Sentences with phrase «in photographic form»

All the events were photographed by artists Harry Shunk and János Kender, and subsequently exhibited in photographic form at the Museum of Modern Art in the summer of 1971.

This exhibition marks his return to dance, albeit in photographic form.

Treating her camera as an extension of her own body, «creating a history by recording a history,» Goldin shields her memories from revision or erasure by preserving them permanently in photographic form.

Aside from those previously listed, high - profile installations, his work — shown by Alexander Levy since 2012 — often manifests itself in photographic form, whether documenting that car crash, a fake tree imperceptibly placed in an unknown forest, or natural landscapes that he's literally painted over.

Not exact matches

The focal point of the space, aside from the captivating photographic art adorning the walls, is a colorful 1,500 - gallon custom saltwater aquarium that flows across the ceiling in enchanting form.

Very often they came attached with an investigation, typically in the form of a twitpic or other photographic «evidence».»

To do this we investigate: • what is good composition in an image • the techniques used to achieve effective composition • visual weight • forms of balance: symmetric, asymmetrical, radial and mosaic • forms of symmetry: reflective, rotational, and translational • photographic balance: color, tonal and conceptual balance • the rule of thirds • improving balance using cropping in Photoshop.

During a couple of recent displaced aggression animal communicator cases I had three unusual, external scientific confirmations in the form of photographic evidence by the pet parents Read more Photographic Proof (Scientific Confirmations) for our Animal Cphotographic evidence by the pet parents Read more Photographic Proof (Scientific Confirmations) for our Animal CPhotographic Proof (Scientific Confirmations) for our Animal Communication

The body and identity is at the very heart of the artist's work; Kessling presents photographic and video works placing herself in a form of subverted self - portrait.

Using iconic imagery of modern protest with an advanced photographic method, these works become fully perceivable in form and content while illuminated.

In her creative practice, she cuts photographic prints to form woven diptychs, which are pinned in place and flow over a surfacIn her creative practice, she cuts photographic prints to form woven diptychs, which are pinned in place and flow over a surfacin place and flow over a surface.

In this series of photographic works landscape is explored as an agent that not only acts as a central character but also forms the characters that populate it.

The HMI exhibition itself includes two sculptures out of the original 14, William Turnbull's Angle and Nicholas Monro's King Kong, as well as other works made in or around 1972 by some of the other sculptors, alongside maquettes and models, some original and some specially remade, and photographic and other forms of documentation.

The whiteness, like the grid of Roth's monitors or of the photographic series, in turn takes me to more meditative forms.

Catherine Opie's, «Divinity Fudge» hangs next to «Vaginal Davis» which both form part of the «Portrait» photographic series, formed from 1993 to 1997 while she was exploring the representation of the figure in gender politics and the sado - masochistic leather subculture in California.

Current work - in - progress takes the form of photographic prints on fabric and garments.

Strategies that emerged earlier in the circles of the surrealists and New Vision photographers — the untutored «photographic mistake,» photography as a form of literary pointing — adopted by the artists in this exhibition have subsequently been absorbed by the contemporary generation using photography as conceptual art, from Gabriel Orozco to Hank Willis Thomas.

In response to this partial view that overlooks the complexities of daily life across a vast continent of over fifty nations, Snap Judgments: New Positions in Contemporary African Photography forces a recognition of the contradictory and varied forms of photographic practice that are now arising across AfricIn response to this partial view that overlooks the complexities of daily life across a vast continent of over fifty nations, Snap Judgments: New Positions in Contemporary African Photography forces a recognition of the contradictory and varied forms of photographic practice that are now arising across Africin Contemporary African Photography forces a recognition of the contradictory and varied forms of photographic practice that are now arising across Africa.

The exhibition included both freestanding sculptures and wall works combining text and image; exhibited as well were examples of «interactive sculptures» (some produced in collaboration with Esther Shalev - Gerz), pieces either re-created, presented in the form of photographic documentation, or made accessible by computer.

With their obsessive nature and encyclopedic magnitude, Darboven's visualizations of time and recent history, as well as the collection, selection, and rearrangement of knowledge in form of handwritten excerpts, photographic, literary, and journalistic documents of cultural history, bear witness to the artist's attempt to counter the information flood and the alleged chaos of the (post --RRB- modern world by creating an autonomous classification system and by placing herself in an individual framework of meaning.

Her experiments result in a range of photographic tonalities, abstract forms, and shapes that sometimes suggest minimal landscapes.

First, I feel that when some photographic detail, such as a hand or an eye, is taken out of its original context and is fractured and integrated into a different space and form configuration, it acquires a plastic quality it did not have in the original....

Vivid, immediate, unmediated yet curated, her photographic «Event» contextualizes the dances in a personal but entirely available form.

We're not sure what exactly to call Lena Henke's printed - on boxes of transparent plastic — in the traditional of Donald Judd's «specific objects,» they hang on the wall but are clearly sculptural, and they use photographic images, but in abstracted forms.

Yet it also recalls the emphasis on line, form, light, and darkness in the black - and - white photographic abstractions of Aaron Siskind (1903 — 1991) and Harry Callahan (1912 — 1999), who Rauschenberg would come to know — and, in Siskind's case, befriend — when they taught at Black Mountain during summer 1951.

Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.

The resulting series of 500 images of white monochromes have been presented in a number of different forms since he began making them in the 1990's, appearing as photographic prints, 35 mm slide projections, digital projections and also in book form.

This booth has the rarest of treats in the form of modern photographic masterpieces.

Juried into the Torpedo Factory in 2012, E.E. McCollum has achieved renown for his photographic studies of light, shadow, motion, and especially the human form.

In 1982, the photographer Carrie Mae Weems credited the efforts of Draper and Kamoinge as «the first steps taken by black photographers to come together and form a comprehensive group that would address in photographic terms the description of being black in America.&raquIn 1982, the photographer Carrie Mae Weems credited the efforts of Draper and Kamoinge as «the first steps taken by black photographers to come together and form a comprehensive group that would address in photographic terms the description of being black in America.&raquin photographic terms the description of being black in America.&raquin America.»

In his «paper drop» works, he creates extraordinary sculptural forms in photographic paper, then by photographing them returns them to the accustomed flatness of that same mediuIn his «paper drop» works, he creates extraordinary sculptural forms in photographic paper, then by photographing them returns them to the accustomed flatness of that same mediuin photographic paper, then by photographing them returns them to the accustomed flatness of that same medium.

Photographers Robert Smith sees other forms in reality and Wally Gilbert, working digitally, regenerates his photographic imagery as a new reality.

The photographic sheets this produce a strong meditative power, as was characteristic for example, for Rothko room installation picturesque Swatches; Howalts photographs confirm that even today Finsens thesis of the therapeutic effect of light in aesthetic form.

Mercedes is interested in manipulating traditional forms of photography and investigating the role of photographic copyright in historical national memory.

Lucy Raven is similarly involved with concepts of exchange and globalization in her physical and photographic tracing of copper wire manufacture routes from the mines of Nevada all the way to smelters in China in a work whose final presentation is formed from a sped - up animation of 7,000 still photographs that investigate what it is to be «wired.»

Participants will have a role in determining the form of the book and its contents, which may include photographic documentation, scholarly texts and interviews that contextualize McCabe's residency and the practice of «social sculpture».

From Andy Warhol to Richard Prince, these artists open up the question of what it means to utilize the photographic medium for representation, as well as in the creation of form.

In his deconstruction of photographic scenes and reconstruction of portraits, Li Songsong has found his unique creative form.

Among the photographers that are featured in this exhibition, the oldest — Lyonel Feininger (1871 — 1956), František Drtikol (1883 — 1961) and Hannah Höch (1889 — 1978)-- came of age as professional schools and amateur camera clubs were forming to educate eager young men and women in photographic aesthetics and techniques, and promulgating the dominant «art» photography of the day, also known as Pictorialism.

Three - dimensional depth map sculptures drawing on «the formal relationship of both the photographic negative and the binary relationship between cast and mould» will populate the site - specific networked installation, taking over the entire building and exploring «the mutability of symbolism held in form» in dialogue with its architecture.

Notable, the o in So is filled in to create a solid form that rhymes with the other half of the diptych: a small photographic print doctored so that its solitary subject, a midcentury woman in clown attire in the desert, appears to hold a matching black ellipse or hole.

Her artistic research moves from the basics of photographic technique, and develops through various media taking different forms according to the places or the stories in which it develops; from b / w photographic printing to site - specific installation, from video to drawing.

With the pitch and timbre of an accomplished storyteller, Weems uses colloquial forms — jokes, songs, rebukes — in photographic series that scrutinize subjectivity and expose pernicious stereotypes.

In a photographic project spanning five decades, Bernd and Hilla Becher documented the soon - to - be-forgotten architectural forms of industry — Mine Heads, Blast Furnaces, Water Towers, Coal Bunkers, Cooling Towers, Industrial Facades, Gas Tanks, Grain Elevators, to name but a few.

Petra Feriancova employs a different photographic tactic in her work, reproducing the small colour snapshots of distant birds taken by her aunt in 1970s east Africa, while her new series of sculptural works evoke the abstract forms of various habitats through their incorporation of nests and shells.

[16] His photographic California Map Project (1969) created physical forms that resembled the letters in «California» geographically near to the very spots on the map that they were printed.

Much as O'Keeffe came to apply tight, photographic rendering to the sublime emptiness of early, free - flowing watercolors like Light Coming on the Plains (1917), Hollowell brings high contrast resolution to her cleanly fabricated forms, using dramatic variations in dark and light to emphasize surface curvature and suggest deep space.

[15] Ever since, the artist has also continued to explore difficult photographic processes such as daguerreotype in collaboration with Jerry Spagnoli and sophisticated modular / cell - based forms such as tapestry.

Elsewhere, a perfectly circular «bomb pond», made by an American bomb in a Cambodian rice - field, forms part of the photographic series «Takeo» (2009) by the young Cambodian artist Vandy Rattana, while an antique exhibit from the National Museum in Beirut was transformed into a fusion of metal, ivory, glass and terracotta by the bombs that fell there during the Lebanese civil war (1975 — 90) and thus given a new abstract beauty.

More fascinating, to my eye anyway, are the postcards announcing events hosted by The Club, an artist's organization that formed the epicenter of avant - garde art in New York and the Abstract Expressionism movement specifically; McDarrah served as doorman and keeper of the mailing list during the 1950s, and it was here that his amazing photographic record of the scene began.