Not exact matches
Chinese buyers are surging into Washington state, thanks to a top - grossing Chinese
romantic comedy filmed in Seattle as well as direct China - Washington flights, reports The Associated Press (20 December 2014)....
The year's funniest movie is probably The Big Sick, a heartwarming
romantic comedy written by Kumail Nanjiani and Emily Gordon, who tell their own life story
in this
film about an interracial couple dealing with their cultural differences.
Many
in Hollywood say they see the spiritual - memoir - turned - movie as the next hot genre, suggesting there are ongoing talks about turning Lauren Winner's «Girl Meets God» into a
romantic comedy, Ian Cron's «Jesus, My Father, the CIA, and Me» into an action flick, Anne Lamott's «Traveling Mercies» into an indie road trip
film, Kathleen Norris» «The Cloister Walk» into something really creepy involving monks.»
The
film, which hits theaters February 16, is a modern twist on a
romantic comedy (boy and girl meet, fall
in love, but then break up, and are suddenly reunited, ending up
in that awkward stage where they have to debate whether to wave hello while taking out the trash), but it's also a particularly female spin on the coming of age story, the likes of which we're only beginning to see onscreen as more women carve out a place for themselves
in writer's rooms and director's chairs.
This year, I'm working on a series of eight short
films, one of which is a
romantic comedy in pre-production as we speak.
With the festive season
in full swing, what better way to catch a breather than spending an evening on the sofa watching a
romantic comedy film!
It's a Boy Girl Thing is a 2006
romantic comedy film directed by Nick Hurran and written by Geoff Deane, starring Kevin Zegers and Samaire Armstrong and A schoolboy was savagely beaten
in an «honour attack» after he started dating a girl from a close knit family, a court heard.
It's a Boy Girl Thing is a 2006
romantic comedy film directed by Nick Hurran and written by Geoff Deane, starring Kevin Zegers and Samaire Armstrong and Dating is a stage of
romantic relationships
in humans whereby two people meet socially with the aim of each assessing the other's suitability as a
And while you may be comfortable
in your Just Married is a 2003 American
romantic comedy film directed by Shawn Levy, and was written by Sam Harper, and starring Ashton Kutcher and Brittany Murphy.
My Big Fat Gypsy Funeral: Irish gangster «Fat» Andy Connors laid to rest
in # 25,000 GOLD coffin Gangster «Fat» Andy Connors was shot dead
in front of his She's Dating the Gangster is a 2014 Filipino teen
romantic comedy - drama
film based on the best Pop Fiction book of the same name originally published on
Director Tom Dey's
film is yet another by - the - numbers
romantic comedy where the same tired escapades ensue, including one character's climactic discovery of the other's secret (
in this case, when Tripp finds out about Paula's career as a female Hitch), and their eventual reunion at the end.
In 1987, she made her breakthrough film performance in the romantic comedy Making Mr. Right, ideally cast as the high - fashion publicist Frankie Stone opposite the literally robotic John Malkovic
In 1987, she made her breakthrough
film performance
in the romantic comedy Making Mr. Right, ideally cast as the high - fashion publicist Frankie Stone opposite the literally robotic John Malkovic
in the
romantic comedy Making Mr. Right, ideally cast as the high - fashion publicist Frankie Stone opposite the literally robotic John Malkovich.
Although billed as a
romantic comedy, this
film is neither: it's a drama spanning about two decades
in a marriage
A
romantic comedy that's a hoot
in every sense, worth a smidgen of disapproval and a whole lot of helpless laughter... The
film works ridiculously well because it never stoops to being mean - spirited or (despite all appearances) authentically inane.
Directed by Peter Chelsom, this
film is the English - language remake of Masayuki Suo's 1995
romantic comedy of the same name; the Japanese version earned a record - breaking 9.5 million dollars
in United States box offices.
Following a substantial role
in the independent
romantic comedy Better Than Chocolate (1999), Crewson seemed to be on the verge of adding another hit to her resumé as one of Robin Williams» original owners
in the fantasy Bicentennial Man (1999), but the
film failed to live up to box - office expectations.
The Puffy Chair is the funniest, saddest and most emotionally honest «
romantic comedy» to come along
in years, even if I've yet to encounter many over the age of about 35 who like the
film, or even get it.
I «m not interested
in light - hearted
films, such as most of the
romantic comedys etc..
Kinney, of course, had aspirations beyond regional theater, and,
in 1986, made his
film debut with a small part
in the
romantic comedy Seven Minutes
in Heaven.
Later that year, Macdonald appeared
in Mike Figgis» The Loss of Sexual Innocence, playing the young girlfriend of the
film's protagonist; and
in Gregg Araki's Splendor, a
romantic comedy in which she played the blue - haired best friend of the
film's heroine.After a slew of similar supporting roles, including a memorable turn as the daughter of Mary Elizabeth Mastrantonio and Colin Firth
in My Life So Far, MacDonald was given possibly her biggest break since Trainspotting when Robert Altman cast her as a lead (albeit one of many)
in Gosford Park (2001).
Along with acting
in Broadway and off - Broadway plays
in the late»90s, Williams also played the young Sharon Stone
in the
film version of Sam Shepard's Simpatico (1999), joined the ensemble cast of the
romantic comedy Just a Little Harmless Sex (1999), and starred as a contemporary young woman transported to fairytale land
in the splashy NBC miniseries The 10th Kingdom (2000).
Wintry symbolism has never felt so forced — and
in a
film that ought to have been played as a
romantic comedy, it's never been more out of place, either.
Moving on to
films, Loughlin appeared
in the horror sequel Amityville 3 - D (1983), the
romantic comedy Secret Admirer (1985), the thriller The New Kids (1985), and the Frankie Avalon - Annette Funicello retro - romp Back to the Beach (1987).
From their first
film to their newest, the Farrellys have shown a keen grasp of not only the subtle comedic principles involved
in semen gags, but also the nuances of the traditional Hollywood
romantic comedy.
The
film's big weakness is, ironically, its premise — as a straight
romantic comedy in the Woody Allen / Nora Ephron vein this could have been one of the finest
films of the decade, not just the year.
Add to it a soundtrack (featuring The Cure, The Smiths, and Tears for Fears, among others) that is the English equivalent to an 80's John Hughes
film, and you have a
film that will have all post-punk, 80's nostalgic fans tapping their feet while delighting
in the chemistry of this pleasant
romantic -
comedy.
Luckily, Martin is surrounded by a nice supporting cast, with Kline almost outdoing Martin for the least convincing French accent
in the
film, Kline has played Frenchmen before, most notably
in the
romantic comedy, French Kiss, although he seems to have lost his ear somewhat for the inflections.
Enough Said is a
romantic comedy - drama from Nicole Holofcener, the writer - director of other critically acclaimed
films exploring the daily travails of mostly upper middle - class affluent women (and men)
in such as Lovely & Amazing and Friends with Money — something that invites comparisons to the works of Woody Allen often.
However, underneath the high - concept themes of the
film, Rumor Has It remains a routine
romantic comedy with serious moments thrown
in, and will likely only please viewers considered to be regulars of the genre.
Though it isn't as laugh - out - loud funny as you might expect from a
film starring a Seinfeld - alum, Enough Said still emerges as a warm and insightful
romantic comedy that sees its characters as flawed but well - meaning people looking for happiness
in their interactions with others, but ultimately finding it within themselves.
Although billed as the «ultimate
romantic comedy», Curtis takes a strange stance on relationships
in this
film.
Moonrise Kingdom (Wes Anderson, 2012) Anderson delivers a beautifully quirky
romantic comedy drama,
in what is destined to become one of his best
films in recent years.
Jennifer Lopez and Ralph Fiennes (
in what feels like a rare turn) have palpable chemistry, and the
film is shot with the sweeping air of off your feet romance that we desperately want to see
in our
romantic comedies.
Shane Meadows» previous
film «Once Upon a Time
in the Midlands» (2002) was, as its title would suggest, an attempt to transplant the American western onto English soil — but the hybrid which emerged was a disappointing
romantic comedy that almost ruined the director's reputation (carefully built upon the improvised do - it - yourself naturalism of his 1997 debut «Twenty Four Seven» and his 1999 follow - up «A Room for Romeo Brass»).
The
film is a
romantic comedy set
in 1990's Los Angeles that also features Academy Award and Grammy winner Jennifer Hudson, Kevin James, Terry Crews, Lamorne Morris, Nick Swardson, Rob Schneider, Jane Seymour and Grammy winner Aaron Neville.
It may not be a
film that relies on intelligent jokes, but it's a
film that understands how to make its audience fall
in love with its characters, and sometimes,
in a
romantic comedy, that's all that's needed.
In spite of several lines about how
romantic comedies have given people seriously messed - up expectations about the way the world works, it's unsurprising that Tropper is already working on adapting the book as a feature
film.
The men
in this summer's slate of indie
films are far from ordinary: Colin Farrell stars as a neurotic
in the wonderfully weird
romantic comedy «The Lobster» and Daniel Radcliffe is a dead guy
in «Swiss Army Man.»
Book Club isn't just a
romantic comedy but a
film that manages to team up four of the greatest female actors of their time
in the same movie.
But
in revising the
romantic comedy by refusing to unite the couple, Coppola's
film remains mysterious and unresolved.
(This is his second
film; his first was a wonderfully corny little
romantic comedy called «Big Eden,» which came out
in 2000.)
Indeed, you are unlikely ever again to see a
romantic comedy with one of the pair spending half of the
film in a coma.
Steve Carrell is a sweet, shy middle - aged geek and the last American virgin
in The 40 - Year - Old Virgin (2005), the feature debut of director Judd Apatow (who wrote the
film with Carrell), an oddly sweet mix of
romantic comedy and adolescent shenanigans, albeit with a slightly older cast.
This award - winning
film features the voice talents of Sarah Silverman, Dermot Mulroney, David Carradine, Martha Plimpton, and Justin Long
in an outrageous
romantic zombie
comedy that tells the story of a teenage couple murdered on prom night, who return for revenge.
With another big
film, Rebel
in the Rye (directed and written by Danny Strong and co-starring Nicholas Hoult) coming to theaters this fall, a recent wrap on The Year of Spectacular Men (written by her sister Madelyn Deutch and directed by their mother), and production starting on the Netflix
romantic comedy Set It Up, a work drought does not seem to be
in Zoey's future.
The 54 - year - old director left a successful run
in British theater and television to tackle a striking range of genres on
film: horror,
romantic comedy, family drama, thriller, dark
comedy, among others.
As a female, I naturally like
romantic comedies, and I have been sorely disappointed
in the
films from this genre that have been coming out for a couple of years now.
The
films in Next, the festival section devoted to innovation
in storytelling, are writer - director Michael Tully's «Ping Pong Summer,» a coming - of - age
comedy that was the recipient of a $ 70,000 SFFS / KRF postproduction grant, and writer - director Gillian Robespierre's
romantic comedy «Obvious Child,» the subject of a January 2013 SFFS «Off the Page» screen - writing workshop.
Strangely, even though this side story is a superfluous toss -
in that has next to nothing to do with Google or the competition, their
romantic comedy interplay represents the best moments of the
film.
Unlike the appropriately sober (if aesthetically half - assed) UK poster, this U.S. one - sheet for «Chéri» does much the same thing as the trailer
in selling the
film as an effervescent
romantic comedy.