Not exact matches
About Blog
Landscapes painted
in oils and acrylics painted en
plein air and
in studio from studies and interior subject matter by Caroline Goldsmith.
US About Blog Based
in Colorado, Jane Hunt frequently paints
plein air,
landscape oil painting inspired by the beautiful
landscape surrounding me.
Located
in the La Plaza District at Arenas Road and South Indian Canyon Drive, Stewart Galleries carries fine art ranging from
plein -
air Western and coastal
landscapes by California painters to Cubist and Surrealist canvases.
About Blog
Landscapes painted
in oils and acrylics painted en
plein air and
in studio from studies and interior subject matter by Caroline Goldsmith.
Want to know how leaders
in the fine art world of
plein -
air and
landscape painting got their start?
PT: This is not a «pure»
landscape show, you have included a deliberate mix of artists whose approaches range from
plein -
air to near geometric abstraction, and yet all are undeniably involved with
landscape,
in particular the image of the tree.
On view are the latest
in Walker's series of
plein air sketches and abstract
landscapes.
In addition to her figurative work, Pauline paints still life, and
plein air landscapes.
By reframing the overlooked details within our everyday surroundings, Grau transforms a standardized mode of communication used by public works departments across the country into a series of monochrome paintings —
plein air paintings not of
landscape, but
in it.
In Le Havre, on the North Coast of France during the late 1850's the then teenage Claude Monet who had become adept as a political caricaturist began developing the art of
plein air landscape painting (under the tutelage of Eugéne Boudin) perhaps as a response to and a logical outgrowth of the then popular Barbizon School.
You can bolster the atmospheric effects when painting the sky, as Richard McKinley did,
in this overcast
landscape, Malheur Rain (en
plein air pastel, 11 × 14).
Grau's work is grounded
in the history of
plein air painting, an
in - situ practice of
landscape painting based on direct observation that was initiated by artists such as Claude Monet, Pierre - Auguste Renoir, and Camille Pissarro
in the latter half of the nineteenth century.
«Art
in the Open» features
landscape paintings and photographs made by members of
Plein Air Peconic.
In works like the Time Life Nature Series and Pawtuckaway, Glovinski breaks with conventional approaches to
landscape painting — instead of painting
plein air vistas, she locates
landscape «once removed» (i.e, the topography and design of trail maps, and
landscape images printed on book covers) and re-creates these objects to mimic the original.
«Gina Werfel, a New York painter relocated to the rural Sacramento area to teach at UC Davis, has changed
in recent years from making
plein -
air landscapes to exploring abstract, ambiguous fields of colored plasma, «fragments floating
in a fluid space.»
Plein air yet performative paintings of dense forest
landscapes from Northern Florida and Georgia as well as the Cascades Mountains
in Washington State.
«From the outset of this exhibition, I wanted to work on a relatively small scale, to focus on paintings completed
in a single sitting, be that a
plein -
air landscape or a still life.
As the premier showcase for Western contemporary art, the Ann Korologos Gallery proudly offers a wide array of Western artists working
in a variety of techniques and representing diverse artistic traditions: Bold Post-Expressionist still lifes by Angus Wilson, delicate realism
in the style of Chardin by Sarah Lamb,
Plein Air landscapes by Dan Young, cutting - edge Macro Photography by Gayle Waterman and meticulous linocut prints by Sherrie York.
Chuck Law is a
plein -
air and studio
landscape artist working primarily
in oils.
The sweeping views of the dreamy surrounding
landscape and villages that have caused Civita Castellana to become an epicenter of
plein air painting for more than 300 years have now served as Hershberg's source of inspiration for the works
in this new show.
The Waterhouse Gallery specializing
in Plein -
air landscape, figurative and still life paintings by leading California artists.
He has since studies with some of the finest
plein -
air and
landscape artists
in the country.
Wyllis Heaton (born
in Pasadena CA. 1976) is an award winning
Plein Air landscape painter as well as a licensed
landscaping designer based
in Santa Barbara CA.
Matt is a painter of interiors and
plein -
air landscapes in Baltimore, MD and further afield
in places like Stonington, ME, New Brunswick, Canada, the Brittany region of France, and Umbria, Italy.
Known for bridging the Neoclassic tradition of allegory set
in nature with Realism and
plein air practice, Jean - Baptiste - Camille Corot embarked on his artistic career by studying
landscape painting.
Like a nineteenth - century
landscape painter, he usually works en
plein air, rendering one subject — say, a highway or some patch of Alpine countryside — over and over until,
in the artist's words, «it exhausts itself» or he runs out of paint.
In A Landscape Study at San Vigilio, Lake Garada, Sargent painted en plein air, like many of the French artists of the day, seeking to capture not just the landscape but also a moment in time and the transient quality of ligh
In A
Landscape Study at San Vigilio, Lake Garada, Sargent painted en
plein air, like many of the French artists of the day, seeking to capture not just the
landscape but also a moment
in time and the transient quality of ligh
in time and the transient quality of light.
Nor have outsider or vernacular forms been included — no painted signs, houses, gold - framed oils made by bored suburbanites, or realistic
landscapes made by Sunday painters
in their community art,
plein -
air classes.
«
Plein Air Peconic VII» marks the seventh year of working together and showcasing their local
landscape exhibitions
in museums, galleries and non-profit venues throughout the East End.
Her colorful paintings of hills and landmarks
in Northern California
landscapes are predominately painted
in a
plein air style.
In addition to their extensive collection of
plein air landscapes, still lifes and portraits, the Wurdemans have a few examples of Social Realist art, which, during the Soviet era, was the Surikov Institute - trained artists» bread and butter.
One lovely summer day, an iconic vision comes to mind: you see yourself seated at your easel
in a field of flowers, working peacefully on a
plein -
air landscape painting as clouds float above and bees pass by, humming
in a friendly manner while searching for nectar or creating honey or whatever.
You decide upon the spot that you will join the great tradition of
plein -
air painters, following
in the revolutionary footsteps of John Constable, who first left his studio to approach a
landscape painting
in glorious nature herself.
Each of these painters interpreted the Matunuck
landscape in a personal way, yet among them they encompass most of the major trends defining American painting of the late nineteenth and early twentieth centuries — the Barbizon School, Impressionism, Post-Impressionism, Tonalism and
plein -
air painting — as well as the creation of the era's predominant artistic institution: a summer school.
The works on view are
in communication with one another — portraits of Qusuquzah and Din gaze out at modernist interiors and
plein -
air landscapes, all confronted by the artist's arresting recreations of Courbet's Origin.
The second room shows the development of his early style: en
plein air realist
landscapes produced
in Paris, erroneously described as Impressionist
in almost all the literature; and a predilection for unclothed male figures, evident
in his fin - de-siècle style mural and stained glass window designs.
An important aspect of
Plein Air Peconic's work is to draw attention to land preservation
in the community, encourage environmental awareness, and to promote a greater appreciation of
landscape painting and photography through the exhibition of our artwork.
In 2005, thirteen
plein air artists and landscape photographers organized Plein Air Pec
plein air artists and landscape photographers organized Plein Air Pecon
air artists and
landscape photographers organized
Plein Air Pec
Plein Air Pecon
Air Peconic.
As an artist -
in - residence at 24 HR MART, Trowbridge spends her time collecting color «data» from the
landscape in the form of
plein -
air paintings.
The images recall Degas» watercolour studies and further Heck's continued interest
in plein -
air landscape painting by way of photography.
The gallery represents 35 artists, many of whom live and work
in the Roaring Fork Valley, and many specialize
in landscape painting, both
in - studio and
Plein Air.
Selected Group Exhibitions — Invitational & Juried: 2010 «Best
in Show» Taubman Art Museum, Roanoke, VA 2010 «11th Annual Juried Show» Nelson Gallery, Lexington, VA 2010 «Bath County Art Show» Hot Springs, VA 2010 «Art with a Twist» Logan Gallery, Roanoke, VA 2010 «Paintings from Provence» Westlake Library, Moneta, VA 2010 «The Painted Garden» Beach Gallery, Virginia Beach, VA 2010 «Best
in Show» Taubman Art Museum, Roanoke, VA 2008 Westlake Library, Smith Mountain Lake, Moneta, VA 2008 «Chica's Choice» North Gallery PVCC, Charlottesville, VA 2008 «Paint Lexington» Nelson Gallery, Lexington, VA 2008 «Bath County Art Show» Hot Springs, VA 2008 «Academy of Fine Arts Juried Art Exhibition» Lynchburg, VA 2007 «Pictorial Strategies» Andrews Gallery, W&M Univ., Williamsburg, VA 2006 — 2007 «Facets of Perception» Zeuxis traveling exhibition 2005 «The Black & White Show» Nelson Fine Arts Gallery, Lexington, VA 2005 «Bath County Art Show» Warm Springs, VA (H.M) 2005 «Mountains and Rivers» Warm Springs Galley, Warm Springs, VA 2005 «7 Views» Riverviews Artspace, Lynchburg, VA 2005 «Faces of the Fallen» Arlington National Cemetery, Washington DC 2005 «32nd Annual Juried Competition» Masur Museum of Art, Monroe, LA 2004 «Within Our Borders - The Virginia Landscape» Hermitage Foundation, Norfolk, VA 2004 «Past, Present, Future» Academy of Fine Arts, Lynchburg, VA 2004 «George Nick Selects» Concord Art Association, Concord, MA 2003 «Sense of Place» Art Museum of Western Virginia, Roanoke, VA 2003 «Bath County Art Show» Warm Springs, VA (Best
in Show) 2003 «Light &
Landscapes - Reflections of Italy» Wayne Art Center, Wayne, PA 2002 «Art Educators of Virginia» Jefferson Center Gallery, Roanoke, VA 2002 «3rd Annual Juried Art Show» Nelson Fine Arts Gallery, Lexington, VA 2002 «
Plein -
air Revisited» W&M Andrews Gallery, Williamsburg, VA 2002 «Larger than Life» Jefferson Center Gallery, Roanoke, VA 2002 «Bath County Art Show» Warm Springs, VA (H.M) 2002 «The Mountain Lake Hotel Workshop Exhibit» Lynchburg Fine Arts Center, VA 2002 «The Mountain Lake Hotel Workshop Exhibit» Jefferson Center, Roanoke, VA 2002 «Open Studio Tour» Roanoke, VA 2002 «Roanoke City Art Show» Roanoke, VA 2002 «Lynchburg Area Juried Art Show» Lynchburg, VA 2002 Staunton Augusta Fine Art Center, Staunton, VA 2002 «Artemis - Winter Lights» Roanoke, VA 2002 «Artists & Their Studios» Jefferson Center, Roanoke, VA 2002 «Since September 11, 2001» Jefferson Center, Roanoke, VA 2001 «Lynchburg Area Juried Show» Lynchburg Fine Arts Center, Lynchburg, VA 2001 «George Nick Selects» Concord Art Association, Concord, MA 2000 «Roanoke College Biennia», Roanoke College, Salem, VA 2000 «The Summer Show» Gross McCleaf Gallery,, Philadelphia, PA 2000 «Jane Piper & Philadelphia Colorists» State Museum of Pa, Harrisburg, PA 2000 «Landscape
in Virginia» Va..
Learn about materials and mediums, about how to paint
landscapes in the studio and en
plein air, how to choose a site, about simplification and massing, and more.
Sullivan Goss presents an exhibition for WPA artist & Oak Group founder, Ray Strong, featuring paintings from the early 1930s to works created
in the 1980s, when he was actively teaching Santa Barbara painters about the art of the
plein air landscape.
I have drawn the figure from life and the
plein air landscape for many years, working
in multiple media (graphite, charcoal, reed pen, silverpoint, watercolor, pastel, oil palette knife on shingles) and monotypes, usually creating work
in a series.
Since then, she has studied with other artists, sharpening her skills
in portraiture, character study and
plein air landscape painting.
Between 1898 and 1900 Modigliani studied with the Italian artist Guglielmo Micheli, who specialized
in landscape painting en
plein air, like the Impressionists.
They included: the Irish - born George Frederick Folingsby (1828 — 91), who arrived
in Australia
in 1879 and became Master of the School of Painting at the NGS
in 1882; the Swiss artist Abram Louis Buvelot (1814 — 88) who arrived
in 1865 and taught at the Carlton School of Design
in Melbourne; the English - born art teacher Julian Ashton (1851 — 1942) who settled
in Sydney where he ran one of the best art schools
in New South Wales; the English - born
plein -
air specialist A.J.Daplyn (1844 — 1926) who arrived
in Australia
in 1882 and shared his experience of Fontainebleau and the Barbizon School of
landscape painting, before later writing a book entitled
Landscape Painting from Nature
in Australia (1902); the Italian - born painter Girolamo Pieri Ballati Nerli (1860 — 1926), influenced by the Macchiaioli group, who first lived
in Melbourne before moving to Sydney
in 1886; the Portuguese - born
plein -
air artist and Symbolist painter Arthur Jose De Souza Loureiro (1853 — 1932).
Working
in oils on panels and canvas, Mooney frequently paints
in the tradition of the
plein -
air or outdoor Barbizon
landscape school and / or Impressionism, capturing
landscapes in a variety of locations
in Ireland and overseas.
Derived from the
plein air painting traditions of the Barbizon school of
landscape painting, Impressionism
in France encompassed many famous painters and many individual styles, and its paintings ranged across all genres, from
landscape and still life to portraiture and genre scenes.