Not exact matches
William Sloane
Coffin's Once to Every Man (Atheneum) recounts the rich career of an activist clergyman who served as chaplain at Yale University for 17 years,
during which time he was involved
in civil rights demonstrations
in the south, student work camps
in Africa, Peace Corps training
in Puerto Rico, and antiwar protests
in Washington, D.C., and elsewhere.
Approximately 13,000 people, including former presidents George W. Bush and Bill Clinton, filed past his
coffin during a public viewing
in Charlotte this week.
During the course of two hours, tributes were paid to the five, and some frustrations vented at the «disgusting» tragedy that claimed at least 80 lives and left a gutted 24 - storey tower block described by one relative as a «tall
coffin in the air».
Henry Sloan
Coffin is reported to have made as many as one thousand pastoral calls a year
during his ministry at the Madison Avenue Presbyterian Church
in New York City.
At the time of the peace negotiations between the Americans and the Russians
during Carter's presidency, the pastor of Riverside Church
in New York, William Sloane
Coffin, said to his fellow Americans «We must be meek otherwise there will be no - one to inherit the earth».
Then, a short month later,
in January 1983, his son Alex, with whom
Coffin had an unusually close bond, was killed after his car skidded into Boston harbor
during a storm.
Poor summer transfer window on both occasions, top of the league at the half way point each time, but lots of poor performances, both seasons were so open, lots of injuries
during both campaigns, and the final nail
in the
coffin for the 13/14 season was the deluded Kallstrom signing.
The 2016 Election Campaign Coordinator of the National Democratic Congress (NDC), Kofi Adams has expressed surprise about the «noise»
in the media, following the popping - up of a
coffin bearing posters of Nana Akufo - Addo, flag bearer of the New Patriotic Party (NPP),
during the NDC's Manifesto launch
in Sunyani.
«If the high - powered incentives and supports that IMPACT created didn't work
during a sustained application, we would've viewed that as a nail
in the
coffin of this literature.»
that's right; I make my debut
in a
coffin, meeting my dismal end
during the fall of mother base.
At the Lisson Gallery, he is showing a most exquisitely crafted
coffin - cum - table, benches on either side, made from wood salvaged
during the destruction of a temple
in the name of building development.
Although each series emerged at different times
during the artist's career, he now often works simultaneously on all three
in an organic manner, as he points out: «when I was working on Terrazzo,
Coffin Paint, and Untitled, I didn't distinguish much between them, though they developed a complementary relationship as I worked.»