The Shape of Water continues to rise, as it has in virtually every other category and Call Me By Your Name lands
in the Cinematography top 5 for the first time.
Not exact matches
(That was on
top of her three - Moonman haul from earlier
in the night: Beyoncé won Best Collaboration for «Drunk
in Love» with Jay - Z and Best Video With a Social Message and Best
Cinematography for «Pretty Hurts.)
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But like Abrams did on «Star Trek,» Whedon has stepped up his game
in a major way: the action is clear and coherent, the pacing is tight (it's 140 minutes long, but flies by) and the technical contributions are top - notch across the board, from the Bond - movie production design of James Chinlund («The Fountain «-RRB- and the razor - sharp cutting of Jeffrey Ford («Public Enemies «-RRB- and Lisa Lassek («Cabin In The Woods») to Seamus McGarvey «s bright cinematography and Alan Silvestri's firmly listenable score (although the latter could, it should be said, use a more distinctive theme
in a major way: the action is clear and coherent, the pacing is tight (it's 140 minutes long, but flies by) and the technical contributions are
top - notch across the board, from the Bond - movie production design of James Chinlund («The Fountain «-RRB- and the razor - sharp cutting of Jeffrey Ford («Public Enemies «-RRB- and Lisa Lassek («Cabin
In The Woods») to Seamus McGarvey «s bright cinematography and Alan Silvestri's firmly listenable score (although the latter could, it should be said, use a more distinctive theme
In The Woods») to Seamus McGarvey «s bright
cinematography and Alan Silvestri's firmly listenable score (although the latter could, it should be said, use a more distinctive theme).
In the standoff between «Boy...» and ``... man,» the «Birdman» came out on
top last night at the 87th annual Academy Awards, winning four awards including best picture, best director for Alejandro González Iñárritu, best original screenplay, and best
cinematography for Emmanuel Lubezki.
In addition to McTiernan's tight direction, Predator soars to the
top of the 1980s action flick pack through its brilliant camera work, with some breathtaking
cinematography by Donald McAlpine (Moon Over Parador, The Hard Way), and a gorgeous score from Alan Silvestri (Flight of the Navigator, Back to the Future), one which is worthy of a major sci - fi epic franchise.
On
top of that, the
cinematography by Oscar - winner Emmanuel Lubezki was masterfully completed
in the same way he made last year's Gravity look spectacular.
Great to see Bright Star figure well
in the BAFTA long lists, making the
top 5 (guild) choices
in Actress, Production Design, Make Up, Costume and
Cinematography and
in the
top 15
in Actor, Director, Original Screenplay and Music.
Moonlight also earned
top wins
in Director for Barry Jenkins, Supporting Actor for Mahershala Ali (continuing his surprising run this season), Screenplay (where it tied with Manchester by the Sea), Film Editing (where it tied with Arrival) and
Cinematography for SF - native...
While «Prisoners» satisfies as completely as any dense, literary crime novel, it's elevated by
top notch performances from across the entire ensemble cast, and a richness of material, aided by some first rate filmmaking (Roger Deakins»
cinematography in particular does much
in adding to the damp gloom of the movie).
A profiled duo
in Filmmaker Magazine's
Top 25 Faces, we were first made aware of Jessica Dimmock «s excellent
cinematography skills
in Mark Jackson's underrated gem debut Without.
On the heels of his recent Best
Cinematography feting from the Los Angeles Film Critics Association for his work
in Children of Men, Emmanuel Lubezki took
top honors
in the feature film competition last night at the 21st annual American Society of Cinematographers (ASC) Outstanding Achievement Awards at the Hyatt Regency Century Plaza Hotel.
It missed
in the
top category, as did Michael Stuhlbarg for Best Actor, though the film managed mentions
in the Best Director and Best
Cinematography races.
Though Sound of Music took home
top honors, Zhivago ended up claiming the same number of Oscars, five
in total, winning for adapted screenplay, costume design,
cinematography, art decoration, and original score.
Winner of the Academy Awards for Best Picture, Best Director, and Best
Cinematography as well as Golden Globes for Best Screenplay and Best Actor
in 2014, Birdman will sit solidly on our list making it strongly probable that it will remain
in the
Top 50 for the rest of the decade.
20 - ish «newish» works (10 male / 10 female directed)
in the order
in which I saw them: Happy Hour (Hamaguchi Ryūsuke, 2015): TV via vimeo (December 2016) Dangal (Nitesh Shiwari, 2016), the most enjoyable action entertainment, on Indian wrestling sisters (January,
in release) Angry Inuk (Alethea Arnaquq - Baril, 2016): at Phi Centre; «Canada's
Top 10» (January) Crosscurrent (Yang Chao, 2016): on desk - top computer (January): oh to see this on a big screen, to better appreciate Mark Lee Ping - Bing's cinematograp
Top 10» (January) Crosscurrent (Yang Chao, 2016): on desk -
top computer (January): oh to see this on a big screen, to better appreciate Mark Lee Ping - Bing's cinematograp
top computer (January): oh to see this on a big screen, to better appreciate Mark Lee Ping - Bing's
cinematography!
«Inclusion» is our
top search on the night, followed by «
cinematography,» «
in memoriam,» «feminism,» and «rider.»
An easygoing cinematographer with a charming personality and a clear mission — use light, lenses, angles and intuition to aid the director
in top - notch storytelling — Jeff has a solid understanding of the technical and artistic aspects of
cinematography and believes
in mixing creativity with preparation and efficiency.
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While widely recognized for the stunning
cinematography in his impressionistic documentary films «Red Shovel» and «Glass,» both of which won
top cinematography awards, he has received many «best of» awards at various festivals
in recognition of his conception, editing, and sound design - areas he considers to be at the core of his art.
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