Sentences with phrase «in photographic collage»

In this photographic collage, we see repeated images that appear elsewhere in the exhibition, mixed with portraits of individuals from around the world.

Not exact matches

One of her best - known works is 70 +1 +2 (1998), a life - size, full - length, alarmingly present three - dimensional hologram of the artist at a majestic 71 years of age, seen frontally, paired with a similarly scaled photographic collage of herself in the same pose seen from the back.

Through watercolors and photographic collages, she focuses on the unique historical moment that gave rise to so many countercultural cooperatives in the 1960s, as well as the realities of life on these communes today.

In my most recent work subject and process have become inseparable: rather than document what has been, my photographic collages and mixed media monotypes give shape to change and are shaped by it in turIn my most recent work subject and process have become inseparable: rather than document what has been, my photographic collages and mixed media monotypes give shape to change and are shaped by it in turin turn.

In 1995, she bought a Mamiya camera and began the first of her illustrated journals or «Reisebuchs» a series of mixed media notebooks chronicling her world travels and composed of photographic self - portraits, collages, drawings, and writings in several languageIn 1995, she bought a Mamiya camera and began the first of her illustrated journals or «Reisebuchs» a series of mixed media notebooks chronicling her world travels and composed of photographic self - portraits, collages, drawings, and writings in several languagein several languages.

Building on the example of American artists, British artists made use of the possibilities of silkscreen printing and the new developments in lithography that could incorporate photographic imagery and collage.

For almost three decades Lyle Ashton Harris has cultivated a diverse artistic practice, ranging from photographic media, collage, installation and performance, to explore the impact of desire, ethnicity, and gender in the contemporary social and cultural dynamic.

«Notes on Sculpture» is informed in part by the artist Robert Morris» 1966 essay of the same name, and consists of a site - responsive installation of ribbon and ratchet straps and a new series of photographic collages.

Muniz's elaborate material creations - in this case the magazine collages - are ephemeral; it is his masterly photographic documentation that is the final work of art, which is intentionally many steps removed from the original image that inspired it...

Look for the series of muted, monochromatic watercolors by Paul P., moody photographic botanical studies by Milijohn Ruperto and Ulrik Heltoft, Charline Von Heyl's wall of contrast - rich collaged abstractions, and Karl Haendel's painstaking pencil drawings all executed in grayscale.

In many of the artist's new works, a doubling of object and image occurs when Maisel collages the documented materials to the surface of the photographic print.

Forsyth's work explores a breadth of themes, reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist in his work, alongside computer generated imagery, photograms, and photographic collages from historic magazines and vintage postcards.

Thomas's layered process of fragmentation, in which she begins with a photographic portrait and moves to collage and then on to painting, is the result of discreet borrowings from our twenty - first century language of mass culture.

His latest show at Jessica Silverman Gallery in San Francisco doesn't leave us wanting in these areas — he combines collage, sculptural, theatrical, and photographic techniques to address the medium's nebulous role in the history of, well, us... read more

This body of work continues the artist's practice of printing and collaging photographic experiments on fabric, which are often displayed in a site - specific environment.

In the lower space, we will highlight artists who rather than practice photography, use photographic techniques or references, including new digital collage prints by visiting artist

However, what strikes me, when contextualizing this work, as well as Marshall's use of the black figure in general, is how the collage is not merely a response to iconic Bearden photographic collages (e.g. Block, 1971), but of the black figures from the later Odyssey series of 1977.

The hamsters, rabbits, and guinea pigs portrayed in Ruth van Beek's photographic collages have been folded and spliced together, creating strange new hybrids that are simultaneously endearing and disturbing.

These prints represent all manner of special processes and innovative techniques in printing — such as using linen and cotton pulp paint and photo - luminescent inks; black and white and colored lithography; creative integration of collage and cut paper; incorporation of photographic images into digital prints; screen printing; and many others.

Momentarily abandoning the stupefying rhetoric of immediacy that characterized his earlier photographic appropriations, he is now reinscribing his work in the well - lit field of modern paradigms: by referencing the monochrome as he did in his previous «joke» paintings, by reintroducing collage and silk - screen superimpositions, and above all by coating some of his appropriations with a thin layer of white paint that is simultaneously on top of and underneath the imagery.

On view January 23, 2015 - April 5, 2015 NEW ORLEANS, LA - In Salutations, Josephine Sacabo (American, b. 1944) combines collaged and distorted photographic images with a wet collodion on metal process that dates back to the 19th century to create a world that is barely recognizable as such, hovering like a memory or a dream in... Read MoIn Salutations, Josephine Sacabo (American, b. 1944) combines collaged and distorted photographic images with a wet collodion on metal process that dates back to the 19th century to create a world that is barely recognizable as such, hovering like a memory or a dream in... Read Moin... Read More

Theo Mercier (b. 1984, France) creates tongue - in - cheek sculptural and photographic assemblages of collaged images and found objects that playfully collapse the boundaries between high and low art, craft and industry, past and present, Western and non-Western cultures.

Though each of the photographic works in this exhibition have been altered through digital manipulation, the tools of collage, illustration, deconstruction, redaction, surrealism are used in different measures by the exhibiting artists.

It echoes proto - appropriationist Elaine Sturtevant's photographic revisiting of another Man Ray image, Adam and Eve, but this collaged, thrown - together female form — reflecting allusively, perhaps like Another Interlude, on the place of women in art history — has a power to disconcert and disquiet that is entirely its own.

Sonia Boyce's early figurative pastel drawings and photographic collages address issues of race, ethnicity and contemporary urban experience, questioning racial stereotypes in the media and day - to - day life.

A leading light of the French feminist movement in art during the 1970s, Yalter built her reputation on a series of works (chiefly in the form of drawings, videos, photographic collages and performances) exploring the role of women in society and the plight of migrants and refugees.

At the gallery's basement, the viewer comes across three bodies of work: black photographic paper (coin studies), museum barriers standing in vertical position (distance keepers) and wall painting (model), that act as collage elements and manage in a quite unexpected and paradoxical way to serve as a whole new system of reference.

Another trend that has widened the definition and scope of contemporary art has been the conceptually driven use of both photography and language as the substance of numerous works of art — in Kiefer's photographic collages, in Kruger's words and photographic images, in Bruce Nauman's neon phrases, in Lawrence Weiner's painted words, in Holzer's billboarded, carved, electronically reproduced, or otherwise created linguistic neotruisms, and in many other artists» works.

Rooted in her longstanding interest in photography and photographic collage, Simpson's recent paintings incorporate found imagery, often taken from AP photographs and vintage magazines, which the artist overpaints and divides across several panels.

Unique offerings from Andy Warhol include the recently acquired Polo, a silkscreened outlined image on a collage of colored papers from a delightful series revolving around various incarnations of the photographic subject, created by the artist in 1985.

Organized by Curator - at - Large Katy Siegel and Curatorial Assistant Caitlin Julia Rubin at Brandeis University's Rose Art Museum, the exhibition showcases Drexler's better - known paintings in context with her collages, drawings, and sculpture, in addition to her scripts, screenplays, novels, and photographic ephemera.

Similarly, his collage and photographic works contain a build - up of images and record moments in their construction.

McAlpine has cut, collaged and layered these sections of film to create abstract compositions and has used these to produce photographic prints which amplify the traces of the human hand in the surface texture of scratches and dust.

Also, in addition to the photographic works of Dibbets and Gilbert & George, there are photographs by William Wegman (who is also the subject of a recent exhibition of collage - paintings on the fourth floor of the gallery), Bruce Nauman, and Douglas Huebler, the latter being one of the most intense, ironic, yet obliquely masterful artists associated with the origins of Conceptualism.

Wallace BERMAN worked with photographic manipulation, collage, and assemblage at a critical time in their respective evolutions in the beat - era of the early 1960s.

Barbara Kruger's adoption of advertising techniques emphasized the coercive authority of language while work by Renée Cox and Catherine Opie, among many others, brought renewed attention to the politics of the body — be it the black male body in the case of Cox's photographic collage, or the gay, lesbian and transgendered subjects of Opie's reverent photographic portraiture.

In her most recent works, von Wulffen deploys a host of painterly techniques to create works that, although they depart from the photographic collage practice for which she is best known, remain deeply referential.

Returning to the studio with the materials he had gathered, Vitturi created teetering totemic assemblages with a Baroque sense of drama, collaging and overpainting his photographs and materials in high - register colours — and often layering physical objects within the photographic assemblages to create new volumetrically disorientating images.

Ackroyd responds to the gallery's architecture through a series of sculptures in the form of window shutters, cast in graphite gray Jesmonite with their surface partially collaged with photographic images.

In her newest series of mixed media creations, Nicol pushes the bounds of her practice through the inclusion of fine jewelry and pearls, collaged photographic negatives, and such unconventional materials as taffeta, chiffon, and leather.

The gallery in The Domestic Arts building will further explore Zimmerman's works on paper, juxtaposing recent photographic collages of the night sky with pastel drawings of clouds.

The exhibition features large black - and - white photographic images of collages, «photostat projections,» produced by Romare Bearden in 1964, including «Evening 9: 10 461 Lenox Avenue.»

Co-organized by the ICA and Bergen Kunsthall, Nashashibi's first major survey also features a new film commission (comprising candid and staged scenes shot in London parks) and two photographic / collage works.

Photographs provide the basis for sketches and paintings while photographic reproductions of paintings and other works are incorporated along with mass - media images and packaging into collages and assemblages in a voracious cycle of visual input, output and reuse.

These emerging and mid-career artists use different approaches to the medium to unravel violent stereotypes inherently tied to photographic representations of Black men, and the works assembled for this exhibition are a well - rounded example of how collage, found objects and re-assemblage are being used by Black artists in contemporary art.

In «Physicalism: The Recombine» (a series of six photographic collages from 2006) bodybuilders squeeze muscles rigid for the camera, their heads replaced by polymorphic candles; and in The Masturbators (a video installation from 2009), brawny pornographic models pound disconsolately and often without climax at their erect cockIn «Physicalism: The Recombine» (a series of six photographic collages from 2006) bodybuilders squeeze muscles rigid for the camera, their heads replaced by polymorphic candles; and in The Masturbators (a video installation from 2009), brawny pornographic models pound disconsolately and often without climax at their erect cockin The Masturbators (a video installation from 2009), brawny pornographic models pound disconsolately and often without climax at their erect cocks.

In this series, I began to experiment with printing images of natural scenes, plants, and other items on to cotton and silk that I then sewed, staged, and re-photographed to create digital photographic collages or sewed the printed fabric into soft sculptures.

Working simultaneously in a range of mediums, Conner created hybrids of painting and sculpture, film and performance, drawing and printing, including bodies of works on paper utilizing drawing and collage and two important photographic bodies of work, including a haunting group of black - and - white life - sized photograms called ANGELS.

In 2015 she was awarded a Fulbright fellowship and a Jerome Foundation grant to produce «The Perilous Journey of Maria Palacios,» a performance - based film and «The Railroad Workers,» a series of photographic collages.

A new series of photographic collages titled Constellations (2017), which are presented in this exhibition for the first time, form Geyer's most recent contribution to this continuously relevant project.