Sentences with phrase «in the blurred landscapes»

Meatyard also experimented with multiple exposures, motion blur, distortion, and other methods of abstraction, as in the blurred landscapes of his «Motion - Sound» images.

Not exact matches

In a Canadian landscape full of safely bland business icons, Wek is a noisy blur of colour that everyone wanted to know more about.

On the other hand, we are introduced to the nature and spirit of transcendentalism, but aren't told much about how the «softening contours and the blurring of details» in landscapes by George Inness reveal «underlying structures that directly mirrored the divine.»

In such a fractious political landscape where party lines are commonly blurred, voters demand clarity on certain issues.

Saldana is confident her three sons will grow up in a more diverse landscape where gender and racial lines will blur.

Woodcock is also a man so tightly wound that he's about to burst, something we sense when he gets behind the wheel of his luxury car and the landscape flies by in a fast - motion blur.

The only complaint I had is that many of the levels had a rather fast pace, sometimes forgetting its more patient trials roots in favor of holding down the accelerator until the landscape blurs and your face begins to melt into the back of your skull..

Realistic landscape springs to life with dynamic direct and indirect illumination, cinematic depth of field, high - quality motion blur and procedurally placed trees and foliage, all rendered in real - time.

Featuring interior shots of vacated homes, as well as exterior photographs of the buildings and desolate landscapes, there is a haunted quality to this work in which Hernandez deliberately blurs the line between absence and presence, the visible and invisible.

We drove on, Marshall taking us through the intersection of Pershing and Indiana a few blocks north, and I recognized it as the vista that appears in his 2003 painting «7 am Sunday Morning,» an urban landscape painting with, in its blurred passing car, a nod to one of Marshall's favorite painters, Gerhard Richter, but which moreover showcases the real storefronts of Rothschild Liquors and, adjoining it, Your School of Beauty Culture, the latter of which I stared at in something like wonder.

I also gained a new appreciation for Joseph Stashkevetch, whose sanding of his own meticulous landscapes in Conté crayon gives rag paper the texture of abstraction, the blur of atmospheric perspective, the spark of sunlight in a clearing, or the reflection off mountains in the snow.

To produce a kind of rupture in this endless loop of image production and apprehension of nature, Opie uses different cameras — the portraits are shot with a digital 35 mm, Hasselblad, and the landscapes with a wider - angle, Canon DS — and then allows the focus to blur.

The exhibit features lesser - known work by Meatyard — not just his macabre, blurred images of children in lonely landscapes — and a host of his lesser - known contemporaries such as Guy Mendes, Charles Traub, Cranston Ritchie, Robert C. May and poets Ronald Johnson and Jonathan Williams (who are associated with Black Mountain College).

So too, the floor and wall arrangements of objects that he started making in the 1980s blur the line between manmade and natural landscapes: they create an outline of something familiar, where the contributing parts relate to the whole.

Exhibition brochure, published in conjunction with BLURRED HORIZONS: Contemporary Landscapes, Real and Imagined at Art Projects International in New York from January 18 - March 31, 2018.

In contrast, she conjures the pastoral American landscape through abstracted blurred form.

As the curator Bruno Corà has described, «As in other photo painting by Richter, the subject in Waldstück (Okinawa), 1969, and Waldstück (Chile), 1969 is blurred and the pictures are kept entirely in grey shade, which makes them stand out from other landscape paintings.

Modeling her CG animations on the allegorical paintings of Casper David Fredrich, Fu continues her aspirations in the sublime from her painting background into experimental digital media, exploring the nature of physical and metaphysical limits, as the work also mirrors the fundamental aspect of Chinese Traditional Landscape Painting, which often presents a type of virtual space where the significance of the individual and linear perspective is blurred into a voluminous landscape.

In her practice, Tschäpe often incorporates themes of aquatic, plant and human life to suggest dreamlike, abstract landscapes that blur perceptions of illusion and reality.

«As in other photo painting by Richter, the subject in Waldstück (Okinawa), 1969, and Waldstück (Chile), 1969 is blurred and the pictures are kept entirely in grey shade, which makes them stand out from other landscape paintings.

Yojiro Imasaka, «Werra» (2015, limited - edition chromogenic print, 30 x 40 inches) and «Grand Canyon» (2013, limited - edition gelatin silver print, 30 x 40 inches) in «Blurred Horizons: Contemporary Landscapes, Real and Imagined» at Art Projects International, New York, 2018.

By including the work of 12 artists who vary in their formal interpretations, «Blurred Horizons: Contemporary Landscapes, Real and Imagined» replicates the multifarious richness of nature in a gallery setting.

On the computer in Photoshop, she merged two majestic landscapes by Bierstadt and another by Church with blurred news images of riots and protests in the wake of fatal shootings of black men.

As art historian and guest curator Kathryn Calley Galitz explains in an accompanying essay, the «Blurred Horizons» of the show's title refers to the tendency in contemporary landscape art to muddy the divide between realism and abstraction.

While it is possible to become blissfully lost in the blur of Untitled # 3, there are a number of other landscapes worthy of extended viewing in «Blurred Horizons.»

Galleries in Chelsea, Downtown, Uptown and Brooklyn are presenting solo exhibitions, a feminist filmmaker's photographs chronicling her experience, landscapes reduced to basic forms and paintings that blur conventions in both subject matter and medium.

«Liminal Squared» by Julie Mehretu at the Marian Goodman Gallery In «Liminal Squared,» Julie Mehretu's latest show at the Marian Goodman Gallery on W 57 Street, she presents a small number of huge, nonrepresentational paintings that blur the lines between landscape, architectural drawing, and pure abstraction.

Ruscha probes the visual and emotive power of words in Pews, a 1970 screenprint made with unorthodox materials such as chocolate syrup and red salmon roe, as well as in a new series, Rusty Signs, in which in the artist's words «neglected and forgotten signs from neglected and forgotten landscapes» are reproduced in uncanny detail that blurs the line between the fictitious and the real.

As a further nod to Fernández's favourite subject of landscape and perception, the line between artwork and viewer is blurred by the golden surface, which reflects the image of the spectator in its negative space.

In turn, Auto Italia places itself right at that intersection by blurring the line between art practice and home renovation by landscaping a production space in the Auto Italia site, while hosting events and discussion within it, along with ongoing research «supplemented by refreshments and environmental control selected for productivity»In turn, Auto Italia places itself right at that intersection by blurring the line between art practice and home renovation by landscaping a production space in the Auto Italia site, while hosting events and discussion within it, along with ongoing research «supplemented by refreshments and environmental control selected for productivity»in the Auto Italia site, while hosting events and discussion within it, along with ongoing research «supplemented by refreshments and environmental control selected for productivity».

On view were intensely colorful, often blurred photos of landscapes in the era of big data, image series of military places and secret surveillance techniques, video works along with extensive materials and documents from Paglen's investigatory research practice.

Macuga's practice is located at the intersection of two strands that have done much to define the landscape of contemporary art in the last decade: on the one hand, an increasing interest in research — specifically of the archival, historical kind — and on the other, a growing concern with strategies of display and the blurring of boundaries between art making and curating.

In his pictures based on photographs - blurred overpaintings, grey paintings, and landscape and abstract compositions - he makes clear that nothing perceived by our senses can ever be found in a picturIn his pictures based on photographs - blurred overpaintings, grey paintings, and landscape and abstract compositions - he makes clear that nothing perceived by our senses can ever be found in a picturin a picture.

In her portraits and landscapes, Opie establishes a level of ambiguity — of identity and place — by exaggerating masculine or feminine characteristics, or by exaggerating the distance of the shot, cropping, or blurring her landscapes.

Blurring the distinction between object and subject, concrete and abstract, real and imaginary, Thomas constructs complex portraits, landscapes, and interiors in order to examine how identity, gender, and sense of self are informed by the ways women are represented in art and popular culture.

It is reminiscent of the subtly modulated touch in Gerhard Richter's blurred realist oils, or the variation in handling in Rene Magritte's landscapes, but without the discordant treatment of light and inert surfaces.

When used in tandem, they give you the ability to change the depth of field of a shot, so you can blur the background while shooting at portrait or focus to infinity when capturing a landscape, just like you would on a big mirrorless or DSLR.