Sentences with phrase «in the horror film do»

Levy starred in the horror film Don't Breathe, and will soon be seen in Monster Trucks.

Not exact matches

Avnet (whose father, Jon, is a veteran Hollywood director and producer as well as the studio's co-CEO) told Fortune the studio wanted to maintain the film's authenticity — they wanted viewers to think the horror film playing out in real - time might really be happening — so they avoided marketing the movie and, in fact, they did not even run the idea by Snapchat before proceeding.

If we're watching Hockey Night in Canada and a commercial for a horror film comes on (seriously, HNIC, why do you do this?

I'm not sure there is anything creepier than children in horror films, there is just something about taking that innocence and turning them into something dark and sinister that doesn't sit well with...

But it's good to know that I'm not alone in my horror: Director Luke Gilford has skewered the extreme ends of «wellness» in his new short film Connected, starring Pam Anderson as Jackie, a lonely spinning instructor who wants to feel more, well, connected — so she joins a wellness cult and gets wifi shot into her brain so that Jane Fonda (no, really, she does a voiceover cameo) can tell her how «limitless» she is all the time.

Alas, while I'm in love with the look of the film, I don't find The Shining to be the masterpiece of horror cinema that it's remembered as.

5 MUST - SEE FILMS FOR HORROR FANS IN 2018 By R. C. Americo - 2018 is shaping up to be a fantastic run for the Horror genre, but don't just take my word fHORROR FANS IN 2018 By R. C. Americo - 2018 is shaping up to be a fantastic run for the Horror genre, but don't just take my word fHorror genre, but don't just take my word for it.

Iam currently in college... I do not like horror films.

It is very rare for a third film (especially in the horror genre) to surpass it's predecessors, and while «Insidious: Chapter 3» doesn't quite capture the brilliant atmosphere created in James Wan's original, it definitely is a step above his first sequel.

Director James Cameron's 1986 blockbuster follow - up to Ridley Scott's Oscar winning science - fiction / horror flick that became one of the biggest grossing films of 1979 asks a good question to a successful hit... How do you make a successful sequel to a film in which much of the suspense comes from learning about the mysterious monster?

I didn't expect much from this movie, in fact I expected to hate it, but Spiders is a much better movie than many other horror films that has been released this year.

They missed many important horror films in this collection; and included many which I do not consider horror.

A late - film bit of business featuring Trintignant catching and freeing a pigeon flying loose in the apartment has been criticized for its heavy - handedness, but the problem with this expertly directed scene has more to do with whether such a gesture feels tonally earned after so much horror.

Merriman's done horror before, and even starred in one of the Final Destination movies, but he's clearly not right for this type of film.

The scariest thing to be found in this pointless horror film is that its director, Rob Schmidt, has less prowess as a genre filmmaker in his third film than Eli Roth did in his first.

The fifth in the apparently never - ending series of horror films actually has the highest Metascore of any film in the franchise, which doesn't make it good, per se; just not bad.

What the film does is reimagine other horror films as meta - narratives, except in those cases, the characters never discover the truth about the artifice of their world, as Marty does, just like another fool, Truman Burbank in Peter Weir's The Truman Show, a horror film in its own right.

I've never been a fan, as a rule of horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent dialogue (another thing you don't usually get in horrors) was brilliant, loved the film, Chris Hemsworth, although with less to do in this than he does in Thor, was great in it too.

Some employees of an international arms dealer go out into the Hungarian wildeness for a weekend company retreat, only to find themselves menaced by a group of militants who don't like having them around their territory in this modestly budgeted dark comedy / horror film from Christopher Smith, who also directed Black Death (with Sean Bean).

Annihilation follows the familiar form of science fiction horror found in films from Alien to The Cloverfield Paradox, with a cast of characters in isolation, slowly being picked off by a force they don't understand.

Obviously I'm conflicted here, because it does some things better than Craven's, yet it fails to achieve the same sort of impact and misses the point when it comes to putting the horror in «horror film».

Even though the film feels low budget, this still a fairly well done Sci Fi horror flick, though lacking in plot, it makes up for it in thrills.

This sequel does willingly give itself make to Meta, and with gusto, bringing in an entirely new cast to replace the archetypes of the original and jumpstarting the original's breadth of knowledge on horror films.

The Witch is truly the most disturbing horror film i have seen in years and i don't say that lightly.

Helming solid horror flicks like Hush and Ouija: Origin of Evil, I knew that this film was in good hands, even though I truthfully didn't know much about it when going in.

The Diving Bell and the Butterfly) that do indeed provoke some inquiry towards the subject of dying and the boundaries of morality - but this film does none of that, Haneke's objective here is no different than in Funny Games: he simple wants to use the shock value to prove that we are captivated to a sickening extent by watching horror unfold before us.

A Perfect Getaway acts as a throwback to the B movie horror films of yesteryear but does so in a way void of both reason and logic.

Writer - director Thom Eberhardt (Captain Ron, The Night Before), who had just come off of a similar survivalist horror tale, Sole Survivor, imbues his film with a tongue planted firmly in his cheek, and a genuine love for the various B - movie genres that gives the film the necessary sense of fun needed in order to not get bogged down in deadly seriousness that would have done the film in for sure.

MG: «Insidious» is easily one of the best horror scores in recent years; how do you approach a score when you are working with the film?

I didn't see 2015's The Visit because generally I can not handle horror, but I know that it was the first time in thirteen years where a film of his wasn't critically panned.

While I can certainly agree with both films not falling squarely in line with the zombies, slashers, and extreme gore features that proudly wave their horror flags, Get Out and The Shape of Water do exist in the peripherals of genre, both featuring monsters of very different ilk.

Comedy, sci - fi, horror, romance, adventure, action, drama, and thriller, it covers quite a lot of territory in a short amount of time, and does so with its own sense of style that makes it different from any other film, even if it is an homage film at its core.

It turns out that the film's conclusion, which left the door for further horror wide open, was a promise as Don't Breathe 2 is currently in the works.

Beyond the Black Rainbow (d. Panos Cosmatos) When the dust settles and the smoke clears, I do wonder if guys like Juan Carlos Fresnadillo and Pascal Laugier won't finally get their due as the spearhead of a horror revolution, the two of them landing with new films in the same year that Drew Goddard and Joss Whedon received a round of applause for their genre - hating The Cabin in the Woods.

Roeg's film, originally adapted from a short story by Daphne du Maurier and considered one of 1970s British horror's most precious treasures, sees Sutherland (John Baxter) and Christie (his wife Laura) transplanted to Venice in the wake of their daughter's death.

That doesn't mean you can no longer shroud yourself in horror films day in and day out.

Sprinkled with little personality bits here and there (Tallahassee's mad quest for an ever - elusive Twinkie, Columbus's crippling fear of clowns, etc.), Zombieland doesn't break any new ground in the horror genre so much as make for a strong dose of escapist fun for knowing fans of the films.

I also don't find it inordinately scary, but it is well created, especially in its use of sound to create tension, which is more than one could say about most jump - scare dominated horror films released in theaters today.

He's playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn't know he had.

With its cleaver - wielding dwarf and a sex scene that raised questions over whether it was real, Nicolas Roeg's atmospheric horror film Don't Look Now earned its place in cinematic history.

A few unexpected minor pleasures: the time - travel flick Predestination, an adaptation of a Robert A. Heinlein short story that's one of those rare sci - fi movies that feels like it was made by people who read sci - fi; the horror Western Bone Tomahawk, which feels, in the best way, like someone filmed a first draft script and didn't cut anything, all its little quirks of character kept intact, narrative expediency be damned; and In The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minutin the best way, like someone filmed a first draft script and didn't cut anything, all its little quirks of character kept intact, narrative expediency be damned; and In The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minutIn The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minute.

Sure, it doesn't fall under the horror umbrella but we're thrilled to see him expand and push his craft in what appears to be a very solid film, one that our own Trace hails as, ``... a lot of fun and hilarious to boot.»

Please don't consider this omission any slight on the film which is deeply haunting and horrifying (ever horror filmmaker in the world, please take note).

Found - footage horror thriller Unfriended was a welcome surprise back in 2015, when its commitment to a simple but ingenious premise — everything that happens in the film does so on the laptop screen of doomed teenager Shelley Hennig — managed to overcome a lot of the typical low - budget horror movie flaws.

It doesn't sound like a great idea to Maddie, whose reaction — shocked horror — is the most genuine thing in the film.

We see the destruction of Metropolis from his ground - level viewpoint in a genuinely tense and engaging opening sequence (after the contractually obligated retelling of Bats» origins during the credits), that does far more to convey the true horror and damage of that fight than the previous film.

Until suddenly he does, and the film shifts gears from a study of trauma into a more conventional (but still eerily effective) horror movie, with Josh (who looks more than a little like Glover in River's Edge) enthusiastically casting himself in the role of psycho killer, as if trying to live up to what he worries his best friend thinks he's become anyway.

I don't really think Ryan Reynolds was meant to be in a horror film.

Lifeforce is not a great film, but it is a good horror yarn that tries to do something different in the medium, and it does it in a way to make you take notice and appreciate what the filmmakers have done here.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...