Sentences with phrase «in scatology»

Beautiful star Shoshana Bush shows an eagerness to engage in scatology that recalls Anna Faris, the Wayans» most recent discovery.

Not exact matches

-- To be continued in the program notes for other deep and radically contemporary plays, such as Biblical Scatology and Old Rented Mistresses, etc..)
In the total historical context, however, Luther's scatology - permeated language has to be taken seriously as an expression of the painful battle fought body and soul against the Adversary, who threatens both flesh and spirit.
They worked with Carrey in «Dumb and Dumber,» which has some very big laughs in it, but this time their formula of scatology, sexuality, political incorrectness and cheerful obscenity seems written by the numbers.
So, what we have here is more than the genre's trademark indulgence in misogyny and scatology.
Worse, nobody involved seems to trust the material, so each potentially witty or endearing moment gets drowned in a sea of lazy scatology (possible nadir: Marano appears to have pooped her pants) and quirky digressions.
As it stands, the picture is a sterling refutation of the idea that scatology and idiocy are a pre-requisite in children's entertainment — a reminder that the films we make for kids should be superior in a lot of ways to the garbage we churn out for adults.
«The Sweetest Thing» shows some charm initially, but the minute Christina and her pal Courtney (Applegate) hit the road in pursuit of Peter, director Roger («Cruel Intentions») Kumble's movie abandons all sense for scatology, maggots and strained, amateurishly executed slapstick about urinals and oral sex.
Not that there's anything wrong with cheap scatology, mind, only that it seems played - out, and so it's something of a revelation to find that franchise's own secret weapon, Seann William «Stifler» Scott (who, let's face it, is impossible not to like ever since he was brought to orgasm through manual stimulation of his prostate in that franchise), so quiet and unassuming in the title role as dim, sweet Doug Glatt.
Get Smart plays a great deal like the best parts of Farrelly Brothers comedies: largely free of their scatology, it finds its footing in strong characterizations and action scenes that work because the picture surprises by making you care.
In the eighties and nineties, these things were excellent analogs for the intersection of abstraction, scatology, commodity art, and the rise and fall of the art market.
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