Sentences with phrase «in paint textures»

Not exact matches

The mat sections are painted in different colors and textures to give a child much to explore.

It is clear how much Christina loves paint as a medium, and finds pleasure in exploring color and texture.

For instance, the sharp scent of vinegar involved in a science experiment, the colors of water during a color mixing experiment, or the texture and smells of scratch and sniff painting are all part of appealing to your child's senses.

Your little ones can explore the texture of shaving cream while mixing in the paint.

Jackson Pollock, for instance, used drums of World War II surplus paints for his splashiest effects, and he often added texture by mixing in things such as cigarette butts.

By closely observing «La Miséreuse accroupie,» AGO's conservation department, now led in this project by senior conservator of paintings Sandra Webster - Cook, had observed distinct textures and contrasting underlying color that peaked through the crack lines and did not match the visible composition.

Gill used real elevation data to plot out Mars» oceans, mountains, valleys, and other geological features — but then he used his own judgment to paint in the deserts, forests, and so on, using textures from NASA's Blue Marble imagery.

In the master bedroom, Joanna used board - and - batten walls, painted white, to add texture but at the same time make the space feel light and airy.

Emperor's Silk painted with texture, with first clear then dark wax applied in parts.

Some cinnamon got onto areas that I didn't like, so I just painted over that area, which resulted in giving the paint a textured look, too!

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* most of our upholstered 60s disasters are burlap - y in texture... I wasn't trying to contradict the message of your post - it was just the first I ever even heard of painting upholstery

To add some shine, texture, and warmth to the table I used votive candles in varying heights in metallic gold with a scatter of acorns, some of which were found in my yard under the oaks (that were spray painted in my favorite gold spray paint I recently wrote about here) combined with a store bought scatter mix (found here).

To create texture he used a Chalk Paint ® Brush, moving in all directions and applying the paint thickly.

Hand painted in a mod black palette, the subtly textured, wood - based Mid-Century Ceramic Table Lamp's organic silhouette, elegant taper shape and geometric pattern is inspired by 1950s and»60s design.

I am hoping to have the sheet rock, texturing, priming, painting, and tiling all done in 8 days.

The piece features a print of a textured floral painting and is mounted in a floater frame for a high - quality finish.

From painting island cabinets a navy blue, to contrasting white countertops with medium or light wood cabinets, adding color and texture in the kitchen can help make the space feel more comfortable and inviting.»

While paints would be an acceptable medium for this project, chalk was perfect, easy to apply, and really gave my 3 - year old a lesson in coloring on textured surfaces.

Placing thrifted candlesticks and painted white pumpkins in a wooden tray bring in texture and variety,

You can use painted and distress Shabby books, a beautiful white pitcher that you can Frenchify in 5 minutes (here you can find some similar beautiful white pitchers *), your favorite angel statue (mine is a gift from my sister), some Ikea candle holders that you can paint and Shabbify (and love like crazy), a little bit of white fabric to add some texture, a scented soy candle in a French coffee cup and some AH - MAZING lilac flowers with a stunning perfume.

And, as you know because you have posted on the sublime beauty of lime, this causes a chalky variation in the texture of the paint that is beautiful - OR milk paint has lime but is a little more watery so you can get more of a vintage finish....

Also, to Ms. Taymor's credit, she intelligently provides at times inspired touches such as — stop motion action shots, color tinting in brightly exotic desert shades, finely textured black - and - white sequences, shots of Diego in New York to do the Rockefeller commissioned mural against a lively Dadaist collage of the New York setting, Frida's dream of her hubby as King Kong, a puppet show in the hospital (with the help of the gifted Quay brothers animations of skeletons in the post-accident emergency room — the skeletons were copied from one of Frida's paintings).

And in an unusual grace note typical of his slightly skewed take on the material, Cuaron gives the enchanted Hogwarts, where living paintings line the walls and ghosts caper in the public spaces, a grittier, more conventionally realistic texture than the Dursleys» perfectly manicured suburban home.

Its mere presence is refreshing after suffering through too many denoised Disney titles; so much of the background texture, not to mention the film's hand - painted charm, is bound up in the stuff that filtering it out would be pure revisionism — and, I suspect, wreak havoc on the already photographically - soft detail.

There are many subtle details in the art design; things like cultural influence in character models and background environments, beautiful hand - painted textures, vivid effects, smooth animations, and, of course, incredible transitional areas where lighting, shadows, and color blend so well, it could make a grown, bearded man cry.

However, despite being technically impressive and propelled by a great central performance, The Revenant carries the rough signatures of an ambitious yet unrefined experiment; it's cold, technical, and precise in the way a lab experiment is, but fails to be as warm, richly textured and profound as the glorious painting it imagines itself to be.

But the cinematography, by Andrew Dunn, has the rich texture of a great painting; the landscapes — in England, Italy and Scotland — are a pleasure; and there's something irresistibly calm and lovely in Fanning's quiet gaze, and in how she resembles the paintings on which the camera affectionately lingers.

Adding in rubbings, scraping paint with combs, adding collage effects, found textures and making paint textural marks to create the tactile surfaces in the Synthetic Cubism.

Magenta paint, a black hood, and subtle checkerboard texturing in the doors and fenders made this one of the cooler - looking Beetles at the Sunshine Tour.

The Rolls - Royce Wraith Inspired by Music features exterior finished in Lyrical Copper paint with brushed and polished textures, and a contemporary copper theme in the cabin.

Lund's Elite SX - Sport Style fender flares are the only flares available in a textured, rugged looking finish, or can be ordered in a smooth, paint - ready finish as well.

The car features a two - tone paint job with the front part finished in textured black as against the rear's contrasting lacquered red finish.

A Lyrical Copper exterior paint finish, presented with a blend of brushed and polished textures elegantly hints at the use of copper in only the very best audio systems.

Textured paint — which has a different appearance in different light — is, Peugeot claims, a world first for a mass - production car.

You don't feel short changed and there are novel features such as textured paint that you wont find on any other models in the class.

The motor car features the unrivalled aural experience of the marque's Bespoke Audio system; the Lyrical Copper exterior paint finish is presented with a blend of brushed and polished textures, elegantly hinting at the use of copper found in only the very best audio systems.

Like Clockers (1992) and his two other books set in fictional Dempsey, N.J. - Freedomland (1998) and Samaritan (2002)- Lush Life paints a richly textured portrait of city dwellers that would make Balzac and Dickens proud: The novel is populated with quick - witted cops, underprivileged teenage criminals, ethically challenged officials, and overworked and long - suffering average joes.

This includes: texture and vertex shading, which by using what was jokingly referred to as «lasers» or «sabers», users can add textures in a simple and accessible way; a foliage painting tool, which «if you're using a Vive or Oculus Touch dev kit, there's a button you can hold to erase or paint»; a colour picker, which is familiar already and has been used in various titles; a transform gizmo, and it was commented that «the rotation was a little bit of a disaster before but it's better now»; there is now a flashlight in VR as well as the ability to make screenshots; and a widget interaction component that gives developers full control over how things get touched.

Things like texture and shadow pop - in, long load times, frame rate and sound issues, and low resolution paint jobs on cars are the things they tend to fix last in a game like this and, given that they pointed them out to us before the disc was even inserted, there's plenty of reason to assume that they will fix them before they call the game «finished» and ship it.

Most of our models are made in Cinema 4D and painted / textured in Substance Painter and / or Photoshop.

Virtuos artists, out of our studio in Saigon Vietnam, Sparx *, were responsible for the modeling, texturing, layout, matte painting, animation, lighting and FX production to the final full color.

Problem is, it doesn't do a great job of convincing — in every game they profile, the DX9 and DX10 shots look exactly the bloody same to me, even though the captions are pointing out «flat, spray - painted textures» and «deep and sharply defined shadows» and things.

Virtuos artists, out of our studio in Saigon Vietnam, were responsible for modeling and texturing, layout, matte painting, animation, lighting and FX production through to final full color.

Painted in acrylic and oil, patterned, layered, rubbed back, and glazed, the works achieve a weather - worn texture recalling the erosion of matter overtime and the exquisite residues of nostalgia and decay.»

Acrylic paintings on canvas in expressionist, abstract and semi-abstract styles with an emphasis on colour and texture.

In one interview, Rothko admits an initial aversion to visual art and discusses his relatively new effort to «eliminate any distracting awareness of paint by applying his colors without texture.»

The physicality of his work is evident in the build - up of manipulated paint and texture, creating a visceral, brooding intensity that vibrates the longer you gaze.

I was painting all over the map before this year and have decided to hone in on my most favourite type of painting, which I call «Heirloom Art Pieces» — they're a highly textured form of abstract art that I've been doing for over 6 years (undercover).

My background in painting has allowed me to explore the material using techniques that derive more from the worlds of drawing and painting, engaging both traditional and innovative techniques in employing formal qualities with density, texture and pattern.