Sentences with phrase «in the film where»

There's a scene in the film where Krasinski's character and Emily Blunt's character (who are husband and wife in the film as well as real life), share a romantic moment together as they both wear one earbud, and listen to a song — JUST LIKE JIM AND PAM DID.

There is a scene in the film where a young boy prepares himself to fight another boy.

It'd be great if they were like it is in the films where the credits roll and you just know the couple will be happy forever, but it's bit more complicated than that.

There are a few lines in the film where crickets could have been heard in the advanced screening I was at.

There's a part in the film where one of his friends says that at heart he was an activist, and if you listen to what he's saying, there's no denying that fact.

There are whole segments in the film where nothing really happens, the sequence where the pair find a bat in their wood cabin and spend almost ten minutes of the film dealing with it.

Initially the film starts as a basic kid fitting in film where Jonah uses his position to get in with the in - crowd.

declared the young queen in that film where Kapur, scribe Michael Hirst, and the phenomenal Blanchett made clear that Elizabeth's regime would be undermined if she appeared to be rooster - pecked.

There's a moment in the film where Cynthia Dunbar says why should they put something in textbooks if it disagrees with what the majority of Americans believe.

When I first saw it at age 6 or 7, there was a point late in the film where I was terrified of what might come next... The film had such an impact on me, that I didn't watch it again for quite a while.

There are moments in the film where it gets very intense, and you are sucked into its plot.

The common problem of Solondz's characters is an inability to see the world in shades of grey, which is fitting in a film where color - garish, boring or just plain ugly - is so important, and the actors are working off palettes of such extreme emotions.

There's also another scene in the film where Cynthia Dunbar is OPENLY PRAYING to the Lord that he should invade every aspect of our lives, INCLUDING OUR PUBLIC SCHOOLS.

There was never a time in the film where I felt the battle scenes looked fake.

At 100 minutes of pure cinematic magic, it's one of the rare instances in film where it begins and ends perfectly.

AVC: There's also this dynamic in the film where «The Driver» contrasts with other characters who talk more.

In a film where Ramsay was pushing the boundaries of the viewer's relationship with her protagonist, she admits the first Cannes audience was the most nerve wracking moment of her career.

Most of his other early roles are disappointing, either showing his tendency to go overboard (his lawyer in «Criminal Law» is more over-the-top than Kevin Bacon's psychopath) or select roles in films where eagerness trying on new accents and psychological profiles seem to overshadow coherent character work («Chattahoochee»).

Granted, anything with Ashton Kutcher is doomed to miserable failure, but in a film where you have proven comedic actors... who is the weak link?

There are several moments in this film where I recalled images from the pages of the novel.

A-list sad - faces abound in a film where absurd concept is rivalled only by banal execution.

That makes me think of a scene early in the film where Rose lectures a cop for hassling Chris.

There is a nightmare moment early in the film where he watches German soldiers herding a terrified group of naked Jewish women through a forest on the run as if it was all going on in another universe.

The talent and vision are clearly there, but an overindulgence in their own ideas - and a lack of stylistic temperance - results in a film where the filmmakers seem to be in their own way.

There are a few scenes in the film where Josh Gad just must sing.

That's what I loved, the realism in the film where you look at religion, those relationships, friends.

Then he screened a scene from later in the film where Theodore takes Samantha to the beach.

There's a scene late in the film where she tries to explain to her beautiful - mind boy about love, valuing yourself, and the pain of being a parent that deserves its own movie.

Juliet, her nurse and her mother share a moment in the play and in the films where she is being informed about a suitor.

There is a point in the film where the pace changes entirely, while the rhythm of the film — its sense of being within time — remains the same; this point is exactly when Standard is shot — the loud bang of the gun marks it.

He was nearly 20 years younger than his leading lady, and the same age then as Michael Cera is today, but in a film where few of the actors were playing their actual age, he was clearly the man for the role.

On the other hand, anyone with sensitivities about how inhumane man can be towards animals will likely appreciate the messages conveyed in this film where man gets a taste of his own medicine.

There's a scene in the film where maps of different areas appear on a screen behind Tony Stark's head and, when the map changes to display Africa, a sign points to Wakanda.

There's even a scene in the film where Wirathu explicitly endorses Trump.

There is a scene in the film where they go to smoke out one of the bad guys, but Bobby gets fed up and goes in after him, all the while the cops yell at him not to go in there because it's too dangerous.

The goal of moviemaking is to star in a film where your performance drives the film, and the film is either a soaring critical or commercial success, and I never had that.»

It's actually the only time in the film where the fight choreography, the visual effects, and the dialog fit together well and brought up some excitement and genuine tension.

«It's been done before in films where there are a finite number of books, and they finish telling the story for the books, so they come to an ending,» Feige said.

Wisely, Allen doesn't cast himself in the lead role of the neurotic playwright, and he doesn't ask Cusack to mimic his mannerisms to the point where he's doing an all - out Allen imitation, as he has other lead actors in films where he doesn't star.

Arguably the worst villain the MCU has ever produced, Thor: The Dark World's Malekith earned such an accolade by being the most boring thing in a film where «Natalie Portman starts dating again» was a major plot point.

Bruce Davison as the original Willard has a nice moment in that film where he implores his rat - kinder to «tear it up» good, but the film is probably best remembered for the theme song of its sequel, Ben, penned by Michael Jackson v. 0.2.

That's especially true during the earliest action in the film where there's so much bad boxing taking place.

We are thankfully saved from gratuitous shots of musical virtuosity in this film where most filmmakers would have indulged in them.

Yet in a film where not recognising the cast was so pivotal to creating an imposing compelling reality, the spell was broken for me.

There are moments in the film where you're sure to jump (a couple actually brought strange pain to my skull briefly), but most are handled with more class than the old sharp chord and knife reflection shock from silence.

There's a great scene later in the film where writer Robert Lowell gives Eddie a long non-sequitur while speaking with federal agents and their reaction is one of utter confusion.

There are segments in the film where the children face «The It,» a dark mass of negativity floating in space, that might even be too frightening for children under age seven.

I don't know when it got so hard to make a movie with forward momentum, but I can tell you that the point in the film where you start to count the «dates» to figure out when the damned thing is going to end comes early.

There's a chase sequence in the film where Van...

There are many excellent moments in this film where the ghosts startle you, disappear, and startle you again before you have enough time to catch your breath.