Sentences with phrase «in panel discussion painting»

Joan Semmel participated in the panel discussion Painting and the Legacy of Feminism at Maccarone, New York.

Not exact matches

In a panel discussion at the Kemper, Lilian Thomas Burwell described her lyrical, shaped paintings in the context of her own family's struggle during the Northern migratioIn a panel discussion at the Kemper, Lilian Thomas Burwell described her lyrical, shaped paintings in the context of her own family's struggle during the Northern migratioin the context of her own family's struggle during the Northern migration.

(Mr. Dunham will participate in a panel discussion on Polke's work, «Who Cares If It's Painting?»

In addition to mounting a year - round schedule of exhibitions, The Painting Center hosts lectures, educational events, panel discussions, poetry readings and performances which are open to the public, free of charge.

Fall programs, organized and moderated by Douglas Dreishpoon, Director of the Helen Frankenthaler Catalogue Raisonné, included an October conversation that brought together artists who were in residence at the Skowhegan School of Painting & Sculpture in 1986, when Helen Frankenthaler was a visiting artist there; and Helen Frankenthaler: Saluting France, a panel discussion on the subject of Frankenthaler's work and its connection to French art and culture.

I moderated two panel discussions on the crisis facing abstract painting in an indifferent world.

Curator, critic, and New American Paintings Editor - at - Large, Evan J. Garza, will serve as the moderator for «Beyond the Stretcher: Breaking Down Spatial Limitations in Contemporary Painting,» a CONVERGE panel discussion with three prestigious curators, this Friday, April 29 at 6 pm at the Talk Shop.

New American Paintings Editor - at - Large, Evan J. Garza was the moderator for «Beyond the Stretcher: Breaking Down Spatial Limitations in Contemporary Painting, «a panel discussion featuring Dina Deitsch, Associate Curator at the deCordova Sculpture Park + Museum, Dominic Molon, Chief Curator for the Contemporary Art Museum St. Louis (and the juror for NAP edition # 85), and New York, Miami, and Lima - based artist and curator, William Cordova.

THIS PAST NOVEMBER, to kick off a panel discussion about the exhibition «Oranges and Sardines,» curator Gary Garrels asked Amy Sillman — one of the six artists participating in the show — to «describe the situation of abstract painting today.»

Talk: «Al Held Panel Discussion» at Cheim & Read Following last week's opening of the highly praised exhibition «Al Held: Black and White Paintings,» which showcases eight of the abstract painter's monumental canvases of interlocking forms from 1967 to 1969, the gallery is presenting an in - depth discussion of the artist andDiscussion» at Cheim & Read Following last week's opening of the highly praised exhibition «Al Held: Black and White Paintings,» which showcases eight of the abstract painter's monumental canvases of interlocking forms from 1967 to 1969, the gallery is presenting an in - depth discussion of the artist anddiscussion of the artist and his work.

In addition to mounting a year round schedule of exhibitions, The Painting Center regularly hosts lectures, educational events, panel discussions, poetry readings and performances.

This exhibition Ward Jackson, A Life in Painting 1928 - 2004, will conclude Sunday, June 3, 2007, 4 - 6 pm, with a panel discussion; THE LEGACY OF ABSTRACTION FROM THE 1960's and 70's

When: Thursday, April 19, free with advance RSVP, 6:30 Why: In conjunction with the publication of the first monograph on Philip Taaffe as part of the Lund Humphries Contemporary Painters series, the Cooper Union is hosting the panel discussion «Rewriting Painting» on April 19 at 6:30, featuring Cooper graduates, artists, and Lund Humphries subjects Lois Dodd, Thomas Nozkowski, and Philip Taaffe along with critics Barry Schwabsky (the editor of the Lund Humphries series), Faye Hirsch (who wrote the book on Dodd), and John Yau (who wrote the book on Taaffe).

«Value and Viability,» Chicago Architecture Foundation, Chicago, IL, December 10, 2015 «Theaster Gates «Sanctum»,» St. George's, Bristol, UK, October 31, 2015 «The Gail Silver Memorial Lecture: Theaster Gates,» Rhode Island School of Design Museum, Providence, RI, October 14, 2015 «To Build a Bank: Notes from the Construction Site,» Wayne State University, Detroit, MI, October 8, 2015 «Panel Discussion: The Art of Architecture — David Adjaye's Collaborations with Artists,» The Art Institute of Chicago, Chicago, IL, September 19, 2015 «Theaster Gates: Trustees» and Governors» Speaker,» Skowhegan School of Painting & Sculpture, Skowhegan, ME, July 15, 2015 «The Most Inspired Among Us, a conversation with Carrie Mae Weems,» Opening Celebration: Radical Presence, Yerba Buena Center for the Arts, San Francisco, CA, June 15, 2015 «San Francisco Art Institute Commencement,» Nourse Theater, San Francisco, CA, May 17, 2015 «Theaster Gates + Lisa Lee on Doris Salcedo,» Museum of Contemporary Art Chicago, Chicago, IL, May 16, 2015 «Learning from Roofers: Theaster Gates in conversation,» Tate Modern, London, UK, April 27, 2015

In the»80s, during a «realist» panel discussion, I was asked if I could paint an abstraction.

Educational programming for the Akron exhibition includes a panel discussion about Close's work on Sunday, Oct. 11, in which author Linda Rosenkrantz — the subject of «Linda» — will discuss what it feels like to be painted by Close, along with artist Mark Greenwold, another Close sitter.

Arthur C. Danto said in a panel discussion in 2003 that the late eighties ``... «Death of Painting» was in part an expression of ressentiment against the painting that was causing so much excitement in the early»80s, neo-expresPainting» was in part an expression of ressentiment against the painting that was causing so much excitement in the early»80s, neo-exprespainting that was causing so much excitement in the early»80s, neo-expressionism.

So far, engagements in the exhibition have included dance performance, artist talks, panel discussions and informal dialogues on issues raised by the paintings, said Pundyk in a conversation held at the gallery.

Sunday 10 July 2016, 2 - 3 pm Free This panel discussion organised in partnership with Liverpool Biennial and the John Moores Painting Prize (China) will focus on the role of contemporary painting in ChinPainting Prize (China) will focus on the role of contemporary painting in Chinpainting in China today.

Following the public dialogue will be a Q&A and walkthrough of the exhibition, where three of the men depicted in Casteel's paintings will discuss their own personal narratives in relation to the topics raised in the panel discussion.