Sentences with phrase «in oil portrait»

Li Songsong (b. 1973), known for his thick impasto paintings, will render the designer's likeness in an oil portrait based on a photograph that appeared on the cover of Interview magazine in March 1977.

Not exact matches

Hutton's first documentary feature was Crude Independence, a portrait of small - town life during the present - day oil boom in North Dakota.

The film is unable to decide whether it's too smart for its audience or a part of its audience — it's in love with overt Hitchcock homage and looming oil portraits of Davison though never sure if it stands as a thriller, a shrine, a melodrama farce, a Theater of the Absurd, or an Oedipal love story.

And then one of her many cats defecates in a corner, sheltering behind the vivid oil portrait of Big Edie in her beautiful, younger years.

Ideally, major artists avoid or subvert trends instead of following them, and there's nothing in Ratcatcher's poetic, child's - eye view of a suburban garbage strike or Morvern Callar's deft, intimate, portrait of a young woman coping with her boyfriend's suicide to hint that its creator's output would come to even superficially resemble the oil - slick schtick of, say, Nicolas Winding Refn.

Augusta is known primarily as a portrait artist who works with oil paints and pastels in both traditional and impressionistic styles.

Farnsworth's oil paintings remind me of the formal portraits we often see hung in businesses or schools to honor past presidents and principals.

Barton will paint your pet in either oil or acrylic and present you with the 14 - by -16-inch matted portrait.

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Lovettsville, VA, USA About Blog Pet portraits, portrait commissions, landscapes and other original paintings in oil by Seattle based artist Simon Bland.

She is on a search for its origins; painting as practical magic, the prosaic made ecstatic, and self - portrait in its most basic sense as a trace of its author... The non-traditional materials Strobert employs — powdered graphite, pumice, papier - mâché and glitter among others — all have visual signatures as distinctive as the bulbous shine of oil paint or the transparent skeins of gouache.

«I want the audience to think of classical portraits initially, then notice my distortions and make their own interpretations,» explains Eymann, who mainly works in oil and watercolour, on paper and canvas.

Not even the best photography in the world can achieve a similar level of engagement as these stunning, large - scale oil portraits.

Though I would complete an oil portrait in the same way, the drying time would be much greater; the joy of acrylics is that you can work wet into wet, but then dry the area with a hairdryer and quickly move onto the next stage.

The portraits at the Frick varied widely in formality and speed of execution, ranging from quick and expressive drawings and oil sketches to full - length canvases made in Van Dyck's capacity as court painter to Charles I. Works in the first category can look unnervingly contemporary, particularly the sensitive and precocious self - portraits that appeal, anachronistically, to our obsession with «authenticity.»

Hansa artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an oil on canvas merging abstraction with figuration, and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body on a wood panel out of junk and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs, and rope.

Portrait of Albert Pinkham Ryder, 1938, Oil on Masonite, 28» x 22»; c. 1930s American Modernist painting frame, House of Heydenryk, New York makers; silver - gilded beveled sight edge, wormy chestnut reverse profile, molding width: 4-3/8» CURRENTLY ON VIEW at the Met Breuer in the stellar exhibit «Marsden Hartley's Maine», March 15 — June 18, 2017 (And next summer into autumn at Colby College Museum of Art, July 8 — November 1)

The exhibition will feature never before seen canvas oil paintings; tulle portraits, a continuation of the artist's «Gaze» series presented by C24 Gallery in 2012.

The primary tool and subject of these works is her own body; using a messy oil - and - pigment technique gleaned from the «Body Prints» of David Hammons, she has been making process - rich self - portraits that feel simultaneously intimate and in - your - face.

That trajectory is explored in The Portrait Transformed: Drawings & Oil Sketches From Jacques Louis David to Lucien Freud.

Students will work from a live model to create a convincing, lifelike portrait in oil.

In her Portrait As An Allegory of Fidelity (oil on linen), the artist presents herself holding her child while around her are piled the trappings of family life including toys, a dog, and a strange gentleman peering from around a curtain in the right rear quadrant of the paintinIn her Portrait As An Allegory of Fidelity (oil on linen), the artist presents herself holding her child while around her are piled the trappings of family life including toys, a dog, and a strange gentleman peering from around a curtain in the right rear quadrant of the paintinin the right rear quadrant of the painting.

Best known for his delicate oil portraits of troubled or otherwise distant young men, the Canadian painter Paul P. is turning over a new leaf for the one - day exhibition «Perennial,» happening August 2nd at the Grecian Shelter in Brooklyn's Prospect Park.

Considering that Velázquez is widely seen as the greatest painter ever to lay oil on canvas, and considering that he only made about 110 paintings in his lifetime, the fact that a new portrait is visiting the Metropolitan Museum of Art this month (April 16 - July 14) is bound to cause a stir.

Installed in the tall yet cozy Perlman Gallery, the exhibit features paintings from the Walker's collection (including, prominently, an oil portrait of founder T.B. Walker himself) hung salon - style, jammed up in close proximity to one another.

Her painterly approach toward representation heightens a fluid ambiguity - painting the thing or the person which is disappearing and emerging at the same time, as in the elegantly complex portrait sister (2008, oil on canvas, 32.5 x 21.5 in.)

Felix Nussbaum, Self - Portrait in Concentration Camp (1940), oil on wood, 52.5 x 41.5 cm.; courtesy The Neue Galerie, NY

Martí Cormand, Formalizing their concept: Alighiero Boetti's «Alighiero e Boetti Self Portrait, 1977», 2013, graphite on paper and oil on paper (tape), diptych: 15.5 x 12.2 in.

John White Alexander (American, 1856 - 1915), «Portrait Study in Pink (The Pink Gown),» 1896, oil on canvas, 75 x 35 1/2 inches, Signed and dated, lower right: J.W. Alexander» 96.

Oliveira, who is represented in the show by a 1961 oil portrait of his mother, was a friend of Polish - born Waldemar Mitrowski — whose small canvas «Outdoor» is enigmatic and poetic — and a mentor to John Goodman — whose «Figure # 29» is sensual and singular

Installation view of AMY SHERALD, «Michelle LaVaughn Robinson Obama,» 2018 (oil on linen), in New Acquisitions Gallery, National Portrait Gallery.

Richard Gerstl, Self - Portrait in Front of a Stove (1907), oil on canvas on board; courtesy of The Neue Galerie, New York

Varejão's first solo U.S. museum exhibition is currently on view at ICA Boston featuring among other works, «Polvo Portraits» (shown above), an oil on canvas series referencing Brazil's 1976 census, in which citizens were given 136 options for describing their race in terms of color.

Martí Cormand, Postcards to AZ: Portrait of actress Anni Mewes, 1917 / 1921 by Edwin Scharff, Entartete Kunst, num3, 2015, oil on cardboard, 7 x 5 in

Installation view of KEHINDE WILEY, «Barack Obama,» 2018 (oil on canvas), in American Presidents Gallery, National Portrait Gallery.

Each canvas 1981 x 1473 (78 x 58) Inscribed on back of canvas in blue felt - tipped marker «3 Figures and Portrait 1975 Francis Bacon oil and pastel» top left Purchased from Galerie Claude Bernard (Grant - in - Aid), 1977 Provenance: Purchased from the artist by Marlborough Fine Art, London by whom sold to Galerie Claude Bernard, Paris Exhibited: Francis Bacon: oeuvres récentes, Musée Cantini, Marseilles, July - Sept.

Francis Bacon (1909 - 1992) Study for Portrait signed, titled and dated «Study for Portrait 1977 Francis Bacon» (on the reverse) oil and dry transfer lettering on canvas 78 x 58 1/8 in.

Prior to this Wallinger had made a lusciously detailed 1992 oil painting of a racehorse under the characteristically multi-meaning title Race, Class, Sex, and a self - portrait as Emily Davison, the suffragette who threw herself in front of the king's horse in 1913.

Mr. Clark's oil portrait of the Chief Judge of the First Federal District Court was acquired for the permanent collection of the Moakley Federal Courthouse in Boston in June of 2015, and extensive coverage of his solo exhibition at the Loyola University Museum of Art in Chicago was included in both Fine Art Connoisseur and America magazines.

Rudolf Stingel, «Untitled,» 2005, oil on canvas, 118 x 118 x 2 in., based upon the Robert Mapplethorpe portrait of Paula Cooper.

Bartolomé Esteban Murillo (1617 — 1682), Self - Portrait, ca. 1650 — 55, oil on canvas, 42 1/8 x 30 1/2 in., The Frick Collection, gift of Dr. and Mrs. Henry Clay Frick II; photograph by Michael Bodycomb

The two Francis Bacon piece's from Hirst's collection on display are «Man in Blue II», 1954 oil on canvas, and «Self - Portrait» 1969, oil on canvas.

The first image you see as you enter Doig's show is a vivid, dreamlike oil on paper portrait of him, a magisterial full figure, curiously in a white cowboy hat, strumming a cuatro (a four - string guitar).

Sarah Howgate, Senior Curator, Contemporary Collections, National Portrait Gallery, and Curator of Lucian Freud Portraits, the last exhibition of his works exhibited at the gallery in 2012, says: «This compelling self - portrait is one of the most intriguing of Freud's unfinished oil studiesPortrait Gallery, and Curator of Lucian Freud Portraits, the last exhibition of his works exhibited at the gallery in 2012, says: «This compelling self - portrait is one of the most intriguing of Freud's unfinished oil studiesportrait is one of the most intriguing of Freud's unfinished oil studies.»

Albert Oehlen (b. 1954) Selbstporträt mit Palette (Self - portrait with Palette) signed, titled and dated «A. Oehlen, Selbstportrait mit Palette, 02/05» (on the reverse) oil on board 65 3/8 x 42 1/8 in.

Welsh portrait painter mostly working in France and the Middle East, Andrew Vicari remained a figurative artist working in oil throughout his career.

Many of the newest portraits are based on family photographs she discovered in a box and recreated as oil paintings in sepia tones on canvas, recapturing a sense of past moments and lost memories.

Presenting solo exhibitions as well as jurying among others in group, Susan is a member of OPA, as well as the International Guild of Realism, the Portrait Society of Canada and the Alberta Oil Painters.

The exhibition will consist of approximately twenty works in oil, watercolor, pastel, and sumi ink and depict the subjects for which the artist is well known: portraits, still lifes, landscapes, and nudes.

From oil painting techniques to pastels, from painting landscapes to drawing portraits, Artists Network TV offers art instruction from artists working in a variety of mediums and subjects.