Sentences with phrase «in spatial installations»

The latest developments are expressed specifically in spatial installations, performance and media art (Pipilotti Rist, Wolfgang Tillmans).
Ann Lislegaard is a post-conceptual artist working in spatial installations, 3 - D animation, and architectonic interventions.

Not exact matches

The mixed and virtual reality technologies used range from the installation of a display in the surfaces of the cabin to complete immersion in a head - mounted display that can change both spatial and body awareness.
In Tramas, more than 70 works from the 1980s, including drawings and installations, focus on his exploration of geometric abstraction and spatial interplay.
The 6 - channel sound and video installation will explore the spatial atmosphere surrounding The Last Chance Module Array, a land work created in 2015 - 16 in a former agricultural field.
The latest iteration of Bloom Projects, which will go on view the same day, debuts a newly commissioned site - specific installation by Brooklyn - based artist Michael DeLucia, whose work addresses the condition of sculpture and spatial relationships in the technological age.
In 1949, he exhibited Ambiente Spaziale a Luce Nera (Spatial Environment with Black Light), a room - sized work using neon lights in a dark space of colored walls, a proto - installation style that would reappear decades later and in the Gagosian shoIn 1949, he exhibited Ambiente Spaziale a Luce Nera (Spatial Environment with Black Light), a room - sized work using neon lights in a dark space of colored walls, a proto - installation style that would reappear decades later and in the Gagosian shoin a dark space of colored walls, a proto - installation style that would reappear decades later and in the Gagosian shoin the Gagosian show.
The installational painting practices that combine various media comprise a total spatial installation, in which many well - known artists participate.
Kabir Carter draws upon his recent research on spatial acoustics in anechoic rooms and underwater acoustics to produce a temporary sound installation.
The focus of this conversation is the installation William Cordova: ankaylli: spatial and ideological terrain, a project Green commissioned Cordova to create for Marfa Contemporary in the fall of 2017.
Yayoi Kusama's oeuvre is presented by a rich selection of paintings, drawings and sculptures, along with large - scale spatial installations and material from her happenings and performances in New York in the «60s.
As an installation artist, he is particularly interested in the physical aspect of sound and its potential to define the form and atmosphere of a spatial environment.»
For Architecture + Art, SMoCA commissions architects and artists to create site - specific installations in response to the spatial, environmental and social context of the Museum's site in Scottsdale, Arizona.
The design similar to this work, she has developed a site - specific spatial installation for the Kunsthalle Nuremberg, using wallpaper and brightly colored lithographs, which is entirely in the context of their claim, «to find a way to deal with painting different than previously dealt with it was».
The spatial installations, videos, sounds, sculptures and paintings refer in one way or another to space and the universe.
Continuing his research on the recent history of architecture, the industrial sanitization of materials and the intimate, domestic vulnerabilities of inhabitants of particular urban spaces, Burr has created this outdoor public installation comprised of 18 dark steel structures in an intricate spatial arrangement throughout SCAD Museum of Art Ruins.
The curators discussed issues of material specificity and spatial concerns in contemporary painting practices, and examined the work of cutting edge artists whose work ignites a dialogue about sculptural and installation forms of painting.
Her work grew exponentially, exploring spatial installations and the concept of infinity in art.
With spatial installations consisting of mirrors and light Germaine Kruip actively involves the viewer in her work.
Her first works, made during the 1980s, were constructions or spatial extensions of existing architecture such as Gallery inexistent, Antwerpen (1988), an installation created by stacking borrowed concrete blocks in a gallery space.
She is known for her great variety of work in video projection, photography, and spatial installations.
Yet its scale, ambition, and precision ensure it also illuminates Fontana's spatial experimentation, emphasising his legacy in light and space from Flavin to Turrell, Kaprow to Miroslaw Balka's Turbine Hall installation.
Beyond merely embodying this language, Thurston's installation problematizes our spatial metaphor for the political spectrum, which implies a neutral centre ground that in reality is always shifting in relation to the extremes.
Always dealing with three - dimensional space, she expanded her spatial investigations in the 1990s with multimedia installations that combine video, drawing, sculpture, and audio components.
Each work is an independent spatial installation filled with carefully arranged objects which, in interaction with cell walls of glass, wire mesh or old doors, create psychologically tense and sensual scenarios.
In the process, he realizes his visual manipulations in a variety of ways: he creates computer images, photographs or silkscreens through to whole room - filling installations which represent still lifes, spatial illusions and visions of the futurIn the process, he realizes his visual manipulations in a variety of ways: he creates computer images, photographs or silkscreens through to whole room - filling installations which represent still lifes, spatial illusions and visions of the futurin a variety of ways: he creates computer images, photographs or silkscreens through to whole room - filling installations which represent still lifes, spatial illusions and visions of the future.
Fairhurst made a few significant pieces in the 90s, mostly working with photography and spatial installation — one of them being the image featured above, the author's own interpretation of Pieta.
Programs in the drill hall include the North American stage premiere of Louis Andriessen's De Materie, directed by composer Heiner Goebbels and featuring the International Contemporary Ensemble in a visually dramatic production incorporating music, dance, and spoken word; a new commission by visual artist and musician Martin Creed that marks his largest installation in the U.S. to date and reimagines the Armory's drill hall and period rooms in a surprising meditation on existence; a major new work by artist Taryn Simon that explores rituals of grief and mourning; and Circle Map, a program of ambitious spatial works by composer Kaija Saariaho that features the New York Philharmonic.
Following his return to Italy in 1948 Fontana exhibited his first Ambiente spaziale a luce nera («Spatial environment»)(1949) at the Galleria del Naviglio in Milan, a temporary installation consisting of a giant amoeba - like shape suspended in the void in a darkened room and lit by neon light.
Kusama's original artistic output is represented by a rich selection of paintings, drawings and sculpture, along with large spatial installations and material from her happenings and performances in 1960s New York.
The human face appears in a wide variety of contexts in contemporary art, whether it is in the form of a video image, photograph, sculpture, drawing, or as part of a spatial installation.
In the last decades indeed, Eliasson, through site - specific works, installations, spatial designs, pictures and sculptures, subverted the traditional division between visual arts, architecture, design, landscape, and communication.
The digital monitor and projection installations presented in this exhibition, reflect the construction of Japanese spatial awareness by creating a flattened three - dimensional world.
Tatiana Trouvé is well known for the large - scale spatial installations integrated with architecture and her paintings, while Laure Prouvost mainly works on video and immersive installations combined with video.The exhibitions are named for the titles of their works: «The Sparkle of Absence» is from Trouvé's conceptual series, consisting of works that have never been materialized and that are only in the existence of titles; «Into All That Is Here» comes from the latest work of Prouvost's most representative series «Granddad».
Since the early 1990s, she has created a wide range of film, video, and installation - based works whose sculptural forms engage spatial perception in physical, as well as conceptual, terms.
Recent commissioned projects include: a 3 - month - long performative project in the public realm — part of the Art in the Public Space program of the City of Zurich, a series of spatial interventions in a disused flower shop storefront for VOLT (Bergen), and installations for Bunkier Sztuki (Krakow), Marta Herford Museum, MGLC Ljubljana, Kunsthalle Osnabrück, the 53rd October Salon (Belgrade), Stroom (the Hague), «Greater New York» at MoMA PS1 (NYC), Galerija Skuc (Ljubljana), and the 11th Istanbul Biennale.
The solo exhibition featured a spatial narrative installation that delves, through movement, texture, sound, and gesture, into the psychology of several reoccurring figures in Bass» previous films; while also introducing two new characters, blending the past into the present.
The inaugural exhibition, Dawn in the Basement by Zurich - based artist Thomas Julier, featured a mixed media installation that challenged spatial and architectural constructs.
He examines in his geometrical abstract painting and site - specific installations the spatial as well as communication and organizational structures that dominate everyday life.
Stephanie Bursese (b. 1980) makes work that investigates photography's role in limiting perspective; by using site - specific installations, book forms, and printed images she creates loops of meaning that create both spatial and psychological spaces.
In this installation the artist provided a ground in which the viewers present experience is extended and tested through a deconstruction of spatial ordering allowing the viewer to become a self - observing figure in a disorientating grounIn this installation the artist provided a ground in which the viewers present experience is extended and tested through a deconstruction of spatial ordering allowing the viewer to become a self - observing figure in a disorientating grounin which the viewers present experience is extended and tested through a deconstruction of spatial ordering allowing the viewer to become a self - observing figure in a disorientating grounin a disorientating ground.
The book focuses on the spatial organisation of these exhibitions, with floor plans and installation photographs that give the viewer a sense of what it felt like to be in those spaces.»
Many of de Maria's most celebrated works are permanent or long - term installations; this, in addition to their often tremendous scale and strict spatial requirements, are significant limiting factors for private collectors.
From atmospheric installations to intangible sculptures that you can move around - and even through - visitors can experience light in all of its spatial and sensory forms.
Sculptures and paintings by the Swiss artist engage in a fascinating dialogue with videos, sculptures, drawings, photographs, and spatial installations by the US multimedia artist.
In her work, Prouvost constructs immersive environments in which sculptures, videos and installations become central ploys in the re-enactment of unlikely scenarios, of spatial and temporal impossibility and absurditIn her work, Prouvost constructs immersive environments in which sculptures, videos and installations become central ploys in the re-enactment of unlikely scenarios, of spatial and temporal impossibility and absurditin which sculptures, videos and installations become central ploys in the re-enactment of unlikely scenarios, of spatial and temporal impossibility and absurditin the re-enactment of unlikely scenarios, of spatial and temporal impossibility and absurdity.
Conversely, the installation Guidepost to the Eternal Space (2015) invites audiences to gather amidst an environment in which white polka dots on a red background cover walls and structures, forming an outlandish landscape, confusing viewers» perception and spatial orientation.
This group exhibition focuses on the growing spatial and material freedom in painting as it merges with installation and sculpture.
Through monumental billboards, site - specific environments, sound works, photography, sculptures, and immersive video installations the artist investigates the spatial and temporal dislocation of images and the vulnerability of individuals, in a period of massive industrial and environmental changes.
This group exhibition features numerous recent film and video works and spatial installations by a new generation of filmmakers and artists in the Netherlands, who are breaking down the barriers between film, video and visual art.
a b c d e f g h i j k l m n o p q r s t u v w x y z