Sentences with phrase «in painting as a whole»

However, they only serve to generate greater meaning for Mills in the painting as a whole.

This is enhanced by the fact that once you focus in on the tapering, you can not not quite put together what happens when you step back and take in the painting as a whole.

Not exact matches

Assuming the letter you've received doesn't paint the whole picture for you, calling this number will be well worth it as talking to a person not only helps you understand the nuances of the situation but there's comfort in knowing that a human being with a name and a face at the IRS is there to help you figure things out.

«This technology will allow us to paint a whole chromosome and look at it live and really follow it... as it goes through developmental transitions, for example in an embryo,» study co-author Rebecca Heald, a molecular and cell biologist at UC Berkeley, said in a statement.

While there are some reasoning for these numbers individually, as a whole they seem to paint a broader picture that Millennials are afraid of entering the market in any capacity.

But informing the whole is the image of Scripture as a painting, with Jesus the incarnate Word as the «ground» against the «background» of the triune God, and the Church and cosmos in the «foreground.»

In fact, a roadside sign for «Bowled Peanuts» can brighten my whole day as can a hand - painted billboard exhorting me to «Give Your Loved One A Missage For Christmas.»

While claiming that the whole of creation has as its very structure the Sabbath principle, Barth qualifies this statement by suggesting that creation (through its culmination in the Sabbath rest) paints also to redemptive history (to covenant) and to the final consummation of the same.

As a skilful cook says of a dish in which there are already a great many ingredients: «It still needs just a little pinch of cinnamon» (and we perhaps could hardly tell by the taste that this little pinch of spice had been added, but she knew precisely why and precisely how it affected the taste of the whole mixture); as an artist says with a view to the color effect of a whole painting which is composed of many, many, colors: «There and there, at that little point, it needs a touch of red» (and we perhaps could hardly even discover the red, so carefully has the artist shaded it, although he knows exactly why it should be introducedAs a skilful cook says of a dish in which there are already a great many ingredients: «It still needs just a little pinch of cinnamon» (and we perhaps could hardly tell by the taste that this little pinch of spice had been added, but she knew precisely why and precisely how it affected the taste of the whole mixture); as an artist says with a view to the color effect of a whole painting which is composed of many, many, colors: «There and there, at that little point, it needs a touch of red» (and we perhaps could hardly even discover the red, so carefully has the artist shaded it, although he knows exactly why it should be introducedas an artist says with a view to the color effect of a whole painting which is composed of many, many, colors: «There and there, at that little point, it needs a touch of red» (and we perhaps could hardly even discover the red, so carefully has the artist shaded it, although he knows exactly why it should be introduced).

For the average North American church - goer, it is confusing in the extreme to entertain the «different» picture of the Christian past that much scholarship is painting today, because that entails entertaining a different conception of his or her nation's past as well — in short, of the whole past.

I notice you conveneiently did not refute the inaccurate flood account «covering the whole earth» which has been proven false as well as not commenting on 40,000 year old cave paintings in Spain.

Daydreaming about the library as I painted it, for example, helped the whole room come together in just two days once I got to it.

According to him, victory for the party in the impending elections will help paint a good impression about the clout of the vice president not only in NDC but the region as a whole.

As the participating organisations represent the whole landscape of the sciences, including natural sciences, life sciences, humanities and the arts and social sciences, the speakers of the conference will paint a broad canvas of the facts and challenges in various areas and will offer their visions and solutions.

I have loved art as long as I can remember and spent hours and hours in and out of school drawing and painting pretty much my whole life.

I am not sure what the whole process looks like, as far as how they come up with the colors for each season and how those translate to fabric versus paint or graphic design, but if you start paying attention to the Pantone colors, all of a sudden you will begin to see those colors in the new season's line of clothing, home furnishings, graphics and even architectural designs for offices.

Using the same paint color and finish (White Dove OC - 17; benjaminmoore.com) for the walls, ceiling, and shelving made the built - ins disappear and helped the room as a whole look bigger.

Hi I'm in the middle of doing my whole dining room set in mineral paint I used raw silk (antique white) so far chais and bottom of table are done need to do china cabinet curio cabinet and a side bar the top of table of sidebar will be stained but the chairs I used black wax to enhance the flowers on back of chairs china cabinet has as well but going to use everyday as dining kitchen table is there a sealer that I can use for sure that won't yellow I'm scared to try

Most of the credit goes to 16 - year - old rising star Charlie Plummer, easily carrying the whole film on his scrawny shoulders as the delinquent teen who wastes a weekend with his kid cousin in Nowheresville: spray - painting doors, dodging bullies and mooning over the girl he hasnt got the nerve to talk to.

It stuck them on a 911 and called it the «Sport Classic», painting the whole thing in Sport Classic Grey as a homage to original Porsche exterior colours.

The whole car rumbles when she drives, and her exterior is deteriorating from multiple dings as well as the paint peeling off in places.

The results of the 2014 Pet Groomer Survey are in, and as you'll soon be able to read in the cover story for the December / January issue of Grooming Business, they paint a fairly rosy picture of the industry as a whole.

After calling out the NPD reports as «outdated», they teamed up with NPD to paint a better picture of the industry as a whole, by including Physical, Digital and Mobile games in the calculations.

The architecture that made perfect sense as Byrne led me from one room to the other became difficult to visualize as a conventional whole later on, in a way not unlike Elaine de Kooning's paintings, where specific features are defined by expression.

But rather than focusing on a specific artist or time period, as in the previous Thiebaud and Early American works, the new series references a pictorial convention within painting as a whole.

I mean as much as it creates greater ambiguity, it also reveals both a sense of history of the layering of the paint while, at the same time, anchoring the whole image so that it doesn't float in the picture plane.

Each work is an instance of a ripped frescoes, a technique developed by the artist in the 1980s which brings together two key moments in his paintings: a construction, based on a site, as a process for the formation of a support; and a reluctant walk (of a fake restauration) in the memory and the material history of the painting, of deconstruction, subtraction, a kind of intimate and forged archaeology, where a re-emergence of an unexpected fragment in the shape of clay, mosaics or shred (of colour or material) can become the focal point of the whole painting.

However, discussing Dalwood's more recent work illuminated his practice as a whole, helping me to figure «Burroughs in Tangier» into a much broader understanding of the artist's paintings.

I understand that — that I makes these things for myself — and one hopes that the culture as a whole will want to save them and show them some day, but I have 30, 40 ft paintings in here that haven't been shown.

This means that the galleries show chairs and tables arranged in symmetrical patterns as though in a great house, even if four identical chairs give no more information than one; they contain numerous «cutesy vignettes» (in the present curators» words) with vases placed on furniture to create a decorative effect, often to the detriment of the support; and are filled with paintings which make a decorative but not thematic contribution to the whole.

Discussing this series in the context of his «70s output more generally, Stella says, «The effect of doing [the Diderot paintings] «by the numbers,» so to say, gave me a kind of guide in my work as a whole... The Concentric Squares created a pretty high, pretty tough pictorial standard.

At its essence, the whole corpus of Nicola Samorì's work is a profound meditation on time and the fragility of existence: His earliest works appeared to be paintings of X-rays of individuals as if seen in a morgue — e.g. Der Neid, 2005; other works were constructed as if assembled from archeological remnants — e.g. Siliqua, 2007; and more recently, Samorì has turned his attention to re-examining famous artworks from the Western canon, notably the paintings of Spanish seventeenth century master Jusepe Ribera.

He began by pouring wet paint onto the paper till it was saturated, he tore, he scratched, he scrubbed at it in a kind of frenzy and the whole thing was chaos — but gradually and as if by magic the lovely ship, with all its exquisite minutia, came into being and by luncheon time the drawing was taken down in triumph.

Furthermore, late Picabia has become implicated in our revisionist ideas of postwar European art as a whole, for it turns out that his «Transparencies,» not to mention his cheesy nudes and heavily impastoed»50s dot paintings, were scrutinized by the young Sigmar Polke as he began to deal, in the early»60s, with picture - postcard imagery and hackneyed abstraction.

Lined up on a wall, the Sunday Paintings have a cinematic quality: each panel looks like a frame in a film sequence — a moment in time stilled — as if each is a part of a larger ongoing whole.

Additionally, the photographs relate to Still's body of work as a whole in that they begin to demonstrate themes / motifs prevalent in his painting.

Abstract expressionist paintings share certain characteristics, including the use of large canvases, an «all - over» approach, in which the whole canvas is treated with equal importance (as opposed to the center being of more interest than the edges).

Soon after she covers the whole in dark paint or gold leaf, as if to pin the grid down.

The apertures also suggest a view into some sort of psychological interior, as though the second canvas - seen only partially, through the hole in the forward canvas - were some half - concealed secret, perhaps even another whole painting that we will never see.

Unlike commercially - made animated films of the 20th century, which were also hand - drawn and painted, artists in this exhibition have more in common with American aesthetic development as a whole: artistic trends and styles found in all media in the larger art world are found simultaneously in animation.

Seen as a whole, his practice raises fundamental and evergreen questions about the value of images and art, the nature and possibilities of painting and film, the intertwined relation of our subjectivity to cultural identity, and the ways we address what we experience in life in parallel to the mediated world of images.

In a text titled, «Post-War Reflection,» Kusama writes, «My Works are usually painted flat on undivided space so that each microscopic mass is followed by another and its surface has a concrete appearance when looked upon as a whole showing a group of remarkably vast masses.

The emphasis of the first section is perhaps best summarized by the little - known post-war artist John Latham's room full of paintings and sculptures glutted with parts of, or whole, books; as part of his practice, Latham also burned books in order to imbue himself with «gray matter,» as the wall text notes.

On the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.

While a. number of the paintings in this show are unexceptional (such as Weekapaug or Prudhoe, with their blandly white or black central images and tailored edging vectors in neutral shades like plum brown, subdued orange, or yellow ochre), the series as a whole

It is an endearing mixture of high and low culture that leaves you puzzled for a bit, as you're not sure whether to like it or not, but when it comes to their execution, there is no doubt that the artist took figurative painting to a whole new level, and one that we certainly haven't seen in a while too — if we don't take art history books into consideration.

The viewer can indulge in their quick reduction, as the paintings» lack makes them feel whole.

Taken as a whole, Murray's paintings are abstract compositions rendered in bold colors and multiple layers of paint, but the details of the paintings reveal a fascination with dream states and the psychological underbelly of domestic life.

In Cheim and Read's large front gallery, I was immediately drawn close to the satiny surfaces of paintings like «The Five, The Seven (The Scream),» then compelled by the force of the color to retreat and take in the work as a wholIn Cheim and Read's large front gallery, I was immediately drawn close to the satiny surfaces of paintings like «The Five, The Seven (The Scream),» then compelled by the force of the color to retreat and take in the work as a wholin the work as a whole.

Sexuality is pervasive in Gorky's painting as a whole, but it tends to be sublimated and veiled.