Sentences with phrase «in numerous catalogues»

Michael Archer (Critic and Professor of Art, Goldsmiths) Michael Archer has been a critic and writer on modern and contemporary art since 1979 with work appearing multiple journals, including Artforum, Art Monthly, Frieze and Parkett, and in numerous catalogues.

Roelstraete is an editor of Afterall and a contributing editor to A Prior Magazine, and has published extensively on contemporary art and philosophical issues in numerous catalogues and journals including Artforum, Frieze, and Mousse Magazine.

An editor of Afterall journal and frequent contributor to Mousse Magazine, Frieze and Artforum, Roelstraete's writing has appeared in numerous catalogues and art publications.

A former editor of Afterall and co-founder of the journal FR David, Roelstraete has published extensively on contemporary art and related philosophical issues in numerous catalogues and journals including Artforum, e-flux journal, Frieze, Metropolis M, Mousse Magazine, and Texte zur Kunst.

His writing has appeared in numerous catalogues and periodicals including Mousse, PIN UP, Artforum, Flash Art and Kaleidoscope.

Not exact matches

The outstanding example, of course, is the Chinese government's long - running «one - child policy,» replete with forced abortions, public trackings of menstrual cycles, family flight, increased female infanticide, sterilization, and other assaults too numerous even to begin cataloguing here — in fact, so numerous that they are now widely, if often grudgingly, acknowledged as wrongs even by international human - rights bureaucracies.

He also led an expansion of the brand's merchandising, licensing partnerships and product offerings to include numerous products co-branded with the Tabasco brand name, as well as a thriving catalogue business in licensed merchandise, including, for example, the popular Tabasco neckties.

In his 1864 book Man and Nature (original title: Man the Disturber of Nature's Harmonies), George Perkins Marsh catalogued numerous examples of changing climate conditions on losing forests and wrote, «When the forest is gone, the great reservoir of moisture stored up in its vegetable mold [humus] is evaporated, and returns only in deluges of rain to wash away the parched dust into which that mold has been converteIn his 1864 book Man and Nature (original title: Man the Disturber of Nature's Harmonies), George Perkins Marsh catalogued numerous examples of changing climate conditions on losing forests and wrote, «When the forest is gone, the great reservoir of moisture stored up in its vegetable mold [humus] is evaporated, and returns only in deluges of rain to wash away the parched dust into which that mold has been convertein its vegetable mold [humus] is evaporated, and returns only in deluges of rain to wash away the parched dust into which that mold has been convertein deluges of rain to wash away the parched dust into which that mold has been converted.

It's in need of an update, although so few of the numerous catalogue DVDs released in the past 18 months have come equipped with great bonus features the way the advertised titles mostly have.

Txtr operates its eReading platform with apps and local eBook catalogues via digital distribution and carries out invoicing in local currencies in numerous countries around the world.

She has contributed to numerous exhibition catalogues, Art in America and ArtForum.

She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among others.

Has written for Art in America, The New York Times, Smithsonian, Vanity Fair, as well as numerous books and catalogues; formerly arts commentator for PBS Newshour, chief art critic for Newsday / New York Newsday.

Arns has curated many exhibitions in Germany and abroad, edited exhibition catalogues, and authored numerous articles on media art and net culture.

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawingIn Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawingin which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.

She has written numerous exhibition catalogues and articles in popular and scholarly publications.

Laughlin's paintings are in numerous private and public collections, and her paintings have been shown in over 43 competitive exhibitions including 10 solo exhibitions or installations, 11 museum exhibitions, and 6 published color exhibition catalogues.

He has numerous critical texts published in catalogues and magazines.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germain the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germain Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germain the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germain the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germain my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermaIn Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com, Parkett, and Spike Art Quarterly.

Mr. Fairbanks initiated the Catalogue Raisonné on the French Post-Impressionist painter, Henri Lebasque (1865 - 1937), wrote the monograph on the artist, published in 1988, and has been the author of numerous exhibition catalogues and articles.

This unassuming ambiguous object resonated not just with Wiley and Nauman, but also with a whole range of Bay Area artists in the 1960s, inspiring more than one group exhibition themed around it, a catalogue, and numerous articles as well as extensive use as a teaching tool by the painter Frank Owen.

Lessing completed her Ph.D. in Art History at Indiana University under the guidance of Sarah Burns, and she has authored numerous books, articles, catalogue essays, and papers on eighteenth and nineteenth - century American art.

This exhibition of 12 sculptures and numerous drawings and photographs by the Italian - born artist is prefaced by a new work, In Frequencies, by Tony Cragg, who in the accompanying catalogue credits Rosso as the first modern sculptoIn Frequencies, by Tony Cragg, who in the accompanying catalogue credits Rosso as the first modern sculptoin the accompanying catalogue credits Rosso as the first modern sculptor.

His writing has been published in Artforum, Camera Austria and Texte zur Kunst, as well as in numerous exhibition catalogues.

In addition to essays for catalogues and books published in conjunction with the exhibitions she has curated, Katz - Freiman has written numerous articles, essays, and reviews addressing various issues in contemporary arIn addition to essays for catalogues and books published in conjunction with the exhibitions she has curated, Katz - Freiman has written numerous articles, essays, and reviews addressing various issues in contemporary arin conjunction with the exhibitions she has curated, Katz - Freiman has written numerous articles, essays, and reviews addressing various issues in contemporary arin contemporary art.

She has contributed to numerous catalogues and curated several exhibitions, including «Only Make - Believe: Ways of Playing» at Compton Verney in Warwickshire, UK (2005).

«Invisible Man» traces the artistic collaborations between photographer Gordon Parks and novelist Ralph Ellison (an avid recreational photographer who utilized photographic metaphors in his writing) via forty - five photographs; numerous related objects, including archival manuscripts; and an insightful catalogue.

She has participated in numerous national and international exhibitions, including the solo exhibition This, and other things at The Irish Museum of Modern Art, Dublin, 2010 accompanied by a catalogue with writing by Charles Esche, Hans Ulrich Obrist, Vaari Claffey and Rachel Thomas.

In 1972 at the age of 27, he was the youngest artist ever to be offered a retrospective at The Tate, to which he responded with King for a Day a one - day exhibition which consisted of a catalogue listing 1000 proposals for sculpture, he has gone on to have numerous one man exhibitions at major museums including The ICA, Whitechapel and MOMA Oxford.

In this capacity, she prepared numerous exhibitions and catalogues on the artist, including Rauschenberg: On and Off the Wall (Musée d'Art Moderne et d'Art Contemporain, Nice, France, 2005), Robert Rauschenberg: Gluts (IVAM, Valencia, Spain, 2005), and Rauschenberg (Palazzo dei Diamanti, Ferrara, Italy, 2004).

She has been recognized in numerous publications including magazines, books and exhibition catalogues.

Her writings have appeared in numerous artists» catalogues and journals and she is editor of the serial publication The Artist as Curator for Mousse.

Previously, he worked as Curator at MASS MoCA, where he completed numerous large - scale exhibitions, including The Interventionists: Art in the Social Sphere (2004), with a catalogue distributed by MIT Press.

Edwards is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Parkett, and Spike Art Quarterly.

In the catalogue for the rest of the sale from various owners, there are numerous highlights.

He has published hundreds of texts in books, catalogues and magazines, and has given numerous talks and conferences at museums and universities around the world, also carrying out an important teaching activity in New York.

In addition, his work has been in numerous group exhibition catalogues, including Solomon R. Guggenheim Museum, One Hundred Paintings from the G. David Thompson Collection and the Museum of Modern Art, Tamarind: Homage to LithographIn addition, his work has been in numerous group exhibition catalogues, including Solomon R. Guggenheim Museum, One Hundred Paintings from the G. David Thompson Collection and the Museum of Modern Art, Tamarind: Homage to Lithographin numerous group exhibition catalogues, including Solomon R. Guggenheim Museum, One Hundred Paintings from the G. David Thompson Collection and the Museum of Modern Art, Tamarind: Homage to Lithography.

He has written for numerous exhibition catalogues and has published in Art History, Nineteenth - Century Art Worldwide, and the Berkeley Review of Latin - American Studies.

He has worked as a curator at Cubitt Gallery, London and the Hayward Gallery, London, and his writing has appeared in numerous exhibition catalogues and anthologies.

She has exhibited widely in the U.S. and abroad and has been published in numerous books, journals, and catalogues.

She is the author of numerous artists» catalogues and monographs and has curated exhibitions in the United States, Europe and Asia.

Since joining the museum in 2009, she has curated numerous exhibitions, including the retrospective Bertrand Goldberg: Architecture of Invention (2011 — 12), which was accompanied by a scholarly catalogue.

The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

The catalogue presents numerous large paintings on canvas from the 1960s to the early 1980s, as well as small - scale paintings on paper, to which Bishop turned exclusively in 1986 and which he continues to produce today.

Bedford has published essays, book reviews, editorials, and exhibition reviews in The Burlington Magazine, Artforum, Art in America, frieze, The Art Book, Afterall, and October, as well as numerous essays in anthologies and exhibition catalogues.

These passages make me think of other great memoirs cataloguing spousal indiscretion — in particular Norris Church Mailer's A Ticket to the Circus, about Norman Mailer's «grand experiment in monogamy» with the author, his sixth and last wife, which of course was a failure («I'm not going to talk about the numerous girlfriends, but you know who you are, and there are many more of you than you think,» she writes).

Having taught in Canada, Turkey, and Saudi Arabia, her writing has been published in numerous reference works, anthologies, peer - reviewed journals, art catalogues as well as art magazines, such as

In addition to curating numerous exhibitions on contemporary art, she has contributed critical writings to Art in America, Bomb, Trans, and Parkett and has edited a number of publications, including the symposium volume for SITAC 8 (Mexico City, 2011) and the exhibition catalogues Marta Minujín: MINUCODEs, Arturo Herrera: Les Noces (both Americas Society, New York, 2011) and The Art of Friendship: Xul Solar and Jorge Luis Borges, among many otherIn addition to curating numerous exhibitions on contemporary art, she has contributed critical writings to Art in America, Bomb, Trans, and Parkett and has edited a number of publications, including the symposium volume for SITAC 8 (Mexico City, 2011) and the exhibition catalogues Marta Minujín: MINUCODEs, Arturo Herrera: Les Noces (both Americas Society, New York, 2011) and The Art of Friendship: Xul Solar and Jorge Luis Borges, among many otherin America, Bomb, Trans, and Parkett and has edited a number of publications, including the symposium volume for SITAC 8 (Mexico City, 2011) and the exhibition catalogues Marta Minujín: MINUCODEs, Arturo Herrera: Les Noces (both Americas Society, New York, 2011) and The Art of Friendship: Xul Solar and Jorge Luis Borges, among many others.

Sudjud's articles and art review's have been published on numerous occasions in Indonesian domestic news media and art catalogues.