Sentences with phrase «in radio production»

Broadcast technician resume objective 3: to work in a radio production company at the job position of a broadcast technician so as to achieve my aim of serving the company by working to the best of my abilities and displaying my hardworking nature, ability to work for long hours and my knowledge of this field of work.

Broadcast technician resume objective 1: a talented and skilled individual looking for a job of a broadcast technician in a radio production house wherein I would be able to work to my abilities and help the radio station find success through my services and hardwork.

Not exact matches

Wisconsin — the ground zero of cranberry harvesting in the U.S. — had asked the Department of Agriculture to lower production back in August to avoid a glut like this, Wisconsin's Public Radio station reported.

Even so potent a means of production as the short - wave transmitter has been tamed in this way and reduced to a harmless and inconsequential hobby in the hands of scattered radio hams.

What Sam had heard, of course, was Orson Welles's now infamous Mercury Theater radio production of War of the Worlds, but no one in the congregation was aware of that at the moment.

Originally from Rochester, Caitlin graduated from SUNY Plattsburgh with a B.S in Audio / Radio Production and Broadcast Management.

Since joining AKPD in 2001, Del Cecato has been at the center of the company's creative work — offering his expertise in message development, speechwriting, earned media strategy, and television and radio ad production to candidates for federal, state, and municipal office.

The firm specialized in content management, content production, radio and television jingles and commercial (TVC) production, capacity development, content provider trainer and events compeering.

More than 40 telescopes in the northern hemisphere took thousands of observations in the visible, radio, and near infrared ranges, which enabled the production of detailed light curves.

Powerful radio jets from the black hole - which normally suppress star formation - are stimulating the production of cold gas in the galaxy's extended halo of hot gas.

The first production receivers were built and delivered to ALMA in the first half of 2015 by a consortium consisting of the Netherlands Research School for Astronomy (NOVA) and GARD in partnership with the National Radio Astronomy Observatory (NRAO, which contributed the local oscillator to the project.

The Science and Technology Facilities Council (STFC, www.stfc.ac.uk) is keeping the UK at the forefront of international science and has a broad science portfolio and works with the academic and industrial communities to share its expertise in materials science, space and ground - based astronomy technologies, laser science, microelectronics, wafer scale manufacturing, particle and nuclear physics, alternative energy production, radio communications and radar.

The spin of a black hole plays a role in the production of the jets that are often seen in radio observations.

Previously, Mr. Saenz was employed at KNBC in Los Angeles as a sports production intern; and, he was also the morning producer and anchor for the morning news show at KCSN Radio.

Powerful radio jets from the black hole — which normally suppress star formation — are stimulating the production of cold gas in the galaxy's extended halo of hot gas.

The Science and Technology Facilities Council (STFC, http://www.stfc.ac.uk) is keeping the UK at the forefront of international science and has a broad science portfolio and works with the academic and industrial communities to share its expertise in materials science, space and ground - based astronomy technologies, laser science, microelectronics, wafer scale manufacturing, particle and nuclear physics, alternative energy production, radio communications and radar.

As with all ALMA production receivers, this WCA was produced by the National Radio Astronomy Observatory's Technology Center in Charlottesville, Virginia.

About Blog The Society of Aerial Cinematography (SOAC) is a community of Production, Post Production, Aviation and Radio Control industry professionals in support of the Entertainment Industry.

For National Public Radio and LA Theater Works Alma performed in the radio versions of Zoot Suit and Nilo Cruz's Pultizer Prize winning play Anna in the Tropics opposite Jimmy Smits.As a 25 year member of El Teatro Campesino (ETC) founded by Luis Valdez, she has appeared in landmark ETC productions of; Zoot Suit, both the film and play (1979 Los Angeles Drama Critics Circle Award - Best Play); Corridos, both the TV version (1987 Peabody Award) and play; I Don't Have to Show You Any Stinking Badges; and Mummified Deer (Back Stage West «Honorable Mention» for her role as Mama Chu), all written and directed by ValdeRadio and LA Theater Works Alma performed in the radio versions of Zoot Suit and Nilo Cruz's Pultizer Prize winning play Anna in the Tropics opposite Jimmy Smits.As a 25 year member of El Teatro Campesino (ETC) founded by Luis Valdez, she has appeared in landmark ETC productions of; Zoot Suit, both the film and play (1979 Los Angeles Drama Critics Circle Award - Best Play); Corridos, both the TV version (1987 Peabody Award) and play; I Don't Have to Show You Any Stinking Badges; and Mummified Deer (Back Stage West «Honorable Mention» for her role as Mama Chu), all written and directed by Valderadio versions of Zoot Suit and Nilo Cruz's Pultizer Prize winning play Anna in the Tropics opposite Jimmy Smits.As a 25 year member of El Teatro Campesino (ETC) founded by Luis Valdez, she has appeared in landmark ETC productions of; Zoot Suit, both the film and play (1979 Los Angeles Drama Critics Circle Award - Best Play); Corridos, both the TV version (1987 Peabody Award) and play; I Don't Have to Show You Any Stinking Badges; and Mummified Deer (Back Stage West «Honorable Mention» for her role as Mama Chu), all written and directed by Valdez.Ms.

A crime fighter created in the 1930s and popularized in movies, pulp novels, and a radio show starring a young Orson Welles, The Shadow came back to life in 1994 in this slick, well - cast production.

Production: (Documentary — Syria - Germany) A Journeyman release of a Proaction Film, Ventana Films production, in co-production with SWR, SVT, NHK, in association with Arte, TSR, Radio Canada, with the support of AFAC, IDFA Bertha Fund, IMS, Norwegian Ministry of Foreign Affaires, Goethe Institute, ZProduction: (Documentary — Syria - Germany) A Journeyman release of a Proaction Film, Ventana Films production, in co-production with SWR, SVT, NHK, in association with Arte, TSR, Radio Canada, with the support of AFAC, IDFA Bertha Fund, IMS, Norwegian Ministry of Foreign Affaires, Goethe Institute, Zproduction, in co-production with SWR, SVT, NHK, in association with Arte, TSR, Radio Canada, with the support of AFAC, IDFA Bertha Fund, IMS, Norwegian Ministry of Foreign Affaires, Goethe Institute, Zproduction with SWR, SVT, NHK, in association with Arte, TSR, Radio Canada, with the support of AFAC, IDFA Bertha Fund, IMS, Norwegian Ministry of Foreign Affaires, Goethe Institute, Zero Prods.

Jeff is also proprietor of Jeff Schmidt Productions & Alien Imaging Sound Design where his original Sound Design elements are in use at hundreds of Radio Stations and Production Houses all over the world.

In 2007 he played «Kent» in the Broadway production of Talk Radio with Liev SchreibeIn 2007 he played «Kent» in the Broadway production of Talk Radio with Liev Schreibein the Broadway production of Talk Radio with Liev Schreiber.

With Woody Allen's latest «Magic In The Moonlight» hitting theaters, it's also an ideal time to check out «Radio Days,» one of the filmmaker's most underrated gems and the movie that began his still - running partnership with production designer and...

Smith reprises the role that she has previously assumed in the original stage production in 1999, as well as a radio version performed in 2009.

The Hitchhiker's Guide To The Galaxy started as a BBC radio series in 1978 and has since metamorphosed into books (five of them), theatre productions (at least three of those), a BBC TV series, an award - winning computer game and a towel.

Rounding out the supplements are two minutes» worth of radio spots; a gallery of colour and black - and - white production stills, posters, and lobby cards (heavy on shots of Franklin, natch); and trailers for The Vampire Lovers and the original The Amityville Horror in addition to The Legend of Hell House.

Held in the famed Crystal Ballroom of the Los Angeles Millennium Biltmore Hotel and hosted by radio personality Doug McIntyre, the 51st CAS Awards also celebrated the professional contributions of Production Sound Mixer David Macmillan, CAS by honoring him with the CAS Career Achievement Award.

EXTRAS: In addition to a pair of new interviews with British cinema scholar John Hill and music scholar Jeff Smith, there's a new featurette about the film's production, the 1972 documentary «Home, James,» the 1952 radio adaptation of the movie, and an essay by critic Imogen Sara Smith.

The video transfer is beautiful, and the extras are excellent, including insightful audio commentary by Zemeckis, Gale and Kurt Russell, a series of radio commercials that perfectly reflect the times, as well as some local car commercials Kurt Russell appears in for the lot that the production actually shot on.

Additional background on the production can be found in the sole supplement on disc one, «Inside Walt's Story Meetings,» in which transcripts from his concept meetings with artists and animators are acted out in overwrought radio show fashion by voice actors; I would rather there have also been an option to forego the theatrics and simply read the text.

NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)

Featurette • 1957 Disney Studio Album Audio Excerpt • Inside the Disney Archives Tour $ Production Archives · Production Stills Gallery · Cast Biographies $ Advertising · Lobby Cards · Posters · Merchandise $ Documents · Fan Letters · Invitations · Pressbook $ Script Excerpt: «Life Lessons» $ Production Archives · Production Gallery · New Segment: «Old Yeller Memorial» · Original Theatrical Trailers · TV Spots · «Best Doggone Dog In The World» Archival Feature $ Audio Archives · Radio Spots · Sounds Effects «Foley» Demonstration · Sound Studio: «Travis Meets Yeller» · Sound Studio: «Bear Attack!»

In a new interview with Absolute Radio, Lerman — who was recently cast as rookie Musketeer D'Artagnan in Doug Liman's «Three Musketeers» remake, to start production this fall — talks preparation for the role and -LSB-..In a new interview with Absolute Radio, Lerman — who was recently cast as rookie Musketeer D'Artagnan in Doug Liman's «Three Musketeers» remake, to start production this fall — talks preparation for the role and -LSB-..in Doug Liman's «Three Musketeers» remake, to start production this fall — talks preparation for the role and -LSB-...]

The artful work of production designer Meredith Boswell, art director Rob Simons, and costume designer Lahly Poore - Ericson is impressively displayed in the crowds of performers and audience members at radio shows and concerts, as well as in the domestic sequences.

Also in the promotion department is the original 1948 Lux Radio Theatre production of «Spellbound,» featuring Joseph Cotton and Alida Valli in the lead roles.

Having worked first in the publishing sphere in Australia, and then for a UK shipping publisher, and having also written a lengthy Annual Report for United Nations FAO sub-group, the UK Freedom From Hunger Campaign, while in England, I was later invited by Canadian friends to join them at a Radio - Television corporation in Montreal, Canada, which led me into Advertising, via radio and television commercial producRadio - Television corporation in Montreal, Canada, which led me into Advertising, via radio and television commercial producradio and television commercial production.

(Week 4) Opportunities to: - explore the importance of audio editing - audacity software - create an audio product - example given is a radio broadcast - the task requires students to bring together everything they've learned in weeks 1 - 3 including microphones, acoustics, purposes etc. - conduct risk assessments before recoding on location as per industry - evaluate own production work

His past audio experience includes production and voice acting on commercials and radio dramas and as an actor in stage performances.

Students enrolled in NAAC have opportunities to excel in dance, theater, radio, video production, visual arts, music, and public speaking.

SRT Hellcat orders open in the second week of August 2015; production starts in September 2015 New for 2016, both Challenger and Charger SRT Hellcat now feature standard ultra-premium Laguna Leather interior appointments, Uconnect 8.4 AN with navigation, HD radio and five years of SiriusXM Travel Link and SiriusXM Traffic July 27, 2015, Auburn Hills, Mich. - Dodge will soon be opening the dealer order banks for 2016 model year Dodge Challenger and Charger SRT Hellcats, streamlining the process and significantly increasing production to ensure that the fastest, most powerful muscle cars ever continue to move off dealer lots.

BMW models will be coming off the production line and into dealerships with HD Radio in June 2010.

In answer to our question, Cobb says that it does seem that more audiobooks are produced nowadays with «production elements,» as in radio drama — sound effects, multiple voices, music such as the New Zealand - based Booktrack «s Paul Cameron produces, and so oIn answer to our question, Cobb says that it does seem that more audiobooks are produced nowadays with «production elements,» as in radio drama — sound effects, multiple voices, music such as the New Zealand - based Booktrack «s Paul Cameron produces, and so oin radio drama — sound effects, multiple voices, music such as the New Zealand - based Booktrack «s Paul Cameron produces, and so on.

Tom Baker has worked in entertainment, radio and television for over 35 years as a writer, producer, and editor, for various production companies, and has worked on shows for A&E, Discovery, HGTV, Food Network, Travel Channel, and more.

With the influence of the radio dramas echoing in the background of the audiobook production, it's intriguing to consider what makes the process of recording a Star Wars audiobook different.

When she founded IMS in Jan. 1994 she ceased her carrier to dedicate her knowledge and experience in production for TV & radio commercials, corporate tape, translation and trans - creation, Public Relations, Events and Advertising for her company.

In 1996 she went to work for ERN Radio Network as a board operator and within two years was Director of Production, working with all the networks clients and stations.

He is currently promoting his latest song entitled «No Quiero» under the production of renowned music producer Carlos Ariza better known as Caito the good sound, is sounding nationally and internationally with excellent acceptance by the public, has promoted his theme by Live shows on television and on several well - known local radio stations, also nominated in several international websites such as BogotaMusic as the best theme of the month of July.

My eight years in the Department of Radio - Television - Film at the University of Texas at Austin, where I teach directing and production, gave me added confidence.

I've worked in radio on the production side, then retail, then call center for satellite tv, bank, brokerage firm, worked front desk at a hotel, claims adjuster, and soon to be estimator!