Not exact matches
During both instances, she manifests a keen interest
in the possibilities and limits of the
photographic technique
in terms of
manipulation and reproduction.
Forsyth often uses extensive digital
manipulation in editing his images, resulting
in a
photographic aesthetic that is highly stylised and immediately recognisable.
With the skillful
manipulation of his brush, Richter achieves a blurred image that moves
in and out of focus, constantly shifting between its
photographic source and painterly depiction.
By the early 1970s, she had established the paradigms for her mature work: a lifelong interest
in multimedia experimentation and the
photographic manipulation of images from nature.
Whereas the painters
in Nature Studies I may have found creative impetus from photographically - reproduced work or used it as part of their method, these eight artists employ a host of respective
photographic processes that, for the most part, draw our attention to the concerns, formats and styles typically seen
in and expected of painting such as the artifice of arrangement, the
manipulation of formal elements, and the projection of symbolic meaning or narrative content.
Though each of the
photographic works
in this exhibition have been altered through digital
manipulation, the tools of collage, illustration, deconstruction, redaction, surrealism are used
in different measures by the exhibiting artists.
His
photographic manipulations are included
in notable public and private collections such as The J. Paul Getty Center, The Museum of Contemporary Photography, The Cleveland Clinic, Palm Springs Art Museum and Elmhurst Art Museum.
In this lecture recorded on February 24, 2013, exhibition curator Mia Fineman traces
photographic manipulation from the 1840s through the 1980s and shows that photography is — and always has been — a medium of fabricated truths and artful lies.
The artist's painterly process utilizes various digital
photographic editing tools and software
in her meticulous
manipulations of tonality, brightness, and saturation to create an illusion of depth.
Wallace BERMAN worked with
photographic manipulation, collage, and assemblage at a critical time
in their respective evolutions
in the beat - era of the early 1960s.
Working on whim and through the
manipulation of materials and relationships close at hand, his sculptures, videos, and
photographic works are placed
in conversation together causing further ripples of insight and possible understanding.
This work expands our awareness of the
manipulation in photographic sources while also bringing attention to the saturation of constructed imagery
in contemporary society.
While poles apart visually, the two series excerpted
in Stan Douglas's 14th solo appearance at David Zwirner through April 7 have more
in common than may initially appear; both are products of sophisticated processes of
manipulation, and both position the
photographic medium as an arena
in which the staged and the real (however that's defined) are not simply pitted against one another, but are fused into new and confounding wholes.