Not exact matches
I have had this experience three times now, on three different occasions,
in admittedly similar circumstances, but not similar enough to explain the coincidence: I am speaking from a podium to a fairly large audience on the topics of — to put it broadly — evil, suffering, and God; I have been talking for
several minutes about Ivan Karamazov, and about things I have written on Dostoevsky, to what seems general approbation; then, for some reason or
other, I happen to remark that, considered purely as an
artist, Dostoevsky is immeasurably inferior to Tolstoy; at this, a single pained gasp of incredulity breaks out somewhat to the right of the podium, and I turn my head to see a woman with long brown hair, somewhere
in her middle thirties, seated
in the third or fourth row, shaking her head
in wide - eyed astonishment at my loutish stupidity.
Workman wrote, directed and produced SUPERSTAR, a theatrical documentary on
artist Andy Warhol which appeared at the Berlin Festival, London Film Festival, and
several other festivals, and is
in current video release.
The series was a collaborative effort featuring
several artists, and focused on jokes based on scenarios or
other features
in various Mario games.
The grace of the breed has prompted
several artists to include the dogs
in paintings, among
others Velázquez, Pisanello, and Giotto.
In Marbella, the Black Box Theatre offers plays in Spanish and English; the unusual Bonsai Museum features one of Europe's most important collections of Bonsai Trees; and the Museum of Spanish Contemporary Engravings exhibits works by Picasso, Miró, Tapies, Chillida and several other important Spanish artist
In Marbella, the Black Box Theatre offers plays
in Spanish and English; the unusual Bonsai Museum features one of Europe's most important collections of Bonsai Trees; and the Museum of Spanish Contemporary Engravings exhibits works by Picasso, Miró, Tapies, Chillida and several other important Spanish artist
in Spanish and English; the unusual Bonsai Museum features one of Europe's most important collections of Bonsai Trees; and the Museum of Spanish Contemporary Engravings exhibits works by Picasso, Miró, Tapies, Chillida and
several other important Spanish
artists.
Several other artists have enlisted to join on when we need them further
in development, so scaling art content with our needs shouldn't be a huge challenge.
In several paintings, scissors or
other pointed objects suggest danger or menace as well as the activities of an
artist's studio.
The rankings of
several of Perl's
other artist / subjects — most notably Jean Hélion, who Perl feels is «one of the great
artists of our time» — haven't risen
in the same fashion.
Galerie Protégé
in New York City's Chelsea neighborhood is currently presenting Natural Selection, a group show featuring work by 15
artists who present
several paintings, collages, and
other mixed media -LSB-...]
Although
several sculptures employ crackle glaze and
other nods to traditional pottery, the works
in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the
artist's specifications and applied with an airbrush.
As critical responses to the exhibition emphasized, New York has long been an important source of inspiration and material for the
artist, who first came to the city
in 1960; the exhibition included the work I Love New York, Crazy City (1995 — 1996), a three - volume scrapbook of architectural photographs, maps, hotel bills, receipts, flyers, and
other souvenirs that Genzken began composing during a stay of
several months.
Several other artists associated with the gallery have had museum retrospectives: R.B.Kitaj at the Tate Gallery
in 1994 - 95, also seen
in New York and Los Angeles, and
in 2012 at the Jewish Museum
in Berlin
in September, which travelled Pallant House, Chichester and the Jewish Museum, London; Frank Auerbach at the Royal Academy
in 2001 and the Kunstmuseum Bonn 2015 which travelled to Tate Britain
in 2016; John Davies
in Bilbao and Valencia
in 2005; Paula Rego joined the gallery
in 1989 and has had retrospectives at Abbot Hall, Kendal and the Yale Centre for British Art
in 2001, Oporto
in 2004 - 05, Reina Sofia, Madrid and Washington DC
in 2007 - 08, and Monterrey, Mexico and São Paulo, Brazil
in 2010 - 11.
While his imagery has changed
several times over the years, the
artist characterized himself as being «from the beginning, a minimalist abstract
artist, a geometric abstractionist, with no recognizable shapes
in my work» —
other than circles, which have always captivated his imagination as «the perfect shape.»
More importantly — and more
in Mr. Kim's» case than with many
other artists overtly wrestling with multiple traditions — Mr. Kim's success lies
in his assimilation of both eastern and western traditions, his acknowledgement of being influenced by and unavoidably immersed
in several cultures, and his ability to forge his experience into successful paintings which are singularly his own.
In this week's roundup Beryl Korot prints and weaves video, Jenny Holzer is honored, artists explore being American, several others celebrate creating art in Los Angeles, and mor
In this week's roundup Beryl Korot prints and weaves video, Jenny Holzer is honored,
artists explore being American,
several others celebrate creating art
in Los Angeles, and mor
in Los Angeles, and more.
The message of this installation hit a raw nerve
in the
artist's country; it launched an eponymous movement
in Brazilian culture, beginning with the release by the musician Caetano Veloso of a song entitled Tropicália, followed by an album of the same name, which featured a collaboration with
several other Brazilian musicians.
The piece, which aims to compare Christianity with
other world traditions, includes artifacts used
in several non-Western religious traditions and video of the
artist's spiritual music group, the Black Monks of Mississippi.
In addition to paintings by several Gutai members, including Yoshihara, Atsuko Tanaka, Shozo Shimamoto, Sadamasa Motonaga, Kazuo Shiraga and Akira Kanayama, the exhibition includes examples of the Gutai journal and other publications; documentation of the 1958 Gutai exhibition at the Martha Jackson Gallery in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai exhibitions and performances in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 196
In addition to paintings by
several Gutai members, including Yoshihara, Atsuko Tanaka, Shozo Shimamoto, Sadamasa Motonaga, Kazuo Shiraga and Akira Kanayama, the exhibition includes examples of the Gutai journal and
other publications; documentation of the 1958 Gutai exhibition at the Martha Jackson Gallery
in New York, works by New York artists who related strongly to Gutai; rare videos of Gutai exhibitions and performances in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 196
in New York, works by New York
artists who related strongly to Gutai; rare videos of Gutai exhibitions and performances
in Japan; and photographs of American artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group in 196
in Japan; and photographs of American
artists — including Jenkins, Alice Baber, Robert Rauschenberg, Jasper Johns, and John Cage — visiting the Gutai group
in 196
in 1964.
Some of those prominent «uptown» galleries included: the Charles Egan Gallery, [30] the Sidney Janis Gallery, [31] the Betty Parsons Gallery, [32] the Kootz Gallery, [33] the Tibor de Nagy Gallery, the Stable Gallery, the Leo Castelli Gallery as well as
others; and
several downtown galleries known at the time as the Tenth Street galleries exhibited many emerging younger
artists working
in the abstract expressionist vein.
You can join the NMWA and
several other institutions
in the conversation by sharing stories of women
artists using the hashtag # 5womenartists on Twitter and Instagram.
Calculated to stand out from the
several dozen white male
artists at the Biennial (and
in every
other high - profile show and job applicant pool), Scanlan uses «Woolford» to usurp the visibility accrued to minority
artists in the contemporary art spotlight by the fact of their relative absence.
Australian collector David Walsh commissioned the sale of Ofili's «The Holy Virgin Mary» along with
several other works by various
artists (including «The Naked Soul of Captain Shit and the Legend of the Black Stars,» another dung painting by Ofili)
in order to raise funds for new acquisitions and the expansion of his Museum of Old and New Art.
In abstract painting during the 1950s and 1960s several new directions like hard - edge painting and other forms of geometric abstraction began to appear in artist studios and in radical avant - garde circles as a reaction against the subjectivism of abstract expressionis
In abstract painting during the 1950s and 1960s
several new directions like hard - edge painting and
other forms of geometric abstraction began to appear
in artist studios and in radical avant - garde circles as a reaction against the subjectivism of abstract expressionis
in artist studios and
in radical avant - garde circles as a reaction against the subjectivism of abstract expressionis
in radical avant - garde circles as a reaction against the subjectivism of abstract expressionism.
It is designed and developed
in close collaboration, and over
several years, by major European art institutions: Astrup Fearnley Museet
in Oslo, Beyeler Foundation
in Basel, LVHMs Foundation for Contemporary Art
in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result
in a major exhibition bringing together
artists from all over Europe, which will be presented from the year 2014
in the institutions that initiated it before travelling to
other museums
in Europe and the world.
Teixeira is represented
in several art collections, and he has been the recipient of a Fulbright Grant, Samuel Booth Award, D'Arcy Hayman Award, Gulbenkian Foundation / FLAD Grant, Fuso Video Festival Jury Prize, and the 2005 EDP New
Artists Prize nomination, among
others.
While
several of the works on view depict critical moments
in an
artist's career,
others seem less representative, and one wonders how the curators made their selections.
Several mixed - media works by Brazilian
artist Leda Catunda, a sculpture by Colombian
artist Mateo López, and a series of photographs and related paintings by Mexican
artist Pia Camil, among
others, will now be part of one of the most comprehensive collections of Latin American art
in the United States.
In addition, the exhibition features representative works from several of the artist's other series, including bodies of work created in large part through acts of destructio
In addition, the exhibition features representative works from
several of the
artist's
other series, including bodies of work created
in large part through acts of destructio
in large part through acts of destruction.
The idea for this exhibition sprang from Donald Judd's great interest
in Dürer (Judd owned
several woodcuts and etchings) and the wish to see the stark images of two such different
artists, who lived five centuries apart, while simultaneously considering the motivation for one's interest
in the
other.
Being a Viridian affiliate gives you the opportunity: • To show
several pieces
in a group show with 5 - 7
other Affiliates, akin to a mini-solo for each
artist • To show one piece
in the annual holiday group show • To post 10 work samples and a brief bio on the Viridian website • To have 10 pages of printed material
in a binder
in the gallery • To say you are a Viridian
Artists Affiliate • $ 1,250 annually
«Vertical Elevated Oblique» included C - stands used as workhorses for lighting, fabric, showcards and
other apparatus
in the film industry (Syms grew up
in Los Angeles around this business and remains based
in the city) strung with found photographs
in which
several hands were pictured forming the kind of gestures seen
in her video, while items of the
artist's clothing printed with phrases were also slung over these tubular frames, suggesting an absent body.
«The Infinity Mirror Rooms are key to understanding her practice, and as such we are delighted to welcome it to Dallas, joining
several other major works by the
artist in our community.»
Run
in collaboration with
several other artists, the place drew
in people of all kinds for inexpensive, informal, creative meals.
In 1946, Margo was a visiting artist at American University in Washington, DC; he spent two years as a visiting professor at the School of the Art Institute of Chicago (1957 - 1959); and he was invited to be a visiting artist and / or professor at several other prestigious institution
In 1946, Margo was a visiting
artist at American University
in Washington, DC; he spent two years as a visiting professor at the School of the Art Institute of Chicago (1957 - 1959); and he was invited to be a visiting artist and / or professor at several other prestigious institution
in Washington, DC; he spent two years as a visiting professor at the School of the Art Institute of Chicago (1957 - 1959); and he was invited to be a visiting
artist and / or professor at
several other prestigious institutions.
She was as much a muse to herself as she was to
others, including New York - based
artist Mickalene Thomas, who includes Kitt alongside
several other black women
in her show
He has also received grants from the Lila Wallace Fund; the Asian Cultural Council; the Massachusetts Cultural Council; the Berkshire Taconic Foundation's
Artist Resource Trust; the LEF Foundation; and
several other awards which assist
artists in mid-career.
Also
in the Block's collection are
several hundred prints and drawings by Chicago
artists such as Roger Brown, Leon Golub, Audrey Niffenegger, Ed Paschke, Hollis Sigler, Karl Wirsum, H. C. Westermann and
others.
Her home is adorned by some potted plants, an oval mirror that appears
in several paintings, a group of small works by
other artists, sculptural objects by her former husband Bill King, and simple but handsome wood and caned furniture.
Several works here are by
artists included
in the historic Ninth Street Exhibition of 1951, mounted by Vicente and
other Club members
in a building that was slated for demolition — a kind of proto - alternative space that shifted attention away from the commercial galleries of 57th Street to the downtown
artists» scene.
A photograph, «Hope,» by Alexandria resident Pete McCutchen won Best
in Show, and
several other artists received Honorable Mention, including Amanda Marie Harner, Pattee Hipschen, Thomas Roberts, Phyllis Rowe, Wilford Scott, and Christy West.
Several pieces by the
artist Trixia Lara combine the mournful and celebratory tones of
other works
in the exhibition with a marked defiance
in the face of the reality of gendered violence.
In the exhibition catalogue were «
Several Quotations for Donald Judd...» which included statements by the
artists Juan Gris and Dan Flavin, among
others.
For the first time
in its history, DAS 2018 created new connections between South, South East Asia, and the Indian Ocean belt, exhibiting
artists from Thailand, Malaysia, Madagascar, the Philippines, and
several other countries.
Like previous editions, Traces VI is held at the Jerusalem
Artists» House and
several other venues
in the city center (Ticho House, The Jerusalem Print Workshop, Agripas 12 Gallery, and Barbur Gallery), which together unfold the state of drawing
in Israel and various aspects associated with it.
In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporat
In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «
In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporat
In a 40 - minute black - and - white film Theda British
artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of
several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup:
in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporat
in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.
In the years 1977 to 1979 Noffke, working with the University of Georgia and
several other artists, put together three annual «National Ring Shows» featuring the younger generation of metalsmiths.
Vicente walked
in the circle of all of these
artists, which included Hans Hoffman, Willem de Kooning, Robert Motherwell, Mark Rothko, and
several others.
There are
other pieces to discover throughout every corner and angle of the gallery: Maurizio Cattelan's pigeons perched
in the beams, Lawrence Weiner's text gleaming
in matte silver under the roofline (another piece made especially for this show), Jim Hodges» silver spider - web under the angle of the staircase, and
other surprises by Olafur Eliasson, Andrea Zittel, Karin Sander, Tom Friedman and
several younger or lesser known
artists.
We maintain engagements with
several partners, and by introducing our
artists to these, make it possible for participants to cooperate with and exhibit
in other venues.
Beginning
in the 1950s and 1960s,
several Abstract Expressionist / color field
artists (notably: Barnett Newman, Mark Rothko, Robert Motherwell, Adolph Gottlieb, Theodoros Stamos, Sam Francis, Ludwig Sander, Clyfford Still, Jules Olitski, and
others) explored motifs that seemed to imply monochrome, employing broad, flat fields of colour
in large scale pictures which proved highly influential to newer styles, such as Post-Painterly Abstraction, Lyrical Abstraction, and Minimalism.