Sentences with phrase «in solo exhibitions organized»

Yang's work has been seen in solo exhibitions organized by the Bergen Kunsthall, Bergen, Norway (2013); the Haus der Kunst, Munich, Germany (2012); the Kunsthaus Bregenz in Bregenz, Austria (2011); the Walker Art Center, Minneapolis (2009); and in the Korean Pavilion of the 53rd Venice Biennale in Italy (2009).

In 1952 and» 57, probably as a result of that attention, Statsinger was featured in solo exhibitions organized by the Art Institute's prints and drawings department.

His work was most recently in a solo exhibition organized by La Maison Rouge and the Fondation Antoine de Galbert in Paris, accompanied by a catalogue written by Anne Tronche.

Not exact matches

Alan Solomon, who organized the Cornell show, would go on to curate both precocious artists» solo exhibitions at the Jewish Museum, in 1963 and 1964, respectively.

Solo exhibitions of her work have been organized at Colorado Springs Fine Arts Center, CO (2017); Portland Art Museum, OR (2017); Museum of Contemporary Art, San Diego (2016 and 2011); McNay Art Museum, San Antonio, TX (2016); Museum of Fine Arts Houston, Texas (2012 and 2014); Contemporary Art Museum St. Louis, MO (2013); the Joslyn Art Museum in Omaha, NE (2013); Centro de Arte Contemporáneo de Málaga, Spain (2009); Albright - Knox Gallery, Buffalo, NY (2008); and San Jose Museum of Contemporary Art, San Jose, CA, traveled to the Kemper Museum in Kansas City, MO and Albright - Knox Gallery in Buffalo, NY (2006).

The solo exhibition at MoMA PS1 — her first institutional outing in New York — is organized in conjunction with the Maria Lassnig Prize, of which Wilkes is the first recipient.

The exhibition, organized in collaboration with the Estate of Bernard Buffet, marks the first major solo presentation of Buffet's work in New York in nearly three decades.

The Panoramas Gallery organized his first solo exhibition in 1957.

In 1965, Walter Hopps organized a solo exhibition of the artist's sculptures and drawings at the Pasadena Art Museum (now Norton Simon Museum) in California, where the artist completed a residency at the Tamarind Lithography Workshop the same yeaIn 1965, Walter Hopps organized a solo exhibition of the artist's sculptures and drawings at the Pasadena Art Museum (now Norton Simon Museum) in California, where the artist completed a residency at the Tamarind Lithography Workshop the same yeain California, where the artist completed a residency at the Tamarind Lithography Workshop the same year.

Solo exhibitions from the past decade include those organized by Museo Archeologico Nazionale, Naples, 2003; Astrup Fearnley Museum of Modern Art, Oslo, 2004 (traveled to the Helsinki City Art Museum, 2005); Château de Versailles, France, 2008; Museum of Contemporary Art Chicago, 2008; The Metropolitan Museum of Art, New York, 2008; Neue Nationalgalerie, Berlin, 2008; Serpentine Gallery, London, 2009; Scottish National Gallery of Modern Art, Edinburgh, 2011; Fondation Beyeler, Basel, 2012; and Schirn Kunsthalle Frankfurt and Liebieghaus Skulpturensammlung, Frankfurt, a joint exhibition in 2012.

She has received several international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject of numerous international solo and group exhibitions including, in 2014, her solo exhibition «Transgressions» organized by Asia Society Museum.

Solo exhibitions include: the Institute of Contemporary Art, Boston; Nick Cave: Sojourn, Denver Art Museum; Nick Cave: The World is My Skin, Trapholt Museum, Denmark; Freeport 006: Nick Cave, Peabody Essex Museum, Salem, MA; Fantastic 2012, Lille 3000, Le Tripostal, Lille, France; and HEARD • NY, a large - scale performance in Grand Central Terminal organized by Creative Time.

Originally published in 2010 on the occasion of Against the Wall, Dumas's first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted to coincide with the artist's 2014 — 2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel.

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

In 1996, he organized a solo exhibition of Franz West's work, Gelegentliches.

Venues for solo exhibitions include: the Institute of Contemporary Art, Boston; Nick Cave: Sojourn, Denver Art Museum; Nick Cave: The World is My Skin, Trapholt Museum, Denmark; Freeport 006: Nick Cave, Peabody Essex Museum, Salem, MA; Fantastic 2012, Lille 3000, Le Tripostal, Lille, France; and HEARD • NY, a large - scale performance in Grand Central Terminal organized by Creative Time.

As curator at the Delaware Center for the Contemporary Arts in 2008 - 09, she organized numerous group and solo exhibitions.

In cooperation with the Moderna Museet in Stockholm, the Kunstsammlung Nordrhein - Westfalen is organizing the first — and long overdue — solo exhibition in western Germany of works by the internationally celebrated Turner prizewinner Wolfgang Tillmans (* 1968 RemscheidIn cooperation with the Moderna Museet in Stockholm, the Kunstsammlung Nordrhein - Westfalen is organizing the first — and long overdue — solo exhibition in western Germany of works by the internationally celebrated Turner prizewinner Wolfgang Tillmans (* 1968 Remscheidin Stockholm, the Kunstsammlung Nordrhein - Westfalen is organizing the first — and long overdue — solo exhibition in western Germany of works by the internationally celebrated Turner prizewinner Wolfgang Tillmans (* 1968 Remscheidin western Germany of works by the internationally celebrated Turner prizewinner Wolfgang Tillmans (* 1968 Remscheid).

Lives and works in New York City) has been the subject of numerous major solo exhibitions including his critically - acclaimed 2007 mid-career retrospective organized by JoAnne Northrup at the San Jose Museum of Art.

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

Co-owned by Anna Walinska and Margaret Lefranc, but funded and directed by Lefranc, the gallery organized the artist's first solo exhibition in New York, Abstract Drawings by Arshile Gorky.

His most recent solo exhibitions include Intersections Intersected: The Photography of David Goldblatt, organized in 2008 by the Fundação de Serralves, Portugal, and curated by Ulrich Loock (travelled to the Malmo Konsthall, Sweden; The New Museum, NY; and the University Museum of Contemporary Art, Umass Amherst); and South African Photographs: David Goldblatt at the Jewish Museum, NY, 2010.

Duchamp and Katherine Drier organized the painter's first solo exhibitions in New York in 1920 and 1924 at the Société Anonyme, and suddenly Eilshemius» name was on the lips of influential critics and collectors.

After seeing Ms. Tompkins's work in a show that Mr. Leon had organized at the Richmond Art Center, Mr. Rinder, then a curator at the Berkeley Art Museum and Pacific Film Archive, organized her first solo exhibition in 1997.

In addition, since her work was first exhibited in New York in 1916, it has been included in hundreds of solo and group exhibitions organized around the worlIn addition, since her work was first exhibited in New York in 1916, it has been included in hundreds of solo and group exhibitions organized around the worlin New York in 1916, it has been included in hundreds of solo and group exhibitions organized around the worlin 1916, it has been included in hundreds of solo and group exhibitions organized around the worlin hundreds of solo and group exhibitions organized around the world.

Over the past thirty years, Cai Guo - Qiang has realized large - scale exhibitions and projects across different geographic locations and cultures, including solo exhibition Cai Guo - Qiang: Saraab at Mathaf: Arab Museum of Modern Art in Doha, Qatar (2011), Cai Guo - Qiang; 1040m Underground in Donetsk, Ukraine (2011), One Night Stand (Aventure d'un Soir), explosion event for Nuit Blanche (2013), a citywide art and culture festival organized by the city of Paris.

Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.

Together they organized Valentin Carron's first solo exhibition, Saison Morte, in 2000.

He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American ArIn a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Arin Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Arin Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.

His work is included in the 2005 Venice Biennial and a solo exhibition organized by the Contemporary Arts Museum in Houston, Texas opened in July 2005.

Neighboring Hanart TZ Gallery has invested all its energy in Gu Wenda, organizing three simultaneous solo exhibitions: an eponymous show at the gallery; one at the gallery's booth at Art Basel Hong Kong; and another at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from human hair.

In 2015 the Vincent Price Art Museum organized his first solo museum exhibition, a survey of work from 2007 to 2014, Mis Papeles.

It includes all exhibitions in which paintings, collages, and paintings on paper by Robert Motherwell were shown and is organized chronologically, with solo and group exhibitions listed separately within each year.

This exhibition, organized in collaboration with the Estate of Bernard Buffet, marks the first major solo presentation of Buffet's work in New York in nearly three decades.

After arriving in Texas in 2009, Arning organized solo exhibitions of Marc Swanson,...

Since his first solo exhibition in 1979, Schnabel has been the subject of numerous solo exhibitions, including retrospectives organized by the Tate Gallery, London (1982); Kunsthalle Düsseldorf, Düsseldorf (1987); Centre Georges Pompidou, Paris (1987); Whitney Museum of American Art, New York (1987); Musée d'Art Contemporain, Nîmes (1989); Palais des Beaux - Arts, Brussels (1989); Museum of Contemporary Art, Chicago (1989); Fundació Joan Miró, Barcelona (1995); Schirn Kunsthalle, Frankfurt (2004); Museo Nacional Centro de Arte Reina Sofía, Madrid (2004); Museo di Capodimonte, Naples (2009); The Art Gallery of Ontario, Toronto (2010); Museo Correr, Venice (2011); J.F. Willumsens Museum, Frederikssund (2013); Dairy Art Centre, London (2014); Museu de Arte de São Paulo, São Paulo (2014); and Aspen Art Museum, Aspen (2016).

Whitten has been the subject of numerous solo exhibitions, including the most recent, Jack Whitten: Five Decades of Painting, a traveling exhibition organized by the Museum of Contemporary Art of San Diego in 2014 - 15; Jack Whitten: Erasures at SCAD Savannah College of Art and Design in 2012; an exhibition of memorial paintings at the Atlanta Contemporary Arts Center in Georgia in 2008; a solo show at MoMa PS1 in 2007; a ten year retrospective at the Studio Museum in Harlem in 1983; and a solo exhibition at the Whitney Museum of Art in 1974.

I Love You is the artist's first solo exhibition in New York City and is organized in collaboration with Samsøñ Projects (Boston, MA).

In Fall 2015 Boston University Art Galleries organized a retrospective, and in Summer 2016 Planthouse Gallery in NYC featured a solo exhibition of Wingate Studio's worIn Fall 2015 Boston University Art Galleries organized a retrospective, and in Summer 2016 Planthouse Gallery in NYC featured a solo exhibition of Wingate Studio's worin Summer 2016 Planthouse Gallery in NYC featured a solo exhibition of Wingate Studio's worin NYC featured a solo exhibition of Wingate Studio's work.

Buffet's fame never impacted his production, and in 1952, with the help of dealers Emmanuel David and Maurice Garnier, the artist mounted the first in a lifelong series of annual solo exhibitions in Paris, which he always organized around a single theme.

Since 2006, he has organized nearly 50 solo and group exhibitions at both MINUS SPACE's gallery in Brooklyn, as well as other collaborating venues on the national and international levels, including in Mexico, Belgium, Australia, and New Zealand.

Solo exhibitions have been organized by the New Museum in New York, the National Gallery in Prague, Nottingham Contemporary in the UK, and the Salzburger Kunstverein in Austria.

This exhibition is the first comprehensive survey in America of Sturtevant's 50 - year career, and the only institutional presentation of her work organized in the United States since her solo show at the Everson Museum of Art in 1973.

Also organized by Messina in collaboration with Farrell is Uta Barth's to draw with light, an ambitious solo exhibition featuring three related sequences of atmospheric, minimalist images that have never before been shown together in the United States.

Another highly renowned name today in the field of photography is Desiree Dolron whose work Flatland Gallery showed at the first edition of Paris Photo in 1997 and for who Flatland organized in conjunction with the Groninger Museum in 1998 her first solo exhibition behind the eye.

In 1996, Jeremy Millar began organizing Roman Signer's first solo exhibition in the UK, and invited the artist to visit the gallery in London; appropriately enough, the gallery and surrounding area was sealed off due to a bomb threaIn 1996, Jeremy Millar began organizing Roman Signer's first solo exhibition in the UK, and invited the artist to visit the gallery in London; appropriately enough, the gallery and surrounding area was sealed off due to a bomb threain the UK, and invited the artist to visit the gallery in London; appropriately enough, the gallery and surrounding area was sealed off due to a bomb threain London; appropriately enough, the gallery and surrounding area was sealed off due to a bomb threat.

Solien's work has been visible in over 35 solo exhibitions in the last 25 years, and was the subject of a 25 year retrospective entitled TL Solien: Myths and Monsters organized by the Madison Museum of Contemporary Art, Madison.

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

In her previous post as the Associate Curator at North Miami Museum of Contemporary Art (MOCA), she organized several solo and group exhibition including «The Reach of Realism» (2009), the first museum retrospectives of Cory Arcangel and Claire Fontaine (both 2010).

In both 1981 and 1989, the Denver Museum of Art organized traveling exhibitions of his work; the J.F. Costopoulos Foundation, Athens, organized a retrospective of Samaras» work at the National Gallery of Greece, which was his first solo exhibition in his country of birtIn both 1981 and 1989, the Denver Museum of Art organized traveling exhibitions of his work; the J.F. Costopoulos Foundation, Athens, organized a retrospective of Samaras» work at the National Gallery of Greece, which was his first solo exhibition in his country of birtin his country of birth.