Sentences with phrase «in pictorial structure»

Trust in pictorial structure.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

I see it as the last great innovation in pictorial structure.

Not exact matches

Current studies include the structure of pictorial space throughout the history of art, particularly the dramatic emergence of geometric perspective in the 15th century.

A pictorial PowerPoint presentation about how to express aches and pains in French using the structure «avoir mal à...»

All is structured within vast spirals in three dimensions pulling us rhythmically around a very convincing pictorial space.

The large scale Water Lily Paintings verge on abstraction and are unsurpassed in their pioneering efforts at creating viable pictorial structure from color, surface, luminosity, value, hue and chromatic shifts.

September 9 - 28, 2008 In 2007 Sydney Ball revisited the direct pictorial architecture of his Canto paintings to develop Structures 2, a series of radiant abstract colour works.

This results in a diagrammatic structure in which different perspective axes, with the added vectors of distance and proximity, are applied to the equation of landscape and laboratory, representing both pictorial and abstract elements as contemporaneous and equivalent.»

Mr. Burban encourages individuality of expression through an exact analysis of the elements used to draw or paint the figure in compositional structure and pictorial space.

This has a crucial effect on the overall pictorial appearance, in that it immediately transforms the planimetric structure of the painted motif into an illusory perception of three - dimensionality within the image.

Alongside this three - dimensional structure, highly delicate pencil lines suggest two - dimensional cartographic views, which are then themselves again complemented in the pictorial space by photography and painting.

Challenging the eye of the beholder, Reed's dynamic constellations never cease to open up new pictorial spaces: the energetic and singular gesture brushstroke of former works progressively condenses into structures of lines, waves or loops that often seem like edits from some other context, called into offer counterpoint in new visual arrangement.

Influenced by the works and writings of Wassily Kandinsky (1866 — 1944), Knaths became interested in music and believed that there were correspondences between musical intervals and spatial proportions, a theory that suited his cubist pictorial structure.

This idea can be found in treatises on pictorial structure from the Renaissance to the present.

In interacting with the work over a significant period of time, we felt that that the most compelling way to structure the exhibition was to expose the common threads that run throughout this material: formal constructs such as grids / fields, verticality, pictorial imagery, and repetitive sequences; content such as color as subject, element as subject, interest in early American history (particularly that of Massachusetts), discourse about other artists and art; and relationships to the history of poetrIn interacting with the work over a significant period of time, we felt that that the most compelling way to structure the exhibition was to expose the common threads that run throughout this material: formal constructs such as grids / fields, verticality, pictorial imagery, and repetitive sequences; content such as color as subject, element as subject, interest in early American history (particularly that of Massachusetts), discourse about other artists and art; and relationships to the history of poetrin early American history (particularly that of Massachusetts), discourse about other artists and art; and relationships to the history of poetry.

Michael Fried, J. R. Herbert Boone Professor and director of the Humanities Center, The Johns Hopkins University In a series of six lectures, Michael Fried offers a compelling account of what he calls «the internal structure of the pictorial act» in the revolutionary art of Michelangelo Merisi da CaravaggiIn a series of six lectures, Michael Fried offers a compelling account of what he calls «the internal structure of the pictorial act» in the revolutionary art of Michelangelo Merisi da Caravaggiin the revolutionary art of Michelangelo Merisi da Caravaggio.

In his new paintings, color and structure are critical fixations that in Little's work complement his geometric pictorial stylIn his new paintings, color and structure are critical fixations that in Little's work complement his geometric pictorial stylin Little's work complement his geometric pictorial style.

In this exhibition organized by the Astrup Fearnley Museum of Modern Art, Oslo, we have decided with the artist to concentrate on his paintings and to explore and present the multiplicity of his pictorial language and narrative structures as they have evolved over the last two decades.

He turned the structure of pictorial space on its ear and expanded the language of gesture by trading in the brushwork of Abstract Expressionism for decorative switchbacks drawn from the needle of an industrial sewing machine... The Shields avatar continues to influence the work of contemporary artists ranging from Jessica Stockholder to Jim Lambie to Lauren Luloff, and his aesthetic reach is one that crosses platforms, mediums and milieus.»

Speaking of her process, Serena says: «My work originates from an interest for handicrafts and as such, carried out in a patient and laborious way, it uses the sum of gestures that are repeated and prolonged through time in order to transform materials as simple as fabric and thread into large sculptural and pictorial objects that are structured in an organic and flexible way.

The pictorial space in these mesmerizing assemblages is comprised of clean geometric forms reminiscent of Constructivist experiments where light with its reflections and distortions acts as a foundation for the structure of the composition.

In using these visual structures, Acha creates pictorial spaces that are at once shallow and infinite.

A committee meeting, for example, should demand an entirely different pictorial structure than shoppers in a mall.

His subtly playful color, mixed with gel — laid down in delicate, squiggly, linear re-tracings and pours — at once builds and dissolves the pictorial structure.»

This is evident in the understanding of the buildings as undressed cubic volumes of geometry, descendants from sculptural minimalism; also, in the exploration of color and their application in visual rhythmic structures that invokes the legacy of the pictorial constructivist tradition, but from a clear awareness of the use of the camera as a working tool.

Yet it's obvious that no matter how richly inflected his touch may be, no matter how audacious his pictorial structures, Mr. Lüpertz also always responded to the crucial events of his working life: the construction of the Berlin Wall, the trial and execution of Adolf Eichmann, Germany's collective admission of culpability for the Holocaust, growing postwar prosperity, the actions of the Baader - Meinhof terrorist gang in the 1970s, the destruction of the Berlin Wall, the reunification of East and West Germany, and the rebuilding of shattered Berlin, among many other things.

A mise - en - scène of images takes place through a new language whose structure is made up of cultural and emotional stratifications in a succession of linguistic and pictorial images, where the latter lose their original / residual formal specificity.

With an amusing heresy, he subverted the structures of pictorial space in order to elicit feelings of uncertainty and disorientation.

They cut into the shape structure more to become shapes in their own right, For me they are an affirmation of non objective colour painting that looks toward a new pictorial language and one which connects abstract painting to it's history.

The Belgian artists, including Mil Ceulemans, Joris Ghekiere, Bernard Gilbert, Marc Maet, Werner Mannaers, Xavier Noiret - Thomé, Bart Vandevijvere, and Jan Vanriet are a mixture of younger and older artists who all share an interest in deriving their pictorial structure from immersive painterly experience, and foregrounding such experience as inherent to their aesthetic doxa.

Since 2006 I have been working in pictorial installations featuring paintings on movable structures and temporary wall paintings.

Joanne Mattera utilises a diagonally skewed grid as a structuring mechanism in her Chromatic Geometry series of paintings, enabling her to realise a set of diamonds intrinsically linked to the edges of the support, truncated by coloured triangles and held in a pictorial space by the addition of a central horizon line that divides the painting into two different coloured grounds before which the triangles appear to float.

In addition, a key transitional figure linking pre-war with post-war American art was Stuart Davis (1894 - 1964), who brought a focused integrity to his pursuit of pictorial structure.

For Hartigan, abstraction and figuration were not mutually exclusive; pictorial structures in her work are vehicles for emotion, and are handled in a painterly, expressionist manner.

He turned the structure of pictorial space on its ear and expanded the language of gesture by trading in the brushwork of Abstract Expressionism for decorative switchbacks drawn from the needle of an industrial sewing machine.

While the exhibition at the Alexandre Gallery is hardy the Dodd retrospective we needed, it does have the great virtue of giving us a concentrated account of one of the artist's most inspired inventions: the complex, highly poetic pictorial compositions based on the structures and settings and shifting light to be seen in and around the windows and doorways of old Maine houses.

Zao's use of this calligraphic motif conflates the act of painting with the pictorial structure of the work, something he had in common with other postwar abstract painters, such as his American contemporary Franz Kline.