Sentences with phrase «in the exhibition explore»

The local emerging artists brought together in this exhibition explore travel as both a process and a subject.

The works in this exhibition explore the relationship between plants, humans, and the psychology behind their interactions.

Hirst's formaldehyde sculpture «Black Sheep with Golden Horns» is included in an exhibition exploring the biblical story of Abraham and Isaac.

Whether ironic or sensuous, the works in the exhibition explore the visual delight of food and its related themes.

Over 140 works are exhibited in an exhibition exploring the extraordinary parallel flowering of contemporary art in Britain and Poland at the turn of the 1980s / 1990s.

The works in this exhibition explore the way that this subgenre of painting has evolved in the work of artists who may identify as painters, but who explore the space between painting and sculpture.

A decade later, Hirst chose the work as the focal piece in «Re-Object» (Kunsthaus Bregenz, 2007)-- in which Hirst, Jeff Koons and Gerhard Merz each presented an artist's statement in an exhibition exploring the influence of Marcel Duchamp.

The works in this exhibition explore a rich and stark monochromatic pallete and utilize the raw canvas as a drawing material.

Featuring a wide variety of approaches to abstraction in landscapes, including Cubist fragmentation, gridded compositions, and pure geometric abstraction, the artists in this exhibition explore landscapes both near and far.

The video, sound and drawings in the exhibition explore flocking or swarming behavior, and suggest the potential and perils inherent in group action.

The eight artists in this exhibition explore themes of political discourse, employing a variety of strategies from indirect critique to straightforward dissent.

TThe sculptors Nairy Baghramian and Phyllida Barlow are shown together for the first time at the Serpentine, in an exhibition exploring two positions on sculpture in the 21st century.

In this exhibition she explores the role of feeling, emotion and subjectivity in how we experience objects, images, or situations, despite degrees of abstraction or transmutation.

Giorgione, the key figure in our exhibition exploring the early Venetian Renaissance, remains an enigma.

That piece and others in the exhibition explore the notion of pop portraiture, which, Zabel writes, is «more about the power of the media to package an image for distribution and consumption than about the individual represented.»

Among other similarities, the works in this exhibition all explore particular qualities of light, or hard light (a film / photography term used to describe a lighting situation that casts a sharp, clearly defined shadow), that contribute to the development of fragmented, or broken, ambient narratives.

Several artists in the exhibition explore the use of text, light, mixed - media and language in their sculptural works.

Matthias Schaller's striking compositions in the three series presented in this exhibition explore changing boundaries, national definitions and consequent atmospheric tensions.

The works collected in this exhibition explore the role materials may play in the construction of images.

The fourteen works in the exhibition explore the contrast between artists who seek to capture light's spiritual and phenomenological quality with those who access light's cultural history, from the glare of the neon sign to the glow of street lights.

Exploring various actual and imagined subtexts — pre and post digital reality, the dematerialization of narrative, co-authorship, mass consciousness and social evidence, works in the exhibition explore various artistic and political responses to notions of reality and time.

Through depictions of bustling city crowds and breathtaking metropolitan vistas, 25 black - and - white prints in this exhibition explore the spectacle of urban modernity.

The selection of sculpture, installation, paintings, drawings, photographs, and video in this exhibition explores a state of awareness or comprehension through the body's ability to interpret sensation without touching.

Other artists in the exhibition explore artmaking and its inextricably ties to daily life, as in Michelle Grabner's paper weavings, or Tony Lewis» site specific wall text — made specifically for this exhibition — based on selections from the classic Life's Little Instruction Book, a compendium of advice.

In the exploration of new mediums, generated by Abstract Expressionism and Color Field Painting, several of the artists in the exhibition explored a realm of the spiritual and sought to express emotive intensities.

The works in the exhibition explore the construction and transposition of narrative systems applied to systems of representation and images» production and dissemination.

The artists in the exhibition explore or record three - dimensional spaces that are imbued with this special sense of place.

Living Units is organized in conjunction with the Koffler Gallery exhibition New World, in which Tudor and Vatamanu join Toronto based Olia Mishchenko in an exhibition exploring the individual and collective expectations triggered by architectural development.

The paintings in the exhibition explore the ways that form can become a symbol of power, both institutional and aesthetic.

Most of the artists featured in this exhibition explored issues of visual perception throughout their careers, using combinations of line, color interactions, and kinetics with diverse approaches and a variety of media to engage and challenge viewers mentally and visually.

The paintings in this exhibition explore the relationships and intersections between the natural and man - made worlds, and how darkness and light can mask or reveal forms and ideas that arise out of this process.

Working in a range of media, from micro to macro levels of experience, from tragedy to comedy, the 40 artists from 17 countries in the exhibition explore the alien inside each of us.

His in this exhibition explore similar themes by different means.

Manipulating the formal attributes of linework, each artist in the exhibition explores the malleability of art's most basic foundation — giving whimsical, geometric, figurative or outlandish life to a common singular motif.

The works by the artists in this exhibition explore the notion of replicating individuality, with all of its flaws, in technology and provide different perspectives on the psychology of computation, allowing us to view our relationship with technology with fresh eyes.

Fusing photograms and cell phone snaps in an exhibition exploring the evolution of photography

Home Strike, guest curated by Alexandra Kokoli and Basia Sliwinska, brings together the work of four women artists — CANAN, Paula Chambers, Malgorzata Markiewicz, Su Richardson — in an exhibition exploring contemporary resistance to the persistent feminisation of domesticity and household maintenance.

The four positions in the exhibition explore different ways in which «nature» has been effected by or reacted to these recent stresses.

The artists in this exhibition explore these traditions while expanding on the physicality of the photographic object itself.

Each painting in this exhibition explores a different facet of femininity and...

Inspired by the initial and purposeful creases and folds inherent in the creation of origami objects, each work in this exhibition explores various states of becoming.

Each painting in this exhibition explores a different facet of femininity and girlhood, and a different facet of every woman.

The artists in the exhibition explore issues of the global circulation of culture and cultural producers, alongside of issues of alienation from the ideas of «home.»

The art in this exhibition explore multiple dualities: the gesture and control, the past and the future, abstraction and figuration.

The featured artists in the exhibition all explore the strategies of breaking up of the picture plane, focusing mostly on the point of the slip between the figuration and abstraction, placing the figurative compositions in an abstract context.

Recent paintings in this exhibition explore Shiraishi's long - standing interest in dreams.

The eighteen works in the exhibition explore subjects including imagery related to advertising, branding, and corporate culture; the flattening of hierarchies between perceived high and low art; the blurred boundaries between the handmade and the technological; and the visual manifestation and capturing of speed as images move through digital frameworks.

The works in the exhibition explore «ideas of home, building community, migration and aspirations, racial profiling, salons featuring jazz, rap, beat and spoken word,» among other subjects.

More importantly the artworks in the exhibition explore the relationship between the tangible and the intangible, as reflected through the coexistence of absence and presence (Jamie Isenstein); enclosure and exposure (Wannes Goetschalckx); structure and its disintegration (Eva Kot» átková); the physical and the metaphorical (Nina Canell); and through proximity and distance (Alfredo and Isabel Aquilizan, and Diango Hernández).

Other video works in the exhibition explore reflections of the self in historical art and architecture.