Sentences with phrase «in spatial design»
A showcase of over 100 international innovators in spatial design, in the extraordinary city which forged the world's first skyscraper.
http://www.aestheticamagazine.com/ Not exact matches
As in medieval painting Christ is sometimes larger than other figures because of his importance, but in general, size relates to the spatial organization of a design.
This set is designed to promote hand - eye coordination in younger children and spatial skills in older children.
«We have designed a specialized acquisition method that gathers the necessary data for both space and time in two parts and then combines them to achieve high - quality, high - spatial resolution, and high - speed imaging.»
Our sample of 107 YSO candidates was selected based on IRAC colors from the high spatial resolution, high sensitivity Spitzer / IRAC images in the Central Molecular Zone (CMZ), which spans th... ▽ More We present results from our spectroscopic study, using the Infrared Spectrograph (IRS) onboard the Spitzer Space Telescope, designed to identify massive young stellar objects (YSOs) in the Galactic Center (GC).
For example, Theme 3 exploits information from Theme 2 to help predict future changes in ocean biogeochemistry and ecosystems, but results from Theme 3 also feed back into Theme 2 by providing critical information on the expected temporal and spatial changes of ocean acidification and thus enable meaningful experimental designs.
Multiplexed Imaging Here the goal is to add spatial resolution to cytometry - data in order to understand, in a tissue, WHERE immune and cancer cells interact We design, develop and apply methods for multiplexed visualization of protein and RNA molecules in tissue sections.
To carry out a wide range of high - spatial resolution observations, it can combine the two AO - corrected 8.4 - m apertures of the LBT in various ways including direct (non-interferometric... ▽ More The Large Binocular Telescope Interferometer (LBTI) is a strategic instrument of the LBT designed for high - sensitivity, high - contrast, and high - resolution infrared (1.5 - 13 $ \ mu $ m) imaging of nearby planetary systems.
Rather than cheating its way around spatial design with the kind of connective smoke and mirrors that many video games traditionally use, Souls ensures that every one of its environments makes total, internal sense, and eventually links back up with itself in order to create retroactive shortcuts between end and beginning.
This kind of understanding of the visual world — and its relation to physical items — is valuable in solving spatial problems, designing, and doing crafts.
Designers develop both the 3D spatial design and 2D graphic design to best convey the exhibit's content in an aesthetically engaging way.
In this first year, the team will focus on Alexander Calder's mobiles to help teachers see integration strategies and help students design mobiles that integrate art, measurement, geometry, spatial relations, force, motion and simple machines.
Theoretical grounds for my learning design included the concepts of knowledge building (Scardamalia & Bereiter, 1991), mediating artifacts (Vygotsky, 1978), and spatial representation and imagery in learning (Schwartz & Heiser, 2006).
Motor show global strategy that incorporates core messages, concept cars, and spatial displays adopted starting with the 2003 Tokyo Motor Show; J - factor measures undertaken in design fields
The spatial design of the rear axle also leads to improved entry comfort and to more space in the rear as well as a larger luggage compartment volume which is also easier to load.
Show premiere in Europe for the new BMW 2 Series Active Tourer and new BMW 2 Series Gran Tourer: extensively updated premium compact models in the Sports Activity Tourer segment; precisely modified design, further developed powertrain technology, innovative connectivity technology from BMW ConnectedDrive; successful vehicle concept combines spatial functionality and comfort with the brand's familiar sportiness; BMW 2 Series Gran Tourer can also be specified as a seven ‑ seater, BMW 2 Series Active Tourer also available in a plug - in hybrid variant.
Additionally, the stretched rear section of the concept's glasshouse suggests that the car has been designed keeping spatial requirements in mind.
The creation of a spatial feeling in the passenger compartment is central to the new Lexus design direction.
The van der Rohe jury thought as much, commending the Hall's design for finding «a convincing formal and spatial strategy for a city which strives for a better future in a fast - changing economy and social patterns, delivering a dignity to urban life and the same time enhancing the city's specific historical identity with a contemporary monument.»
The puzzles are often devious tests of your intelligence and spatial awareness, yet never feel unfair in their design.
people who talk about «spatial design» in games are cool.
Designed especially for children (and parents) to engage them in a playful, interactive tour around the constructivist world of forms and colours, and practice their spatial imagination.
Create sculptural and architectural models in this three - session class taught by contemporary artist Allyson Vieira and inspired by the integrated spatial and decorative forms in the exhibition Pierre Chareau: Modern Architecture and Design.
Taught by artist Allyson Vieira and inspired by the architecture and design in the exhibition Pierre Chareau: Modern Architecture and Design, translate Chareau's modern vision of integrated spatial and decorative forms into mixed media design in the exhibition Pierre Chareau: Modern Architecture and Design, translate Chareau's modern vision of integrated spatial and decorative forms into mixed media Design, translate Chareau's modern vision of integrated spatial and decorative forms into mixed media works.
Project Space Festival Day 10: Raumerweiterungshalle The Raumerweiterungshalle, or «spatial extension container», is a portable architectural form designed in the 1960s and 1970s in the DDR — a building in eight pieces that can telescope in on itself.
The Spatial Analysis and Visualization Initiative (SAVI) at Pratt Institute, along with co-organizers Carto and Enigma, will bring the concept of «Data through Design» to life in a dynamic visual exhibition as part of NYC Open Data Week in March, a city - wide initiative led by the New York City Mayor's Office of Data Analytics to celebrate the access to, and benefits of, open data for all.
Interested in the concepts of design and spatial relationships, her work explores the idea of perception, place identity and visual memory.
The design similar to this work, she has developed a site - specific spatial installation for the Kunsthalle Nuremberg, using wallpaper and brightly colored lithographs, which is entirely in the context of their claim, «to find a way to deal with painting different than previously dealt with it was».
With a faculty to student ratio of 1:12, the program introduces the principles of architecture in a hands - on exploration of spatial experimentation, design methodologies and the creative process.
His sculpture «V6 Spatial Relief, Red (V6 Relevo especial, vermêlho)» (1959/1999) is a folded construction designed to hang in space, enabling the viewer to experience colour and light from every angle.
The Spatial Analysis and Visualization Initiative (SAVI) at Pratt Institute, along with co-organizers Carto and Enigma, will bring the concept of «Data through Design» to life in a dynamic visual exhibition as part of NYC...
She is an associate lecturer in the spatial practices program at Central Saint Martins College of Art and Design in London.
Fontana engaged in many collaborative projects with the most important architects of the day, in particular with Luciano Baldessari, who shared and supported his research for Spatial Light — Structure in Neon (1951) at the 9th Triennale and, among other things, commissioned him to design the ceiling of the cinema in the Sidercomit Pavilion at the 21st Milan Fair in 1953.
Cohabitation Strategies (CohStra) is a non-profit cooperative for socio - spatial research, design, and development based in New York City, Rotterdam, and Ibiza.
In the last decades indeed, Eliasson, through site - specific works, installations, spatial designs, pictures and sculptures, subverted the traditional division between visual arts, architecture, design, landscape, and communication.
Bonami, who trained in theatre design, used conventional wall dividers in unexpected, asymmetric formations, which made for an unpredictable sequence of spatial experiences.
[1] It offers further and higher education courses in fine art, graphic design, interior design, spatial design and textile design up to PhD level.
After studying industrial design with Irene Aragão at the Pontifícia Universidade Católica do Rio de Janeiro in Brazil, he continued his studies at Brown, focusing on learning curatorial practice with Mark Tribe and creative / spatial dynamics with Ian Gonsher.
Launched in London in 2007, the Vienna - based art and design collective breadedEscalope — Sascha Mikel, Martin Schnabl and Michael Tatschl — deals with spatial structures and subject - object relations.
Lorenzo Sandoval works in the crossing points of artistic practice, curatorial processes and spatial design.
Exhibitions include the Gallery of Contemporary Art in České Budějovice (2016); the Venice Biennale (2012, 2004); Arkitekturmuseet in Stockholm (2010); gta Ausstellungen, ETH Zürich (2009); Department of Architecture and Spatial Design, London Metropolitan University (2008); The British School at Rome (2007); Architectural Association Gallery, London (2005); Architecture Foundation, London (2001, 1994, 1992).
He continues: «Matisse's late work does contribute quite prominently, if not iconically, to a certain strand in the conjunction of modernism and abstraction which blurs the distinction between art and design, and more specifically between abstract painting and the decorative and applied arts... I've always considered Matisse's greatest contribution to art not his colour, which is undoubtedly exceptional, but his inventive painterly architectures reasserting what [painting] does (what, in a way, it has always done), what it delivers, by the act of continual reinvention; finding yet more new ways to keep it alive — and of course, keep it keenly separate from design and the applied arts even when in the act of using elements of those very disciplines to elaborate and enrich the spatial structures of his painting.»
«Featuring nationally performing artists Biba Bell, Megan Byrne, Jennifer Harge, Pedro Jiménez, Jessica Ray, and Maya Stovall, as well as St. Louis - based artists Jacqueline Fritz, Maxi Glamour, Fame Mizrahi, and Kat Reynolds, among others, this program will explore spatial relationships to fluidity and movement in response to Medardo Rosso's figurative work on view, as well as the spaces of the Pulitzer's Tadao Ando - designed building and the architecture of St. Louis.»
David Kendall's practice explores how spatial, economic and design initiatives, as well as participatory practices, combine to encourage social and spatial interconnections or dissonance in cities.
Likewise, exhibition design can evolve in different sensorial experiences, thus leading the visitor through a spatial narrative.
Within this range of spatial environment Isamu Noguchi's Akari lanterns hold a unique place, expressing his Japanese's American heritage in works designed to enhance the quality everyday life.
«RES» Anthropology and Aesthetics The Peabody Museum of Archeology and Ethnology, 2011 Harvard University «Globe Double: Mimetic Capital; technology», edited by Remo Guidieri «Works in Progress» Rhode Island School Of Design Essay, «Playing with Broken Glass» 2008 «The Making Of Design Principles» Rhode Island School Of Design, Providence, edited by Kyna Leski Introductory Essay, «Empathy; Material and Spatial» 2007 «RES» Anthropology and Aesthetics The Peabody Museum of Archeology and Ethnology, 2002 Harvard University «Prefigure is Epilogue,» edited by Remo Guidieri «GLOBALIZACION, COMUNICACION, ARQUITECTURA» XIII Bienal De Arquitectura, Santiago De Chile, 2002 «LA — RAZON», La Paz, Bolivia Interview in the daily newspaper of La Paz.
2009, «The Polymorphic characteristics of disciplinary education» CITY COLLEGE OF NEW YORK, New York, NY 2009, «Mimetic Depth: from the Greek through the proscenium into the black box» PARSONS SCHOOL OF DESIGN, New York, NY 2009, «Drawing is thinking» CITY COLLEGE OF NEW YORK, New York, NY 2008, «Hunting Life; A Forever house» PARSONS SCHOOL OF DESIGN, New York, NY 2008, «Empathy; Material and Spatial» INSTITUTE DE RECHERCHÉ EN ARCHITECTURE, Montreal, Canada Canadian Center for Architecture / McGill University Symposium, 2007 (September) Reconciling Poetics and Ethics in Architecture: «No More Shall We Part» CITY COLLEGE OF NEW YORK, New York, NY Symposium 2007 (November) «Ineffable»; «Globe Double: Mimetic Capital; Technology», Ames, Iowa ON THE BEGINNING DESIGN STUDENT 2006 (April), Panelist.
Issues of design activism and the role of media in spatial experience are explored in critical essays by Jennifer Gabrys on Fresh Kills Landfill in New York, Michael Rakowitz on the Hungarian - based team Big Hope, and in Claudine Isé's Vanishing Point, an exhibition questioning the aesthetics of urban non-spaces.
Through her studio she has worked on many award - winning projects: as lead in the process of identifying a design strategy, and team, for the Whitney Museum's new graphic identity, and its consequent spatial implementation in the Renzo Piano - designed architecture; art directing, designing and implementing the graphic identity for the New Art Dealer's Alliance (NADA); designing and producing art catalogues for publishers such as Rizzoli Publishing, Koenig Books, and Dashwood Books; as well as consulting for The Menil Collection and Casa Wabi Puerto Escondido.