I've read several things by N. T. Wright lately, just articles mainly, but I am interested
in narrative theology and new testament theology.
The drama of cultural question and ecclesial counter question is also being played out in an interesting way
in narrative theology.
Not exact matches
But something that has, I think, been neglected
in the development of this
narrative theology is the
narrative dimension of individual Christian lives.
One of the chief themes of the
narrative theology that came to prominence
in the Anglo - American world
in the late 1980s and early 1990s was the centrality of communal experience to the life of Christ's Church.
However, I've also seen far too many people attempt to ground their identity
in doubt - free
theology making it all too easy for comedians such as Bill Maher, George Carlin or Ricky Gervais to come along and thoroughly dismantle flimsy beliefs about the creation
narrative, the historical Jesus or how seemingly misogynistic and oppressive the Bible sounds.
It is fair to say that recent
narrative theology has taken its characteristic forms precisely
in order to counter this sort of thing.
This is somewhat surprising
in light of the fact that one of the key texts prompting the renewal of
narrative theology, the philosopher Alasdair MacIntyre's After Virtue (1981), is seriously concerned with the
narrative integrity of a given single life.
The recent ferment
in approaches to biblical study and new forms of criticism such as canonical criticism and
narrative theology give promise of offering new insights on this subject.
But unlike earlier waves of feminist
theology,
in which appeals to women's experience were a wakeup call about women's marginalization, today feminist theologians turn to women's
narratives as a source of embodied knowledge.
In Out of Sorts, Sarah Bessey helps us grapple with core Christian issues using a mixture of beautiful storytelling and biblical teaching, a style well described as «
narrative theology.»
Prime examples of this
theology are found
in the
narratives of two dinner parties: one by the oaks of Mamre and the other
in the village of Bethany.
A community shaped by the biblical
narrative and steeped
in classical
theology can easily become a gentle anachronism, rather like the clubs that get together to hold costumed jousting tournaments.
I suggest that the whole biblical
narrative, including Jesus, as well as all subsequent
theology, is one vast story illustrating the simple fact that,
in the end, we are all one, connected to each other and to our common Ground of Being.
He published the original version of The Identity of Jesus Christ: The Hermeneutical Bases of Dogmatic
Theology in a Presbyterian adult education magazine called Crossroads
in 1967, but it did not appear
in book form until 1975 (Fortress), the year after he published The Eclipse of Biblical
Narrative: A Study
in Eighteenth - and Nineteenth - Century Hermeneutics (Yale University Press, 1974).
Narrative (or postliberal) theology: The major rival to postmodern theology in intellectual circles is the narrative theology movement represented by such figures as Hans Frei, George Lindbeck and (in a maverick version) Stanley
Narrative (or postliberal)
theology: The major rival to postmodern
theology in intellectual circles is the
narrative theology movement represented by such figures as Hans Frei, George Lindbeck and (in a maverick version) Stanley
narrative theology movement represented by such figures as Hans Frei, George Lindbeck and (
in a maverick version) Stanley Hauerwas.
(29) What Protestant liberalism, Bultmannianism and liberation
theology all have
in common is the supposition that the modem context determines how we should or how we can read the biblical
narrative.
Moreover, the Christian
narrative itself exists
in a wide variety of versions, and it has never existed
in such magnificent isolation as
narrative theology seemingly supposes.
He boldly integrates this insight with his trinitarian
theology by conceiving of the biblical
narrative as «the final truth of God's own reality»
in the mutual relations of God the Father, His incarnate Son, and the eschatological accomplishment of their communion by the Spirit.
A return to
narrative vision via process
theology will not give us an end to the «big story» which will,
in a process vision, have to be without beginning and end.
Some attention to the story form
in apocalyptic can show us some of the reasons why the
narrative form is
in trouble, while process
theology has some fundamentally useful hints about how we may re-imagine the story, or grasp a new
narrative vision of the world, which will enable us to set the new into a meaningful framework and respond to it with hope.
As the volume's editor, Michael Sherwin, observes, this book is «nothing less than a
theology of conversion and Christian vocation expressed
in a
narrative that traces the effects of God's mercy upon the lives of a generation searching for meaning.»
It contains truth and fiction written
in very lively
narrative form reflecting both
theology of the East Syrian church and the history of the origins of Christianity
in India.
As such, the work consists of a discussion and,
in some instances, a development of themes of
narrative theology in biblical and ecclesial issues.
But by aligning themselves with those who use a combination of racial theory and customized
theology to promote a false
narrative for the sake of Palestinian nationalism, the Telos Group is complicit
in an ideological process that is not only anti-Israel, but one that leads to some very dark consequences.
In Out of Sorts, Sarah Bessey — award - winning blogger and author of Jesus Feminist, which was hailed as «lucid, compelling, and beautifully written» (Frank Viola, author of God's Favorite Place on Earth)-- helps us grapple with core Christian issues using a mixture of beautiful storytelling and biblical teaching, a style well described as «
narrative theology.»
If NT
theology is understood as a response to certain key events of the life of Jesus
in narrative form, a comparison of the different traditions (synoptics, John, Paul) suggest a development, if not different understanding.I view this as a «human construct».
Girard, however, fails to see the richness, multivalency, and ambiguity inherent
in the language of sacrifice
in Jewish and Christian thought; he fails to grasp,
in particular, the conversion
theology effects of the story of wrath into the story of mercy, or how it replaces the myth of sacrifice as economy with the
narrative of sacrifice as a ceaseless outpouring of gift and restoration
in an infinite motion exceeding every economy»
I call the made - up thing I do «
narrative theology» because
in almost all of my writing, I'm exploring the ways that I encounter God theologically
in my life as it stands.
In this servant task, theology draws on several sources, placing them all under the norm of God's narrative - shaped Word in scriptur
In this servant task,
theology draws on several sources, placing them all under the norm of God's
narrative - shaped Word
in scriptur
in scripture.
The essence of both Christianity and
theology, then, is not propositional truths enshrined
in doctrines but a
narrative - shaped experience.
A
theology of testimony which is not just another name for the
theology of the confession of faith is only possible if a certain
narrative kernel is preserved
in strict union with the confession of faith.
«
Narrative theology» and ethicists are giving attention to the ways
in which tradition informs our understanding of what we believe to be good.
then, that the
theology of the epistles and the
narrative of the gospels have a motive
in common.
I think there has been a minority report
in the West — St. Patrick, St. Francis, Duns Scotus, the Anabaptists, liberation
theology, black
theology, feminist
theology, eco-
theology, postcolonial
theology - and they're providing alternatives to the dominant
narrative that I think is inherently dangerous.
In an early negative judgment on Frei, Carl F. H. Henry summarized the problem:
Narrative theology drives a wedge between biblical narrative (which it plays up) and historical factuality (which it pla
Narrative theology drives a wedge between biblical
narrative (which it plays up) and historical factuality (which it pla
narrative (which it plays up) and historical factuality (which it plays down).
As for the postliberal claim to eschew the experiential subjectivism of liberal
theology, Henry charged that
in elevating
narrative over factuality,
narrative theology becomes unable to distinguish truth from error or fact from fiction.
For some time this
narrative aspect of cosmology has been a dominant theme
in process
theology.
The Biblical
Theology Movement had sought to retrieve,
in stripped - down form, a dimension of the old cohesion between natural world and biblical world by positing points of contact between the crafted
narrative and the real world of cause and effect: the Mighty Acts of God.
I have studied many other
theologies and the
theology of the cross that Luther took directly from Paul pretty much (
in my mind) makes thebest sense of the entire biblical
narrative.
In its avoidance of narratives of sharp discontinuity, the Reformed catholic program is similar to a movement in recent Catholic theology that goes by the name of «Ressourcement Thomism,» whose most prominent exponents are Reinhard Hütter, Matthew Levering, and Thomas Joseph Whit
In its avoidance of
narratives of sharp discontinuity, the Reformed catholic program is similar to a movement
in recent Catholic theology that goes by the name of «Ressourcement Thomism,» whose most prominent exponents are Reinhard Hütter, Matthew Levering, and Thomas Joseph Whit
in recent Catholic
theology that goes by the name of «Ressourcement Thomism,» whose most prominent exponents are Reinhard Hütter, Matthew Levering, and Thomas Joseph White.
«
In Christian
theology, such phrases regularly act as «portable stories» — that is, ways of packing up longer
narratives about God, Jesus, the church and the world, folding them away into convenient suitcases, and then carrying them about with us.»
But something about
narrative theology (and
narrative in other disciplines as well) that has inhibited its lure is how its proponents decide which
narrative is preferable even within the larger whole they generally agree upon — biblical
narrative.
This book has become a standard work
in the growing area of
narrative theology.
Good biblical
theology takes into account the various voices of scripture (and the church)
in an attempt to understand the broader trajectory of the biblical
narrative.
Narrative theology and narrative preaching are opening new vistas in theological e
Narrative theology and
narrative preaching are opening new vistas in theological e
narrative preaching are opening new vistas
in theological education.