Sentences with phrase «in numerous international group exhibitions»

Ana Torfs has participated in numerous international group exhibitions, including Contour Biennial 8 in Mechelen (2017), Parasophia in Kyoto (2015), 1st International Biennial of Cartagena de Indias (2014), Sharjah Biennial 11 (2013), Manifesta 9 in Genk (2012), Montreal Biennial 2 (2000), and Lyon Biennial 3 (1995).

He has shown in numerous international group exhibitions and his solo shows since 1991 include: Galerie Weber, Berlin (1991); Galerie Clara 90, Berlin (1992); Galerie Behrendt, Berlin (1994); Geo Galerie, Gesellschaft fur Erdkunde zu Berlin, Germany (1997); Rules of the Game Eagle Gallery, London (2006); Doubletake Eagle Gallery, London (2009) and In the Penalty Area Campden Gallery, Gloucestershire (2010).

Catherine Biocca has participated in numerous international group exhibitions, as e.g. in Meeting 1, on display, BASIS, Frankfurt a. Main; at The 3rd Shenzhen Independent Animation Biennale, Shenzhen (2016) and in Dejima.

Claire Morgan has had solo exhibitions in Belfast, London and Paris and has taken part in numerous international group exhibitions, including in 2009 at the Palais de Tokyo in Paris and in 2010 at the Museum of Arts and Design in New York.

He has participated in numerous international group exhibitions including Documenta IX (1992) and the Venice Biennale (1990).

In 2016, Murillo participated in numerous international group exhibitions, including the 2nd Hangzhou Triennial of Fiber Art 2016 in China; the 3rd Aichi Triennial.

Since then he has multiple solo exhibi - tions at galleries in Spain and Cuba and has been featured in numerous international group exhibitions, includ - ing Q & A the IDB Cultural Center Gallery in Washington, DC (2015); Cuba Contemporaine.

Her work has been included in numerous international group exhibitions including 10 under 40, Istanbul» 74, Istanbul, Turkey (2013); Cadavres Exquis, Museum Granet, Aix - en - Provence, France (2013); Invisible Cities, Mass MoCA, North Adams, Massachusetts (2012); and Reoriented, Havremagasinet, Luleå, Sweden (2012).

She has been included in numerous international group exhibitions at venues including Documenta 14 (2017) with Rosalind Nashsashibi, The Renaissance Society, Chicago (2013), The Metropolitan Museum of Art (2013), Carnegie Museum of Art, Pittsburgh (2010), Centre Georges Pompidou, Paris (2010), and K21 Düsseldorf (2010), Tate Britain (2009), the 5th Berlin Biennale (2008), and the 52nd Venice Biennale (2007).

Her work has been featured in numerous international group exhibitions including Horn Please: Narratives in Contemporary Indian Art, Kunstmuseum Bern (2007 — 08); Orientations: Trajectories in Indian Art, Foundation De 11 Lijnen, Oudenburg, Belgium (2010); Equator # 1: Shadow Lines: Indonesia Meets India in the Yogyakarta Biennale (2011); and The Encyclopedic Palace, curated by Massimiliano Gioni, at the 55th Venice Biennale (2013).

She has also participated in numerous international group exhibitions and is widely collected.

Not exact matches

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

Since then she has exhibited in numerous national and international solo and group exhibitions.

Sugimoto's work has been presented in numerous international solo and group exhibitions among them The J. Paul Getty Museum (2014); 17th Biennale of Sydney (2010); Yokohama Triennale (2001); 3rd Biennale d'art contemporain de Lyon (1995); and Carnegie Internatinternational solo and group exhibitions among them The J. Paul Getty Museum (2014); 17th Biennale of Sydney (2010); Yokohama Triennale (2001); 3rd Biennale d'art contemporain de Lyon (1995); and Carnegie InternationalInternational (1991).

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

She has received several international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia Society Museum.

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

During his life, he participated in important group exhibition including Fourteen Americans, The Museum of Modern Art, New York (1946); four editions of the Carnegie International (1958, 1961, 1964, 1967); Documenta (1959, 1964); and numerous editions of the Whitney Annual (1939, 1945, 1950, 1952, 1956, 1960).

He has also participated in numerous group and invitational exhibitions with regional, national and international venues.

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.

She has had solo exhibitions and performances in Tehran, Los Angeles, Chicago, New York and has been part of numerous international group exhibitions.

Among numerous group exhibitions, Riley participated in the 1968 Venice Biennial — where she won the international prize — and the 1986 Venice Biennial, as well as Documenta 4 in 1968 and Documenta 6 in 1977.

Mthethwa has had more than 35 international solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New Yinternational solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New YInternational Center of Photography, New York, in 2006.

Her work has been presented in numerous group exhibitions at international venues, including the San Francisco Museum of Modern Art (2011); Stedelijk Museum Schiedam, Netherlands (2011); South London Gallery (2010); Centre National d'Art Contemporain, Grenoble, France (2009), and De Appel, Amsterdam (2008).

His works have been shown in numerous international solo and group exhibitions, including the Gemeentemuseum Den Haag (2014), in the Secession in Vienna (2010), in the Neue Nationalgalerie in Berlin (2010), at the Centre Pompidou, Paris (2009), the Venice Biennial (2003), the documenta11 in Kassel (2002) and at Portikus in Frankfurt a.M. (2000).

Moran has been included in group exhibitions at numerous international institutions including Kunstverein Freiberg, Germany, as well as Tate Britain, London, San Francisco MOMA, and Walker Art Center, Minneapolis where her works are in the public collections.

He recently had solo - exhibitions at Centre for Contemporary Art (Derry, 2016); Walker Gallery (Liverpool, 2016) and Art on the Underground (London, 2015) and has participated in numerous group exhibitions: British Art Show 8 (Leeds, Edinburgh, Norwich and Southampton, 2015 - 2016); Institute of Contemporary Arts (London, 2015), Jerwood Space (London, 2015); Baltic 39 (Newcastle, 2014); Adelaide International 2014 (Adelaide, 2014), and Museum of Arts and Design (New York, 2013).

Her prints, drawings and artist books have been included in numerous solo and group exhibitions throughout the United States, including The Drawing Center, New York and The International Print Center, New York.

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York IL LEE is best known for his pioneering work with ballpoint pen that he began 30 years ago and continues today.

Curiously, though her work has been included in numerous major international group exhibitions and has been the focus of several solo exhibitions, she still manages to slip into obscurity in some countries.

She has participated in numerous solo and group exhibitions at major national and international museums including the Whitney Museum, the Museum of Modern Art, and the Solomon Guggenheim Museum.

Douglas's work has been featured in numerous solo and group exhibitions at major institutions around the world, and in 2012 he received the Infinity Award from the International Center of Photography, New York.

She has been featured in numerous group exhibitions including at Gallery IS (2017), SOMA Museum of Art Performance Festival - Bring Your Own Body (2016), Gwanghwamun International Art Festival (2017) and among others as a rising artist.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions.

Besides numerous thematic group exhibitions, Kroksnes has also curated solo exhibitions by international artists such as Thomas Ruff (2002, in collaboration with the Kunsthalle Baden - Baden), Paul McCarthy (2003, together with the Kunstverein in Hamburg), Nick Relph / Oliver Payne (2003 - 2004, in collaboration with the Musée d'Art Moderne de la Ville de Paris), Rémy Zaugg (2004), Louise Lawler (2005), and Kirstine Roepstorff (2010, with Kunstmuseum Basel).

Between 2016 — 2017, her work has been featured in numerous international exhibitions from London to Japan, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Since 1985 Ugo Rondinone's work has been included in numerous international solo and group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.

Kure has had many international solo and group exhibitions, including numerous exhibitions in her home country.

Jensen has been featured in numerous important international group exhibitions including Documenta (1964, 1968, 1972), the Venice Biennale (1964), Biennial of São Paulo (1977), and Post Painterly Abstraction, a landmark travelling exhibition curated by Clement Greenberg for the Los Angeles County Museum of Art (1964).

Her work has been shown in numerous individual and group exhibitions in Alaska and the contiguous United States, including the national exhibition Changing Hands 2: Art without Reservation, the international exhibition Arts from the Arctic, and Hide at the National Museum of the American Indian in New York.

In recent years, his work has been shown in numerous international group and solo exhibitionIn recent years, his work has been shown in numerous international group and solo exhibitionin numerous international group and solo exhibitions.

Her work has been exhibited in numerous international solo and group exhibitions, including Galleria AMA, Helsinki, Finland (2014); Time Waits for Us, Galleri Magnus Karlsson, Stockholm, Sweden (2013); Nordic Cool 2013: New Nordic — Architecture and Identity, The Kennedy Center, Washington D.C. (2013); and New Nordic, Louisiana, Copenhagen, Denmark (2013).

He has taken part in numerous group exhibitions at The Fruitmarket Gallery, Edinburgh, The Hirshhorn Museum and Sculpture Garden, Washington, D.C., deCordova Museum and Sculpture Park, Lincoln, MA, Scottsdale Museum of Contemporary Art, MACRO, Rome, Museum De Fundatie, Zwolle, The Solomon R. Guggenheim Museum, New York (2010); Making Worlds: 53rd International Art Exhibition, La Biennale di Venezia (2009); 50 Moons of Saturn, Turin Triennial (2008).

He has had solo exhibitions in Tokyo, Los Angeles, Vienna and Amsterdam, among numerous international group shows at venues such as the Torrance Art Museum (CA), The Ueno Royal Museum (Tokyo), Mori Museum (Tokyo), Suzaka Manga Museum (Nagano), Hilger Contemporary (Vienna), and Joshua Liner Gallery (NY).

Hirschhorn's work has been shown in numerous museums, galleries and group exhibitions including the Documenta11, 27th Sao Paolo Biennale, the 55th Carnegie International, Pittsburg, the Swiss Pavilion at the 54th Venice Biennale, La Triennale at Palais de Tokyo, Paris, the 9th Shanghai Biennale, and Gladstone Gallery, New York.

She has also participated in numerous group exhibitions including Perez Art Museum, Miami, Little Haiti Cultural Complex, Miami, Musée International des Arts Modestes in Sete, France, Museo Arte Contemporáneo de Puerto Rico, San Juan, NSU Art Museum, Fort Lauderdale, White Box, New York, Inman Gallery, Houston, TX, National Museum of Women in the Arts, Washington, D. C., among others.

He has participated in national and international solo and group exhibitions at numerous galleries, art fairs, and museums including the 2014 Whitney Biennial in New York.

Kerber's work has been featured in numerous solo and group exhibitions including «Standing in Water» (2015), Tête, Berlin, Germany; «Something Glimpsed Head - On» (2015), 849 Gallery at KyCAD at Spalding University, Louisville, KY; «Shifting Ecologies» (2014), The Painting Center, New York, NY; «48 Stunden - Neukölln» (2014), Berlin, Germany; «Parting Gifts: Artists Honor Bruce Katsiff, Director / CEO 1989 - 2012» (2012), The James A. Michener Art Museum, Doylestown, PA; «Natural Constructed Spaces» (2012), The Painting Center, New York, NY; «2008 Beijing International Art Biennale» (2008), China National Art Gallery, Beijing, China; «Verkehrte Natur» (2006), Kunstraum t27, Berlin, Germany.

He has also exhibited in numerous group exhibitions including Paper and Process 2, Art Projects International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways of Seeing: The Expanding World of Abstraction, Noyes Museum of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York.