Sentences with phrase «in rich impasto»

His former technique of staining and saturating wet canvases was replaced by a method in which multiple layers of thick acrylic paint and gels are scumbled, spattered, and built up on the canvas in a rich impasto.

Not exact matches

In these works, a luminous red and blue oval emerges from a rich impasto of ochre and gold oil paint.

He next confined himself to the color red, and produced his first masterpieces: works in which a rich impasto of collage is not just the medium but the actual subject.

In her lavish and painterly works Homer strews fields of flowers across surfaces rich with incident and creamy impasto.

In 1949 art critic Denys Sutton had identified the «challenge of American art», but added that «European and American painting must be studied together», citing in the same pages the «rich impasto» of Nicholas [sic] de Staël and the «dramatic design of Hans Hartung's pungent shapes, rhythms and exploration of the unconscious»In 1949 art critic Denys Sutton had identified the «challenge of American art», but added that «European and American painting must be studied together», citing in the same pages the «rich impasto» of Nicholas [sic] de Staël and the «dramatic design of Hans Hartung's pungent shapes, rhythms and exploration of the unconscious»in the same pages the «rich impasto» of Nicholas [sic] de Staël and the «dramatic design of Hans Hartung's pungent shapes, rhythms and exploration of the unconscious».

P07572 COLLAGED CLOTH 1976 Inscribed «Tàpies» bottom right and «25/50» Etching with collage, printed by J. Barbarà, Barcelona, published by Maeght Gallery, Barcelona, 24 7/8 × 35 3/4 (63.3 × 90.8) Purchased from Maeght Editeur (Grant - in - Aid) 1981 Lit: op.cit., no. 600 In his prints, Tàpies translates the rich surface of collage, impasto and violent or graffiti - like marks of his paintings into graphic termin - Aid) 1981 Lit: op.cit., no. 600 In his prints, Tàpies translates the rich surface of collage, impasto and violent or graffiti - like marks of his paintings into graphic termIn his prints, Tàpies translates the rich surface of collage, impasto and violent or graffiti - like marks of his paintings into graphic terms.

P07570 THE SIEVE 1972 Inscribed «Tàpies» bottom right and «27/75» Etching with embossing, printed and published by Maeght Editeur, Paris, 25 3/4 × 35 1/8 (65.3 × 89.3) Purchased from Maeght Editeur (Grant - in - Aid) 1981 Lit: Mariuccia Galfetti and Gustavo Gili, Tàpies: Obra Grafica 1947 — 72, Barcelona, 1973, no. 275 In his prints, Tàpies translates the rich surface of collage, impasto and violent or graffiti - like marks of his paintings into graphic termin - Aid) 1981 Lit: Mariuccia Galfetti and Gustavo Gili, Tàpies: Obra Grafica 1947 — 72, Barcelona, 1973, no. 275 In his prints, Tàpies translates the rich surface of collage, impasto and violent or graffiti - like marks of his paintings into graphic termIn his prints, Tàpies translates the rich surface of collage, impasto and violent or graffiti - like marks of his paintings into graphic terms.

Built up into a thick impasto of rich colors, Pollock's brushwork is typical of Abstract Expressionist gestural painting, in which visible brushstrokes are seen as physical traces of the creative act.