Sentences with phrase «in opening a narrative»

Not exact matches

In other words, dare to be expansive, and open your narrative up to reveal your true self, and not a facsimile thereof.

«The beneficiaries of Open Skies driven by the likes of us has been the US economy and that's kindly marginalized in the US3's narrative,» Clark told us.

By opening up bids for its second headquarters to cities and municipalities across the country, Amazon is countering that narrative: For only a few billion dollars in tax breaks, the lucky winner would get 50,000 jobs.

So we worked for months on a cover story looking at the conflict in the Holy Land — why it's happening, peacemaking efforts, the (forgotten) story of the Church there and the eye - opening narratives our generation has to grapple with.

For the use of opening formulas and connecting particles by the Gospel writers in the Greek New Testament, there is no consistent renderings in any of the English as well as in most of the Indian versions.60 Therefore, the Indian versions, which are translated from English, lag behind to reflect the artistic mind of the author as well as the literary character of the narratives in the original source.

In the first place, and I believe that from the point of view of a religious interpretation of narrative this is exceedingly important, process thinking opens the way for a new grasp of infinity or totality as a religious concept.

This is an infinite which expresses itself in a narrative vision, not a predetermined narrative nor one which intends to include only a particular kind of people or a particular reality, but a story which is much more open than the old story used to be — a story, indeed, with many strands rather than with one, and a story which is not going to any predetermined place but which is constantly open to the best possibility that is relevant for it.

These traditions, such as the resurrection narratives and the opening chapters of Acts, certainly give us some very valuable clues concerning the rise of the Easter faith, but each of these has to be examined and evaluated before it can be used in constructing even a skeleton history in the events immediately following the death of Jesus.

In print, the New Journalism indulges in a lot of first - person narrative, as I have done in this article — as if I were really laying myself open to your criticismIn print, the New Journalism indulges in a lot of first - person narrative, as I have done in this article — as if I were really laying myself open to your criticismin a lot of first - person narrative, as I have done in this article — as if I were really laying myself open to your criticismin this article — as if I were really laying myself open to your criticisms.

In fact, all my anxieties run in the opposite direction: that, in order to affirm the uniqueness of humanity within organic nature, as well as the unique moral obligations it entails, we will reject all evidence of intentionality, reason, or affection in animals as something only apparently purposive, doing so by reference to the most egregiously vapid of philosophical naturalism's mystifications — «instinct» — and thereby opening the way to a mechanistic narrative that, as we have learned from an incessant torrent of biological and bioethical theory in recent decades, can be extended to human behavior as welIn fact, all my anxieties run in the opposite direction: that, in order to affirm the uniqueness of humanity within organic nature, as well as the unique moral obligations it entails, we will reject all evidence of intentionality, reason, or affection in animals as something only apparently purposive, doing so by reference to the most egregiously vapid of philosophical naturalism's mystifications — «instinct» — and thereby opening the way to a mechanistic narrative that, as we have learned from an incessant torrent of biological and bioethical theory in recent decades, can be extended to human behavior as welin the opposite direction: that, in order to affirm the uniqueness of humanity within organic nature, as well as the unique moral obligations it entails, we will reject all evidence of intentionality, reason, or affection in animals as something only apparently purposive, doing so by reference to the most egregiously vapid of philosophical naturalism's mystifications — «instinct» — and thereby opening the way to a mechanistic narrative that, as we have learned from an incessant torrent of biological and bioethical theory in recent decades, can be extended to human behavior as welin order to affirm the uniqueness of humanity within organic nature, as well as the unique moral obligations it entails, we will reject all evidence of intentionality, reason, or affection in animals as something only apparently purposive, doing so by reference to the most egregiously vapid of philosophical naturalism's mystifications — «instinct» — and thereby opening the way to a mechanistic narrative that, as we have learned from an incessant torrent of biological and bioethical theory in recent decades, can be extended to human behavior as welin animals as something only apparently purposive, doing so by reference to the most egregiously vapid of philosophical naturalism's mystifications — «instinct» — and thereby opening the way to a mechanistic narrative that, as we have learned from an incessant torrent of biological and bioethical theory in recent decades, can be extended to human behavior as welin recent decades, can be extended to human behavior as well.

In Luke's narrative of the Emmaus Road experience, we have an example: «Were not our hearts burning within us while he was talking to us on the road, while he was opening the scriptures to us?»

Faith is the memory of all of the ways in which God has acted to relativize the world and transform it — a memory which is illumined throughout by the narrative of Jesus, which warns us against establishing even our relation to that narrative as absolute and which opens us to transformation in the present by the new that now comes.14

Evans next identifies various narratives that have the potential to either close the lines of communication» primarily because they invoke abortion» or open the possibility of true conversation among people of conflicting ethical beliefs by keeping that issue in the background.

An open mind must still engage in some process of choice and selection, and it would take a very rare kind of atheist to select Gregory's narrative, however persuasive it might be on its objective merits.

At least we leave open the thought that Satan acts subtly and by indirection, perhaps by including us in a dominant narrative that makes promises about security and happiness that can not be kept.

Narrative theology and narrative preaching are opening new vistas in theological eNarrative theology and narrative preaching are opening new vistas in theological enarrative preaching are opening new vistas in theological education.

In addition to the programed responses that encourage good manners, there is plenty of room for open ended play and child - created narratives with Mrs. Goodbee.

The troupe will feature an array of narratives; holiday stories and other tales for guests of the Holiday Open House to delight in.

One of the great strengths of The Open - Hearted Way to Open Adoption is how Lori incorporates other voices in her narrative.

But again, it's a minor quibble — just one more example of open adoption's push and pull that Lori addresses so well in her narrative.

Donald Trump Jr. fired back at liberal filmmaker Michael Moore, who questioned whether Mar - a-Lago had opened as a shelter when Hurricane Irma hit the state, noting it's located on an island and in a mandatory evacuation zone, «probably not the best idea, but you know, narrative!»

Once you have done your own little bit, as you have done for months now, to damage the Corbyn campaign, by your constant nitpicking of his competence and leadership skills and policy development shortcomings, and regular defence of the «soft Left» who have so blatantly failed to support him all year, from a supposed position on the Left (so much more effective in the current battle for the dominant narrative than criticism coming openly from the Labour right), will you too finally, (sorrowfully and with much hand - wringing») declare for Owen Smith at the opening of voting, David?

The point is that the Buhari government makes a serious mistake if it does not revise its anti-corruption narrative to include the citizens, to fight in the open, and to punish.

Commanding an army of workers bearing chisels and brushes, the iconoclastic Israel Finkelstein, a Tel Aviv University archaeologist and director of the Megiddo Expedition, orchestrates an upheaval of his own: By opening the belly of Megiddo, he is challenging the narrative of the Bible, upending ancient Israeli history and derailing what we thought we knew about the Iron Age in this region called the Levant.

Such pressure, in turn, encourages researchers to engage in «a host of biased practices [including] reinventing history to «predict» results that were, in fact, unexpected, or selectively reporting analyses that allow more publishable narratives,» continued Chambers, who is the editor in charge of handling Registered Reports at Royal Society Open Science, an online - only journal which covers all fields of science, engineering, and math.

«[I] n spite of his personal political commitment to openness,» the reviewers write, «Delfanti elegantly dismisses dominant narratives that portray open science (in particular, open biology) as an up - to - date version of the traditional Mertonian norms now endangered by corporate neoliberalism.

The study, «She chose us to be your parents — exploring the content and process of adoption entrance narratives told in families formed through open adoption,» was accepted for publication in the Journal of Social and Personal Relationships, and was funded by the University of Missouri Richard Wallace Alumni Grant.

His first store, on South Audley Street in London's Mayfair, opened in September 2015 and reflects the romantic narratives that Moralioglu builds around his woman.

Personal narrative from a Jewish woman who is married to a Buddhist man who was raised in a culture that frowned on open argument.

While Rockstar San Diego may find some difficulty in filling its open expanses with interesting and emergent play, it does imbue it with a stark beauty and compelling narrative that makes Redemption more than just an allusion to cinema, but a piece of work that can confidently stand next to it.

This sketched - in narrative only really becomes coherent after the opening third, which is so impressionistic as to make it difficult to piece together.

It's a lot of fun to play in the open world and the gameplay mechanics are fantastic, but the story kidnaps you and railroads you into a very strange narrative which doesn't really fit all that well with the rest of the gameplay experience.

It is a beautiful game that promises much in terms of open - world freedom of choice, but then belies that promise continually throughout its narrative.

The ensuing narrative will be fortified by few dramatic junctures, none more prominent than what we see in the opening minutes.

Its fluid action and bustling open world full of character will draw you in, while the deeply engrossing narrative will keep you hooked until the emotionally fuelled finale.

«Trapped» gets its narrative from the current state of affairs, in that it is more about the stagnant, daily chaos wrought by these bills (the struggle of a Tuscaloosa clinic to stay open while not able to serve anyone does provide a small arc).

In the film's opening moments, Kwon drops a bundle of letters sent by Mori, which is Hong's narrative justification for jumbling the chronology of events and exploring, once again, the fickleness of memory, perception and affection.

But it's hard to cram the nuances of two people opening up to one another in 120 minutes of film, let alone manage a fanciful narrative conceit alongside your lovers.

Yet for all the set - pieces he directs the hell out of — an opening hunt; a piranha attack — it's only in its elliptical final throes that the film eclipses its surface pleasures, as the eponymous city shifts from narrative goal to vaporous MacGuffin.

Until these moments, our characters are moving forward, but still in the past, and they all come together with unexpected narrative unity that balances open - endedness with diamond - cut clarity.

While there are standout examples — like Darren Aronofsky's disorienting, eye - opening Requiem for a Dream, or the achingly beautiful narratives of animated animal - people addicts in BoJack Horseman — sagas like this one usually work better on the page than on the screen; the brief gloss of film can make drug use seem rather too appealing, while the idea of spending eight TV seasons with an addict seems rather unappealing.

Keep the Change, which won the Best U.S. Narrative Feature, Best New Narrative Director, and the Nora Ephron Prize at the Tribeca Film Festival, opens in New York TOMORROW at the Quad Cinema, in Los Angeles on March 23rd at Laemmle Town Center and Laemmle Royal Theatre, followed by a nationwide rollout.

It covers the three preview performances leading to opening night in one, digitally - unbroken take, making room along the way for Method asshole Michael Shiner (Method asshole Edward Norton)-- who steals both the play Birdman is about and the play - within - a-play conceit of the movie by stealing the movie — and tons of narrative melodramatics, including a neurotic leading lady (Naomi Watts), Riggan's burnout daughter (Emma Stone), and his stressed - out lawyer / manager (Zach Galifianakis).

In 2007, his gift for infusing rich, classically structured narratives with documentary - like authenticity resulted in the four - time César Award — winning The Secret of the Grain, a roving, multigenerational drama that follows a French - Arab family thrown into discord when the patriarch decides to pursue his dream of opening a portside restaurant specializing in North African cuisinIn 2007, his gift for infusing rich, classically structured narratives with documentary - like authenticity resulted in the four - time César Award — winning The Secret of the Grain, a roving, multigenerational drama that follows a French - Arab family thrown into discord when the patriarch decides to pursue his dream of opening a portside restaurant specializing in North African cuisinin the four - time César Award — winning The Secret of the Grain, a roving, multigenerational drama that follows a French - Arab family thrown into discord when the patriarch decides to pursue his dream of opening a portside restaurant specializing in North African cuisinin North African cuisine.

A new category has been added for short screenplays and is open to narrative scripts in any genre at 40 pages in length or less.

Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the film, the nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made from the shooting script, and the modernist narrative.

In a more ambitious (and decidedly less commercial) effort like The Hours and Times, the lack of sex can be defended as a central part of the film's seriousness and modesty, justified both by history (the real - life relationship between Brian Epstein and John Lennon) and by the film's status as an «open» narrative leaving a great deal to the viewer's imagination.

(It says a lot about the lack of real narrative here that the film was released in America with an entirely different opening.)

In the movie's first fifteen minutes, many of the facts that we know from the previous installments are completely eradicated, opening up a new world and narrative for these characters.

In partnership with Adobe Project 1324, the yearlong Sundance Ignite Fellowship is open to 18 - to -24-year-old emerging documentary and narrative filmmakers.