Sentences with phrase «in oil on linen»

It includes a series of studies carried out in oil on linen, and is work that has been developed in the last year and a half, -LSB-...]

Bitumen (1986) is a work from the first decade of his career, when Winters was exploring such basic natural processes as crystal formation, fungal growth, and (as in this oil on linen painting) cellular division and was equally immersed in the natural history of painting itself.

Elizabeth Terhune's color is of a more subdued and earthy quality in her oil on linen canvases.

Ippolito continued to open up the picture plane in his oil on linen 1980s works with the soft diffusions of color and suggestive forms of «Paesaggio» (1980), the floating irregular shapes of «One June Morning» (1988) in a blue / lavender mist, the opposing edges of shapes hanging on within the blue field of «Small Painting» (1982), and the floating orange - on - orange diffusions suspended in «Orange» (1982), all pieces which exemplify Ippolito's belief in «color as light.»

He still works in oil on linen, with resolutely two - dimensional areas of color.

In the exhibition, the two big, blazing - fireplace images are followed by the final room, which features a very different selection of work: seven conventional - size easel paintings in oil on linen.

Not exact matches

Megan Marlatt, Roger Plays with Copley's Toys (in memory of Roger Stein), 2010, acrylic and oil on linen, 54 x 42 inches

But in 2003 he returned to his most loved medium — oil on linen — and has been exhibiting his photorealistic oil paintings in the UK and Internationally ever since.

Top image: Philip Guston, Untitled 1971, oil on paper, mounted on canvas, 29 x 40 inches (Private Collection) Bottom Image: Ron Milewicz, Covered Bricks, 2013, oil on linen, 36 x 48 inches Presence of Form Exhibition dates: October 8 — November 10, 2015 In honor of the New York Studio School's 50th anniversary, comes Part II of work by artists who are -LSB-...]

Appearing like pixilated images, brightly coloured weavings or even needlepoint, Guy Yanai's oil on linen paintings depict simplified interpretations of the everyday painted in meticulously applied strokes of colour.

Lot 3: EDWARD M. BANNISTER (1828 — 1901), «Untitled (Cow Herd in Pastoral Landscape),» 1877 (oil on linen canvas).

Lot 46: NORMAN LEWIS (1909 — 1979), «Birds In Flight,» 1953 (oil and metallic paint on linen canvas).

Barkley L. Hendricks, Photo Bloke, 2016, Oil and acrylic on linen, 72 x 48 in., Courtesy of the artist and Jack Shainman Gallery, New York, © Barkley L. Hendricks

Landscape painter and TFAA artist Marietje Chamberlain says she likes to show nature «in her quiet mood, where mystery can be discovered,» and she recently won Honorable Mention from the Mid-Atlantic Plein Air Painters Association for her large oil - on - linen painting Potomac Fall.

Oil, enamel, and charcoal on linen, 76 1/2 × 49 1/8 in.

Oil and tempera on linen mounted on composition board, with wood frame; 33 11/16 × 48 1/2 in.

Oil on linen over panel, 25 x 19 in.

In her Portrait As An Allegory of Fidelity (oil on linen), the artist presents herself holding her child while around her are piled the trappings of family life including toys, a dog, and a strange gentleman peering from around a curtain in the right rear quadrant of the paintinIn her Portrait As An Allegory of Fidelity (oil on linen), the artist presents herself holding her child while around her are piled the trappings of family life including toys, a dog, and a strange gentleman peering from around a curtain in the right rear quadrant of the paintinin the right rear quadrant of the painting.

Mono Oro, 1999 - 2002 Oil paint, acrylic paint, ink, gold leaf, polyester resin, glitter, map pins and elephant dung on linen with two elephant dung supports 182.9 x 121.9 cm 72 x 48 in

Mono Turquesa, 1999 - 2002 Oil paint, acrylic paint, pencil, polyester resin, glitter, map pins and elephant dung on linen with two elephant dung supports 182.9 x 121.9 cm 72 x 48 in

Bridget Riley, C.H. (b. 1931) Ka 3 signed and dated «Riley» 80» (on lower left edge), signed, inscribed and dated again «Ka3 Riley / 1980» (on the reverse) oil on linen 28 x 23 1/2 in.

Installation view of AMY SHERALD, «Michelle LaVaughn Robinson Obama,» 2018 (oil on linen), in New Acquisitions Gallery, National Portrait Gallery.

oil, ink, asphatum on mylar on linen on paper Diptych, 32 x 22 in.

Guest & Rest house (Kibbutz Shefayim), 2013, oil on linen, 29 x 23.5 in.

Oil, acrylic, and Magna on linen canvas, 72 x 48 in.

Nothing (Jardin De Majorelle), 2013, oil on linen, 15.5 x 15.5 in.

Accident (Jardin De Majorelle), 2013, oil on linen, 65 x 65 in.

Through a combination of found - object assemblages, stunning large scale collages and an oil on linen painting that nods to de Chirico, Hundley's work evokes all of the lust, betrayal, violence, and despair expected in a visual interpretation of ancient Greek tragedy.

An abstract, oil on linen on panel painting executed in bright oranges, blues and dark tans and browns by Post War artist Thomas Nozkowski.

I'm Lovin» It (Italy Losing), 2013, oil on linen, 29 x 23.5 in.

Oil, acrylic, polyester resin, paper collage, glitter, map pins, and elephant dung on linen, 96 × 72 in (243.8 × 182.8 cm).

This is exceptionally notable in Anne Wildey's Ocean 5129 (oil on linen, 2013), Peter Hoffer's Landscape with Foliage III (oil, acrylic, and resin on panel, 2013), and Sara McCulloch's Summer Fields from Car (oil on canvas, 2008).

In CHARLIE works are juxtaposed with paint layered and stretched on linen, lace, canvas and jersey, to assemblages and objects made of glass - and carbon fibers; gesso and clay, oil - and acrylic paint, carbon -, glass -, aramide -, or Dyneema fabric, crocheted, knitted, weaved and layered.

Richard Aldrich Painting That Can Be Here and There, 2015 (detail) Oil, wax, and enamel on linen 84 x 58 in.

In much the same way, the structural ambiance of Stephanie London's Mid-Century Rose (oil on linen, 2014) would seem to owe almost as much to Joseph Alber's Homage to the Square series as it does to traditional horticultural painting.

Oil on Linen 250 cm x 170 cm Included in The Royal Academy of Arts Summer Exhibition 2016 Just before Christmas 2014 I...

The First Edition Karen Carpenter Commemorative Collector Plate, 2017; oil on linen; 10 x 10 in.

Acrylic, oil, polyester resin, glitter, map pins and elephant dung on linen, with two elephant dung supports 275 x 214 cm 108 1/4 x 84 1/4 in

His oil on linen paintings depict simplified shapes in bright pastel colors and have gained Guy notable attention with critically acclaimed shows across Europe.

Christopher Brown, (American, b. 1951) Continental II, 1995/2013 oil on linen 20 x 20 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of Christopher Brown and John Berggruen Gallery in honor of the 20th Anniversary of the Kemper Museum of Contemporary Art, 2013.20 © Christopher Brown, courtesy of John Berggruen Gallery.

Alex Katz, Three Trees, Oil on linen, 2017 © Courtesy Alex Katz / Timothy Taylor; Alex Katz, Ada (Outline), 2017, Mirror polished stainless steel on absolute black granite base with suede finish 136 × 45 × 24 in.

Installation view of Salotto — Villa Panza Museum, Varese, Italy (l to r) Ruth Ann Fredenthal, Untitled 130, 1987 - 1988 Multilayered oil on Oyster linen, 60 x 60 inches Ruth Ann Fredenthal, Untitled 121, 1984 - 1985 Multilayered oil on Oyster linen, 66 x 60 inches The Panza Collection (Photo: David Sotnik) Count Giuseppe Panza di Biumo, 1923 - 2010 «Most people who have any interest in Post-War American art, whether Abstract Expressionism, Pop Art, Minimalism, Environmental Art, Conceptualism or Monochromism -LSB-...]

Jane Wilson's Green Twilight (oil on linen, 2000), for example, fashions a powerful sensation of nature's unbridled power while creating a composition in which the earth is but a minor footnote in the painting's compositional structure.

Isis, 2009; oil and acrylic on linen; 48 x 48 in.

Oil over pencil on linen - finish paper laid down on masonite, 25 x 19 1/2 in (63.5 x 49.5 cm).

This sensation also comes to the fore in Wilson's work Raging Storm (oil on linen, 2001), while both Jennifer Bartlett's Nevis, January # 1 (pastel on paper, 2008) and Jane Freilicher's Some Trees (oil and paper mounted on board, 2007) offer images of the natural world that are distinctly more bucolic.

Poppy Fields features a series of vividly colored, oil on linen paintings that are uniquely intimate in scale and nature compared to the artist's iconic large - scale Ash paintings and monumental sculptures.

Cecily Brown's monumental The Sick Leaves, an oil on linen in three parts, was the sixth record to go — the # 1,805,000 / $ 2,205,710 paid for the work passing the previous world auction record for the artist, which had stood since May 2007.

A large - scale oil on linen work will also feature in the exhibition — Untitled No. 22 Lamp Black.

Mark Grotjahn (b. 1968), Untitled (In and Out of the Darkness Face 43.01), oil on cardboard mounted on linen, Painted in 201In and Out of the Darkness Face 43.01), oil on cardboard mounted on linen, Painted in 201in 2011.