immune to adopting that idea.»

My point is that a close reading suggests a multiplicity of ideas and beliefs that we are priviliged to witness while it's under construction, the Jerusalem controversy being one good example.Furthermore, the fact that we're able to understand that each of the synoptics significantly differ from each other and we can observe contrast and similiarity between them and John's gospel, as well as Paul's letters suggests a process that speaks loudly of how religious narrative develops in communities that seek the meaning of the «core events».

In our view, a liberal arts approach also emphasises a respect for the past; the significance of grammar, logic and rhetoric; and the notion, popularised by the historian Christopher Dawson, that ideas develop within cultures, which means that a grand narrative must necessarily underpin the curriculum.

The Latin word resurrectio appears to have been created for Christian use, and while the Greek equivalent anastasis is certainly pre-Christian, it does not seem to have been widely used until Christian times, some scholars thinking that, when Paul referred to it at Athens, his hearers mistook it for the name of a goddess.26 The idea of resurrection first came to expression in the form of a narrative, and until the advent of the above technical terms, words of very general usage, such as «raise», «wake up», «stand up», etc., served the purpose of relating it.

In these situations, we're called to have faith in the Son of God and reject doubt, but too often, we believe this translates to putting more weight into enticing ideas that don't have real evidence, citing verses that can be twisted to suit a fact-less narrativIn these situations, we're called to have faith in the Son of God and reject doubt, but too often, we believe this translates to putting more weight into enticing ideas that don't have real evidence, citing verses that can be twisted to suit a fact-less narrativin the Son of God and reject doubt, but too often, we believe this translates to putting more weight into enticing ideas that don't have real evidence, citing verses that can be twisted to suit a fact-less narrative.

Technical details pursued through books could not be similarly pursued in an oral presentation, but the minister may be surprised at the mental ability of his people to chase an idea through paradoxes, dilemmas, myths, history, and dramatic narratives if the movement of the chase corresponds to the way they think through the issues of daily life.

In the Epistle to the Hebrews, where the author is attempting to define or characterize the profoundly religious ideas of priesthood and sacrifice and to show in what sense the work of Christ can be understood in terms of those ideas, he introduces a strangely vivid and moving reference to the narrative of Jesus in the Garden of Gethsemane, which is familiar to us from the gospels (Hebrews 5:7 - 10In the Epistle to the Hebrews, where the author is attempting to define or characterize the profoundly religious ideas of priesthood and sacrifice and to show in what sense the work of Christ can be understood in terms of those ideas, he introduces a strangely vivid and moving reference to the narrative of Jesus in the Garden of Gethsemane, which is familiar to us from the gospels (Hebrews 5:7 - 10in what sense the work of Christ can be understood in terms of those ideas, he introduces a strangely vivid and moving reference to the narrative of Jesus in the Garden of Gethsemane, which is familiar to us from the gospels (Hebrews 5:7 - 10in terms of those ideas, he introduces a strangely vivid and moving reference to the narrative of Jesus in the Garden of Gethsemane, which is familiar to us from the gospels (Hebrews 5:7 - 10in the Garden of Gethsemane, which is familiar to us from the gospels (Hebrews 5:7 - 10).

Certainly, if the idea of Jesus» risen life started with any factual element associated with an empty tomb, that element was never clearly visualized, even in the imagination of the first disciples, and is now confused for us in narratives that contradict each other on every important detail.

Yet if we separate the prophetic mode of discourse from its context, and especially if we separate it from that narrative discourse that is so important for the constituting of Israel's faith, as well as for the faith of the early church, we risk imprisoning the idea of revelation in too narrow a concept, the concept of the speech of another.

The ideas on which the formula was based came out of ancient ancestral traditions; the logic of the doctrine was unassailable once the premises were granted; great prophets, such as Amos, Micah, and Jeremiah, held stoutly to it; and the formula was confirmed and solidified by the final rewriting of the Hebrew historical narratives to illustrate the thesis that every calamity in Israel's record had been a definite punishment for Israel's transgression.

His resurrected body, as described in the assembled narratives of the New Testament, represents alike the original, primitive belief in a resuscitation of the flesh with all its earthly functions still intact and, as well, the later tendency to rarefy and spiritualize the idea of «body» in the risen life.

than it blows the whole narrative that we have no idea what's available in the world out of the water.

In games like Norwich, Swansea, Manchester United, Sunderland and Stoke both of these issues have been evident to varying degrees and this is playing into the idea of the second narrative: had we not hit the woodwork so much, had we not had lapses at the back, had we taken one or two more chances then Liverpool would be higher in the table, with a higher points count, and at the end of the day, that is the best barometer for a club, isn't iIn games like Norwich, Swansea, Manchester United, Sunderland and Stoke both of these issues have been evident to varying degrees and this is playing into the idea of the second narrative: had we not hit the woodwork so much, had we not had lapses at the back, had we taken one or two more chances then Liverpool would be higher in the table, with a higher points count, and at the end of the day, that is the best barometer for a club, isn't iin the table, with a higher points count, and at the end of the day, that is the best barometer for a club, isn't it?

With my illustrator training, I'm used to communicating narratives and ideas in 2D while Mecki has the greater insight when it comes to looking at the practicality of applying these to ceramics.

That the Conservatives are ahead in framing the election year can be seen in how often ministers seem forced to contest Tory narratives — a debt crisis, the broken society, or the (ludicrous) idea that Labour has declared «class war».

Donald Trump Jr. fired back at liberal filmmaker Michael Moore, who questioned whether Mar - a-Lago had opened as a shelter when Hurricane Irma hit the state, noting it's located on an island and in a mandatory evacuation zone, «probably not the best idea, but you know, narrative!»

His big idea — which has been called «narrative Lego» — is to shuffle a character's motivations like toy building blocks, so that a fresh story unfolds in every session of a game even though the characters are the same.

Their idea was that papers written in a more narrative style — those that tell a story — might be more influential than those with a drier, more expository style.

«s run time - which I thought was two hours, but it really seemed to be like four - seems devoted to a tertiary subplot in the art house Coherence, a film that lacks traditional narrative structure and drips with the ideas mother!

Though always intriguing and making use of stunning visuals and an evocative atmosphere, this esoteric Western of religious references is still an unripe Jodorowsky, clearly lacking in narrative structure before he started developing better his ideas in later works.

That's a solid, timeless story, but it gets utterly lost in a jumble of ideas, themes and narrative fragments.

In fact, sparing us the gratuitous party scenes is not just good sense but an intrinsic element of the narrative since, thanks to a self - administered mickey that turns out to be roofies rather than E, the central characters have no more idea of what went on the night before than we do.

It will astound you with its visuals, narrative, gigantic final bosses... But under all that shinning beauty, lies a game with a simple mechanics and ideas, that in some levels seems to be a little bit empty in terms of content.

Perhaps one should buck at the perceivable hubris and tastelessness of Spielberg cloaking his most revealing film in SS garb, and there's no easy way to forgive that red coat, but rarely has Spielberg's narrative and visual ideas felt so unpredictable, so distinctly different, and of such a lilting melancholy.

He's so wrapped up in his crazy ideas of why he made this decision, and Hayden Christensen is so wrapped up in it with this stoned, demonic look on his face, you almost forgive his questionable narrative and acting choices before hand.

As I said, not the easiest of plots to explain in words, but if you were to combine Abre los Ojos (Vanilla Sky) with Gwynneth Paltrow's Sliding Doors, you have a rough idea the style in which the narrative is told.

Perhaps it was this idea that led to the creation of Basterds as a revisionist narrative in which the Nazis meet the fate they deserve — and perhaps it is the image of Shoshanna winning her battle in the cinema that has kept the film's pre-autumn release fresh in every critic's mind as we approach the 2010 Academy Awards.

While there are standout examples — like Darren Aronofsky's disorienting, eye - opening Requiem for a Dream, or the achingly beautiful narratives of animated animal - people addicts in BoJack Horseman — sagas like this one usually work better on the page than on the screen; the brief gloss of film can make drug use seem rather too appealing, while the idea of spending eight TV seasons with an addict seems rather unappealing.

In its overall sweep and style, Into the Badlands struggles to find a bigger idea or compelling narrative that could really draw a crowd and keep it entertained.

Now two new featurettes dive into the fascination that Disney himself had with the innovations of the future, and the ideas he had in order to make civilization more efficient, not to mention the narrative in the film as well.

The dual narrative that searches for parallels in Travers» upbringing, her fantastical fiction, and her resistance to filmmaker ideas is the weakest aspect of the film.

Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the film, the nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made from the shooting script, and the modernist narrative.

Also, the script seems like it was put together with only the set pieces in mind, almost like the writer thought up some hilarious ideas after going to an insurance meeting, but didn't know how to tie them together with a working narrative.

By the way, if you could only see half a dozen movies between now and the end of the year, you could hardly improve on the six narrative features that played both Venice and Telluride: Alexander Payne's big - idea satire «Downsizing,» which kicked off both festivals; Guillermo del Toro's terrific revisionist monster romance «The Shape of Water»; «Weekend» and «45 Years» director Andrew Haigh's spare nouveau western «Lean on Pete»; Lebanon's «The Insult» and Israel's «Foxtrot»; and «Taxi Driver» writer Paul Schrader's best movie in at least two decades, «First Reformed.»

The idea that the fate of this little racehorse that could (and ultimately, even the idea that the horse is an underdog is a bit of a cheat, since Seabiscuit's lineage was sterling — less «underdog» than «underachiever») galvanized a nation reeling under the Great Depression is the only idea that remains in the film, seized by Ross as an opportunity to insert archive stills of the period — complete with voice - over from historian David McCullough — to lend his horse opera the sort of gravitas he's not able to provide through narrative.

The simplicity of the premise, combined with a concerted lack of explanation as to the how and why of such a strange idea for a society existing, makes it feel like the concepts are woefully underdeveloped, leading to a lack of trust in the narrative due to having to put aside the myriad of questions that inevitably develop and halfheartedly go with the flow just to see where things will lead.

There are some good ideas in Meg LeFauve's screenplay, such as the idea of inverting the classic boy - and - his - pet narrative so that the boy is the pet, and the way that it threatens to become a full - blown Western with the introduction of the T - Rexes (including a campfire scene complete with someone playing a mournful tune on a «harmonica»).

He's still fully capable of dreaming up promising story ideas and crafting clever dialogue, but it's often felt as though he hasn't fully fleshed out his characters or worked out all the kinks in his narratives.