He was also recently seen in the Relativity film BEFORE I WAKE and
in the independent films TOO LATE with John Hawkes, and CAR DOGS with Octavia Spencer.
Not exact matches
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek
Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works
in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples
in the temporal fold, but the
film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S.
independent cinema for way
too long — static, meticulously framed shots
in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up
in the Sky, shown
in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
Guinevere has a sturdy
independent look, forgoing the glossy, homogenized look of The Truth About Cats and Dogs, but I was unaware that it had been shot
in San Francisco until about 90 minutes into the
film, which is
too bad.
The laid - bare poignancy and touching immediacy of these
films are exactly the kind of thing that is
too often jettisoned by studio pictures; they're part of what makes indie
film great, and connection with those common themes are, let's hope, a trend that we'll continue to see
in independent film this year.
Instead, right down to the nearly synonymous title we get a lurid, silly «Prisoners» me -
too (and that
film itself was far from flawless)
in which the only additions are a flashback - and - forward structure that never works, the kind of contrivance
in which a laptop camera accidentally left transmitting records a crucial conversation (perfectly framed) and a crude, distastefully regressive subtheme which suggests that well, of course that this is what happens to girls and to women (even successful, intelligent,
independent women) when they are left alone even for a moment by their menfolk.
Instead, right down to the nearly synonymous title we get a lurid, silly «Prisoners» me -
too (and that
film itself was far from flawless)
in which the only additions are a flashback - and - forward structure that never works, the kind of contrivance
in which a laptop camera accidentally left transmitting records a crucial conversation (perfectly framed) and a crude, distastefully regressive sub-theme which suggests that, well, of course this is what happens to girls and to women (even successful, intelligent,
independent women) when they are left alone even for a moment by their menfolk.
Recently, the staff here at Way
Too Indie put together a list of
independent films we thought Alfred Hitchcock might have made if The Master of Suspense had come up
in the Kickstarter Era.