Sentences with phrase «in social gestures»

This is more of a conceptual question, but I was watching your Notes on Gesture video, and it occurred to me that you can see some of the same repetitions in publishing as you do in social gestures.

It helps in social gestures, equality in society, and so many things.

Not exact matches

Again, Zuckerberg has gestured to this idea, adopting «meaningful groups» as another of his new totem - phrases, and suggesting that the solution lies in Facebook's hosting a constellation of smaller overlapping social networks, each of which can set its own standards.

We call this social presence — you see their emotions, you see their gestures and it feels just like you're in the room with them.

Common folk need no worded gestures of inflammatory animalisms reciprocating within their only celestial Life for; they are happiest in the idle times just to be reflective upon their own self - worth issuances than to be sprawling within the social barrels opining disenchantments.

The script is inhaled along with eveiy utterance and every gesture, because the script - bestowing community is engaged in the social construction of a distinct reality.

Girls start using gestures sooner than boys, and engage in social games more readily.

He therefore implored other traditional rulers to emulate the good gestures of Oba Ogunwusi in rendering social services to the society.

In a facebook post the Former Gender, Children and Social Protection Minister, Nana Oye Lithur added that the gesture was to express unconditional love to mothers.

Corroborating similar gesture, the Governor of Osun, Ogbeni Rauf Aregbesola said it is time for all to pursue the clamour for regional integration so as to advance social - economic, political and education relationship for the comparative competitiveness in the southwest.

The NDC MP made the donation to the Mayor of Tamale, Musah Superior, who posted the news on his social media page facebook in appreciation of the gesture.

However in matchmaking interracial dating sites or singles website the current photo is a prerequisite because the ultimate dating motive through these sites are social and matrimonial; here gesture and look matters a lot.

In order to appreciate wine, it's essential to understand the characteristics different grapes offer and how those characteristics should be expressed in How to read body language signs and gestures - non-verbal communications - male and female, for work, social, dating, and mating relationshiIn order to appreciate wine, it's essential to understand the characteristics different grapes offer and how those characteristics should be expressed in How to read body language signs and gestures - non-verbal communications - male and female, for work, social, dating, and mating relationshiin How to read body language signs and gestures - non-verbal communications - male and female, for work, social, dating, and mating relationships

How to read body language signs and gestures - non-verbal communications - male and female, for work, social, dating, and mating relationships Look no further for the greatest adult dating experience in the UK.

As in 28 Days Later, which at least makes gestures toward social commentary, the zombies are fast and focused, barely pausing to savor «Brains!

There is no room for introspection or melancholy, only big gestures or poses in the story's comparatively calmer moments of interpersonal communication and grand social events with blizzards of colorful confetti and streamers, flappers dancing on any elevated platform they can find, and musicians spread about everywhere.

Ken Loach will insist on behaving as if there really is something urgently wrong, and that we shouldn't or needn't get used to food banks as a fact of life; he portrays it all as something which we might actually do something about in the real world, as opposed to invoking injustice as an aesthetic gesture, or a flavour - ingredient of modern social realist fiction.

Frequent moderate profanities are included along with a possible obscene finger gesture and some social drinking in a bar atmosphere.

At a time when social media and societal discord make it possible for even the smallest gestures to be magnified, politicized and criticized, may we all find a positive example in Cap's conciliatory words to Iron Man:

Those negative actions, which can include threats, physical attacks, words, gestures, or social exclusion, occur in a context always characterized by an imbalance in strength between the bully and the victim.

Research indicates that a gap in language, gesturing, and other developmental markers begins to open by age 2, Ferguson says — even though there are virtually no racial or social class differences in the mental abilities of infants before age 1.

In addition, she is studying signs and gesture behavior in correlation to early social behavior and emotional skillIn addition, she is studying signs and gesture behavior in correlation to early social behavior and emotional skillin correlation to early social behavior and emotional skills.

Think about the «poke» features, the «like» and other emotional gestures, the comments and the reactions available to us in various social media.

Land Rover brass might not have orchestrated the rain - drenched sludge (or the prior day's whiteout mountain pass snowstorm, for that matter), but they did have a hand in a Discovery towing a jackknifed 18 - wheeler back onto the road, a heroic gesture that just happened to be social media - friendly (#aboveandbeyond).

Readers will learn more fascinating facts about these social animals in this colorful, information - packed volume, which also explores how elephants connect with each other through touch, smell, and gesture.

Dr. Clive Wynne will be discussing all aspects of the research being carried at the Canine Science Collaboratory, including research in social reinforcement, odor discrimination in learning and the effects of odor on behavior, as well as gesture studies Canine cognition, domestic dogs and human gestures, domestic dogs, human speech and more.

Among these social behaviors are included gestures meant to demonstrate deference to other dogs or people perceived to be higher in status.

Personal Choice will therefore examine collecting on two levels: as a subjective phenomenon based on the connection between the owner and the artwork; and as a social gesture, where the personal commitment of building a private collection makes a significant contribution to public life now or in the future.

Paola Antonelli, the design curator of the MoMA, said that right now a lot of artists are getting inspiration from chefs or designers — they're fishing in different ponds, and that's because sometimes chefs love to think, they have culture, and they put together ideas that become social gestures, exactly like Ai Weiwei or Joseph Beuys.

Associating his influences with Social Realists «he fell in with» when he arrived in New York, Sims describes them as «a cohort of individuals who bridged the gap between abstraction and figuration... the use of energetic color and gesture, and a sensibility that would be described as gritty.»

However, Kara Walker successfully turns what could be a terribly misogynist faux pas into a potentially emancipatory gesture, concerning the legacy of female representation and its role in larger struggles to overcome gender, racial, and social inequalities.

The modest and democratic tenants of his early practice continue in his material choices, as well as the theory of collage as a basic gesture of insolence, a social strategy for discord and for metaphysical beauty.

In the New Yorker, Vinson Cunningham speaks to the artist Stanford Biggers, while on ArtNet, Tim Schneider looks at the arguments against the Met's decision to introduce a mandatory entrance fee and argues that we should «focus less on political gestures made inside galleries than on organizing for social causes outside of them».

While the artist gestures toward lingering social commentaries relating to what has been traditionally associated with women's work versus men's work, the exhibition becomes a site for contemplation about a post-human reality and the future of labor in the face of automation.

Their subject and method indicate an investment in meaning rather than creating artworks that mirror or approximate social gestures.

A wagging «no - no - no» finger, seen as often in social situations as it is in music videos, is accompanied in Notes on Gesture by the looped singsong vocal, «I don't lu, I don't lu, I don't lu», which finally breaks into the phrase «I don't love you,» before being replaced by a new cycle.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TSocial Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymaIn the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymain which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tsocial and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

«The formal triumph of gesture - field painting lay in its capacity to translate issues of broad social significance into problems internal to the act of painting.

For Price, as for an increasing number of architects today, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself.

West's insistence on identifying all contributing factors to her films in her titles means that her works become less about the heroism of individual gestures, more about the actions of social groupings.

Here, Hirsch gestures to the construction of persona via social media and even her own practice which has long involved semi-fictional narratives, and participation in reality shows.

Born and raised in Greensboro, North Carolina, painter Beverly McIver uses bold color and gesture to create portraits that examine racial, gender, social, and occupational identity.

The gesture, seen around the world and preserved in images that still resonate today, became a catalytic symbol for myriad beliefs, ideas and social causes.

Marina Abramović and Ulay's Breathing In / Breathing Out, 1977, and Patty Chang's referential work Untitled (for Abramović, Love Cocteau), 2000, strip kissing from its emotional state and re-introduce it as an equally transcendental and bizarre gesture, a tool to provoke social dynamics, the human body, and the art world.

Often documenting her interactions with specific individuals and communities, Santiago's films and videos focus on how social relations are embodied in particular places and gestures.

His work combines aspects of street art, minimalism, social practice, and urban design in explorations of play, reenactment, and gesture that manifest as photo documentation, performances, and wall drawings.

In previous projects Bajo has invited performing artists to engage with a simple square of black fabric as a gesture of anarchist resistance to social control; commissioned weavers from India to reinterpret an abstract image derived from a highly pixilated portrait of anarchist godmother Emma Goldman; and translated anarchist manifestos into musical notation which was then performed by a string quartet and accompanied by an improvised choreography.

I think of the Goodwill t - shirt rack as a small scale gesture in the spirit of artists like Theaster Gates and Rick Lowe, who knit their respective communities together via «social practice» initiatives.

In her films and videos she explores the gesture of the revolutionary action, and finds resonance in our current social and political landscapIn her films and videos she explores the gesture of the revolutionary action, and finds resonance in our current social and political landscapin our current social and political landscape.

In his sculptural works he often uses reclaimed materials — ancient pottery and wood from destroyed temples — in a conceptual gesture that connects tradition with contemporary social concernIn his sculptural works he often uses reclaimed materials — ancient pottery and wood from destroyed temples — in a conceptual gesture that connects tradition with contemporary social concernin a conceptual gesture that connects tradition with contemporary social concerns.