Sentences with phrase «in photographic production»

But beyond the richness of the color, I was thinking that the use of this special type of paper used in photographic production was important.

The studio works closely in photographic production and the proliferation of the photographic medium at large with a dedicated gallery space for showcasing publications and printed material in relation to local and international photography.

Not exact matches

Further to a planning meeting in Turin last week with officials of both Clubs, we would like to remind all travelling supporters that entry to the stadium is subject to the production of an official photographic identification document (passport or driving licence) that matches the name details written on your match ticket.

American inventor George Eastman (who would go on to found the Eastman - Kodak company in 1892) builds a machine for coating photographic plates with emulsion, which allows for the mass production of photographs.

Because the picture boasts production values considerably above those usually found in AA features and, more importantly, because of the use of the new photographic technique, the film is sure to be accorded more important programming than the company's average product, an evaluation already established by initial bookings.

Agnès Varda & JR, France, 2016, 89m The 88 - year - old Agnès Varda teamed up with the 33 - year - old visual artist JR for this tour of rural France that follows in the footsteps of Varda's groundbreaking documentary The Gleaners and I (NYFF 2000) in its celebration of artisanal production, workers» solidarity, and the photographic arts in the face of mortality.

His installation at MASS MoCA will include a selection of photographic works and a sculpture built for the gallery which will play off those images and the materials involved in their production, storage, and presentation.

The many roles of photographic images in our personal lives are affected profoundly by new systems of image production, distribution, and programming.

At times, I work in a similar way; as a photographic practitioner, I decenter myself in relation to the production of the image, and extend that to the construction of my exhibitions.

Greenhouse follows this same production process, extending themes of absence even further with slight shadow figures lingering in the photographic series view from a bed x a view from bed side.

In the late 1960s, Sarah Charlesworth (1947 — 2013) studied with Douglas Huebler at Barnard, «just at the moment when he was abandoning the production of sculptural objects for a «dematerialized» structure of photographic images and textural documentation.»

, discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists undertake.

Samira Yamin's practice explores systems of knowledge production through systematic interventions at various points in the life of the photographic image.

The curriculum introduces students to both analog and digital production, and offers a wide variety of elective courses providing a strong foundation for critical thinking, collaboration, and a career in photographic arts.

Lucy Raven's China Town uses photographic stills to chart the mining and smelting of copper, tracing the relentless production of power and waste through a journey from an open mine in Nevada to a smelter in China.

Because personal and collective memories are so inextricably intertwined with photographs — the result of the medium's progressive saturation of everyday life for the past century and a half — this revolutionary change in the production and dissemination of photographic images is altering society's relationship to memory.

The photographic documentation of the Ontological - Hysteric Theater's performances presented here captures the spirit of experimentation not only in the theater's productions but also in the use of the photographic medium.

The delicate transparent screens that she has presented in her fourth show at Foxy Production, The Passerby, are not a departure from her previous experiments with photographic murals, which reproduce street alleys and graffiti.

Keeping in mind the peculiar conditions of production, distribution, and consumption of the images, Mapping Sitting also investigates how these photographic practices reveal characteristics of nascent national identities.

Local photographic production flourished after Yessai Garabedian, the Armenian Patriarch of Jerusalem, held the first photography workshop in the region in the 1860s.

Her projects examine the evolving relationship between memory in contemporary culture and the technologies of photographic image production.

Over time, my production has evolved from black and white photographic portraits and narrative videos to creating hybrid «sites», images and installations employing photographs, videos and film, archives and found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.

Stan Douglas immerses himself in the circumstances of photographic production at various points in history, investigating in his own work how modes of representation and narratives become iconic.

Her rereading of Modernism in its reciprocal relations with contemporary production, especially via the paradigm of «the photographic,» has made her contemporary art criticism's principal force to contend with.

In a time of near endless image production and exchange «Camera of Wonders» presents an associative display of more than one hundred photographic works spanning the history of photography.

Simultaneous to León Ferrari's exhibition at Galeria Nara Roesler — SP, the 28th edition of Roesler Hotel hosts Screenspaces, which presents the recent production of 19 artists investigating contemporary visual culture through photographic language in a post-digital context.

Constable, Delacroix, Friedrich, Goya, Albertinum, Galerie der Neue Meister, Dresden, Germany Open Spaces / Secret Places, Sammlung Verbund, Wien, Austria Making it up: Photographic Fictions, Victoria and Albert Museum, London, United Kingdom 2012 Lost Places — Orte der Photographie, Hamburger Kunsthalle, Germany Malerei in Fotografie — Strategien der Aneignung, Städel Museum, Frankfurt, Germany The Residue of Memory, Aspen Art Museum, Aspen, Colorado This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago, Chicago Fresh Widow — Fenster - Bilder seit Matisse und Duchamp, K20 Kunstsammlung Nordrhein, Westfalen - am - Grabbeplatz, Germany Making History, Museum für Moderne Kunst (MMK), Frankfurt / Main, Germany Coup Double, FRAC Aquitaine, Bordeaux, France The Studio, Sites of Production, Kunstmuseum Luzern, Lucerne, Switzerland Open Spaces, Secret Places, Museum der Moderne Salzburg, Salzburg, Austria 2011 You Have Been There, Marian Goodman Gallery, New York Photography is Calling, Sprengel Museum, Hannover, Germany Streetlife und Homestories - Fotografien aus der Sammlung Goetz, Museum Villa Stuck, Munich MMK 1991 - 2011: 20 Jahre Gegenwart, Museum für Moderne Kunst, Frankfurt 2010 101 Collection: Route 1 — R for Replicant, CCA Wattis Institute for Contemporary Arts, San Francisco, California Doppeleffekt, Kunsthalle zu Kiel der Christian - Albrechts - Universität, Kiel, Germany Silent Revolution — A new presentation of the permanent collection, K20K21 Kunstsammlung Nordrhein - Westfalen, Düsseldorf, Germany 2009 Cézanne and Beyond, Philadelphia Museum of Art, Philadelphia Esposizione Universale — l'arte alla prova del tempo, Galleria d'Arte Moderna e Contemporanea di Bergamo (GAMeC), Bergamo, Italy 2007 On History, Fundacion Santander Central Hispano, Madrid, Spain Edit!

Drawing from diverse photographic genres such as landscape, forensic, Victorian memento mori, occult, and camera-less photography, she investigates the ways in which the material conditions and specialized languages of the photographic medium shape our relations to history, power, and the production of images.

Simultaneous to León Ferrari's exhibition at Galeria Nara Roesler — SP, the 28th edition of Roesler Hotel hosts Screenspaces, which presents the recent production of 19 artists investigating contemporary visual culture through photographic language in a post-digital context.

Moreover, because the images are now thirteen to twenty years old, the relevant issues in the current exhibition are less about recent artistic production and more a matter of curatorial practice, art history, and the history and generative possibilities of the photographic image itself.

The Frye Art Museum is pleased to present the first solo museum exhibition of multi-award-winning Seattle artist Rodrigo Valenzuela, who has created a significant body of work since his first exhibition in the United States a mere four years ago; his video productions and photographic works have attracted increasing national attention.

At Higher Pictures Roysdon presents a salon - style hang of her photographic projects made over the last decade, distilling her variform thinking and production into an engagement with the specific visual language of photography — its sitedness, its relationship to abstraction, and the translation of physical actions (in the darkroom) into a static image.

Through books, photographic installations, and videos, Zaatari's visual studies reflects on the shifting nature of borders and the production and circulation of images in the political context of the region.

Appropriation and the Archive: In the early 1960s, Robert Rauschenberg and Andy Warhol began to incorporate photographic images into their paintings, establishing a new mode of visual production that relied not on the then - dominant tradition of gestural abstraction but rather on mechanical processes such as screenprinting.