Sentences with phrase «in parts of pop culture»

At a time when the tragic death of Chester Bennington is already transitioning into a punchline in parts of pop culture, we can choose to rise above the mockery and hate.

Not exact matches

In large part, sexual morality has been transformed by the aesthetics of pop culture, with its rhetorically loaded narratives of liberating the marginal and giving voices to the victims.

We tend to think of men as less nurturing than women, thanks in no small part to images in pop culture and the media as portraying men as lovable buffoons who mean well and try to do well but ultimately don't have the common sense to find their own behinds with both hands and a compass... unless, of course, we have an understanding and vastly more mature wife to help us along.

«The Simpsons is not dismissive of faith, but treats religion as an integral part of American life,» says William Romanowski of Calvin College, author of Pop Culture Wars: Religion and the Role of Entertainment in American Life.

Part of the reason the creating of a pop - culture Jesus is so tempting is because many in the Church realize that they are competing for the attention of people who are constantly bombarded with images and sounds designed to overwhelm the senses.

Or the sexual harassment of staff and interns that is part and parcel of Albany culture that also pops up like that troubling rodent in Caddyshack.

The tragedy of the «unsinkable» Titanic - lost in the cold water of the Atlantic - became part of history and pop culture, but the story of the main culprit that caused the disaster is mostly forgotten and only vague descriptions and some photos exists of the supposed iceberg (s).

For all of you that are a little lost as to where the title of this post came from (along with the first line of this post haha) well it is from a song that instantly got stuck in my head when I started searching for similar «lime moto jackets» in google... Shwayze's «Corona + Lime»... a summer hit circa 2009 (hey maybe my brother «Pop Culture Died in 2009 «is right... the best stuff was from 2009 or earlier:p BTW these photos are a little flashback to Long Island days with my little bro... he shot these < 3) Anyways, this lime look had me signing that song all night long while writing this post... especially the part where they sing «If you are looking for love put your hands up `... here's a secret for ya... my hand it raised

Ready Player One is a novel which loves»80s pop culture, and as you're probably aware, Steven Spielberg is a big part of»80s (and»70s, and»90s, and» 00s) pop culture — so when it was announced that he would direct the adaptation of Ready Player One, which takes place in a virtual reality simulation called the OASIS, the question as to whether he would reference his own films was brought to light.

For those of us coming of age in that era, Hard Copy was a big part of our pop culture consumption.

Perhaps it's a personal bias, but animated television seemed to be a greater part of pop culture in the 1980s than any other decade.

The liberal lion of the Supreme Court (and second woman ever to be confirmed to the position) is presented in Betsy West and Julie Cohen's film as equal parts civil - rights pioneer and pop culture icon, with loving scenes of her lifting weights, cracking wise, and being turned into a meme spliced alongside original interviews and archival footage.

Parker, whose pop culture fame is, in part, because of her relationship with the fashion industry, did not mention that she was wearing Dolce & Gabbana on E!.

Harry Potter and the Deathly Hallows Part 2, out today, is the final movie in the Harry Potter series, and for many it marks the end of an era in pop culture.

MOVIE: THE GIRL WITH ALL THE GIFTS STARRING: GEMMA ARTERTON; SENNIA NANUA; GLEN CLOSE; PADDY CONSIDINE DIRECTED BY: COLM MCCARTHY AMovieGuy.com's RATING: 3 STARS (Out of 4) These days, with The Walking Dead at the end of it's pop culture boom and zombie movies being standard genre flicks that are a part of the cinematic norm, a movie needs to be very precise in getting the flesh eating creatures right.

In «Stepford: A Definition» (4 minutes), cast and crew members discuss the meaning of the word and how the book and movie have become part of pop culture.

As media and pop - culture scholar Henry Jenkins says, this generation is «growing up connecting online with kids from all parts of the planet being able to connect and collaborate with people who they don't see face to face takes on new importance in a network society.»

New York Super Week takes place October 3rd — 12th immediately preceding New York Comic Con and is a unique immersive pop culture event where the entire island of Manhattan becomes a playground for a colorful array of superheroes, villains, cosplayers, artists, celebrities and passionate fans of from all over the world that gather to take part in a variety of themed events all over the City including concerts, comedy shows, gaming events, lectures, podcasts, storytelling, food tastings.

The entire day will be dedicated to vinyl records and music, Vinyl Day will take place at Barnes & Noble's nearly 650 stores nationwide just four months after its first vinyl - themed promotion in July as part of the summer program «Get Pop - Cultured with Barnes & Noble.»

So if you missed book promotion opportunities in 2007, keep in mind that — in 2008 — part of your job as an author or publisher is to keep an eye on pop culture, and figure out how your messages tie into the news.

In continuing its unwavering commitment to celebrate the vast expanse of all things pop culture, ReedPOP, the world's largest producer of pop culture events and producers of the event, today announced that renowned manga artist Takeshi Obata will be appearing as part of autographing and panels the Thursday and Friday of the show.

«We're huge fans of sci - fi from every part of pop culture and history, so we went to that and imagined a web where you start in the middle, surrounded by techs that are relatively recognizable based on conventional technology, and you go outward into any frontier you can imagine,» says David McDonough, Civilization: Beyond Earth's co-lead designer.

Developed by Bungie, this first - person shooter singlehandedly made the original Xbox a must - have in 2001, and spawned worlds and characters that have become a recognizable part of gaming pop culture.

In a recent interview with MTV, Ratner spewed forth this winning statement: «I love «Guitar Hero» and I think it's a part of pop culture.

One assumes that one can have an artist untutored by images everywhere, while in fact the new style derives in part from admiration for the outline style of pop - culture sources.

Part fictional, part autobiographical, Hancock's work pulls from his own personal experience, art historical canon, comics and superheroes, pulp fiction, and myriad pop culture references, resulting in a complex amalgamation of characters and plots possessing universal concepts of light and dark, good and evil, and all the gray in betwPart fictional, part autobiographical, Hancock's work pulls from his own personal experience, art historical canon, comics and superheroes, pulp fiction, and myriad pop culture references, resulting in a complex amalgamation of characters and plots possessing universal concepts of light and dark, good and evil, and all the gray in betwpart autobiographical, Hancock's work pulls from his own personal experience, art historical canon, comics and superheroes, pulp fiction, and myriad pop culture references, resulting in a complex amalgamation of characters and plots possessing universal concepts of light and dark, good and evil, and all the gray in between.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymaIn the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuympop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

An American living in France, Cameron Jamie uses music, photography, drawing, film, and video to investigate the quirky, ritualistic activities that are part of contemporary pop culture (wrestling and craftslike mask - making being among his current interests).

Southside in Birmingham welcomed talented artists from across the UK and beyond as part of a stunning three - day visual pop culture festival last weekend.

Though her work shares the unassuming frankness and heady optimism found in the work of the leading First Generation New York School poets, her art parts company with those poets» sensibilities in that it never traffics in surrealism, pop culture, fragmentation or collage.

Then working in the same studio building as Jasper Johns, Robert Rauschenberg, Robert Indiana and Ellsworth Kelly, Rosenquist was formulating what would become known as Pop Art at the same time that Andy Warhol and Roy Lichtenstein were developing their own takes on popular culture in different parts of New York City.

Part fictional, part autobiographical, Hancock's work pulls from his own personal experience, art historical canon, comics and superheroes, pulp fiction, and myriad pop culture references, resulting in a complex amalgamation of characters and plots possessing universal concepts of light and dark, good and evil, and all the grey in betwPart fictional, part autobiographical, Hancock's work pulls from his own personal experience, art historical canon, comics and superheroes, pulp fiction, and myriad pop culture references, resulting in a complex amalgamation of characters and plots possessing universal concepts of light and dark, good and evil, and all the grey in betwpart autobiographical, Hancock's work pulls from his own personal experience, art historical canon, comics and superheroes, pulp fiction, and myriad pop culture references, resulting in a complex amalgamation of characters and plots possessing universal concepts of light and dark, good and evil, and all the grey in between.

Warhol rose to prominence in the late fifties and early sixties as part of the Pop Art movement which drew its subjects — comics, advertisements, headlines, Hollywood stars, and politicians — from popular culture.

Pop culture likewise plays a crucial part, nowhere more incisively than in 1994's «Self - Portrait of the Artist as a Super Model.»

Also known as the «case - in - chief,» the witness testimony and cross-examination process is the part of a trial that most people are familiar with thanks to pop culture.

Developed by Bungie, this first - person shooter singlehandedly made the original Xbox a must - have in 2001, and spawned worlds and characters that have become a recognizable part of gaming pop culture.