Sentences with phrase «in the dialogue here»

Not exact matches

«We dialogue about what businesses aren't going to be here in the next four or five years, and are we a part of that?

@Maripodi, «Published here for the first time is a fragment of a fourth - century CE codex in Coptic containing a dialogue between Jesus and his disciples in which Jesus speaks of «my wife.»»

«Published here for the first time is a fragment of a fourth - century CE codex in Coptic containing a dialogue between Jesus and his disciples in which Jesus speaks of «my wife.»»

Most of the American contributions to the ecumenical movement lie here, as do most of the Protestants engaged in dialogue with the Roman Catholics.

Published as a small book in France shortly after Furet's death in 1997, and ably translated into English here, the letters represent a true dialogue: respectful, even when differences are deep, in search of the truth.

Here, silence commences, silence which is the answer to the question pursued in dialogue.

Here again we are faced with the realization that evangelical theology is at its best an «art»; it is an entrusting to words what has been creatively perceived in the dialogue among Scripture, church, and world.

As for the question of why interreligious dialogue should have had its first major public outing in the United States, and why it has flourished here more than in any other country since, this is slightly more complicated.

Sure, there is more dialogue than in a typical church, and it sounds more free - flowing, but it is still too «churchy» for most of the people I know here in the Northeast who want nothing to do with «church.»

What spoke to me through this story, is how much this pastor knew the people in his church (you and I have the same definition of church, however I'm using the word here as it applies to this group of people I feel the problem in many churches today (and why dialogue during sermons wouldn't go over well) is that the pastors do not take the time to invest in the people they are trying to teach.

Of course more can be said here like at any other juncture in this thread and dialogue in particular.

After two weeks of interviews with St. Louis faith leaders and advocates, and several days on the ground moving between mobilizing efforts in Ferguson and dialogues with evangelical faith leaders, I see the same dynamic at work here.

Think about it — throughout the dialogue here support has been given to you for your approach in bringing about justice for victims of abuse and confronting powers that abuse.

Without setting the problem of faith and reason in the context of some general ontology of events as has been done here, our dialogue can only be one - sided and imperialistic.

The dialogue is much too vast, in many dimensions, to be the subject of detailed exegesis here, a task I have undertaken elsewhere.2 Here I am concerned only with what bears directly upon dipolar thehere, a task I have undertaken elsewhere.2 Here I am concerned only with what bears directly upon dipolar theHere I am concerned only with what bears directly upon dipolar theism.

I have explored the relationship between Catholicism and economics in great detail in Globalization for the Common Good so will only briefly revisit the topic here, then will shed some light on the works of Archbishop William Temple (demonstrating my ecumenism) and briefly summarize the contributions of Judaism and Islam (demonstrating my commitment to interfaith dialogue).

Neither in Europe nor in Israel has the relationship between Jews and Christians made possible the kind of dialogue we know here.

Here might be a non-Christian's test of responsible Christians» sincerity in the dialogue.

When a group claims they have a monopoly on the truth (insert your faith here) there is no point in trying to have a meaningful dialogue.

If you all contribute to the dialogues in your own churches as enthusiastically as you have contributed here, I should think that you are either very unpopular in your churches, or they are not as closed minded as many of you pretend that they are.

What that means, the details aren't known yet, but we will keep a regular dialogue with him and I hope we will see him here again in the long term.»

BTW: totally off topic but I thought this dialogue exchange would be appreciated here on TLT: In the market: Me: We're not buying that kind of yogurt.

«My task is a simple one — to help assist in the dialogue between the various political actors of this country so that the peace, stability, consolidation of democracy and the rule of law which is the demand of the Togolese people is realized here in Togo,» he added.

Let me make a point here; the Academic Staff Union of Universities is on strike and the government has set up a committee to engage in a dialogue with ASUU.

We here in this area thrive on serious, open and honest dialogue concerning common issues.

That being said, the dialogue stands out as super strong — loved the Lloyd scenes — and the themes at play here get full range in terms of execution.

Washington, DC About Blog This blog is an effort to share information, foster dialogue and encourage action to improve policies that affect disadvantaged people here in the U.S. Frequency about 1 post per week Since Dec 2008 Website povertyandpolicy.wordpress.com + Follow Facebook fans - n / a.

Again, this just my interpretation — apart from the alien's conversation with the final hitchhiker, there are only snatches of dialogue here and there, and pretty much no exposition or detail provided in Glazer and Walter Campbell «s adaptation of the novel by Michel Faber.

Even though he's hoofing the same animal - sidekick territory here as he did in Mulan, Murphy dominates the dialogue, portraying a donkey who's as motormouthed as he's supposed to be stubborn, the perfect foil to Myers» anti-social, Scots - accented Shrek (quite why Myers insists on repeatedly foisting this fake - Caledonian twang on us is a mystery, but, what the hell, it works well enough).

Neil LaBute's debut film was an adaptation of his own darkly comedic 1992 play, and its provocative, Mamet-esque dialogue marked the writer - director as a rising star in indie film world in the late 1990s, while also launching the career of star Aaron Eckhart, here playing one of a pair of coworkers seeking cruel revenge against women.

4: The Trial and Execution of Guybrush Threepwood as already mentioned under review is the best chapter in the series for both the technical part that for the dialogue, with the exception of the riddles here bound to a marginal and secondary.

Honestly, more than any speech or dialogue exchange within the movie, the structure here suggests a lot about how fleeting any given moment, any particular memory, any specific item, or any person's life actually is in the big picture of life across generations.

Theron is at her absolute best here (in a class with Monster and Mad Max: Fury Road), letting Cody's dialogue slide around her tongue before acidly spitting it out.

Crowe is good with dialogue, and there are some very nice exchanges here, especially in the film's first half.

The movie's theatrical Dolby Digital 5.1 sound mix is reproduced here accurately, with crystal - clear dialogue in the centre channel that's been perfectly recorded, ensuring you don't miss a word of this decidedly dialogue - based film.

Series like Advance Wars, from which 17 - Bit drew much inspiration, have used dialogue between in - game characters to convey strategy game mechanics in the past, but 17 - Bit has set the new standard here.

Though there are a few odd sentences here and there and the occasional blurt of inhuman dialogue, for the most part Omega Force have done a cracking job in porting the game.

There's a healthy amount of sharp writing and dialogue on display in the latest theatrical preview, while the themes and psychological nature of the narrative seem quite interesting, as portrayed here.

I like how Cronenberg pays so much attention to detail here, and there are always great characterisations and powerful dialogue sequences in his films.

Writer / director Martin McDonagh - making his debut here - has infused the majority of In Bruges with a deliberately - paced, overly talky sensibility that undoubtedly reflects his background as a playwright, and it's certainly difficult not to admire the fervor with which both Farrell and Gleeson tackle their respective characters and the film's ample dialogue (the actors» heavy accents does make it difficult to make out every word, admittedly).

Audio: Again, what's on offer here is very subtle; you aren't going to hear much in the way of sound effects (or dialogue, or anything else, for that matter).

It did have touches of humor here and there, such as Herbert Moon being primarily comic relief, but satire and jokes weren't as common as in GTA, where every billboard, every radio commercial, every line of dialogue is supposed to be a quip of some sort.

It's an interesting film because Crowe's usual strengths — command of tone, dialogue — are some of the weaknesses here, and yet the director shows what an impressive visual helmer he's become with some genuinely haunting images, and there's a darkness, and genuine eroticism, that isn't present elsewhere in his work.

His cinematography and camera orchestrations are as sumptuous as ever, almost worth watching without dialogue, and yet, he doesn't exactly offer anything new here — it occasionally seems like he is trying to remake his cult classic, Chungking Express, for a Western audience, with some of the more interesting bits of his other films tossed in for good measure.

As in all of Tarantino's previous films, scenes exist here solely for the sake of dialogue.

It's the same thing here: the sequences that really carry the emotional weight in The Good Dinosaur are the ones that are dialogue - free and told through the gorgeous animation and character designs.

The shift and Hooper's technique for it take some adjusting on our part, as song — only infrequently interrupted by a spoken line of dialogue or two here and there — does not soar in big voices and sustained notes but remains earthy — modest and sometimes messy.

Dear White People is a show replete with thoughtful dialogue, but here was a moment in which images managed to convey infinitely more than language could.

The EVIL GENIUS over at Stand By For Mind Control Blog nails the problem with modern screenwriting, as evidenced by MAN OF STEEL, right here in Socratic dialogue mode:

The fantastic sequences of dialogue Tarantino has had in the past that carries his character development falls a bit short here.