A showcase of over 100 international innovators
in spatial design, in the extraordinary city which forged the world's first skyscraper.
Not exact matches
As
in medieval painting Christ is sometimes larger than other figures because of his importance, but
in general, size relates to the
spatial organization of a
design.
This set is
designed to promote hand - eye coordination
in younger children and
spatial skills
in older children.
«We have
designed a specialized acquisition method that gathers the necessary data for both space and time
in two parts and then combines them to achieve high - quality, high -
spatial resolution, and high - speed imaging.»
Our sample of 107 YSO candidates was selected based on IRAC colors from the high
spatial resolution, high sensitivity Spitzer / IRAC images
in the Central Molecular Zone (CMZ), which spans th... ▽ More We present results from our spectroscopic study, using the Infrared Spectrograph (IRS) onboard the Spitzer Space Telescope,
designed to identify massive young stellar objects (YSOs)
in the Galactic Center (GC).
For example, Theme 3 exploits information from Theme 2 to help predict future changes
in ocean biogeochemistry and ecosystems, but results from Theme 3 also feed back into Theme 2 by providing critical information on the expected temporal and
spatial changes of ocean acidification and thus enable meaningful experimental
designs.
Multiplexed Imaging Here the goal is to add
spatial resolution to cytometry - data
in order to understand,
in a tissue, WHERE immune and cancer cells interact We
design, develop and apply methods for multiplexed visualization of protein and RNA molecules
in tissue sections.
To carry out a wide range of high -
spatial resolution observations, it can combine the two AO - corrected 8.4 - m apertures of the LBT
in various ways including direct (non-interferometric... ▽ More The Large Binocular Telescope Interferometer (LBTI) is a strategic instrument of the LBT
designed for high - sensitivity, high - contrast, and high - resolution infrared (1.5 - 13 $ \ mu $ m) imaging of nearby planetary systems.
Rather than cheating its way around
spatial design with the kind of connective smoke and mirrors that many video games traditionally use, Souls ensures that every one of its environments makes total, internal sense, and eventually links back up with itself
in order to create retroactive shortcuts between end and beginning.
This kind of understanding of the visual world — and its relation to physical items — is valuable
in solving
spatial problems,
designing, and doing crafts.
Designers develop both the 3D
spatial design and 2D graphic
design to best convey the exhibit's content
in an aesthetically engaging way.
In this first year, the team will focus on Alexander Calder's mobiles to help teachers see integration strategies and help students
design mobiles that integrate art, measurement, geometry,
spatial relations, force, motion and simple machines.
Theoretical grounds for my learning
design included the concepts of knowledge building (Scardamalia & Bereiter, 1991), mediating artifacts (Vygotsky, 1978), and
spatial representation and imagery
in learning (Schwartz & Heiser, 2006).
Motor show global strategy that incorporates core messages, concept cars, and
spatial displays adopted starting with the 2003 Tokyo Motor Show; J - factor measures undertaken
in design fields
The
spatial design of the rear axle also leads to improved entry comfort and to more space
in the rear as well as a larger luggage compartment volume which is also easier to load.
Show premiere
in Europe for the new BMW 2 Series Active Tourer and new BMW 2 Series Gran Tourer: extensively updated premium compact models
in the Sports Activity Tourer segment; precisely modified
design, further developed powertrain technology, innovative connectivity technology from BMW ConnectedDrive; successful vehicle concept combines
spatial functionality and comfort with the brand's familiar sportiness; BMW 2 Series Gran Tourer can also be specified as a seven ‑ seater, BMW 2 Series Active Tourer also available
in a plug -
in hybrid variant.
Additionally, the stretched rear section of the concept's glasshouse suggests that the car has been
designed keeping
spatial requirements
in mind.
The creation of a
spatial feeling
in the passenger compartment is central to the new Lexus
design direction.
The van der Rohe jury thought as much, commending the Hall's
design for finding «a convincing formal and
spatial strategy for a city which strives for a better future
in a fast - changing economy and social patterns, delivering a dignity to urban life and the same time enhancing the city's specific historical identity with a contemporary monument.»
The puzzles are often devious tests of your intelligence and
spatial awareness, yet never feel unfair
in their
design.
people who talk about «
spatial design»
in games are cool.
Designed especially for children (and parents) to engage them
in a playful, interactive tour around the constructivist world of forms and colours, and practice their
spatial imagination.
Create sculptural and architectural models
in this three - session class taught by contemporary artist Allyson Vieira and inspired by the integrated
spatial and decorative forms
in the exhibition Pierre Chareau: Modern Architecture and
Design.
Taught by artist Allyson Vieira and inspired by the architecture and
design in the exhibition Pierre Chareau: Modern Architecture and Design, translate Chareau's modern vision of integrated spatial and decorative forms into mixed media
design in the exhibition Pierre Chareau: Modern Architecture and
Design, translate Chareau's modern vision of integrated spatial and decorative forms into mixed media
Design, translate Chareau's modern vision of integrated
spatial and decorative forms into mixed media works.
Project Space Festival Day 10: Raumerweiterungshalle The Raumerweiterungshalle, or «
spatial extension container», is a portable architectural form
designed in the 1960s and 1970s
in the DDR — a building
in eight pieces that can telescope
in on itself.
The
Spatial Analysis and Visualization Initiative (SAVI) at Pratt Institute, along with co-organizers Carto and Enigma, will bring the concept of «Data through
Design» to life
in a dynamic visual exhibition as part of NYC Open Data Week
in March, a city - wide initiative led by the New York City Mayor's Office of Data Analytics to celebrate the access to, and benefits of, open data for all.
Interested
in the concepts of
design and
spatial relationships, her work explores the idea of perception, place identity and visual memory.
The
design similar to this work, she has developed a site - specific
spatial installation for the Kunsthalle Nuremberg, using wallpaper and brightly colored lithographs, which is entirely
in the context of their claim, «to find a way to deal with painting different than previously dealt with it was».
With a faculty to student ratio of 1:12, the program introduces the principles of architecture
in a hands - on exploration of
spatial experimentation,
design methodologies and the creative process.
His sculpture «V6
Spatial Relief, Red (V6 Relevo especial, vermêlho)» (1959/1999) is a folded construction
designed to hang
in space, enabling the viewer to experience colour and light from every angle.
The
Spatial Analysis and Visualization Initiative (SAVI) at Pratt Institute, along with co-organizers Carto and Enigma, will bring the concept of «Data through
Design» to life
in a dynamic visual exhibition as part of NYC...
She is an associate lecturer
in the
spatial practices program at Central Saint Martins College of Art and
Design in London.
Fontana engaged
in many collaborative projects with the most important architects of the day,
in particular with Luciano Baldessari, who shared and supported his research for
Spatial Light — Structure
in Neon (1951) at the 9th Triennale and, among other things, commissioned him to
design the ceiling of the cinema
in the Sidercomit Pavilion at the 21st Milan Fair
in 1953.
Cohabitation Strategies (CohStra) is a non-profit cooperative for socio -
spatial research,
design, and development based
in New York City, Rotterdam, and Ibiza.
In the last decades indeed, Eliasson, through site - specific works, installations,
spatial designs, pictures and sculptures, subverted the traditional division between visual arts, architecture,
design, landscape, and communication.
Bonami, who trained
in theatre
design, used conventional wall dividers
in unexpected, asymmetric formations, which made for an unpredictable sequence of
spatial experiences.
[1] It offers further and higher education courses
in fine art, graphic
design, interior
design,
spatial design and textile
design up to PhD level.
After studying industrial
design with Irene Aragão at the Pontifícia Universidade Católica do Rio de Janeiro
in Brazil, he continued his studies at Brown, focusing on learning curatorial practice with Mark Tribe and creative /
spatial dynamics with Ian Gonsher.
Launched
in London
in 2007, the Vienna - based art and
design collective breadedEscalope — Sascha Mikel, Martin Schnabl and Michael Tatschl — deals with
spatial structures and subject - object relations.
Lorenzo Sandoval works
in the crossing points of artistic practice, curatorial processes and
spatial design.
Exhibitions include the Gallery of Contemporary Art
in České Budějovice (2016); the Venice Biennale (2012, 2004); Arkitekturmuseet
in Stockholm (2010); gta Ausstellungen, ETH Zürich (2009); Department of Architecture and
Spatial Design, London Metropolitan University (2008); The British School at Rome (2007); Architectural Association Gallery, London (2005); Architecture Foundation, London (2001, 1994, 1992).
He continues: «Matisse's late work does contribute quite prominently, if not iconically, to a certain strand
in the conjunction of modernism and abstraction which blurs the distinction between art and
design, and more specifically between abstract painting and the decorative and applied arts... I've always considered Matisse's greatest contribution to art not his colour, which is undoubtedly exceptional, but his inventive painterly architectures reasserting what [painting] does (what,
in a way, it has always done), what it delivers, by the act of continual reinvention; finding yet more new ways to keep it alive — and of course, keep it keenly separate from
design and the applied arts even when
in the act of using elements of those very disciplines to elaborate and enrich the
spatial structures of his painting.»
«Featuring nationally performing artists Biba Bell, Megan Byrne, Jennifer Harge, Pedro Jiménez, Jessica Ray, and Maya Stovall, as well as St. Louis - based artists Jacqueline Fritz, Maxi Glamour, Fame Mizrahi, and Kat Reynolds, among others, this program will explore
spatial relationships to fluidity and movement
in response to Medardo Rosso's figurative work on view, as well as the spaces of the Pulitzer's Tadao Ando -
designed building and the architecture of St. Louis.»
David Kendall's practice explores how
spatial, economic and
design initiatives, as well as participatory practices, combine to encourage social and
spatial interconnections or dissonance
in cities.
Likewise, exhibition
design can evolve
in different sensorial experiences, thus leading the visitor through a
spatial narrative.
Within this range of
spatial environment Isamu Noguchi's Akari lanterns hold a unique place, expressing his Japanese's American heritage
in works
designed to enhance the quality everyday life.
«RES» Anthropology and Aesthetics The Peabody Museum of Archeology and Ethnology, 2011 Harvard University «Globe Double: Mimetic Capital; technology», edited by Remo Guidieri «Works
in Progress» Rhode Island School Of
Design Essay, «Playing with Broken Glass» 2008 «The Making Of
Design Principles» Rhode Island School Of
Design, Providence, edited by Kyna Leski Introductory Essay, «Empathy; Material and
Spatial» 2007 «RES» Anthropology and Aesthetics The Peabody Museum of Archeology and Ethnology, 2002 Harvard University «Prefigure is Epilogue,» edited by Remo Guidieri «GLOBALIZACION, COMUNICACION, ARQUITECTURA» XIII Bienal De Arquitectura, Santiago De Chile, 2002 «LA — RAZON», La Paz, Bolivia Interview
in the daily newspaper of La Paz.
2009, «The Polymorphic characteristics of disciplinary education» CITY COLLEGE OF NEW YORK, New York, NY 2009, «Mimetic Depth: from the Greek through the proscenium into the black box» PARSONS SCHOOL OF
DESIGN, New York, NY 2009, «Drawing is thinking» CITY COLLEGE OF NEW YORK, New York, NY 2008, «Hunting Life; A Forever house» PARSONS SCHOOL OF
DESIGN, New York, NY 2008, «Empathy; Material and
Spatial» INSTITUTE DE RECHERCHÉ EN ARCHITECTURE, Montreal, Canada Canadian Center for Architecture / McGill University Symposium, 2007 (September) Reconciling Poetics and Ethics
in Architecture: «No More Shall We Part» CITY COLLEGE OF NEW YORK, New York, NY Symposium 2007 (November) «Ineffable»; «Globe Double: Mimetic Capital; Technology», Ames, Iowa ON THE BEGINNING
DESIGN STUDENT 2006 (April), Panelist.
Issues of
design activism and the role of media
in spatial experience are explored
in critical essays by Jennifer Gabrys on Fresh Kills Landfill
in New York, Michael Rakowitz on the Hungarian - based team Big Hope, and
in Claudine Isé's Vanishing Point, an exhibition questioning the aesthetics of urban non-spaces.
Through her studio she has worked on many award - winning projects: as lead
in the process of identifying a
design strategy, and team, for the Whitney Museum's new graphic identity, and its consequent
spatial implementation
in the Renzo Piano -
designed architecture; art directing,
designing and implementing the graphic identity for the New Art Dealer's Alliance (NADA);
designing and producing art catalogues for publishers such as Rizzoli Publishing, Koenig Books, and Dashwood Books; as well as consulting for The Menil Collection and Casa Wabi Puerto Escondido.