Sentences with phrase «in several international exhibitions»

He has participated in several international exhibitions, such as the Ivorian Pavilion at La Biennale di Venezia (2013, 2015 and 2017); Masters of Sculpture from the Ivory Coast, Musée du Quai Branly, Paris (2015); The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artist (2014 — 15: Frankfurt, Savannah and Washington, DC); dOCUMENTA (13), Kassel (2012) and Dak» Art — Biennale de l'Art Africain Contemporain, Dakar (2008), for which he was awarded the Francophone Prize.

The sculptures and scores by Galindo have been shown in several international exhibitions, among them documenta14 (2017), Pacific Standard Time (2017) e CTM Festival (2017).

His work has been exhibited in several international exhibitions, including the Venice Biennial (1988 where he represented Uruguay with a one - person show), the Whitney Biennial (2000), and Documenta XI (2002).

«Matt Mullican is one of the most challenging american artist of the 80ies and was represented in several international exhibitions in the last 30 years.

During his life Hajas took part in several international exhibitions which included the 3rd Biennale of Sydney in 1979.

He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.

Not exact matches

Several major German brands will be represented at the International PackTech India and FoodPex India, held at the Bombay Convention & Exhibition Centre in Mumbai from 15 to 17 December 2016.

From LearningLovers.org we have witnessed the Education Week 2016 hold in Ifema (Madrid, Spain), an annual competition that includes several initiatives focused on knowledge: Aula (International Student Hall) Postgraduate Forum, Interdidac (International Exhibition of educational materials) and Resources for education, ExpoRRHH and Expoelearning, the last one organized by AEFOL.

Rockford Fosgate will introduce several new products in its line of marine grade audio equipment at the 21st Annual International Boatbuilders» Exhibition and Conference (IBEX) show at the Kentucky Exposition Center in Louisville, Ky..

Since then the interest in af Klint's art has continuously grown and her works have been shown at several international exhibitions.

She has received several international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia Society Museum.

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Vancouver Contemporary Art Gallery, Canada; Sympathy for the Devil, Museum of Contemporary Art, Chicago, IL (2007); Istanbul Biennial, Istanbul, Turkey (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain (2004); Fast Forward.

Enwezor has served as the artistic director of several leading biennials and international exhibitions, including documenta 11, 7th Gwangju Biennale, South Korea, and in December 2013 he was appointed as director of the Visual Arts Sector of the 56th Biennale di Venezia.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

Naturally, the international exposure of his work, widely exhibited in galleries and institutions such as Galerie Jeanroch Dard (Paris / Brussels), Rod Barton Gallery (London), Berthold Pott (Cologne) and in collective exhibitions at the Musée Musée Départemental du Sel (Marsal), Centre Georges Pompidou (Paris), BWA (Wroclaw) and Autocenter (Berlin) is considered, but also his role as a curator in several projects.

In 2012, Ji had a solo exhibition at the Ullens Center for Contemporary Art in Beijing and he has participated in several international biennales, including Sydney (2014) and Lyon (2011) as well as the Whitney Biennial in New YorIn 2012, Ji had a solo exhibition at the Ullens Center for Contemporary Art in Beijing and he has participated in several international biennales, including Sydney (2014) and Lyon (2011) as well as the Whitney Biennial in New Yorin Beijing and he has participated in several international biennales, including Sydney (2014) and Lyon (2011) as well as the Whitney Biennial in New Yorin several international biennales, including Sydney (2014) and Lyon (2011) as well as the Whitney Biennial in New Yorin New York.

He has participated in several international group exhibitions including 10 Mexican Photographers: A Select End - of - the - Century Generation (Lehigh University Art Gallery, Pennsylvania), Never Odd or Even (Marres Center for Contemporary Art, Revolver Archive F, Aktuell Kunst, Germany), Master Humprey's Clock (Stanley Brouwn pavilion, de Appel Arts Centre, Amsterdam, Netherlands), Das phantastische Geheimnis des exotishen Universums (Galerie Ostermeier, Berlin), and Third Guangzhou Triennial in China.

Barclay represented Scotland at the 2003 Venice Biennale and her work has also been included in several other national and international exhibitions such as the British Art Show, Canberra Contemporary Art Space, Australia and Kettle's Yard, Cambridge.

Several contemporary approaches by young international artists dealing with the spatial development of sculptures are taken up in the exhibition.

TPG artists gained notoriety with their participation in several landmark exhibitions, including the Golden Gate International Exposition in San Francisco (1939), the New York World's Fair (1939), and a 1940 group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.

Mellors has been featured in several important group exhibitions including: Taipei Biennal 2014, Taiwan; British Art Show 7: In The Days of the Comet (2011); La Biennale di Venezia - 54th International Art Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, Londoin several important group exhibitions including: Taipei Biennal 2014, Taiwan; British Art Show 7: In The Days of the Comet (2011); La Biennale di Venezia - 54th International Art Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, LondoIn The Days of the Comet (2011); La Biennale di Venezia - 54th International Art Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, London.

He has participated in several international group exhibitions including Video Zone at the Herzliya Museum of Contemporary Art, Israel (2004), Tokyo Wonder Site, Tokyo (2005), and the 9th Istanbul Biennial (2005).

Taaffe has been participating in international exhibitions for several decades, including the Carnegie International, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dinternational exhibitions for several decades, including the Carnegie International, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dubexhibitions for several decades, including the Carnegie International, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, DInternational, Pittsburgh (1991), the Biennale of Sydney, Australia (1996), and the Biennial Exhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, DubExhibitions, Whitney Museum of American Art, New York (1987, 1995, 1991), with individual survey exhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dubexhibitions at IVAM, Valencia (2000), Galleria d'Arte Moderna, San Marino (2004), the Kunstmuseum Wolfsburg (2008), and the Irish Museum of Modern Art, Dublin (2011).

This show at Tomio Koyama Gallery is his sixth solo exhibition, and his major group exhibitions include «VOCA 2008» (2008, The Ueno Royal Museum, Tokyo), «Winter Garden: The Exploration of the Micropop Imagination in Contemporary Japanese Art» (2009, Hara Museum of Contemporary Art, Tokyo, traveled to several international museums), «Twist and Shout: Contemporary Art from Japan» (2009, Bangkok Art and Culture Centre), and «Nostalgia and Fantasy: Imagination and Its Origins in Contemporary Art» (2014, National Museum of Art, Osaka).

Over the years, La Salle de Bains has produced up to seven exhibitions a year, working with a wide range of international artists, from established names like Thomas Hirschhorn, Jonathan Monk and Nathaniel Mellors, to younger artists such as Magali Reus and Anthea Hamilton, resulting on several occasions in acquisitions by major public collections.

Curiously, though her work has been included in numerous major international group exhibitions and has been the focus of several solo exhibitions, she still manages to slip into obscurity in some countries.

Wim Botha participated in several international groupshows, e.g. at Museum für Moderne Kunst, Frankfurt / M (2014 - 15), at Museum Biedermann, Donaueschingen (2014), at the Venice Biennial (2013) and the Göteborg Biennial (2011), at the Olbricht Collection c / o La Maison Rouge, Paris / F (2011), at the 11th Fellbach Triennial of Small - Scale Sculpture (2010) and 7th Dakar Biennial (2006) as well as at the touring exhibition «Africa Remix «(2004 - 07) and many others.

With them, Jonson participated in several landmark exhibitions including the 1939 Golden Gate International Exposition in San Francisco, the 1939 New York World's Fair, and a 1940 group exhibition at the Museum of Non-Objective Painting (now the Solomon R. Guggenheim Museum) in New York City.

Born in the Belgian Congo, Kingelez gained international renown following his participation in the landmark 1989 exhibition Magiciens de la Terre at Centre Georges Pompidou and the Grande Halle of the Parc de la Villette, and since that time, his work has been included in numerous global surveys and in several solo presentations.

She is a recipient of the Paula Rhodes Memorial Award and has participated in several international group exhibitions including «239 Days» at Allegra LaViola Gallery in NY, «Octet» at the Pera Museum in Istanbul, and «Dürer war auch hier» at the PAN Kunstform in Emmerich, Germany during her residency there in 2008.

While the group organized several shows in their own gallery space in the mid-1960s, they also had exhibitions at New York's International Center for Photography and the Studio Museum in Harlem.

Following his historic exhibition at Artists Space in 1979, Steinbach has had several international solo exhibitions at institutions such as Witte de With, Centre for Contemporary Art, Rotterdam; Solomon R. Guggenheim Museum, New York; Castello di Rivoli, Turin; Museum Moderner Kunst Stiftung Ludwig, Vienna; CAPC musée d'art contemporain, Bordeaux and Haus der Kunst, Munich.

Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).

His works are exposed in several projects and exhibitions both on national and international ground.

Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).

She has had several solo and group exhibitions regionally in the past ten years as well as a few international exhibitions, and has won several awards for her work.

Beveridge has also participated in several group exhibitions at Off Vendome (New York), Spinello Projects (Miami), Galerist (Istanbul), Glasgow International (Glasgow), Hayward Gallery (London) and at the Arnhem Museum of Modern Art (Arnhem).

The gallery will be inaugurated with a series of four separate exhibitions in the ground and first - floor galleries: Since its foundation in 1983, Galerie Thaddaeus Ropac has specialised in international contemporary art representing around 60 artists as well as several renowned estates.

Scheduled to have a solo exhibition with Solomon in 2015, Smith will also included in several major international art fairs in the near future.

This book catalogues several exhibitions that focused on contemporary video works made by both Israeli and international artists, with a focus on linking work made in the 1990s to work made in the 1970s via the common thread of the body as a central element.

He has exhibited in Documenta IX, The Corcoran Biennial, The Whitney, PS 1, New Museum, several large European Museums, and over 50 solo and hundreds of national and international group exhibitions.

Several international museums have marked this occasion with exhibi - tions on the idealist, utopian, and radical art that proliferated in the 1910s and 20s, before the Marxist experiment went awry and Stalin clamped down on free expression.1 The Art Institute of Chicago's Fall 2017 exhibition, entitled Revoliutsiia!

He exhibited his work at the documenta 5, 6, and 7 exhibitions in Kassel, and had several international retrospectives.

His works are also shown in several important international exhibitions such as Lyon Biennale, Sydney Biennale, Gwangju Biennale and Shanghai Biennale.

Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.

Her curatorial activities include several international exhibitions in art institutions in Luxembourg, Linz, AT, Belgrade, RS, Paris, Berlin, New York, Beijing, and other cities.

The artist has completed several international exhibitions, including recent shows at Felix Ringel Galerie in Dusseldorf, Kunstmuseum zur alten Post, and Galerie Romerapotheke in Zurich.

Judd's art criticism was published in Artnews, Arts Magazine and Art International between 1959 and 1965; during those early years Judd had several exhibitions at the Green Gallery in New York.

In addition to numerous exhibitions, he has completed several public art commissions including permanent installations at the Hartsfield - Jackson Atlanta and Jacksonville International Airports and a series of outdoor sculptures at a fire station.

Both exhibit regularly in galleries, juried exhibitions, invitationals and museums, and have been fellowship recipients at several international artist residencies.