Sentences with phrase «in spectral line»

Ma, Q., R.H. Tipping, G. Birnbaum, and C. Boulet, 1998: Sum rules and the symmetry of the memory function in spectral line shape theories.

Note however that all the radiation in a spectral line is not at exactly a single frequency, but instead in a small range (band) of frequencies.

This effect is described by General Relativity Theory as the gravitational red shift — it is detectable in spectral lines that shift toward the red end of the spectrum.

Mills also says hydrinos are created from burning hydrogen in stars such as our sun and are evident in the spectral lines of starlight.

Precise measurements of the motion of the gas using the Doppler shift in the spectral lines of the gas components revealed that 100 AU corresponds to the radius of the centrifugal barrier.

Infrared light, on the other hand, traces dust in a galaxy, and emission lines that are detected in spectral lines trace the gas clouds.

Not exact matches

Radiating the antihydrogen atoms with microwaves allowed the physicists to determine its light fingerprint in a rather indirect way, using specific changes in the antihydrogen that caused them to eject from the magnetic bottle to fine tune estimates on its spectral lines.

For the first time, researchers have found a way to capture fine details of antihydrogen's spectral lines and show they are in fact identical to hydrogen.

Historically, the fractions (which we call the abundances) of the different atoms in the interstellar gas have been measured using the distinct spectral «footprint» of each ion in the spectrum, which is a characteristic set of spectral lines.

The metallicity of the gases in the protocluster galaxies was studied using multiple spectral lines emitted from them.

The team did not apply the proper statistical methods to rule out random fluctuations in the x-rays that can mimic spectral lines, says astrophysicist Masao Sako of the California Institute of Technology (Caltech) in Pasadena.

Based on the wavelengths of spectral lines emitted by the luminous gas surrounding the black hole, the object is traveling at a speed of about 7.5 million kilometers per hour — a rate that would carry it from Earth to the moon in about 3 minutes.

In a valley in Idaho, a French team will analyse spectral lines in the corona, in part to support the infrared work of the CfA team, says Serge Koutchmy, an astronomer at the Institute of Astrophysics in PariIn a valley in Idaho, a French team will analyse spectral lines in the corona, in part to support the infrared work of the CfA team, says Serge Koutchmy, an astronomer at the Institute of Astrophysics in Pariin Idaho, a French team will analyse spectral lines in the corona, in part to support the infrared work of the CfA team, says Serge Koutchmy, an astronomer at the Institute of Astrophysics in Pariin the corona, in part to support the infrared work of the CfA team, says Serge Koutchmy, an astronomer at the Institute of Astrophysics in Pariin part to support the infrared work of the CfA team, says Serge Koutchmy, an astronomer at the Institute of Astrophysics in Pariin Paris.

As astronomers report online today in Nature, the Herschel Space Observatory has discerned a watery spectral line at the far - infrared wavelength of 538 microns.

But Kusenko says the observation will be difficult to interpret: «The problem is to distinguish this [spectral] line from all sorts of ordinary lines produced by gas in the cluster.»

Astrophysicist Paul Westoby and colleagues from Liverpool John Moores University in the U.K. used data from the Sloan Digital Sky Survey to survey spectral lines from 360,000 relatively nearby galaxies.

In a breakthrough, a group of researchers at the National Institute of Standards and Technology developed an on - silicon - chip laser source with outputs that consist of precisely defined and equally spaced optical lines within the mid-infrared spectral region.

ALMA creates both a visual picture and a spectrum for every pixel of its images, producing tens of thousands of spectral lines in every field of view it observes.

Yet so far, star formation historians have mostly relied on other indicators to write their histories: light at a particular frequency that is typically emitted when giant clouds collapse, heating up in the process and radiating away that heat in the form of specific spectral lines.

In the past decade, as powerful new telescopes capable of observing faint spectral lines have come online, the search for alien molecules has accelerated.

Working at the European particle physics laboratory, CERN, in Meyrin, Switzerland, they measured that «spectral line» to a precision of a few parts in 10 billion, as they report online today in Nature.

They have also identified 10 spectral lines at each location that correspond to the lines created by glycine in the lab; before they had just two.

In their paper published in Nature the physicists from the University's College of Science, working with an international collaborative team at CERN, describe the first observation of spectral line shapes in antihydrogen, the antimatter equivalent of hydrogeIn their paper published in Nature the physicists from the University's College of Science, working with an international collaborative team at CERN, describe the first observation of spectral line shapes in antihydrogen, the antimatter equivalent of hydrogein Nature the physicists from the University's College of Science, working with an international collaborative team at CERN, describe the first observation of spectral line shapes in antihydrogen, the antimatter equivalent of hydrogein antihydrogen, the antimatter equivalent of hydrogen.

The challenge for astronomers is to identify that fingerprint among the forest of spectral lines from all the other chemicals in the cloud.

The scientists were thus able to transfer the genetic information from the known fluorescent protein eqFP615 into the DT40 chicken B cell line in order to produce protein variants of the new infrared marker Amrose with different spectral properties.

The new discoveries were made with the help of the radial velocity method, which looks for the periodic shifts of certain spectral lines in a star's light that are caused by the gravitational tug of invisible planets which orbit the star.

Redshift of the spectral lines in the light from a galaxy reflects its velocity relative to our galaxy.

This is due to the fact that most visual light is emitted in one spectral line, the green 5007 Angstrom forbidden line of doubly ionized oxygen, [O III](see our Planetary Nebulae page).

Spectral line: A dark or bright line in a uniform and continuous spectrum.

Measurements taken by a team of astronomers from the Universities of Geneva and Bern are given in the framework of the PlanetS NCCR; the figures come from observations made over sodium spectral lines.

(b) Integral intensity map of the Galactic central region around Sgr A * (shown by a white star) in the hydrogen cyanide (HCN) 354.6 GHz spectral line.

At the same time, the new model itself is so general that it will offer an interesting starting point for the search for dark matter even if it turns out that the spectral line discovered in 2014 has a different origin.

The groups reported the presence of a previously undetected spectral line, with an energy of 3.5 kiloelectron volts (keV), in x-ray light from distant galaxies and galaxy clusters.

Actually, as for almost all planetary nebulae, most of the visible light is even emitted in one spectral line only, in the green light at 5007 Angstrom (see our planetary nebula description)!

Though a significant number of these astrometric matches are likely to be spurious, we sought out spectral characteristics of active stars and interacting binaries, such as hot, massive spectral types or emission lines in order to corroborate the X-ray activity and certify the authenticity of the match.

With spectral data taken in a wide frequency range, we can obtain intensity ratio of various molecular line emissions.

An interesting result from this data was that no emission was detected in the Stokes I spectral line profiles during the flare, which is traditionally seen in such magnetic transient regions.

Graduate student Jialu Li, in collaboration with the Argus instrument team and DEGAS project, made these images (the highest frequency spectral line observations the Green Bank Telescope has ever made) in only 10 hours on 2017 October 25 and 26.

The Caltech comb produces spectral lines in the infrared, making it ideal for studying red dwarf stars, the most common stars in the Milky Way.

Figure 02: The «Moment 1» panel shows the change of velocity across the galaxy, indicating a smooth rotation, while «Moment 2» gives the spectral line's width, here showing a broad line toward the turbulent star - forming nuclear bar and more ordered motion in the arms themselves.

Such a break is found in the spectrum of all remote objects (from the crowding of absorption lines creating an effect known as the «Lyman - alpha forest» before the Lyman - alpha spectral line at rest wavelength 121.6 nm).

A spectral line is a dark or bright line in an otherwise uniform and continuous spectrum, resulting from emission or absorption of light in a narrow frequency range, compared with the nearby frequencies.

We characterize the main emission lines found in the spectrum, which primarily arise from a range of components associated with Orion KL including the hot core, but... ▽ More We present the first high spectral resolution observations of Orion KL in the frequency ranges 1573.4 - 1702.8 GHz (band 6b) and 1788.4 - 1906.8 GHz (band 7b) obtained using the HIFI instrument on board the Herschel Space Observatory.

In addition, we use APEX for spectral line mapping to study the complex background around aCen seen in the photometric imageIn addition, we use APEX for spectral line mapping to study the complex background around aCen seen in the photometric imagein the photometric images.

Enigmatic and organic, the drawings are delicately realised in graphite and ink: Osiris is shown sitting on a watery black throne; a blindfolded figure with multiple top hats takes spectral shape against a network of fine lines in a reference to the late performance artist James Lee Byars and his trademark costume.

For Spine Of The Earth 2012, Albuquerque is re-imaging her seminal project from 1980 in an entirely new context with an innovative component of suspense that emphasizes the spectral line connecting the Earth's core to the sky above.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren'in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

The Heraclitean flux of the series, which surrounds the viewer in bold color, captures the spectral range of hues seen in the waters of Burano, an island in the Venetian lagoon lined with houses in bright gold, red, blue and white.

In particular, the relationship between the definite line of the tape and the spectral expanse of the spray creates the ambiguity between figure and ground, and keeps the depth of field unresolved.

So at the centers of the CO2 spectral lines the absorption is so large that the total cross section in a 1 meter path high of 1M ^ 2 of air is about 10M2 for the exact peak of the lines.