Sentences with phrase «in synthetic resin»

Untitled Blue Monochrome (IKB 44), 1955, dry pigment in synthetic resin on canvas, mounted on panel, 41 × 136 × 3 cm.

Yves Klein, Untitled red monochrome (M 63), 1959 Dry pigment in synthetic resin on board Solomon R. Guggenheim Museum, New York Gift, Andrew Powie Fuller and Geraldine Spreckels Fuller Collection, 1999, 2000.28 © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris

Yves Klein, «Hiroshima», ca. 1961, dry pigment in synthetic resin on paper on canvas, 138.7 x 279.7 cm.

A very striking deep ultramarine blue work by Yves Klein (1928 - 1962), «RE 40,» a sponge and pigment in synthetic resin on panel, 78 3/4 by 59 inches, Lot 64, sold within its estimates for $ 2,095,750, another auction record.

Yves Klein (1928 - 1962) loves deep blue and Lot 241, «Venus Bleue,» shows what happens when you take a Classical sculpture of a woman's torso and make a very fine plastic sculpture of such a form and cover it with dry blue pigment in synthetic resin instead of lustrous white marble.

Yves Klein, Untitled (fire - color painting), 1962, charred dry pigment in synthetic resin with metallic paint on asbestos - coated paper on board, 24 1/2 x 19 in.

Not exact matches

No synthetic resins in sight!

Melamine has been a concern for parents in recent years — also known as cyanuramide, this synthetic chemical is used to make resins for cooking utensils, etc. and has also been used to make fertilizers, paper, paperboard, and flame retardants.

PET carpet advocates report that because plastic beverage containers are made with top quality resins as required by the U.S. Food & Drug Administration, recycled PET is superior to lower grades of virgin synthetic fibers used in making other brands of polyester carpet yarns.

Regulators are concerned because growing evidence shows that some synthetic chemicals — including those found in in insecticides, herbicides, fumigants, fungicides, detergents, resins and plasticizers — may disrupt the body's endocrine system, which controls many important functions by emitting hormones, or natural chemical messengers.

We are witnessing more obesity, diabetes, pituitary, thyroid, ovarian, and other endocrine gland disruption due to chemicals such as perchlorates (residues of synthetic fertilizer in produce), polyfluorooctanoic acid (non-stick cookware), bisphenol A (polycarbonate plastics, resin lining of cans), polybrominated diphenyl ethers (flame retardants), along with many others.

Used in the manufacturing of plastics, rubbers, synthetic resins, fibers, paints, varnishes, lubricants, sealants, dyes, and leather treatments; the lubricants company Castrol took its name from castor oil

They differ not only in their production processes, but also in the type of carbon fiber and its weave and, most importantly, in the chemical composition of the synthetic resin used.

In fact, it has been constantly changing with synthetic resins now making their way in competition with solutions of nitrocellulose and, with more recent applications of dispersing agents, with lower surface tension, there have even appeared lacquers in which the more expensive and inflammable solvents have been replaced to a considerable extent by wateIn fact, it has been constantly changing with synthetic resins now making their way in competition with solutions of nitrocellulose and, with more recent applications of dispersing agents, with lower surface tension, there have even appeared lacquers in which the more expensive and inflammable solvents have been replaced to a considerable extent by watein competition with solutions of nitrocellulose and, with more recent applications of dispersing agents, with lower surface tension, there have even appeared lacquers in which the more expensive and inflammable solvents have been replaced to a considerable extent by watein which the more expensive and inflammable solvents have been replaced to a considerable extent by water.

Interestingly, the group of artists displayed in this exhibition will bring back these two layers of plastic creativity in unforeseeable ways: How could cheap, synthetic, mass - produced plastic resin become the material that would resonate with the very sources of creation?

Known for their pioneering work with various synthetic resins and synthetic polymers during the 1960s and «70s, these artists are today recognized not only for their active roles in the development of plastics as a newly discovered medium in art, but also for their sophisticated techniques and at times even quasi-acrobatic prowess required to shape them into the seamless, translucent, luscious volumes: some impressive examples of these artistic exploits will be on display at Almine Rech Gallery.

Into natural fissures in the sand, she poured plastic resin — a synthetic, unpretentious material often used to make cars, boats and surfboards, and which can in turn symbolize a contrast between nature and culture.

Yves Klein (1928 - 1962) IKB 64 signed, stamped with the artist's monogram and dated «Yves 57» (on the overlap) dry pigment and synthetic resin on canvas laid down on panel 21 7/8 x 30 1/2 in.

Bringing together a minimalist structural rigour contrasted with unfolding fields of energy, Altmejd recognizes the primacy of the conceptual approach in shaping the cycles that run through his work: heads, constructed, architectural pieces, werewolves, bird men, giants, bodybuilders, guides, watchmen... The abrupt changes in scale (from the minuscule to the monumental), profusion of materials (crystals, mirrors, synthetic hair and fur, resin, wood, metal) and the various devices he uses to occupy the space (platforms, display cases, oversized cabinets) are all strategies that position the artist as a creator of all possibilities.

Yves Klein (1928 - 1962) Anthropométrie sans titre, (ANT 49) signed and dated «Yves Klein 1960» (lower right) dry pigment and synthetic resin on paper laid down on canvas 42 7/8 x 25 5/8 in.

Video installation; 1 LCD monitor, 1 flashcard player, 1 vintage sideboard in laminated wood, miscellaneous objects, LED lights, laboratory glassware with synthetic resin, 108 5/8 x 59 x 22 7/8 in.

Emphasising the notion of contrast, he utilises natural coal and synthetic resin in his work which features hollow bodies and voids of coal alongside large columns of internally - fractured resin.

A satellite of the major retrospective on Sigmar Polke at the Museum Ludwig: Polke's Biennale cycle of 6 synthetic - resin paintings in Mönchengladbach and the «making of» his German Pavilion at the 42nd Venice

Lot 40, «RE 1,» by Yves Klein (1928 - 1962) is a 78 3/4 - by -65-inch deep blue pigment, synthetic resin and sponges on canvas that was executed in 1958 and has a very ambitious estimate of $ 4,000,000 to $ 5,000,000.

Mai - Thu Perret, Les guérillères X, 2016, glazed ceramic, steel, epoxy, synthetic hair, cotton and polyester fabric, polyester resin, and steel base, 166.4 × 81.3 × 64.8 cm (65 1/2 × 32 × 25 1/2 in).

The range of objects and other contemporary junk materials employed within the genre is well illustrated in the works of Joseph Beuys (1921 - 86), such as Eurasia Siberian Symphony (1963, panel, chalk drawing, felt, fat, hare, painted pole, Museum of Modern Art NYC); Ed Kienholz (1927 - 94), such as Back Seat Dodge»38 (1964, truncated Dodge automobile, resin, paint, fiberglass, clothing, chicken wire, beer bottles, plaster, Los Angeles County Museum of Art); Niki de Saint - Phalle (1930 - 2002), such as her Monster of Soisy (1963, paint, various objects, metal frame, George Pompidou Centre); Marisol (b. 1930), such as her Woman and Dog (1964, wood, plaster, synthetic polymer, taxidermied dog head, and miscellaneous items, Whitney Museum of American Art).

One day in 1946, an artist came in with a synthetic resin and asked them to make paint out of it.

Yves Klein, Suaire de Mondo Cane (Mondo Cane Shroud), 1961, pigment, synthetic resin on gauze, 108 x 118 1/2 in.

«We also sold the Yves Klein «IKB 93,» blue pigment and synthetic resin laid on panel,» Mr. Rastorfer added later in an e-mail.

The works on view feature the artist's signature use of synthetic resin Kuricoat C - 720, a neon - green substance sprayed at Fukushima Daiichi after the reactor meltdown in an effort to resist the airborne spread of radiation.

Figure in steel, wire, paper mâché, acrylic paint, gouache, synthetic hair, cotton and polyester fabric, bronze, polyester resin, ceramic, wool blanket and steel base, wood and steel chair

Organised at Almine Rech Gallery by the artist DeWain Valentine, «Plastic Show» is presenting a series of works by five Californian artists (Mary Corse (b. 1945), Robert Irwin (b. 1928), Craig Kauffman (1932 — 2010), John McCracken (1934 — 2011), and DeWain Valentine (b. 1936)-RRB- who have been investigating the potential of plastic (synthetically produced resins) in art:» Known for their pioneering work with various synthetic resins and synthetic polymers during the 1960s and «70s, these artists are today recognized not only for their active roles in the development of plastics as a newly discovered medium in art, but also for their sophisticated techniques and at times even quasi-acrobatic prowess required to shape them into the seamless, translucent, luscious volumes.»

For example, in May 2014 at Sotheby's Contemporary Art Sale in New York, his work Relief Eponge Bleu (Re 51)(1959)- comprising dry pigment and synthetic resin, natural sponges and pebbles on board - fetched a cool $ 15 million.

First Sculptures In the 1950s Hanson taught art in Germany, and it was here that he began to experiment with synthetic media, in particular polyester resin and fiberglasIn the 1950s Hanson taught art in Germany, and it was here that he began to experiment with synthetic media, in particular polyester resin and fiberglasin Germany, and it was here that he began to experiment with synthetic media, in particular polyester resin and fiberglasin particular polyester resin and fiberglass.

Polyurethane foam, epoxy clay, epoxy gel, acrylic paint, resin, quartz, synthetic hair, and glitter; 20 x 28 x 32 cm (7 7/8 x 11 1/8 x 12 5/8 in).

The original idea came from Indigenous people who chewed tree resin, but the gum we know today is made in factories using a synthetic base.