Sentences with phrase «in pencil on canvas»

Margaret: I rarely make more than idea sketches, but do draw it out in pencil on canvas first when working perceptually.

Not exact matches

Yet I changed my tools from brushes, oil paints, and canvas to pencil, paper, and computing power for years and finished physics with a diploma on the topic of many - particle theory, under the supervision of Prof. Nolting at the Humboldt University in Berlin.

My work is of mixed media, some in Oils on Canvas, watercolour, pencil / Colour pencil, charcoal sketches and conte crayon.

Within a few years the materiality of oil paint takes on a more central role in his work when he begins to make paintings by depositing small amounts of liquid paint onto his canvases and tilting them this way and that to direct the paint toward the edges of some feint pencil markings.

Pencil and pigment on white Aquacryl on canvas and aluminium 74 3/4 x 318 7/8 in (190 x 810 cm).

The show brings together a new body of work executed in acrylic, charcoal and pencil - on - canvas, which present surreal and often discomforting scenes, accentuated by chaos.

It present works in different media and formats that used found objects and geometric shapes, before she began making her visionary pencilled grids on large, square canvases.

As one can expect to see from Abelow, there is a lot to look at — paintings on canvas and burlap, as well as framed pencil drawings fill out the space in his signature, serial manner.

Her paintings are composed of layers of acrylic on canvas and overlaid with marks made in pencil, pen or ink.

Finally, farthest back, there's a stretched linen canvas of the same dimensions on which the outlines of the facade are delineated in pencil.

Martin Johnson Heade, Study of Varied Flowers with a Hummingbird, 1870, Oil and pencil on canvas, 17 x 21 in.

Oilstick, colored pencil, crayon, and gouache on paper mounted on canvas, 96 × 126 in.

The show's more than fifty works included important canvases from private and public collections, but the most spectacular inclusions, in many ways, were the works on paper, ranging from intimate pencil studies with little or no color to pastel and crayon - enriched images, as complete as paintings; many of these had rarely — if ever — been exhibited before.

«Mehretu's abstract paintings, which are created with layers of acrylic on canvas followed by marks in pencil, ink and more layers of paint, were already fetching six figures in 2006.

The works on display are not just art objects but drafts and records of daily labor, from Peter Schuyff's dozens of carefully carved wooden pencils to the late author David Foster Wallace's notes for The Pale King (written in pink Cuddly Cuties kitten journals) to the beautiful, abstract gestures recorded across Louise Fishman's canvases.

29 x 29 inches acrylic, color pencil, and oil pastel on canvas About Brittney Ray Diamond Born in 1992 in Southern California, Brittney Ray Diamond grew up exploring and riding ho...

Since then, Tuttle has presented prominent and influential series in the history of contemporary art such as the cloth pieces, which he installed dyed and cut canvas on the wall, and were both pictorial and three - dimensional, and the wire pieces, which consisted of wire and its shadow and pencil lines, and small - scale collage pieces among others.

Original and unique work of Maria A. RAVENTOS on canvas and collage Signed by the artist in pencil Perfect condition.

Harvey Quaytman: Pearls Before Pencils, 1969; acrylic on canvas; 126 x 82 in.

JENNY DAY Nearly Somewhere 003, 2015 acrylic, paint pen, colored pencil, spray paint and collage on canvas 12h x 36w in

In his work, Troy Brauntuch draws from visual materials taken from newspapers, television and cinema; using a white pencil and black pigments, he adapts them on canvas, giving life to cryptic, unreal and fantastical works.

At the entrance, the large elaborately textured and tinted, latently Symbolist paintings on paper by Kerstin Brätsch — which suggest masses of rustling silks or feathers — flank a wall of works from which they could not be more different: Joe Bradley's emblems simply outlined in grease pencil on raw canvas, redolent of children's drawings.

Installation from left «Principles in Orthopaedics», 2006 Oil, charcoal, and pen on canvas with metal cabinet, paint transferred to wall 84 x 72 inches + variable dimension of transferred paint ARG # LJ2006 - 003 «The Golden Sea», 2006 Oil, charcoal, pen, and pencil on canvas 80 x 72 inches ARG # LJ2006 - 006 © José Lerma

People in front of Maximilian Toth's «White Wash» (2012), graphite, grease pencil, spray paint, oil on canvas, at Fredericks & Freiser gallery / Photo: Hrag Vartanian

Henry Brown, Gradual Reduction, 2007 Acrylic, pencil & gesso on canvas, 8 x 10 inches June 7 — July 28, 2007 The Story Goes explores the way in which artists create narratives with minimal reliance on the traditionally expected carrier of story - telling, the representation of human form.

For those who like larger Stellas, Lot 189 is a 109 1/2 - by - 110 3/4 - by -23-inch wall relief that is colorful and organic and was executed in 1982 and has an estimate of $ 180,000 to $ 220,000 and Lot 180, «Vemish,» is a 71 5/8 - by - 120 1/8 - inch acrylic, paper collage, plaster and color pencils on canvas that was executed by Stella in1985 and has an estimate of $ 150,000 to $ 200,000 and may tempt some viewers to don sunglasses and / or helmets.

FRIEDRICH KUNATH Not Every Clown Belongs in the Circus 2010 pencil, lacquer, India ink, acrylic on canvas 70 1/2 x 41 x 1 1/2 inches (180.3 x 129.5 x 3.8 cm) ARG # KF2010 - 071

Kettle's Yard is showing 10 canvases from her last years (she died in 2004 aged 92) alongside one well - known painting of 1965, the Tate's «Morning», and a suite of 30 screenprints titled «On A Clear Day» — all of which represent grids whose original ruled pencil lines are reproduced with illusive accuracy.

His expressionistic mark - making in colored pencil — a prominent feature of the paintings on display — detail the artist's hand across his canvases and lend a noticeably more intimate impression.

Star Wallowing Bull employs colored pencil on paper and acrylic on canvas to explore intersections of American Indian and U.S. pop culture in the 21st Century.

His large sepia - toned acrylic and silkscreen 1966 portrait of Marlon Brando in a scene from «The Wild One,» Lot 12, sold well over its high estimate of $ 2 million to a private collector for $ 2,642,500 (including the buyer's premium), but a small 1962 casein and pencil on canvas of a Campbell's Chicken With Rice Soup Can painting, Lot 13, that had been estimated at $ 600,000 to $ 800,000 soared to $ 1,652,500 (including the buyer's premium, much to the consternation of the determined underbidder, a woman in a black suit, high heels and wearing large earrings, who immediately got up from her seat and left with her companion after the lot was knocked down.

During those years he created his first works with pencil on canvas and ink on photographic prints; in them, he mixed words and diagrams to explore the relationship between the body and its environment, and the processes by which man perceives and imagines.

The Montreal based artist uses oil and pencils on a wood canvas in her «Matter and Memory» series, which explores elements of the natural world.

Burgher's current practice vacillates between his extraordinarily intricate colored pencil works on paper, in which the figure is often present, and much larger acrylic on canvas drop cloth works which are essentially abstract and filled with a growing lexicon of personal symbols.

The gallery's back wall is a beauty, with three masters of the lean and clean: Ellsworth Kelly (a white diagonal arc cutting through black), Robert Mangold (irregularly shaped orange canvas «corrected» by pencil lines within), and Robert Ryman (white - on - white, in this case a froth of choppy sea).

Pousette - Dart created a number of works in the early 1950s like this one, using pencil and white paint on canvas or board.

Cy Twombly (1928 - 2011) Untitled signed and dated «Cy Twombly 1971» (on the reverse) oil - based house paint, oil paint, wax crayon and lead pencil on canvas 58 1/8 x 77 1/8 in.

Tam Van Tran Most Secret Butterfly, 2009 Acrylic, staples, and colored pencil on paper and canvas 90 x 85 x 35 inches San Jose Museum of Art Created in part with funds provided by the James Irvine Foundation; commissioned by the Council of 100

Throughout the 1950s and «60s, she developed a signature grid - pattern method consisting of horizontal and vertical lines hand drawn in pencil on large square canvases that, at first glance, seem to appear blank.

Flat geometric bars or grids, often drawn in pencil on 6 - foot square canvases, are washed in thin oil paint.

Her work is often characterised by references to veils, membranes and mists, drawing on contemporary science and the cosmic, and now using Arabic words pencil - stroked onto canvas and coated in fine layers of pigment.

There were eight big and nine medium - size dark paintings in Galerie Max Hetzler's Bleibtreustraße location, along with one very large and colorful canvas, a small work on paper executed in colored pencil and crayon, and an artist's book.

Her paintings of the 1960s, which feature square formats, grids, penciled lines drawn on canvas, as well as compositions with subtle variations in shade and hue, marked a crossroads in the history of abstraction.

The results, all produced in the past year and based on photographs the artist takes himself, are lovely enough — unmistakably of an able hand, a keen sense for color and design, and an eye for isolating images from the fray of the world — laid out in gouache and collage on paper, or in pencil and oil on canvas, sometimes with additions of wax and more collage.

Cy Twombly (1928 - 2011) Sunset oil based house paint, wax crayon, colored pencil and lead pencil on canvas 55 3/4 x 70 7/8 in.

T03191 Oil on canvas, 914 x 911 mm (36 x 35 7/8 in) Inscribed by the artist in pencil on back «CHANCE, ORDER, CHANGE 12 (RED, GREEN, BLUE, MAUVE) 1980 Kenneth Martin» on upper stretcher Purchased from the Waddington Galleries, London (Grant - in Aid) 1980 Exhibited: Kenneth Martin: Late Paintings, Serpentine Gallery, London, June - August 1985 (not in catalogue) Forty Years of Modern Art, Tate Gallery, London, February - April 1986 (no number, reproduced in colour) Kenneth und Mary Martin, Josef Albers Museum, Bottrop, March - April 1989 (60) Literature: Tate Gallery Acquisitions 1980 - 2, London 1984, p.176 - 7, reproduced The series of Chance, Order, Change compositions to which Chance, Order, Change 12 (Four Colours) 1980 and the closely related Chance, Order, Change 6 (Black) 1978 - 9 (Tate T03190) belong was begun by Kenneth Martin in 1976 and continued until his death in 1984.

Inscribed» «Morning» 1965 a.martin» on back of canvas Acrylic and pencil on canvas, 71 7/8 x 71 5/8 (182.7 x 182) Purchased from the Mayor Gallery (Grant - in - Aid) 1974 Prov: With Mayor Gallery, London (purchased from the artist 1974) Exh: Fundamentele Schilderkunst, Stedelijk Museum, Amsterdam, April - June 1975 (Martin 5, repr.)

Acrylic and graphite pencil on canvas, 108 1/4 × 84 in.

Cy Twombly (1928 - 2011) Untitled signed «Cy Twombly» (upper right); inscribed and dated «Bolsena July 10» (upper center) oil - based house paint, wax crayon and lead pencil on canvas 79 x 94 1/4 in.

Surveillance, 2011; acrylic, pencil, shellac on canvas; 30 x 48 in.