Sentences with phrase «in quality illustrations»

Not exact matches

In Art as Experience, in his efforts to define that imperceptible «quality» in our experience of the immediate world, Dewey stumbles from language about having «an experience,» to illustrations such as» «that was an experience,»» and «that meaIn Art as Experience, in his efforts to define that imperceptible «quality» in our experience of the immediate world, Dewey stumbles from language about having «an experience,» to illustrations such as» «that was an experience,»» and «that meain his efforts to define that imperceptible «quality» in our experience of the immediate world, Dewey stumbles from language about having «an experience,» to illustrations such as» «that was an experience,»» and «that meain our experience of the immediate world, Dewey stumbles from language about having «an experience,» to illustrations such as» «that was an experience,»» and «that meal.

They are vivid and even startling illustrations, in extreme cases, of the way in which the quality and direction of God's treatment of his children might be reproduced in human relations.

These are but a few illustrations of a characteristic ardent, vivid quality in Jesus» teaching which no reader of the Synoptic Gospels can miss, and, we might add, which no writer of the Synoptic Gospels could have invented.

In terms of my product development, I feel they have moved on in terms of the quality of illustratioIn terms of my product development, I feel they have moved on in terms of the quality of illustratioin terms of the quality of illustration.

With cute illustrations, bright colors and quality craftsmanship, this is a favorite in our house for babies and adults alike.

UNICEF and partners developed a Community Infant and Young Child Feeding (C - IYCF) Counselling Package in 2010, with high quality graphic illustrations for low - literacy contexts.

The Gerber name has long been synonymous with baby food, and the icon of the Gerber Baby traditionally has symbolized quality and trustworthiness; indeed, a late twentieth - century survey found Gerber to have the highest consumer loyalty of any commercial brand in the United States.92 In 1928 the Fremont Canning Company solicited illustrations of a baby face for the advertising campaign to introduce its newly developed baby fooin the United States.92 In 1928 the Fremont Canning Company solicited illustrations of a baby face for the advertising campaign to introduce its newly developed baby fooIn 1928 the Fremont Canning Company solicited illustrations of a baby face for the advertising campaign to introduce its newly developed baby food.

The review process is freeform, but you should include in your evaluation the accuracy, originality and completeness of the science, the clarity and succinctness of the writing, the quality and necessity of all illustrations and tables, the comprehensiveness of the literature review, the format of the paper and references, the relevance of the title and abstract, the appropriateness of the subject material to the journal, and any other issues you feel are important.

The O'Brien Press has been committed to quality in writing, editing, design and illustration.

8 — Moby Dick (Twilight Time, Blu - ray), John Huston's 1956 film of Herman Melville's whaling drama turned epic odyssey starring Gregory Peck plays the obsessed Captain Ahab, was scripted in collaboration with Ray Bradbury and shot by cinematographer Oswald Morris with a desaturated color palette to give the film a sepia quality to evoke the engraving and illustrations of the whaling era.

------------------------------------- The contents of this page, the download, and all included materials are copyrighted by Adam Godwin (2017) Contents may differ slightly from those depicted on the cover photo, which are meant to be a fair illustration of the quality and activities contained in the download.

The contents of this page, the download, and all included materials are copyrighted by Adam Godwin (2017) Contents may differ slightly from those depicted on the cover photo, which are meant to be a fair illustration of the quality and activities contained in the download.

As finding the right resources with the appropriate educational quality can sometimes be difficult for teachers, the lesson editor in Wand.education ™ includes an extensive library of illustrations, animations, videos, audios, photos and 3D objects.

In 2007, the college won the prestigious Christa McAuliffe Award for Exemplary Programs in Teacher Education, one illustration of the standards of quality and innovation that are evident throughout our wide array of undergraduate, graduate, online, and continuing education programIn 2007, the college won the prestigious Christa McAuliffe Award for Exemplary Programs in Teacher Education, one illustration of the standards of quality and innovation that are evident throughout our wide array of undergraduate, graduate, online, and continuing education programin Teacher Education, one illustration of the standards of quality and innovation that are evident throughout our wide array of undergraduate, graduate, online, and continuing education programs.

The «visual» part of the title is achieved in typical DK style, which means stunning photos, illustrations, charts, tables and the like in great quantity and quality.

A co-publishing package with Köehler Books ranges in price, depending on the size of the book, the quality and craft of the manuscript, and the number of graphics and illustrations used on the interior of the book.

We've recommended 99designs in the past for affordable, quality cover design, but Joanna points out that the site is also a great resource for custom illustrations!

The three - dimensional quality of the illustrations lends realism, even though they are quite surreal, and the photography always captures the sparkle in Frida's eyes and the lights at any fiesta.

It was a steep learning curve to move from nonfiction to an illustrated picture book, because the demands of the quality of illustrations, the difference in software for layout, etc..

Last year's list preface explained: «We include titles that we believe have child or teen appeal in addition to the qualities that mark good books: clarity, accuracy, credibility, and that most elusive quality of all, distinguished writing and illustration.»

Add in images and illustrations and proper cover images and do better proof - reading and improve the quality of books.

This way you will be able to bring in quality candidates for the job and ensure that the illustrations, regardless of who does them, get done well.

Describe the storytelling quality the typical reader demands in a specific genre: plot, characterisation, style, structure, and illustration.

A BONUS link in the book lets you download 10 + high quality coloring book PDF pages with dozens of illustrations that readers can PRINT.

IMPORTANT - KINDLE edition of this book is a coloring BOOK PREVIEW only and it is NOT intended for coloring within the device.It is a preview - its main intent is to show the designs that are available in the physical copy of the book.However, we've added a BONUS link at the end of the book which lets you download a high quality PDF VERSION with of 3 A4 illustrations ready for PRINTING.Coloring works as an anti-stress activity, and it is one of the best alternatives to meditation as it achieves similar effects.

As indies have smaller budgets than traditional publishers, does this endanger the quality of cover art and illustration we're going to see in the future?

I love the influx of high - quality original illustrations and photo comps in this batch.

Images such as nudes dr02 (2011) become painterly illustrations of vague desire in which anonymous women sport and pose, their erotic power modified by a muted palette and hazed resolution, while in nudes ar09 (2011) the fetishistic power of the female subject is all but reduced to lush formal qualities — a cascade of thick blonde hair, the curve of pink thighs, the glossy black of a stiletto heel.

Impressive in its scientific rigour, the volume is no less so for the quality and format of its illustrations.

Alan Jones is a professional artist based in North Wales producing portraits and animal drawings in artist quality coloured pencils, graphite and gouache onto illustration board.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arIn this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin art.

Having featured in several exhibitions of his work, Number 7, 1951 most recently appeared in Jackson Pollock: Blind Spots (Tate Liverpool and Dallas Museum of Art, 2015) and was used as the sole illustration for Meyer Schapiro's important 1957 Artnews article «The Liberating Quality of Avant - Garde Art,» which is considered one of the most influential articles ever published in the magazine.

The vivid, garish, and clashing colors in many of Richter's abstract paintings were probably inspired by those Pop artists who exaggerated the simplified, bold, and eye - catching qualities of magazine illustrations, posters, signs, and billboards.

The O'Brien Press has been committed to quality in writing, editing, design and illustration.

Professional Experience Haan Crafts, LLC (Otterbein, IN) 1992 — Present Product / Graphic Designer • Oversee the design and advertisement of various products for a diverse clientele • Conceptualize and create graphics, diagrams, advertisements, product instructions, and illustrations • Develop new product ideas resulting in new and highly profitable income streams • Design and create pattern pieces, acetates, and patter boards for silk screening • Manage production quality control operations ensuring a consistent, marketable product • Provide exceptional customer service resulting in client satisfaction, loyalty, and numerous referrals • Perform clerical work including data entry, filing, and multi-line phone system operation • Utilize Adobe Illustrator, InDesign, Photoshop, PageMaker, Quark XPress, Acrobat Reader and Distiller for Mac and PC • Perform all duties with positivity, professionalism, and integriIN) 1992 — Present Product / Graphic Designer • Oversee the design and advertisement of various products for a diverse clientele • Conceptualize and create graphics, diagrams, advertisements, product instructions, and illustrations • Develop new product ideas resulting in new and highly profitable income streams • Design and create pattern pieces, acetates, and patter boards for silk screening • Manage production quality control operations ensuring a consistent, marketable product • Provide exceptional customer service resulting in client satisfaction, loyalty, and numerous referrals • Perform clerical work including data entry, filing, and multi-line phone system operation • Utilize Adobe Illustrator, InDesign, Photoshop, PageMaker, Quark XPress, Acrobat Reader and Distiller for Mac and PC • Perform all duties with positivity, professionalism, and integriin new and highly profitable income streams • Design and create pattern pieces, acetates, and patter boards for silk screening • Manage production quality control operations ensuring a consistent, marketable product • Provide exceptional customer service resulting in client satisfaction, loyalty, and numerous referrals • Perform clerical work including data entry, filing, and multi-line phone system operation • Utilize Adobe Illustrator, InDesign, Photoshop, PageMaker, Quark XPress, Acrobat Reader and Distiller for Mac and PC • Perform all duties with positivity, professionalism, and integriin client satisfaction, loyalty, and numerous referrals • Perform clerical work including data entry, filing, and multi-line phone system operation • Utilize Adobe Illustrator, InDesign, Photoshop, PageMaker, Quark XPress, Acrobat Reader and Distiller for Mac and PC • Perform all duties with positivity, professionalism, and integrity