He has participated
in numerous biennials, including those held in Venice, Italy; Lyon, France; Liverpool, England; Taipei, Taiwan; and Sydney, and at the Whitney Museum of American Art.
He has also been included
in numerous biennials, including the Fiftieth Venice Biennale (2003), Istanbul Biennial (2011), Documenta 13 (2012), and the 9th Gwangju Biennale (2012).
Suh has participated
in numerous biennials, including the 49th Venice Biennale in 2001.
She has participated
in numerous Biennials, among which: Los Angeles (2016) European Biennial for Contemporary Art, Zurich (2016) Basel (2013), Berlin (2012), Moscow (2007), Liverpool (2006), Prague (2005), Mercosul (2003) and Cuenca (2002).
Currently he is engaging in a series of public interventions and has been invited to participate
in numerous biennials between 2018 and 2019.
He has also participated
in numerous biennials around the world, including the Moscow Biennial (2009), SITE Santa Fe Biennial (2006), 51st Venice Biennale (2005), the Sevilla Biennial (2004), the Istanbul Biennial (2003), and the Whitney Biennial (2002).
His work has been shown
in numerous biennials (Paris, Venice, Sydney) and has been exhibited in the Grand Palais (Paris), Hirshhorn Museum (Washington, D.C.), Haggerty Museum (WI), House of Culture (La Paz, Honduras), Sivori Museum (Buenos Aires), and National Art Museum of China, among hundreds of others, and can be found in the collections of the Louvre Museum (Paris), Brooklyn Museum (NY), National Museum of Modern Art (Paris), Museum of Modern Art (Vienna), LaSalle Bank Photography Collection (Chicago), Guggenheim Museum (NY), and Deutsche Bank Collection, among several others.
She has also participated
in numerous biennials including Kiev Biennale, Ukraine (2012) and the 17th Biennale of Sydney, Australia (2010) and the 40th Venice Biennale, Italy (1982).
Jaar has participated
in numerous biennials, including the 1986 and 2007 Venice Biennales and the Documenta exhibitions of 1987 and 2002.
Milhazes has participated
in numerous biennials worldwide, including Prospect.1, New Orleans Biennial, Louisiana State Museum, Louisiana (2008); Shanghai Biennial, Shanghai Art Museum, Shanghai (2006); XXIV Bienal Internacional de São Paulo, São Paulo (1998); Biennale of Sydney, Sydney (1998) and Carnegie International, The Carnegie Museum of Art, Pittsburgh (1995).
A participant
in numerous biennial and triennial exhibitions, she exhibited her work most recently in the 2012 Kochi - Muziris Bienniale in India.
Not exact matches
He created a large floor installation for the Venice Biennale
in 2009, and
in recent years has been included
in numerous international exhibitions and
biennials.
Durant's work has been included
in numerous international exhibitions including Documenta 13; the Yokohama Triennial; and the Venice, Sydney, Busan, Liverpool, Panama, and Whitney
Biennials.
With 53 of the show's artists - almost as many as Bonami included
in his entire
biennial - her overstuffed fraction included
numerous women working
in abstract painting or fabric, notably a knockout Sheila Hicks tower that was, hands down, the best work
in the show (Pillar of Inquiry / Supple Column, 2013 - 14).
She has also been featured at
numerous biennials, including the Venice Biennale
in 1982 and 2005 and the Whitney Biennial
in 1983 and 1985.
Pich's work has been featured
in numerous international museum exhibitions and
biennials such as his solo exhibition at The Metropolitan Museum of Art
in 2013 and Documenta 13.
Freilicher was included
in the Whitney
Biennials of 1955 (the painting annual, as it was then known), 1972, and 1995, and her work is included
in numerous museum collections, including the Museum of Modern Art, the Metropolitan Museum of Art, and the Whitney Museum of American Art.
Vernon Fisher's artwork has been featured
in numerous museum exhibitions, including the Museum of Modern Art, New York, the Hirshhorn Museum and Sculpture Garden, Washington, D.C., the Museum of Contemporary Art, Chicago, and two
biennials at the Whitney Museum of American Art, New York (most recently
in 2000).
By the time I joined Andre Emmerich's Gallery and my mother died
in April 1972, I was at twenty five, already a veteran with six solo shows,
numerous appearances
in important museum exhibitions including two Whitney
Biennials and my work was
in several permanent and private collections.
Carolina Caycedo (b. 1978, lives
in Los Angeles, CA) has participated
in numerous international
biennials, including Berlin (2014), Havana (2009), Whitney (2006), Venice (2003) and Istanbul (2001).
Hancock has shown
in numerous exhibitions nationally and internationally, including the 2000 and 2002 Whitney
Biennials.
Grasso's work has been included
in numerous international
biennials, including the Gwangju Biennial, South Korea; the Moscow Bienniale, Russia; and the Sharjah Biennale, United Arab Emirates, amongst others.
His work has also featured
in numerous group exhibitions and
biennials including «Roberto Burle Marx: Brazilian Modernist», Jewish Museum, New York, USA; «United States of Latin America», Museum of Contemporary Art, Detroit, Michigan, USA (2015); «The insides are on the outside», curated by Hans - Ulrich Obrist, Casa de Vidrio, Sao Paulo, Brazil (2013); the Aichi Triennial, Nagoya, Japan (2010), Museu de Arte Moderna de São Paulo, São Paulo (2009); the Sharjah Biennial, United Arab Emirates (2009); the Mercosul Biennial, Porto Alegre, Brazil (2007); the São Paulo Biennial (2006); the San Diego Museum of Art (2005) and the American National Society, New York (2005).
His work has been prominent
in major international
biennials and has been the subject of
numerous solo exhibitions across Asia, Europe and America.
He has shown work
in numerous international
biennials and triennials including the 6th Asia Pacific Triennial, Brisbane (2009); 14th Asian Art Biennale Bangladesh 2010, Dhaka (2010), where he won the grand prize; and Aichi Triennale 2013, Nagoya (2013).
He has written about the work of Andrea Bowers, Mark Bradford, Glenn Ligon, Sharon Hayes, and Wangechi Mutu, among others, and has organized exhibitions including: «Quadruple - Consciousness» at Vox Populi, Philadelphia, «Fade: African American Artists
in Los Angeles,» for the city of Los Angeles,
numerous exhibitions and programs for LAXART, Los Angeles, where he served as Curator, and «Made
in L.A., 2012,» the first Los Angeles
biennial, co-organized by a curatorial team from the Hammer Museum and LAXART.
Soth has been featured
in numerous solo and group exhibitions, including the 2004 Whitney and Sao Paolo
Biennials.
His work has been featured
in solo exhibitions at museums such as the Centre Pompidou
in Paris (2006), the Vienna Secession (2009) and Modern Art Oxford (2009), and included
in Documenta 10 (1997) and at
numerous international
biennials, including Berlin (2006), Istanbul (2005) and Venice (2003).
Moffatt's films, videos and photographs have been exhibited widely, including
numerous biennials in Venice, Sydney, Singapore, São Paulo and Gwangju.
Gillick's work has been included
in numerous important exhibitions including documenta and the
biennials of Venice, Berlin and Istanbul.
The Texas - based Hancock has shown
in numerous exhibitions nationally and internationally, including the 2000 and 2002 Whitney
Biennials.
Christian Jankowski lives
in New York and Berlin and participated
in numerous International
Biennials (1997 Lyon Biennale, 1999 Venice Biennale, 2001 Berlin Biennale, 2002 Vilnius, 2002 Whitney Biennale) and
in numerous solo and group exhibitions around the world.
She has participated
in numerous group exhibitions
in museums, galleries and
biennials across the US, Europe and the Middle East, including Kunsthall Stavanger (2017); Biennale of Moving Images, Miami (2017); CCS Bard, New York (2017); Villa Empain Boghassian Foundation, Brussels (2017); Museum of Contemporary Art, Chicago (2017); Sursock Museum, Beirut (2016); Villa Stück, Munich (2016); the New Museum Triennial, New York (2015); Serpentine Gallery, London (2014); ICA London (2014); and the 9th Gwanju Biennale (2012), among others.
Her work is included
in museum collections across the U.S. and Europe, and she is the recipient of
numerous prizes and fellowships, including two Whitney
Biennials (1987 and 2000) and the 1990 Venice Biennale.
He has participated
in numerous group exhibitions including Project Los Altos (off - site show
in Silicon Valley, staged by San Francisco Museum of Modern Art, 2013); both Taipei and Sydney
Biennials (2010); the Whitney Biennial, New York (2002) and the Venice Biennale (1999, 2013).
Her work has been shown
in numerous international museums and
biennials.
SEO received
numerous awards and participated
in the
biennials in Beijing, Liverpool, Shanghai, Fusing, Prague, and Gwangju.
She has participated
in numerous international
biennials and festivals, including the 5th International Istanbul Biennial, Turkey (1997); the 2nd Johannesburg Biennale, South Africa (1997); XXIV Biennale of Sao Paolo, Brazil (1998); SITE Santa Fe, NM (1999); and the First Liverpool Biennial of Contemporary Art, England (1999).
Niemojewski has lectured extensively on the topic of
biennials and his writings appeared
in numerous books and journals.
Her work has been internationally exhibited
in numerous galleries, museums and
biennial exhibitions.
At CCA, he curated seven Performance Art
Biennials and four International Video Art
Biennials (Video Zone), as well as
numerous experimental and video art screenings, retrospectives, and performance events there and elsewhere
in Israel.
Since then, the artist — a gentle, well - mannered man who still lives
in the urban rainforest of Rio — has gone on to exhibit worldwide, having participated
in the Venice (1982, 95) and São Paulo (1981, 87, 94, 98)
biennials and Documenta (1997), as well as
numerous solo shows.
She has exhibited widely at prominent institutions and
biennials worldwide, and her work can be found
in numerous public and private collections, including The Chrysler Museum of Art, Virginia; Centro de Arte Contemporaneo de Malaga, Spain; Hammer Museum, Los Angeles, California; Istanbul Museum, Turkey; Los Angeles County Museum of Art, California; Minneapolis Institute of Arts, Minnesota; Museum of Contemporary Art, North Miami, Florida; and Museum of Fine Arts, Houston, Texas.
He has participated
in numerous international
biennials and triennials, including the 13th Biennale de Lyon (2015); 11th Sharjah Biennial (2013); 4th Gwangju Triennial (2012); Shanghai Biennial (2010); Busan Biennial (2008); Guangzhou Triennial, (2008); and 51st Venice Biennial (2005).
Over the course of his career he has participated
in numerous institutional exhibitions and
biennials throughout the world, including most recently Not New Now, Marrakech Biennale 6, Morocco, 2016; Surface Matters, Museum of Fine Arts, Boston, 2015; Surface Tension, The FLAG Art Foundation, New York, 2015; Affecting Presence and the Pursuit of Delicious Experiences, The Menil Collection, Houston, 2015; Represent: 200 Years of African - American Art, Philadelphia Museum of Art, 2015; Pretty Raw: After and Around Helen Frankenthaler and New Acquisitions, Rose Art Museum, Brandeis University, Waltham, Massachusetts, 2015; and Witness: Art and Civil Rights
in the Sixties, organized by the Brooklyn Museum, 2014 - 15.
Ericka Beckman's work has been the subject of
numerous solo and group exhibitions and film festivals most recently at Kunst - Werke (Berlin, Germany)
in 2018; the Secession (Vienna, Austria)
in 2017; Walker Art Center (Minneapolis, MN), Muzeum Sztuki (Łódź, Poland), MAMCO (Geneva, Switzerland)
in 2016; Whitney Museum of American Art (New York, NY), Raven Row (London, UK)
in 2015; Modern Art Oxford (Oxford, UK) and Swiss Institute (New York, NY)
in 2014; Kunsthalle Bern (Bern, Switzerland), Tate Modern (London, UK) and Centre Pompidou (Paris, France), Castello di Rivoli Museo d'Arte Contemporanea (Turin, Italy) all 2013 and has been included
in four
Biennials at the Whitney Museum of American Art, New York.
She has also taken part
in numerous group exhibitions and
biennials including the InSite 97, Tijuana; Art Grandeur Nature, La Courneuve - Paris; the Habana Biennial, Cuba; the Porto Alegre Biennial, Brazil; and the San Juan Poligraphic Triennial, Puerto Rico.
They have participated
in the
biennials in Sharjah (2009 — 14), Gwangju (2012), Liverpool (2010), and Shanghai (2014), and
in numerous film festivals, including the BFI London Film Festival (2013), Festival Internationale de Cinema, Marseille (2013), and the Flaherty Film Seminar, New York (2014).
Trecartin has participated
in numerous international
biennials in addition to the New Museum Triennial (2009), including the Singapore Biennial (2011), Gwangju Biennial (2010), Liverpool Biennial (2010), and the Whitney Biennial (2006).
Hoffman previously served as the director of the CCA Wattis Institute of Contemporary Arts, San Francisco, and as curator or cocurator of
numerous biennials, including
in Shanghai (2012), Istanbul (2011), and Berlin (1998).