Sentences with phrase «in the art fair booth»

Curated by the Hirshhorn Museum and Sculpture Garden's Gianni Jetzer, the Unlimited sector of Art Basel is a platform for large - scale installations and sculptures, projected video works, live performances, and anything else that can't be contained in the art fair booth.

Works by hot, young artists like Ben Weiner, Joshua Dildine, and Stephanie Washburn are likely to be on view during one of the gallery's jam - packed exhibitions in Culver City or in an art fair booth in a city near you.

Not exact matches

I remember I walked past your booth [at The European Fine Art Fair in Maastricht, Netherlands, in 2013] and saw this coffee table.

Bologna Book Fair: A Illustrator's View Guest post by Leslie Helakoski Illustrator Leslie Helakoski doing an art demo and book showcase in the SCBWI booth at the Bologna Book Fair.

For Hollowell's first outing with the gallery, a selection of her recent paintings will be on view in Pace's booth at the FOG Design + Art fair in San Francisco, which runs from January 12 through 15.

For Hollowell's first outing with the gallery, a selection of her recent paintings will be on view in Pace's booth at the FOG Design + Art fair in San Francisco,... Read More

I was at an art fair last Summer and stopped in a booth to look at some amazing wire sculptures.

During the VIP opening of Art Basel yesterday afternoon, the booth of Zurich gallery RaebervonStenglin had a pretty solid crowd in it that was standing still — a fairly strange sight at an art fair, where one more typically sees people running from... Read MArt Basel yesterday afternoon, the booth of Zurich gallery RaebervonStenglin had a pretty solid crowd in it that was standing still — a fairly strange sight at an art fair, where one more typically sees people running from... Read Mart fair, where one more typically sees people running from... Read More

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Jackson

Tony Feher will present a site - specific installation as part of the IN / SITU program at Art Expo Chicago, alongside D'Amelio Gallery's booth at the fair.

On an overcast afternoon last week, while the bold - faced names of the international art world roamed the booths at the Frieze Art Fair, including the one occupied by Mr. de Balincourt's gallery, Salon 94, the lanky, silver - haired, 39 - year - old artist sat in his spacious, sun - filled Bushwick studio, lighting up a joiart world roamed the booths at the Frieze Art Fair, including the one occupied by Mr. de Balincourt's gallery, Salon 94, the lanky, silver - haired, 39 - year - old artist sat in his spacious, sun - filled Bushwick studio, lighting up a joiArt Fair, including the one occupied by Mr. de Balincourt's gallery, Salon 94, the lanky, silver - haired, 39 - year - old artist sat in his spacious, sun - filled Bushwick studio, lighting up a joint.

In La Bella Crisis, Puerto Rican artist José Lerma revisits MOCAD's history by transforming the museum's main gallery, once an auto showroom, into a series of booths like those typically found at international art fairs, where art is routinely displayed and sold to the public.

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

Now, taking another step in that direction, United Talent Agency is participating in its first art fair — with a booth showcasing two never - before - exhibited paintings by Kurt Cobain at the Seattle Art Fair, from Aug. 3 through Aug.art fair — with a booth showcasing two never - before - exhibited paintings by Kurt Cobain at the Seattle Art Fair, from Aug. 3 through Augfair — with a booth showcasing two never - before - exhibited paintings by Kurt Cobain at the Seattle Art Fair, from Aug. 3 through Aug.Art Fair, from Aug. 3 through AugFair, from Aug. 3 through Aug. 6.

Pulse aims for the art fairs in miniature, with a separate floor in Chelsea's Metropolitan Pavilion for single - artist booths like a fine one for Peter Brock at Black & White, plus a few installations.

One of our favorites at NAP, Summer Wheat, opens a show at the Lower East Side space, Pocket Utopia, on March 16th, and will also be the focus of a solo booth presentation with Samson at the Nada New York art fair in May.

Neighboring Hanart TZ Gallery has invested all its energy in Gu Wenda, organizing three simultaneous solo exhibitions: an eponymous show at the gallery; one at the gallery's booth at Art Basel Hong Kong; and another at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from human haArt Basel Hong Kong; and another at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from human haart fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from human hair.

His work looked great in The Journal's booth at the Nada Miami Art Fair, and it seems that collectors agreed.

In a move that has annoyed those people who take art fairs extremely seriously, Larry Gagosian decided to devote his entire booth at Frieze New York to Richard Prince's Instagram paintings, ``

In 2007, her work was featured at the Kinkead Contemporary Gallery booth at Aqua Art Miami art faArt Miami art faart fair.

I've thought of this as I've seen the work of all these artists in major art fairs in the booths of major galleries.

In a move that has annoyed those people who take art fairs extremely seriously, Larry Gagosian decided to devote his entire booth at Frieze New York to Richard Prince's Instagram paintings, «New Portraits.»

I went to Art Cologne in 1988 as one of my first fairs, and Friedrich Petzel, Gavin Brown, and I were all sort of sponsored by the fair — they gave us our booths for nothing.

Self - Organized opened at Guest Spot's Calvert Street gallery; in conjunction with this exhibition, the gallery hosted a sister - booth at the Artist - Run Art Fair, located just a few blocks away.

Sophie Von Hellermann paintings in the Greene Naftali booth at the Frieze Art Fair, New York.

Sharing a booth at the fair with New York's David Nolan Gallery, the Chicago - art - scene boosters Corbett vs. Dempsey brought as their centerpiece this revelation of a sculpture by Diane Simpson, a Windy City artist in her 70s who, as Jim Dempsey puts it, «is still totally kicking ass today.»

Next week, The European Fine Art Fair (TEFAF) opens in New York City — and you can preview the booths before the crowds online.

In the high - octane art market of recent years, the first hours of the Art Basel Miami Beach art fair have generally been marked by a frenzied stampede at the door followed by fierce competition in the more than 200 booths that fill the convention centeIn the high - octane art market of recent years, the first hours of the Art Basel Miami Beach art fair have generally been marked by a frenzied stampede at the door followed by fierce competition in the more than 200 booths that fill the convention centart market of recent years, the first hours of the Art Basel Miami Beach art fair have generally been marked by a frenzied stampede at the door followed by fierce competition in the more than 200 booths that fill the convention centArt Basel Miami Beach art fair have generally been marked by a frenzied stampede at the door followed by fierce competition in the more than 200 booths that fill the convention centart fair have generally been marked by a frenzied stampede at the door followed by fierce competition in the more than 200 booths that fill the convention centein the more than 200 booths that fill the convention center.

Katonya, whose works go for a Basel - bargain $ 2,500 each, will be in performance in her «studio» at the booth — a bed and table laid out with wigs and art supplies — every day during the fair at 3 p.m.

Yesterday's announcement in the New York Times that David Zwirner would be moving to a new $ 50m gallery in Chelsea only served to underscore the trend that ranges from developers buying large - scale art works to anchor complexes to real estate agents staging homes with borrowed art works and, as Architectural Digest recently pointed out, developers taking booths at art fairs to pitch their projects.

At the same time, just as importantly, there is a new generation of dynamic young dealers who are very active in post-war Italian art — doing a lot of research and promoting artists with catalogs, museum shows and major highly focused art - fair booths.

Outside the actual fairground itself, Asia Art Archive's booth was overtaken by the work of the feminist group Guerrilla Girls, who invited visitors to take a poll on how many women artists they saw at specific booths in the fair.

Kenny Schachter Makes a Very Good Point About Art Fairs: It's a little embarrassing to take anything Jerry Saltz says very seriously but it's a good thing Kenny Schachter did in his defense of art fairs because Schachter brings up an excellent point about what one sees in the booths at the vast majority of faiArt Fairs: It's a little embarrassing to take anything Jerry Saltz says very seriously but it's a good thing Kenny Schachter did in his defense of art fairs because Schachter brings up an excellent point about what one sees in the booths at the vast majority of fFairs: It's a little embarrassing to take anything Jerry Saltz says very seriously but it's a good thing Kenny Schachter did in his defense of art fairs because Schachter brings up an excellent point about what one sees in the booths at the vast majority of faiart fairs because Schachter brings up an excellent point about what one sees in the booths at the vast majority of ffairs because Schachter brings up an excellent point about what one sees in the booths at the vast majority of fairsfairs.

Dealer Jasmin Tsou, a veteran of Maccarone and Kimmerich galleries, as well as Karma, the West Village bookshop and gallery, started this LES showcase for emerging and under - appreciated artists in 2012 with money she raised at the NADA art fair in Miami where she'd mounted a small project booth.

Anna McNay: You recently exhibited a solo booth with Gallery 1957 at Cape Town Art Fair, for which you showed work from your charcoal series, Sex and Politics, which you also exhibited at the 1:54 art fair in London last OctobArt Fair, for which you showed work from your charcoal series, Sex and Politics, which you also exhibited at the 1:54 art fair in London last OctoFair, for which you showed work from your charcoal series, Sex and Politics, which you also exhibited at the 1:54 art fair in London last Octobart fair in London last Octofair in London last October.

Bypassing a traditional Art Fair structure with gallery booths that showcase represented artists, Jogja exhibits the work of artists directly in a well - curated show that continues for a good summer - while — from June 7 - 22, 2014.

Mulherin Gallery, from New York's Lower East Side, took one of the new, small paintings to its booth at last December's Untitled Art Fair in Miami, and - almost as improbably as Kleberg's style changed - he got noticed.

At almost every booth I visited, gallerists sat around in chairs, chatting with visitors; more than an art fair, the ADAA is a parlor room.

ltd los angeles's Sunday booth featured in Cool, Calm and Clever at Sunday Art Fair by Hannah Hayes - Westall for FAD Magazine 6 October 2017

ltd los angeles's Sunday booth featured in Sunday Fair Brings Galleries from Luxembourg, Arkansas, and Elsewhere to London by Nate Freeman for Art News 5 October 2017

The winners of the 2017 Chicago awards, who were selected by artist Rashid Johnson and curators Omar Kholeif, Susan Thompson, and Megha Ralapati, will each receive $ 10,000 and their work will be presented in the Artadia booth at this year's Expo Chicago art fair.

Fittingly, I suppose, «14 Rooms» comes off more like 14 different art fair booths, and while the works here are not for sale, they advertise the possibility of collecting performances — but only the well - behaved ones that stay put in white boxes.

Yet another category, Art Kabinett, is a smaller space within some of the main fair booths in which the work of one artist is featured.

One of 2 recent works for the Madrid based @swintongallery booth at this years @urvanityart contemporary art fair in Madrid opening this February 21 - 25, 2018, LASEDE COAM - c / Hortaleza 63 █ contact [email protected] for availability.

Susan Dunne, President at Pace Gallery and Vice President of the ADAA shared, «The Art Show is a special forum among art fairs for its truly thoughtful and considered gallery presentations, which is why we decided to devote our booth to our first solo exhibition of works by Tony Smith since Pace began representing the estate in 20Art Show is a special forum among art fairs for its truly thoughtful and considered gallery presentations, which is why we decided to devote our booth to our first solo exhibition of works by Tony Smith since Pace began representing the estate in 20art fairs for its truly thoughtful and considered gallery presentations, which is why we decided to devote our booth to our first solo exhibition of works by Tony Smith since Pace began representing the estate in 2017.

Untitled was acquired from Weiss Berlin Gallery, presenting a solo booth of Ed Clark's work in the Spotlight section of the fair, curated by Toby Kamps (Blaffer Art Museum, Houston).

Tim Etchells presented a solo booth with VITRINE at Dallas Art Fair (2016) and in Perf4m at ARTISSIMA Turin, Italy (November 2016).

Jonathan LeVine Projects is pleased to announce it's programming for the Urban Art Fair, a presentation in booth 6.02 featuring work by Augustine Kofie, DALeast, Dan Witz, EVOL, Faith47 and Prefab77.

In La Bella Crisis, José Lerma revisits MOCAD's history by transforming the museum's main gallery, once an auto showroom, into a series of booths like those typically found at international art fairs, where art is routinely displayed and sold to the public.

With the popularity of «Yayoi Kusama: Infinity Rooms» at the Seattle Art Museum (SAM) near by, it's no wonder David Zwirner has Kusama paintings prominently displayed in its large, centrally located booth at the Seattle Art Fair.