Sentences with phrase «in real fur»

But I'm tired of the chokers though, they and the fur slippers (especially in real fur) can go away asap!

Not exact matches

Are you aware of the process involved in producing and preparing real fur?

All in all, an interesting hour — and the fur didn't fly far enough to hurt anyone for real.

In another trial, Kaplan and Miklósi introduced AIBO to the dogs while it was covered in fur that had been stored in a real puppy's sleeping box so it would smell more like a doIn another trial, Kaplan and Miklósi introduced AIBO to the dogs while it was covered in fur that had been stored in a real puppy's sleeping box so it would smell more like a doin fur that had been stored in a real puppy's sleeping box so it would smell more like a doin a real puppy's sleeping box so it would smell more like a dog.

In fact, they're made using natural, plant - based fabrics like linen, hemp, and cotton, so if you spot some wool and fur in the mix, don't worry, it's all synthetic and designed to look like the real thinIn fact, they're made using natural, plant - based fabrics like linen, hemp, and cotton, so if you spot some wool and fur in the mix, don't worry, it's all synthetic and designed to look like the real thinin the mix, don't worry, it's all synthetic and designed to look like the real thing.

Insanely crazy looking real fur, and faux fur jackets, coats, and vests are a must - have when attending fashion week in the winter.

Brands like Moncler and Woolrich both use real fur in their coats.

There definitely is a strong Russian vibe with that faux fur hat — though maybe I say that because I grew up wearing a near identical hat (though sadly real fur...) so I am pretty biased in my love for this outfit and just the location in general

Boho also looks perfectly high - low, hippie - chic, and right now when denim on denim is topped with fur, as they were rampant on the runways (in both faux and real), and hint at a free wheeling rock n» roll lifestyle.

There is absolutely no reason to seek out real fur, faux fur has so many more options, is just as soft and cozy, costs less then real fur, and no animals are harmed in the making of it.

Full discloure: the green and white stockings aren't actually green and off - white in real life (they're red and off - white), but I forgot the cable knit and fur stockings I was going to let her borrow, so I made them match the rest of the display using Photoshop - ha!

But asides from the fur vest, the real secret to dressing like a boss lady is confidence and feeling like a million bucks in what you're wearing.

Plus, our superior quality faux - fur is made to look and feel like the real deal, making this the comfiest seat in the house.

I've seen lots of real fur this year in what could be considered a bit of a rebirth of the fur industry.

Perfect for yeti style photo shooting, but in real life, the shoes with fur are better worn with leggings cigarette pants or skinny jeans, and on top?

On the presentation circuit, it was the real deal with kitten heel ankle boots at Olgana Paris done in full - on mink and fur sandals with matching furry footbeds at Alexandre Birman.

No she's not crazy to wear the faux fur coat on 35 degrees, but the rest of the outfit is real and made me looking chic, comfy and in my «black and white outfit» comfort zone the whole day yesterday.

I don't wear real fur, so the Game of Thrones stylists will need to create me one of these in faux.

The options now with faux fur are amazing and, in my opinion, better than the real ones.

I fell in love with the different colors of fur on this coat but was 100 % pretty sure that it was real fur but found out it was faux fur!

The fur collar that you see in the photo is in real Mongolian by the brand Mano Swartz.

I too can never say I will not own a real fur coat, so it is faux all the way in the meantime!

Whether you are looking for a real fur coat or vest, a shearling coat or jacket or a sheepskin jacket or coat, our designers are always aware of the newest trends in fashion, as they create high - quality products made with eco-friendly fur.

Real or not, fur makes a soft addition to the thoughtful winter wardrobe in any location.Shop Cashmere Shop LBDs Shop 2012 Top Trends

Brimming with personality and no batteries needed, Peppy Pups have ultra-soft fur, distinct paw pads and springs in their feet that help these eager Peppy Pups move and prance, just like a real dog.

Padded with a tummy and large bosom, a string of pearls and genuine vintage wool coats trimmed in fur; the actress» tiny hands encased in custom made leather gloves, protecting this regal yet accessible woman from the stain of the «real world».

Alejandro G. Inarritu, nominated for best director, best screenplay (co-writing credit) and best film (co-producing) for Birdman, has been busy in the Canadian Rockies with The Revenant, a frontier thriller about real - life 19th century fur - trapper Hugh Glass.

It's the story of real - life frontiersman Hugh Glass (Leonardo DiCaprio) and his time fur trapping in the Dakotas with John Fitzgerald (Tom Hardy), Jim Bridger (Will Poulter), and Andrew Henry (Domhnall Gleeson).

[The ’33 film] was black and white, so it's really easy to assume that the fur on the monkey is black, but there's actually a lot of forums and things that you read and there's some real poster artwork where Kong's fur skews more brownish, so we actually pushed his fur in more of a brown as opposed to the traditional black.

The big upgrade is the SofTex simulated leather upholstery (if you want real cow hides, you're as bad as people who wear fur coats), which replaces the cheesy cloth found in lower - line models.

Mine has a real shedding issue, and I find fur all over the place in my house.

Because of their short fur, they should be kept warm in the cold winter months, a sweater when going for a walk, and NOT left outside for any real length of time.

Available in three different colors, these furry creatures have realistic soft fur that looks and feels just like a real cat.

A Humane Society in Ohio is working to change those stress levels, and help dogs find fur - ever homes for real.

If you think I could be a valued companion and you think you could love me fur - ever (I promise to love you back and I'm real good at giving kisses, plus I'm cuddly), please fill in the adoption application and make sure you ask for me!

She plays a mom on the edge in the upcoming comedy Bad Moms — if you haven't seen the hilarious trailer yet, click here now — but, don't worry, when it comes to her real kids and her fur kids, Kristen Bell is all good.

This page is updated in real - time, so if you think you've found your fur - ever friend, be sure to check this page often!

Cats are motivated by their strong prey instincts to chase and hunt the toy, and it's not a large leap to eat the toy if it is covered in real rabbit or mouse fur.

If, in fact, they are resolved to the idea of a real, live, neither feathered - nor - furred pet, there are options.

The fine details featured in their skin textures are photo - realistic, even the fur and leather that they wear looks almost real and moves naturally with the characters.

is a giant stuffed toy whose fur is made from the real skin of a bear: reality and fiction coming together in one object.

The Guerrilla Girls have been keeping it real (in fake fur) for three decades.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownsenIn the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

A few years ago my doctor in London told me I was suffering from furring of my arteries due to my so - called «excessive» lifestyle, and that if I didn't change my diet and start doing some exercise, I stood a very real chance of serious coronary problems in the not too distant future.

In SATC, Kim's character Samantha loves her furs — but in real life the actress is suprisingly against iIn SATC, Kim's character Samantha loves her furs — but in real life the actress is suprisingly against iin real life the actress is suprisingly against it.

Full discloure: the green and white stockings aren't actually green and off - white in real life (they're red and off - white), but I forgot the cable knit and fur stockings I was going to let her borrow, so I made them match the rest of the display using Photoshop - ha!

I found a little bit of faux fur, some faux foliage, and a few faux pumpkins to mix in with the real ones... Oh, and some pine - cones too!

Standing 1.8 metres tall and boasting 96 white LED lights, this tree may be small compared to a real full - bodied fur, but it makes up for it in elegance!

Every once in awhile, a room comes along that's a real jaw - dropper, and this luxe bedroom certainly meets the qualifications with the tufted bed, super-soft fur throw, and Dorthy Draper nightstands.