Sentences with phrase «in several other artists»

Not exact matches

I have had this experience three times now, on three different occasions, in admittedly similar circumstances, but not similar enough to explain the coincidence: I am speaking from a podium to a fairly large audience on the topics of — to put it broadly — evil, suffering, and God; I have been talking for several minutes about Ivan Karamazov, and about things I have written on Dostoevsky, to what seems general approbation; then, for some reason or other, I happen to remark that, considered purely as an artist, Dostoevsky is immeasurably inferior to Tolstoy; at this, a single pained gasp of incredulity breaks out somewhat to the right of the podium, and I turn my head to see a woman with long brown hair, somewhere in her middle thirties, seated in the third or fourth row, shaking her head in wide - eyed astonishment at my loutish stupidity.
Workman wrote, directed and produced SUPERSTAR, a theatrical documentary on artist Andy Warhol which appeared at the Berlin Festival, London Film Festival, and several other festivals, and is in current video release.
The series was a collaborative effort featuring several artists, and focused on jokes based on scenarios or other features in various Mario games.
The grace of the breed has prompted several artists to include the dogs in paintings, among others Velázquez, Pisanello, and Giotto.
In Marbella, the Black Box Theatre offers plays in Spanish and English; the unusual Bonsai Museum features one of Europe's most important collections of Bonsai Trees; and the Museum of Spanish Contemporary Engravings exhibits works by Picasso, Miró, Tapies, Chillida and several other important Spanish artistIn Marbella, the Black Box Theatre offers plays in Spanish and English; the unusual Bonsai Museum features one of Europe's most important collections of Bonsai Trees; and the Museum of Spanish Contemporary Engravings exhibits works by Picasso, Miró, Tapies, Chillida and several other important Spanish artistin Spanish and English; the unusual Bonsai Museum features one of Europe's most important collections of Bonsai Trees; and the Museum of Spanish Contemporary Engravings exhibits works by Picasso, Miró, Tapies, Chillida and several other important Spanish artists.
Several other artists have enlisted to join on when we need them further in development, so scaling art content with our needs shouldn't be a huge challenge.
In several paintings, scissors or other pointed objects suggest danger or menace as well as the activities of an artist's studio.
The rankings of several of Perl's other artist / subjects — most notably Jean Hélion, who Perl feels is «one of the great artists of our time» — haven't risen in the same fashion.
Galerie Protégé in New York City's Chelsea neighborhood is currently presenting Natural Selection, a group show featuring work by 15 artists who present several paintings, collages, and other mixed media -LSB-...]
Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.
As critical responses to the exhibition emphasized, New York has long been an important source of inspiration and material for the artist, who first came to the city in 1960; the exhibition included the work I Love New York, Crazy City (1995 — 1996), a three - volume scrapbook of architectural photographs, maps, hotel bills, receipts, flyers, and other souvenirs that Genzken began composing during a stay of several months.
Several other artists associated with the gallery have had museum retrospectives: R.B.Kitaj at the Tate Gallery in 1994 - 95, also seen in New York and Los Angeles, and in 2012 at the Jewish Museum in Berlin in September, which travelled Pallant House, Chichester and the Jewish Museum, London; Frank Auerbach at the Royal Academy in 2001 and the Kunstmuseum Bonn 2015 which travelled to Tate Britain in 2016; John Davies in Bilbao and Valencia in 2005; Paula Rego joined the gallery in 1989 and has had retrospectives at Abbot Hall, Kendal and the Yale Centre for British Art in 2001, Oporto in 2004 - 05, Reina Sofia, Madrid and Washington DC in 2007 - 08, and Monterrey, Mexico and São Paulo, Brazil in 2010 - 11.
While his imagery has changed several times over the years, the artist characterized himself as being «from the beginning, a minimalist abstract artist, a geometric abstractionist, with no recognizable shapes in my work» — other than circles, which have always captivated his imagination as «the perfect shape.»
More importantly — and more in Mr. Kim's» case than with many other artists overtly wrestling with multiple traditions — Mr. Kim's success lies in his assimilation of both eastern and western traditions, his acknowledgement of being influenced by and unavoidably immersed in several cultures, and his ability to forge his experience into successful paintings which are singularly his own.
In this week's roundup Beryl Korot prints and weaves video, Jenny Holzer is honored, artists explore being American, several others celebrate creating art in Los Angeles, and morIn this week's roundup Beryl Korot prints and weaves video, Jenny Holzer is honored, artists explore being American, several others celebrate creating art in Los Angeles, and morin Los Angeles, and more.
The message of this installation hit a raw nerve in the artist's country; it launched an eponymous movement in Brazilian culture, beginning with the release by the musician Caetano Veloso of a song entitled Tropicália, followed by an album of the same name, which featured a collaboration with several other Brazilian musicians.
The piece, which aims to compare Christianity with other world traditions, includes artifacts used in several non-Western religious traditions and video of the artist's spiritual music group, the Black Monks of Mississippi.
In addition to paintings by several Gutai members, including Yoshihara, Atsuko Tanaka, Shozo Shimamoto, Sadamasa Motonaga, Kazuo Shiraga and Akira Kanayama, the exhibition includes examples of the Gutai journal and other publications; documentation of the 1958 Gutai exhibition at the Martha Jackson Gallery in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai exhibitions and performances in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 196In addition to paintings by several Gutai members, including Yoshihara, Atsuko Tanaka, Shozo Shimamoto, Sadamasa Motonaga, Kazuo Shiraga and Akira Kanayama, the exhibition includes examples of the Gutai journal and other publications; documentation of the 1958 Gutai exhibition at the Martha Jackson Gallery in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai exhibitions and performances in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 196in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai exhibitions and performances in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 196in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 196in 1964.
Some of those prominent «uptown» galleries included: the Charles Egan Gallery, [30] the Sidney Janis Gallery, [31] the Betty Parsons Gallery, [32] the Kootz Gallery, [33] the Tibor de Nagy Gallery, the Stable Gallery, the Leo Castelli Gallery as well as others; and several downtown galleries known at the time as the Tenth Street galleries exhibited many emerging younger artists working in the abstract expressionist vein.
You can join the NMWA and several other institutions in the conversation by sharing stories of women artists using the hashtag # 5womenartists on Twitter and Instagram.
Calculated to stand out from the several dozen white male artists at the Biennial (and in every other high - profile show and job applicant pool), Scanlan uses «Woolford» to usurp the visibility accrued to minority artists in the contemporary art spotlight by the fact of their relative absence.
Australian collector David Walsh commissioned the sale of Ofili's «The Holy Virgin Mary» along with several other works by various artists (including «The Naked Soul of Captain Shit and the Legend of the Black Stars,» another dung painting by Ofili) in order to raise funds for new acquisitions and the expansion of his Museum of Old and New Art.
In abstract painting during the 1950s and 1960s several new directions like hard - edge painting and other forms of geometric abstraction began to appear in artist studios and in radical avant - garde circles as a reaction against the subjectivism of abstract expressionisIn abstract painting during the 1950s and 1960s several new directions like hard - edge painting and other forms of geometric abstraction began to appear in artist studios and in radical avant - garde circles as a reaction against the subjectivism of abstract expressionisin artist studios and in radical avant - garde circles as a reaction against the subjectivism of abstract expressionisin radical avant - garde circles as a reaction against the subjectivism of abstract expressionism.
It is designed and developed in close collaboration, and over several years, by major European art institutions: Astrup Fearnley Museet in Oslo, Beyeler Foundation in Basel, LVHMs Foundation for Contemporary Art in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the world.
Teixeira is represented in several art collections, and he has been the recipient of a Fulbright Grant, Samuel Booth Award, D'Arcy Hayman Award, Gulbenkian Foundation / FLAD Grant, Fuso Video Festival Jury Prize, and the 2005 EDP New Artists Prize nomination, among others.
While several of the works on view depict critical moments in an artist's career, others seem less representative, and one wonders how the curators made their selections.
Several mixed - media works by Brazilian artist Leda Catunda, a sculpture by Colombian artist Mateo López, and a series of photographs and related paintings by Mexican artist Pia Camil, among others, will now be part of one of the most comprehensive collections of Latin American art in the United States.
In addition, the exhibition features representative works from several of the artist's other series, including bodies of work created in large part through acts of destructioIn addition, the exhibition features representative works from several of the artist's other series, including bodies of work created in large part through acts of destructioin large part through acts of destruction.
The idea for this exhibition sprang from Donald Judd's great interest in Dürer (Judd owned several woodcuts and etchings) and the wish to see the stark images of two such different artists, who lived five centuries apart, while simultaneously considering the motivation for one's interest in the other.
Being a Viridian affiliate gives you the opportunity: • To show several pieces in a group show with 5 - 7 other Affiliates, akin to a mini-solo for each artist • To show one piece in the annual holiday group show • To post 10 work samples and a brief bio on the Viridian website • To have 10 pages of printed material in a binder in the gallery • To say you are a Viridian Artists Affiliate • $ 1,250 annually
«Vertical Elevated Oblique» included C - stands used as workhorses for lighting, fabric, showcards and other apparatus in the film industry (Syms grew up in Los Angeles around this business and remains based in the city) strung with found photographs in which several hands were pictured forming the kind of gestures seen in her video, while items of the artist's clothing printed with phrases were also slung over these tubular frames, suggesting an absent body.
«The Infinity Mirror Rooms are key to understanding her practice, and as such we are delighted to welcome it to Dallas, joining several other major works by the artist in our community.»
Run in collaboration with several other artists, the place drew in people of all kinds for inexpensive, informal, creative meals.
In 1946, Margo was a visiting artist at American University in Washington, DC; he spent two years as a visiting professor at the School of the Art Institute of Chicago (1957 - 1959); and he was invited to be a visiting artist and / or professor at several other prestigious institutionIn 1946, Margo was a visiting artist at American University in Washington, DC; he spent two years as a visiting professor at the School of the Art Institute of Chicago (1957 - 1959); and he was invited to be a visiting artist and / or professor at several other prestigious institutionin Washington, DC; he spent two years as a visiting professor at the School of the Art Institute of Chicago (1957 - 1959); and he was invited to be a visiting artist and / or professor at several other prestigious institutions.
She was as much a muse to herself as she was to others, including New York - based artist Mickalene Thomas, who includes Kitt alongside several other black women in her show
He has also received grants from the Lila Wallace Fund; the Asian Cultural Council; the Massachusetts Cultural Council; the Berkshire Taconic Foundation's Artist Resource Trust; the LEF Foundation; and several other awards which assist artists in mid-career.
Also in the Block's collection are several hundred prints and drawings by Chicago artists such as Roger Brown, Leon Golub, Audrey Niffenegger, Ed Paschke, Hollis Sigler, Karl Wirsum, H. C. Westermann and others.
Her home is adorned by some potted plants, an oval mirror that appears in several paintings, a group of small works by other artists, sculptural objects by her former husband Bill King, and simple but handsome wood and caned furniture.
Several works here are by artists included in the historic Ninth Street Exhibition of 1951, mounted by Vicente and other Club members in a building that was slated for demolition — a kind of proto - alternative space that shifted attention away from the commercial galleries of 57th Street to the downtown artists» scene.
A photograph, «Hope,» by Alexandria resident Pete McCutchen won Best in Show, and several other artists received Honorable Mention, including Amanda Marie Harner, Pattee Hipschen, Thomas Roberts, Phyllis Rowe, Wilford Scott, and Christy West.
Several pieces by the artist Trixia Lara combine the mournful and celebratory tones of other works in the exhibition with a marked defiance in the face of the reality of gendered violence.
In the exhibition catalogue were «Several Quotations for Donald Judd...» which included statements by the artists Juan Gris and Dan Flavin, among others.
For the first time in its history, DAS 2018 created new connections between South, South East Asia, and the Indian Ocean belt, exhibiting artists from Thailand, Malaysia, Madagascar, the Philippines, and several other countries.
Like previous editions, Traces VI is held at the Jerusalem Artists» House and several other venues in the city center (Ticho House, The Jerusalem Print Workshop, Agripas 12 Gallery, and Barbur Gallery), which together unfold the state of drawing in Israel and various aspects associated with it.
In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporatIn 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporatIn a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporatin a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.
In the years 1977 to 1979 Noffke, working with the University of Georgia and several other artists, put together three annual «National Ring Shows» featuring the younger generation of metalsmiths.
Vicente walked in the circle of all of these artists, which included Hans Hoffman, Willem de Kooning, Robert Motherwell, Mark Rothko, and several others.
There are other pieces to discover throughout every corner and angle of the gallery: Maurizio Cattelan's pigeons perched in the beams, Lawrence Weiner's text gleaming in matte silver under the roofline (another piece made especially for this show), Jim Hodges» silver spider - web under the angle of the staircase, and other surprises by Olafur Eliasson, Andrea Zittel, Karin Sander, Tom Friedman and several younger or lesser known artists.
We maintain engagements with several partners, and by introducing our artists to these, make it possible for participants to cooperate with and exhibit in other venues.
Beginning in the 1950s and 1960s, several Abstract Expressionist / color field artists (notably: Barnett Newman, Mark Rothko, Robert Motherwell, Adolph Gottlieb, Theodoros Stamos, Sam Francis, Ludwig Sander, Clyfford Still, Jules Olitski, and others) explored motifs that seemed to imply monochrome, employing broad, flat fields of colour in large scale pictures which proved highly influential to newer styles, such as Post-Painterly Abstraction, Lyrical Abstraction, and Minimalism.
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