Sentences with phrase «in static frames»

Not exact matches

But the root cause of the opinion that God is a threat to human creativity is due not to a defect in logic but to the false assumptions derived from a static frame of reference that pictures God as a metaphysical and Transcendent Other, and this world as an autonomous natural order.

The Latasters rarely put a foot wrong - from their static opening shot in the town of Hapert to the final frames of Miss Kiet in her classroom, this is a beautifully - judged piece.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

The first is to offer a time - lapse in a series of portraits of the family, dour, before a static frame, with the young cast morphing into their older counterparts.

Rather than focusing on bullets traded and blows landed with shaky, «immediate» handheld photography, director Gore Verbinski relies on the pleasures of unexpected motion occurring within a static frame: a character falling off a train to land on an unseen horse, or our dynamic duo finding themselves swinging in circles after the chains on their hands get caught on an overhead cable, or, most famously, Tonto bridging up on a ladder in the «middle» of a fight between the Ranger and William Fichtner's Butch Kavendish.

Whereas the earlier films, mostly shot by Dietrich Lohmann, often framed the groups or members of the group in static tableaux in order to highlight their solidarity and opposition to a lone outsider, this film (Fassbinder's ultimate collaboration with Michael Ballhaus) uses an almost constantly moving camera and a remarkable succession of framing and fracturing devices within the camera frame to underscore the shifting alliances, individual isolation, and internal struggles of the characters.

Camera movements are limited but fluidly executed, and Haneke is not afraid to keep the camera motionless and frame scenes in a static wide shot.

Reflecting this notion is the beautiful, largely static camerawork by cinematographer Roger Deakins (superb work again after True Grit), who frames the interiors of this rather muted and drab setting in a way that it makes the characters appear like prisoners of their own personal values and motives.

It is the first indication that we are in Only God Forgives or Valhalla Rising territory where static framing with and sonic force reign supereme, more - so than Drive or The Pusher Trilogy, although to be fair, both all of his films show a wonderful proficiency on setting a distinct rhythm to the storytelling.

Commonly used buttons and displays (like radio volume and time) are placed in a frame on the top, left side, and bottom of the screen that remains static no matter what mode the system is in.

While it's framed as a challenging and useful guide, it mobilizes a completely generalized understanding of what women want as though the category is essential, static, unchanging and lacking any diversity in their opinions, outlooks or desire.

Features: • Unity 3D engine • NVIDIA ® PhysX ® physics engine • Support for both OpenGL 1.x and OpenGL 2.0 • Available for Android 2.0.1 Eclair (API level 6) or higher • Possibility to configure difficulty level: easy, medium, hard • Possibility to configure way to control your vehicle: by touch, by slidem by using wheel and by tilt screen • Possibility to reduce visibility range, to increase frame rate on low - end devices • Possibility to change camera during game (in car, follow car, rotate cam, dynamic and static) • Works even on low - end devices such as Huawei Media pad (but with reduced visibility range) • Supports all screen sizes from e.g. Samsung Galaxy Mini (480 × 320) to Samsung Galaxy S3 or Huawei Tablets

You understand why people are doing what they are doing, and the story grips you, even though it is displayed with static cutouts of characters and quick, one - frame changes in animation between major events, like «living» and «dead» in a battle, or the fact that a lot of animation is saved simply because everyone is wearing the same clothing.

The prints are hung in a grid of static images like still frames from a film, sequenced to parallel the chronology of movement on an illuminated marquee.

In films such as Swinging the Lambeth Walk (1940), where drawn and scratched lines undulate in striated verticals and sine - wave - like horizontals to a jaunty jazz sound track, and Free Radicals (1958), in which chalklike inscriptions streak and sway across a pitch - black screen accompanied by African music, New Zealand animator Len Lye used the cinematic apparatus to make static frames (cels) appear to movIn films such as Swinging the Lambeth Walk (1940), where drawn and scratched lines undulate in striated verticals and sine - wave - like horizontals to a jaunty jazz sound track, and Free Radicals (1958), in which chalklike inscriptions streak and sway across a pitch - black screen accompanied by African music, New Zealand animator Len Lye used the cinematic apparatus to make static frames (cels) appear to movin striated verticals and sine - wave - like horizontals to a jaunty jazz sound track, and Free Radicals (1958), in which chalklike inscriptions streak and sway across a pitch - black screen accompanied by African music, New Zealand animator Len Lye used the cinematic apparatus to make static frames (cels) appear to movin which chalklike inscriptions streak and sway across a pitch - black screen accompanied by African music, New Zealand animator Len Lye used the cinematic apparatus to make static frames (cels) appear to move.

In Sheeploop (2000), a small flock of sheep, grazing in a field that overlooks the sea, wander into a static frame and, circling back, out of iIn Sheeploop (2000), a small flock of sheep, grazing in a field that overlooks the sea, wander into a static frame and, circling back, out of iin a field that overlooks the sea, wander into a static frame and, circling back, out of it.

For starters, it includes a built - in OLED screen that displays any black and white design you create, whether it's a static image or an animation that runs 10 frames per second.

Meanwhile, anyone can now use the Frame Studio to upload simple, static overlaid image filters that will appear in Facebook Camera to their friends or a Page's fans.

• Created remote engineer office in the UK including functioning networks, storage, backup and related Sun workstations • Implemented thorough antivirus system within email relay server, including attachment filtering and virus scanning functionality for both incoming and outgoing emails • Upgraded 3Com network switches to Extremes Gigabit switches as well as developed and defined internal IP assignment policies and re-numbered all Internal IP addresses • Established NetBackup system with 100 slot tape library and direct backup Netapp filer utilizing NDMP, improving performance and reducing back up window in comparison to old Legato system • Consolidated 9 Netapp small servers and one Auspex file server into two larger Netapp filers, reorganizing all file structures, eliminating cross mounts, centralizing home directory with quota and creating dedicated volume for each engineer project • Provided home hardware VPN service and remote software service to users as well as upgraded internet lines with dual T1 • Built up global internal DNS and DHCP servers offering dynamic DNS and auto - syncing with NIS hosts map with static DNS hosts records • Implemented site - to - site VPN for all four offices to phase - out frame relay network, gaining bandwidth and saving expenses • Selected Netscreen as corporate firewall standards, integrating successfully in all 4 offices located in both US and Asia