Sentences with phrase «in over the course of the film»

While the university hazing plotline, especially with the supernatural element that creeps in over the course of the film, is extreme, Marillier adds an honest realism.

Not exact matches

But all varieties of horror flick are easily identifiable at this point, whether they're spooky, low - budget films (numerous); viscera - stained slasher movies (more numerous); quick - cut zombie flicks (even more numerous); macabre sci - fi, floating - in - space efforts (somewhat less numerous than they should be); sexualized vampiric tales (I trip over one of these whenever I get the newspaper); films of the more critically favored retro - mashup variety (Quentin Tarantino and Robert Rodriguez's Death Proof plus Planet Terror feature Grindhouse); or foreign entries of the psychological horror variety (the works of Dario Argento, of course; Alexandre Aja's films, which have their defenders; and Juan Antonio Bayona's El Orfanato, which only someone who truly dislikes cinema can dismiss).
As for this film: the ethical dilemmas that crop up are brushed over and done away with, and of course, all must be set right by the end, but in all The Change - Up is a fun, stupid movie - and I mean that as a compliment.
Some of his more notable work came from his collaboration with director Spike Lee; over the course of the 1990s, Washington starred in three of his films, playing a jazz trumpeter in Mo» Better Blues (1990), the title role in Lee's epic 1992 biopic Malcolm X (for which he received a Best Actor Oscar nomination), and the convict father of a high - school basketball star in He Got Game (1998).
She has a very satisfying arc over the course of the film, with numerous scenes displaying why Streep is an icon in her profession.
With Lawrence (the director) and Lawrence (the actor) so professionally in tune over the course of three Hunger Games films, you might have hoped that the pair would deliver an off - the - rails, more mature action film with a nuanced female protagonist.
Over and over in the course of the film, we can see Spacey, a good actor, reaching down into himself to find a source of verity for this plot - constructed characOver and over in the course of the film, we can see Spacey, a good actor, reaching down into himself to find a source of verity for this plot - constructed characover in the course of the film, we can see Spacey, a good actor, reaching down into himself to find a source of verity for this plot - constructed character.
All three men come and go over the course of the film, but the ladies require more consistent help year - round, with dreams of modernizing their operation looming wistfully in the distance.
So yeah, we all know that Black Panther, a.k.a. Prince T'Challa, is going to triumph over adversity in his bid to bring harmony to the kingdom of Wakanda, that there will be the obligatory action sequences where actual danger is a distant possibility for both hero and bystander, and that the plot will pivot on a mysterious object of unknown origin («Vibranium,» in this case — don't worry if it sounds unfamiliar; the film's characters will mention it at least three - dozen times over the course of the movie).
And yet, however considerable the film's charms (it's first - rate children's entertainment, to be sure), there's something just the slightest bit disappointing in how pro-forma it all feels: Ghibli geniuses Isao Takahata and Hayao Miyazaki never clung to a house style, making films with wildly different looks and tones over the course of their careers, whereas Yonebayashi's first post-Ghibli effort colors well within the lines of stock Japanese animation.
Filmed over the course of seven years, Bitter Honey offers the first in - depth exploration of these
Dzundza has worked in some interesting and / or popular films over the course of his career including Michael Cimino's «The Deer Hunter» (1978), Robert Altman's «Streamers» (1983), «No Way Out» (1987), Clint Eastwood's «White Hunter, Black Heart» (1990), and «Basic Instinct» (1992).
Over the course of this third solo outing for the god of thunder, Thor will lose his allies, his freedom, those flowing golden locks, and also something more permanent, but none of these will be the most significant alteration to the character in Taika Waititi's zippy, slightly tilted, often joyfully frenzied film: Thor is finally in on his own joke.
The film follows Frank over the course of fifty - six hours in his life - two days and three nights on the job - as he reaches the very brink of spiritual collapse and redemption.
Some of the standards are of course different but how could they not be in a film over 40 years old, ignore that and just enjoy the sweet simple story.
Filmed over the course of seven years, Bitter Honey offers the first in - depth exploration of these family's lives.
Filmed in part to commemorate the tenth anniversary of the legendary switch - hitter's death, this film tells the remarkable tale of the athlete who overcame constant, nagging injuries to blast 536 home runs out of the ballpark over the course of 18 unforgettable seasons and swing his way into the history books.
While the beginning of the film feels like it's setting the audience up for a somewhat boring lesson on drone warfare (I'm looking at you, Good Kill), Hood — still wiping the sting of X-Men Origins: Wolverine off with Ender's Game and now this — excellently threads the needle of tension and, before you know it, the thriller aspect of the film becomes abundantly clear as the series of events play out in semi-real time over the course of one day.
The film jumps back and forth over the course of just a few weeks, but the way Portman plays the sullen Jackie in the wake of what has happened looks like she's aged years.
Of course, when watching the film, you could assume that Captain America wins when placing his shield in the reactor of Iron Man's suit, but in the end everyone is devastated over the loss of the Avengers and the fact they are broken uOf course, when watching the film, you could assume that Captain America wins when placing his shield in the reactor of Iron Man's suit, but in the end everyone is devastated over the loss of the Avengers and the fact they are broken uof Iron Man's suit, but in the end everyone is devastated over the loss of the Avengers and the fact they are broken uof the Avengers and the fact they are broken up.
And even if Cuaron had wanted to, Columbus had installed himself as a producer on «Azkaban» with a particular goal in mind: «I wanted to make sure that the film didn't stray too far from the world the audience and the fans have sort of fallen in love with over the course of the first two movies,» he told The Times» John Horn last year.
He continues to perform at a high level, and he's forged a partnership with Villeneuve over the course of three films now («Prisoners» and «Sicario» being the others) that makes for one of the great visual signatures in modern cinema.
Some of the Things that happen over the course of the decade or so the film spans are as follows: Tomas (Franco) is already having trouble with his girlfriend Sara (Rachel McAdams) in the course of struggling to write a novel, when on the way home one evening, he's involved in an accident that brings him into the orbit of a single mother Kate (Charlotte Gainsbourg) and her young son Christopher.
A non-comprehensive list of the powers Lucy acquires over the course of the film: perfect marksmanship, extreme agility, and instantaneous reflexes; the ability to control TVs and cell phones from thousands of miles away; immunity to pain and fear; telepathy, telekinesis, and clairvoyance; expertise in driving a car really fast into oncoming traffic; teleportation across time and space; and the capacity to alter her existing body parts or grow new ones.
Billy offers several asides to Marty over the course of the film, expanding on the lack of good roles for women, and the sexist component to moviemaking in general.
Over the course of the film, you're proven wrong as Vikander plays Sophia almost the exact same way even though this is a woman from a different culture and in a different situation.
Of course the caveat would be that not all of these films are good, and in recent years it's been true that he's had more misses than hits, but 2014 saw him deliver two films in the same year for the third time this century and one of them is the best he's given us in over half a decadOf course the caveat would be that not all of these films are good, and in recent years it's been true that he's had more misses than hits, but 2014 saw him deliver two films in the same year for the third time this century and one of them is the best he's given us in over half a decadof these films are good, and in recent years it's been true that he's had more misses than hits, but 2014 saw him deliver two films in the same year for the third time this century and one of them is the best he's given us in over half a decadof them is the best he's given us in over half a decade.
The experimental film spans the emotional journey of a family over the course of 12 years with all the actors virtually aging in «real time» on - screen as the film chronicles the family.
It's unfortunate that we've gotten so few Lonergan films over the course of such a long time, especially when you can't turn around without another superhero extravaganza smacking you in the face, but if it takes this long for him to consistently deliver at this level of quality, then it is damn sure worth the wait.
A footnote to the film reveals the extent to which the specifics of what happened in Boston were and of course still are replicated the world over, at which point Spotlight exists to shine a searchlight on a moment from history that human behaviour tragically refuses to leave consigned to the past.
Set in Los Angeles of the «slight - future,» Joaquin Phoenix plays a man who has just purchased OS1, the world's first artificially intelligent computer operating system and, over the course of the film, he'll fall in love with it.
It's also oddly sweet in the way that the Millers gradually evolve into a real family over the course of the film, even if you can see that twist coming from a mile away.
With the event taking place over the course of two full days, movie fans will be able to immerse themselves and whet their appetites for some of the biggest films due for release over the next year, with a surprise or two in store including specially recorded greetings from some A-list filmmakers and actors.
That becomes something of a crutch in The Cut, his decade - spanning, continent - hopping look at the aftermath of the Armenian genocide, because the film's narrative requires that its embattled protagonist, a refugee named Nazaret (Tahar Rahim), navigate a whole slew of unknown territories and political ideologies over the course of a few decades in the early 20th century.
Rossum tells us that her character changes looks in the film almost as often as she has scenes, appearing as a blonde, a brunette, and a redhead over the course of the film.
Other films seen over the course of 2013 coming out in 2014, that we saw, but didn't love (or in some cases totally disliked) include: «Hateship Loveship» starring the unlikely pair of Kristin Wiig and Guy Pearce, «Can A Song Save Your Life?»
The way Day - Lewis directs his eyes in «Phantom Thread» shows the journey of a man whose self - identity shifts over the course of the film, and whose enigmatic, controlled exterior belies volatile emotions.
In addition to film screenings, LVFF hosts multiple premiere parties, cocktail mixers, dinners, red carpets, VIP parties, interactive and specialty panels, a screenplay competition and a closing night award reception over the course of the four - day event.
His new film, Free Fire, is built around a premise that is simultaneously old school and high concept: two groups of criminals in 1970s Boston arrange an arms deal in an old warehouse, things go south, guns are drawn... and they proceed to engage in a gun battle that plays out over the course of the entire movie, mostly in real time.
Victoria (Germany, 2015)-- 9:00 PM «Victoria (2015) is an impressive technical achievement: a street film turned romantic drama turned crime thriller, shot in a single, unbroken take in real time over the course of a couple of hours between late night and dawn.
Of course, when a film is dealing with the end of the world, there is not a lot of wiggle room and even in this current age of motion picture excess, the fire - scorched landscapes, smoke - filled atmosphere and 200 - foot «Cloverfield» monstrosities seem way over the toOf course, when a film is dealing with the end of the world, there is not a lot of wiggle room and even in this current age of motion picture excess, the fire - scorched landscapes, smoke - filled atmosphere and 200 - foot «Cloverfield» monstrosities seem way over the toof the world, there is not a lot of wiggle room and even in this current age of motion picture excess, the fire - scorched landscapes, smoke - filled atmosphere and 200 - foot «Cloverfield» monstrosities seem way over the toof wiggle room and even in this current age of motion picture excess, the fire - scorched landscapes, smoke - filled atmosphere and 200 - foot «Cloverfield» monstrosities seem way over the toof motion picture excess, the fire - scorched landscapes, smoke - filled atmosphere and 200 - foot «Cloverfield» monstrosities seem way over the top.
It's the type of film for which I constantly saw previews while in the theater over the course of 2013, and I had made a mental note to make sure to catch up with it once it hit home video.
Captured over the course of an eventful year in 23 countries, the film follows a chain of urgent human stories that stretches across the globe in countries including Afghanistan, Bangladesh, France, Greece, Germany, Iraq, Israel, Italy, Kenya, Mexico, and Turkey.
Magnolia (1999), Anderson's third film, is a sprawling ensemble epic of lonely lives and damaged souls whose paths cross (however tangentially) over the course of two days in Los Angeles.
Over the course of the three acts, the film's context evolves from social satire (set in a public space) to emotional intimacy (confined to the private space of a single room and a single bed) to domestic drama (set in the awkward private - public space of a family apartment).
In an interview with Entertainment Weekly, Corey Stoll goes into surprising detail about the origin of his character Darren Cross, who becomes Yellowjacket over the course of the film.
Elvis Presley was one of Hollywood's top box - office draws, starring in 31 feature films and two theatrically - released concert documentaries over the course of his career.
They will identify and promote these film projects to their audiences, while in turn, the Institute will endorse their availability through its own marketing and promotional efforts and through the vast social community developed over the course of the Institute's 30 - year history.
Of course, he's never been very far out of the limelight, having completely dominated the Horror genre over the past 40 years as the «go - to» storyteller for genuine scares; leaving a multitude of classic books and subsequent film adaptations in his literary wakOf course, he's never been very far out of the limelight, having completely dominated the Horror genre over the past 40 years as the «go - to» storyteller for genuine scares; leaving a multitude of classic books and subsequent film adaptations in his literary wakof the limelight, having completely dominated the Horror genre over the past 40 years as the «go - to» storyteller for genuine scares; leaving a multitude of classic books and subsequent film adaptations in his literary wakof classic books and subsequent film adaptations in his literary wake.
An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.
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